Nicola Upson’s fourth mystery featuring real-life Golden Age mystery writer Josephine Tey proves once again that Upson is a master at plotting, and at figuring out the complexities of personality and psychology.

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An intriguing setting is provided by Portmeirion, Wales, the imaginative architectural transformation of Clough Williams-Ellis, who created an Italianate village out of a section of northwest Wales’ coastal wilderness.

Noel Coward wrote Blithe Spirit at the resort, and it was frequented by actors and writers, including Tey and her circle, as a place of undeniable beauty and peace, a refuge from the hectic reality of their celebrity lives. It is to Upson’s credit that Portmeirion springs to life in the reader’s mind.

Into this tranquil setting of medieval buildings and fragrant gardens, Josephine has arrived to celebrate her fortieth birthday with the circle of friends readers will recognize, including detective Archie Penrose. Also present are celebrated director Alfred Hitchcock and his wife Alma Reville and a few of their company.

Hitchcock wants to convince Tey she should allow him to adapt her mystery, A Shilling for Candles, for the screen. (The film was made as Young and Innocent, released in 1937 and was Hitchcock’s favorite British film.) But Tey needs to meet the Hitchcock’s first before granting her approval.

It is the eve of World War II, and the Hitchcock’s are being wooed to come to America, a move that will certainly change their lives. This decision weighs heavily on the director’s mind, as he listens to the wise counsel of his wife, the woman who served as his editor, writer and confidante.

But Hitchcock was known for elaborate and sometimes perverse pranks, a master manipulator of people and their reactions, fodder for his superb psychological thrillers. As Josephine and Archie each struggle with their own private demons, the group at Portmeirion will fall prey to one of the filmmaker’s most unusual and absurd tricks.

Then a grande dame of cinema is found horrifically murdered in a nearby cemetery, and each person at Portmeirion will have their past explored.

The bodies continue to pile up until a resolution is reached that leaves more questions than answers.

For Archie, the case had a very unsatisfying conclusion. It is only in the opening and closing chapters, set in 1954, that readers will learn the truth behind the string of killings that had deep-seated roots.

For readers not familiar with the series, Upson does exhaustive research into the 1930’s in the entire series, so readers are transported to the spell of that era. She has immersed herself in the life of Elizabeth Mackintosh, the Scottish author who wrote her mysteries as Tey and historical plays under the name of Gordon Daviot.

In Fear in the Sunlight, the resort village will spring to life. Portmeirion in all its glory becomes a character in itself, in this compelling mystery that hints at the future of several of its major characters. Each character is finely drawn, visually imagined, with distinct voices and sometimes surprising viewpoints.

Don’t miss this newest blend of fact and fiction from an author whose stories leap off the page. Highly recommended.