Ewart Hutton’s debut Good People features a most unusual detective: DS Glyn Capaldi, half-Welsh but also half-Italian, and it’s those dark good looks that set him as an outsider.
A call for a minibus hijacking looks like a routine call, especially when the missing van is found the next morning, an apparent prank.
But all is not well: six young men and one young woman appear to be missing, and when not all of them are found, Capaldi smells a case with his detective’s instinct.
Despite the villager’s assurances of the men’s goodness, Capaldi investigates and runs into opposition from the townspeople, who staunchly defend the mens pranking. These rural landowners command a high influence in the area; their word is taken as gospel.
It will be left to Capaldi to unravel what really happened that night, with consequence reaching into the past he could never foresee. Betrayals leading to depravity only scratch the surface when the truth is known, and not before a suicide occurs–or is it murder?
Hutton brings the reader into Capaldi’s world of dark woodlands and small towns that survive by their own code of justice. This is a crime thriller with an edge, and readers will hope the cynical voice of Capaldi returns, and soon.
Juniper has a cadre of friends and a troubled past that her favorite noir fiction keeps at bay. Known as “Song” by her friends, she responds to her good friend Luke’s request to find out if the new paralegal at his father’s firm is also his newest mistress.
Song as no real idea how to proceed, but armed with her pack of Lucky Strikes, in best Chandler fashion she tails various suspects and the young woman herself–and finds herself up against more than she’d bargained for when she agreed to help Luke.
At one point she is knocked unconscious and wakes up as the body in the trunk of her own car. This is carrying things to far for Song, and she steels her determination to conquer her past and plunges into LA’s underground, determined to find out whose buttons her minor investigation have pushed.
Cha gives readers a fascinating and yet disturbing lesson as she examines young Asian woman as fetish objects, which will come as a surprise to many readers. This adds a depth to this already compelling story while keeping the twists and turns flwoing as the story plays out.
What starts out in an almost playful mood turns serious, yet Cha keeps Song’s voice smart and crisp in an almost heartbreaking worldy manner, in this striking debut with a modern twist on old town noir.
Enjoying time with her hunky fiance Graf before his next Hollywood shoot, Sarah Booth’s usual friends surround her: her partner in their PI firm, Tinkie; her long-time friend CeCe; and even Jitty, the Civil War ghost who inhabits Dahlia House and drives Sarah Booth to distraction when she appears in various guises.
This time around Jitty is hooked on cartoon characters, but her words of wisdom are destined to revive Sarah Booth’s spirits when she reluctantly agrees to look into the claims of a professor who has arrived in her hometown of Zinnia, Mississippi.
Prof. Olive Twist is indeed the product of Dickens scholar parents, but she resemble Olive Oyl more accurately, with her thin frame and huge feet. But those big feet hide an even bigger brain, and Twist has arrived to prove that the mysterious Lady in Red, found in an anonymous grave and lovingly preserved, was involved in the plot to kill Lincoln–and she plans to implicate the families of Sarah Booth’s best friends.
Then Twist’s young assistant is murdered at a nearby Bed & Breakfast where they were staying and things take a dramatic turn despite the large amount of humor that fills the pages.
Complicating matters are the family secrets and devious plots of some of these very families, and Sarah Booth soon finds herself and Graf involved on a level that turns deadly and will have far-reaching consequences for several of those Sarah Booth has come to love.