True Crime with Marilyn Chris Tuesday, Dec 24 2024 

Auntie M had known actor Marilyn Chris since the days of One Life to Live, where Marilyn’s long-running role as Wanda Wolek was a fan favorite. A veteran of theatre and more, (see her bio below) she’s returning this January with a one-woman show written for her and plays real-life serial killer known as Nannie Doss.

THEATER FOR THE NEW CITY TO PRESENT MARILYN CHRIS IN
“THE GIGGLING GRANNY” BY MARSHA LEE SHEINESS
JANUARY 9 TO 26, 2025
 
WHERE AND WHEN:
January 9 to 26, 2025 Theater for the New City, 155 First Ave. (at E. 10th Street)
Presented by Theater for the New City
Thursdays through Saturdays at 8:00 PM, Sundays at 3:00 PM
Tickets $18 gen. adm., $15 seniors & students
 www.theaterforthenewcity.net, (212) 254-1109
Photos are available at: https://photos.app.goo.gl/kffLtzFMsjcHrphi8
Runs :90. Critics are invited on or after January 9. Opens January 9.


 
DETAILS:

Nannie Doss was an American serial killer responsible for the deaths of four husbands in Alabama, North Carolina, Kansas and Oklahoma between 1927 and 1954. She died in prison in 1965, but will be brought to life again by Marilyn Chris in the world premiere of “The Giggling Granny,” a solo play written for her by Marsha Lee Sheiness, presented by Theater for the New City, Crystal Field Artistic Director, from January 9 to 25, 2025. Ms. Chris, a veteran actress of soaps, Broadway and Off-Broadway, is a winner of many awards in her varied career. Jim Semmelman directs.


 
The play is a true story about a mesmerizing, innocent and likable serial killer who was looking for true love. Known as the “Giggling Granny,” she was a paradoxical mix of grandmotherly warmth and chilling malevolence. Her life has not been examined in theater to-date, giving Ms. Chris the opportunity to define the character for present and future audiences with an exploration of Doss’s charm, wit, and horror.


Marilyn Chris is well known for her 18 years on ABC’s “One Life To Live” playing Wanda Webb Wolek, for which she received the best supporting actress Award from The TV Magazine Writers and Editors. Her Broadway appearances include “Brighton Beach Memoirs” (as Aunt Kate), “Lenny” (as Sally) and “The Birthday Party” (directed by Alan Schneider). She was an original member of the Living Theater, appearing in its productions of “Jungle of Cities,” “Tonight We Improvise,” “Good Soldier Schweik” and “Many Loves” and participating in two of the company’s European tours. She was also a member of Robert Kalfin’s Chelsea Theatre Center, where she created the role of Naomi, the paranoid mother of Allen Ginsberg, in the famed multimedia production of “Kaddish” directed by Mr. Kalfin. Ms. Chris won an Obie Award, a Drama Desk Award, an Outer Critics Circle Award and the Variety Critics Poll for this performance. She appeared with The Jewish Repertory Theatre in “Elephants,” “Yard Sale,” “God of Vengeance” and many others. Her TV credits also include “Oz,” “Third Watch,” many episodes of “Law and Order” and “Blessings.”

>> Nanny Doss’s chilling story taps into the public’s curiosity about the psychology of serial killers, especially when the killer defies stereotypes—Doss was a grandmother with a cheery demeanor. Her crimes occurred over decades, largely unnoticed because of her manipulative charm and society’s tendency to overlook women as potential perpetrators. This raises timeless questions about trust, perception, and how evil can hide in plain sight. In the play, Doss’s actions are examined through a feminist lens, exploring the constraints of mid-20th-century gender roles and the impact of societal pressures on women’s lives. 
>> Author Marsha Lee Sheiness, who died in 2022, was an original playwright-in-residence at Playwrights Horizons, where nine productions of her work were presented. Her work was also presented by the O’Neill Playwrights Conference, PBS’s “Theater in America” and Cincinnati Playhouse in the Park. Her musical adaptation of “Great Expectations” with Robert Bendorff was a finalist for the Richard Rodgers award.  Her “Becoming Eleanor,” developed in collaboration with Robert Kalfin, explored the early life of Eleanor of Aquitaine. She mentored individual playwrights and taught playwriting at The New School and other universities.
 

Director Jim Semmelman (AEA, DGA, Dramatists’ Guild) is a director, producer and author with more than 30 years’ experience in theater, TV and film.  His three-character musical, “Brush Strokes,” premiered in New York this past October. His children’s Christmas musical, “Mooseltoe,” has toured during the holiday season for almost 20 years and can now be streamed. He has directed and choreographed the national tour of “SRO Standing Room Only” and regional productions of “Grease,” “Jesus Christ Superstar,” “Working” and “Side by Side by Sondheim.” Recently he conceived and co-produced “30 Years of Stephen,” a tribute to Broadway composer Stephen Flaherty, at Carnegie Hall.
 
Set and costume design are by Frances Kohn. Lighting design is by David Abb. Sound design is by Gary Ljungquist. Stage Manager is Debora Porazzi. Assistant lighting designer is Andy Moreta. Producer is Roseanne Kirk.

 Marilyn Chris writes, “I have known Crystal Field for a very long time. She has made Theater for the New City a welcoming place for artists of all stripes to have an artistic home. I am glad to be here and to be a part of such a valuable community resource. Over fifty years and stronger than ever! How wonderful!”

If you’re anywhere in the NY area, don’t miss this chance to see a master actor bring a serial killer to life!

True Crime Twofer Sunday, Sep 30 2012 

Kathryn Casey is the critically-acclaimed writer Ann Rule has called “one of the best in the true crime genre.” In Deadly Little Secrets, she’s written a meticulously researched account of a cold-blooded pastor in Texas who is convicted of killing the mother of his children. There is also lingering suspicion around the earlier death of his physically ill daughter.

After marrying Matt Baker, a charming and seemingly pious man, Kari Baker gives birth to two daughters, Kensi and Kassidy. Always upbeat and positive, Kari seems to take her husband’s frequent church relocations in stride, never questioning his stories of the reasons for their moves. Matt appears to be a devoted husband and father, but others tell stories of unwanted sexual approaches and inappropriate comments and behavior with young women that Kari refuses to believe.

When Kassidy becomes gravely ill and subsequently dies, to the surprise of her doctors, Kari falls into the very reasonable depression the death of a child would cause, but manages to pull herself up to have another child, Grace. She finishes school and begins teaching. Life was sorting itself out: until the day Kari’s parents receive the inexplicable phone call that their daughter has committed suicide. Just days later Matt is seen with a pretty blond companion who he brings into his daughter’s lives.

What happens next will unravel years of the elaborate show Matt Baker has put on for the public to cover his trail of sexual predator behavior. With only her parents to fight for justice for Kari, a relentless legal battle ensues over years, with the safety and futures of Kari’s two remaining daughters at the heart of her grandparents brave struggle.

This is the well-drawn portrait of a narcissistic individual who believes his own lies and chafes at his family responsibilities. How he is brought to justice by a dogged team of investigators prompted by Kari’s parents will show the dogged determination of a handful of people who became convinced that Kari Baker deserved the justice in death she was denied in life.

At the opposite end of the spectrum is a case of Imperfect Justice, prosecutor Jeff Ashton’s account, written with Lisa Pulizer, of the Casey Anthony trial.

With exhaustive detail, Ashton takes readers inside the evidence and trial that captured the nation’s attention when the body of missing two-year old Caylee Anthony was found.

Inside the prosecution team, evidence is sifted through and statements compared and contrasted. For most of the thirty-one days Caylee was missing, her mother partied with then-boyfriend Tony Lazzaro. Photos surface of Casey’s antics which as a parent, didn’t make any kind of sense to the prosecutor. He makes particular note that both before and after Casey’s arrest, she exhibited little behavior to suggest she was grieving for her daughter.

Detailed photos accompanying the text show the evidence and Ashton points out little things that were not public knowledge during the trial, like the closeness to the roadside of Kaylee’s remains, which indicated to him the laziness of their placement. He explains the team effort that went into building a case, at times literally sifting through garbage to counter a point made by a defense witness. He explains Casey’s conflicting testimony and contradictions. And he describes how the person he felt most sorry for was George Anthony, Casey’s father.

Everyone who could read a paper knows the stunning outcome of that trial, one that Ashton postponed his retirement for over six months to see to its end. He believes that ultimately little Caylee Anthony was lost sight of in the media circus and trial that followed. In giving this behind-the-scenes story of the complete investigation and trail, he reveals information why he remains convinced to this day of Casey Anthony’s guilt.

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