The Lure of Bookshelves Friday, Feb 9 2024 

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My bookshelves surround me with the words of writers I admire, whose influence I feel when I sit at my desk. The place we keep our treasured books varies from reader to reader, but who knew bookshelves were such an aesthetic trend? 

According to Madison Malone Kircher in her New York Times article of Jan 16, 2024, social media platforms have been having a field day with people who own a huge number of books and how they “stage” them. The term “bookshelf wealth” is bandied about, too. 

Here’s a direct quote: “If you’ve ever seen a Nancy Meyers movie, the look might ring a bell. Warm and welcoming. Polished, but not stuffy. A bronze lamp here. A vintage vase there (with fresh-cut flowers, of course). Perhaps there is a cozy seating area near the floor-to-ceiling display, with an overstuffed couch topped with tasteful throw pillows.”

What happened to buying books to READ by authors you admire or will come to enjoy, or for learning about something new, or for delving into someone’s life. (Big sigh) And if my shelves are sprinkled with family and friend and dog photos, it’s because those are the things I want near me when I work, not because of their price tag. 

My three walls of bookshelves do not include the additional rack of those waiting to be reviewed by the side of my desk, nor the towering stacks in our bedroom, waiting for my insomniac reading. What they do have is the one thing I’d set my heart on when we built our house: a ladder from the Putnam Rolling Ladder Company in New York, which I convinced myself was practical for reaching the tops of the nine-foot shelves we were building into the library nook where our desk sits in the middle. Yes, I share a desk with my husband, an antique oak partner’s desk from the 1920s. 

Another thing mine have: all of the book spines facing OUT so I can read the titles/authors and actually find the book I’m looking for. To me, this is a lovely part of a book’s cover. I cannot understand the new fashion of placing books with the pages out with no way to ascertain which book one is looking at. I recently emailed an HGTV show whose designs I admire, except for her habit of placing books with their spines against the wall. I asked why that was a trend as it negated any useful searching for actual reading. I actually received a reply from a production assistant, who explained when she asked said designer that they were worried about ‘copyright infringement’ if they displayed a book spine out without the authors’ permission. 

That sounds hokey to me. What author would object to seeing his or her book on a television shows’ shelves, if they could even be distinguished at that distance? I thanked her for her answer but told her I knew plenty of authors who would gladly send a copy of their book to be displayed properly. She didn’t take me up on it…

And that makes me think that people who like this look backwards look (sorry if I’m mistaken) are not reading those books, keeping them to savor and re-read, or perhaps loan to a reading friend, but using them as a trendy sign of acquisition, that dreaded “bookwealth.”

I‘m likely dotty about books and papers, I’m the first to admit. I love a good pen and nice stationary and pretty notecards. I inhale the scent of a shelf of vintage books, the old inks and paper covers curled and maybe slightly moldy. The idea of spending time in a used bookstore thrills me, scouring for treasure. 

A few years ago, one of my writing group members and myself visited Powell’s in Portland, the world’s largest independent bookstore. Heavenly. We separated and met in the main lobby hours later, hardly sated. When I lived in New York, I’d stagger out of a visit to The Strand under a burden of several book bags chock full of those that simply couldn’t be left behind. Plus a few journals or notebooks. And don’t get me started on pens. Both Michele Dorsey and Susan Breen have blogged about these items with good reason. We are smitten.

Wisdom in old shelves and books of Trinity College, Dublin

I find that photos of large and gorgeous libraries all over the world intrigue me, too, and frequently post them on my Facebook page. They go onto a bucket list in case I’m ever in that part of the world. Who wouldn’t want to visit the libraries in great cities, to simply look on in awe and take a deep breath of all of that goodness? One of my favorite places to stop by when I’m back in NY is the Morgan Library, for that aesthetic pleasure of being surrounded by all of those books in that gorgeous setting. And yes, I freely admit I almost swooned many years ago when taking the oath to read in the Bodleian Library’s Radcliffe Camera, surrounded by original broadsheets of Charles Dickens and Wilkie Collins.

It’s a sickness of sorts.

Our bookshelves are all oak and there are lot of them. After twenty years in this house, I recently did a nice cleanout and donated and gave away carton upon carton of books to our library and to reading friends in other states who would then donate them to their library. I kept my most favorite authors near me, but as my husband said, just made room for all the new ones I’d soon be adding in.

He’s right.

Then I decided all of that oak needed to be broken up, so I’ve been using swatches of peel and stick wallpaper in different designs to line just the back shelves. You can’t see a lot of them because they’re covered with, well, books. But when a bit of color peeks above a stack, I smile. It’s my way of personalizing all of that wood that supports the tangible thing I love most.

Readers, do you have a favorite library to visit? And what are your thoughts on the way books are placed on shelves? Be honest!

Ellis Vidler: Prime Target and one writer’s process Sunday, Aug 2 2015 

One thing Auntie M has learned is that there’s no one way to write. Each writer has to learn what works for him or her, and it’s as individual as snowflakes.

Please welcome fellow Sister in Crime, Ellis Vidler, who shares her writing process with readers.

The Way We Write

The writers I know work in all sorts of ways. Some outline in great detail, others just turn on the computer, start typing, and the story comes to them. Only one person of my acquaintance gets out his yellow legal pad and sharpens his pencil, but it works for him.

Me? I have to think about the characters for a good while, get to know them in my head first. Scenes come to me, and bits of the plot, such as a night fire (arson, of course), and then I wonder if anyone dies in it. If I let the story percolate in its own time, it will eventually take shape.

I do a LOT of reworking, which might be avoided with more planning, but so far that hasn’t worked. The eternal questions why and why not keep coming up. Why would she do that? Why wouldn’t she do that?

Maybe that’s plotting in a way, but the scenes are random, only connected through the characters. My characters are why I write. I love them. I have to or nothing else comes to me. I can imagine them in all kinds of situations, bad and good, as long as I care about them. My most recent characters, Madeleine Schier and Charlie Dance, are two of my favorites. I spent many nights dreaming about them.

Pinterest board2

I spend hours online searching for pictures of their faces, their homes, settings for scenes, anything that catches my eye. Most of my “finds” are never used, but I keep them for a long time, just in case.

Now that Pinterest has come to my attention, I have a great place to store the pictures, and they’re easier to see on a board than in my photo files. I keep these boards secret until the book is finished. Then I delete the things I don’t want, add excerpts from the book to some, and make the board public.

For my current book, another McGuire Women Psychics, I started out to write Shallow Grave. I have the character, Niamh, bits of the story, and even the cover. But much of it is based on Niamh’s past. Finally I decided I had to write her mother’s story first, or this one would be all backstory. So this story belongs to Aurelia, most powerful of the McGuire psychics.

It’s set in the North Carolina mountains in 1981 when she’s nineteen. I’ve been thinking about her for a couple of months. As usual, this won’t fit neatly into any genre. It’s about vengeance and murder, justice and injustice, and love. I think it will be suspenseful. I don’t know how long it will be—as long as it takes to tell the story, whatever that is.
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What I do know is that I’m wrapped up in it, and it’s hard to come out for everyday life. The main male character is Finn Youngblood, a member of a rough, clannish family. Finn plays a mean guitar, and I’m working on a scene in a blues bar, so I’ve been listening to the old blues greats—Muddy Waters, Jimmy Reed, John Lee Hooker—while I imagine the scene. The music helps me find the mood and the atmosphere. This was when cigarettes were in, so I see swirls of smoke wafting through the blue light highlighting the band, breathe in the thick air, smell the sweat and perfume and beer. The crowd is caught up in the music. Aurelia, at table in a dark corner, feels it too, until she senses intense rage. She turns, searching for the source, . . .

I’m still in the euphoric stage, the first third or so where I’m filled with ideas and images and in love with all of it. It’s the middle third that’s a killer. I get depressed, doubt the story’s worth, and don’t know where to go next or what works. But for now, I’ll enjoy the high and keep writing. This is how my writing goes.

PT Full cover2

Ellis lives and writes in the South Carolina Piedmont with her husband and two wonderful dogs. All her stories have some degree of romance and a lot of suspense. Her first two books were traditionally published but now she self-publishes. Haunting Refrain and Time of Death are the two McGuire Women Psychic novels, and Cold Comfort and Prime Target are linked through Maleantes & More, a security firm. She co-wrote The Peeper, a police procedural/suspense novel, with Jim Christopher. Her collection of three short Southern stories, Tea in the Afternoon, is available on Kindle. There’s more about Ellis and her books at http://www.ellisvidler.com

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