Simon Beckett: The Calling of the Grave Sunday, Nov 27 2011 

Simon Beckett’s novels featuring forensics expert Dr. David Hunter display the kind of in-depth research that keeps readers like Auntie M coming back. With his painstaking approach to detail Beckett’s novels have a sense of authenticity that at times is eerie, and which applies to other character’s specialties, as well.

When Beckett was writing for the Daily Telegraph Magazine, one assignment took him on a field trip to the world-famous Anthropological Research Facility in Tennessee known as The Body Farm. That visit inspired not only the character of David Hunter, but this recent offering in the series, The Calling of the Grave. “Nothing stays hidden forever” is the last line of the prologue and an apt theme for this absorbing novel that will end in an entirely different way from the reader’s first expectations.

Almost a decade ago a body was found buried on Dartmoor, presumably the work of the psychotic rapist and multiple murderer Jerome Monk. The bodies of two other victims, twin sisters, were never recovered. Called upon to be a part of the recovery team, Hunter is eager to be included in a search of the area when Monk offers to point to where the bodies are buried. The premise allows us to go back into Hunter’s private life as he recalls the the days of the first search, and brilliantly ties those events to others that have severely affected his life.

On the moors Hunter meets Leonard Wainwright, a Cambridge don turned consultant to the police, renowned as a forensics expert, especially in the area of archeology. Part of the team will be the local pathologist, Dr. Pirie, and also Sophie Keller, a Behavioral Investigative Advisor, who will advise on offender’s characteristics and motivations, and will help to plan the strategy and assessment of Monk. DI Terry Connors is a surprise: his wife and Hunter’s own were friends years ago and the men used to see each other socially.

The moor is beautiful described, in all its dark and wild glory, and provides the perfect setting for the shackled prisoner as he arrives after a decoy has shaken reporters off in a different direction. The real prisoner has a hulking presence, powerful presence, with a ghastly congenital indentation in his forehead, “as though he’d been struck with a hammer and somehow survived.” With his crooked mouth and small, empty eyes, the murderer has a chilling effect on those present.  

The the unthinkable happens: a nightmarish scenario develops and Monk tried to escape. With great difficulty the police manage to subdue and contain him, but not before he has ruined the career Sophie Keller. With Monk safely behind bars, Hunter returns to London and his wife and daughter–until his own nightmare begins.

Eight years later, Hunter is surprised to find Terry Connor on his doorstep. Both of their lives have changed, not for the better, and Hunter is not happy to see Connor. Then the detective tells him his news: Jerome Monk had suffered a heart attack, and on transfer to a civilian hospital, managed to break his restraints, subdue his guards, and escape into the night. When a panicked Sophie Keller contacts Hunter a few days later, begging him to visit her, he acquiesces. But Keller fails to show up at the pub where they were to meet, and Hunter drives out to her house, only to find her beaten into unconsciousness.

What happens next will bring Hunter into the realm of a murderer, as the members of the original search team begin to be hunted down and murdered, and Hunter realizes he only knows half the real story of the events of eight years ago.

This is a gripping and solid read, with the pacing ratcheted up as Hunter and Sophie try to flee from a maniac on the loose. Or is the real threat closer to home?

Another solid offering from Simon Beckett.

Portobello Sunday, Jun 19 2011 

Ruth Rendell is a writer whose awards alone make any writer drool: Three Edgars from the Mystery Writers of America; three Gold Daggers, a Silver Dagger, and even a Diamond Dagger for outstanding contribution to the genre from England’s prestigious Crime Writers’ Association. Considered a national treasure, she’s a member of the House of Lords, and also happens to be a good friend of my idol, P. D. James. I’ve written before about her Chief Inspector Wexford series and her other stand-alones. This newest takes us inside the Portobello section of London, home to a street market since 1927. “Those who love and those who barely know it have called it the worlds’ finest street market” Rendell tells us in the opening as she describes its history. Remember the Julia Roberts/Hugh Grant movie “Notting Hill?” This is that neighborhood, in all its seedy glory.

The theme here is obssession. The thread of the story weaves through the lives of several people the reader will come to know intimately and psychologically.

A wealthy bachelor, art dealer Eugene Wren discovers an envelope on the street as he walks to his shop. Bulging with cash, Wren’s plan to find the rightful owner eventually has  extraordinary consequences. Struggling with a ridiculous addiction that shames him, Wren’s actions start a chain of events that link him with other people who struggle with their own obsessions. Wren’s fiance’, a lovely physician, struggles to take care of several patients whose oddities and obsessions intrigue and repel her at the same time. An unrepentant thief appears to get away with the theft of his career but is accused of a murder he didn’t commit. Religious fanatics appear as a subplot. The characters are convincing and highly original. On the other hand, we can identify with most of their oddities, something that makes Rendell a universal writer.

If you think these disparate themes cannot be brought together, you haven’t had the pleasure of reading Ruth Rendell. With her accessible prose, Rendell manages to make escalating madness appear clear and rational.

Sacrifice by S J Bolton Monday, May 2 2011 

SJ Bolton lives with her family near Oxford, one of my favorite places on Earth, lucky gal. But she grew up in Lancashire and has always been fascinated by British traditional folklore.

You’ll see the evidence of this as you read her debut novel, Sacrifice, where she skillfully weaves a centuries-0ld myth into the very fabric of her story, where deceit is the name of the day.

Obstetrician Tora Hamilton is an outsider to the Shetland Islands but to her husband, Duncan, it’s where he grew up and both of his parents still live there.  The rocky, wind-swept landscape takes getting used to, but Tora is trying to embrace this new life, along with her position at the local hospital. Her horses give her solace until the day Duncan is away on business, and a dig into the peat on their property reveals a human body. At first Tora is convinced this is a bog body, a hundreds-year-old cadaver that has been preserved in the peat, interesting but not uncommon in the area.

At least, that’s what Tora tells herself, until she uncovers more of the body, realizes it is much younger, and sees the woman’s heart has been cut out only a few days after bearing a child.

Tora becomes obsessed with finding out who murdered this new mother in such a horrible way, and what happened to her child. Her research takes her back to an ancient Shetland legend, but the evil she finds has a very modern basis, and the dark secrets she unearths lead her to a systemic destruction of everything she thought she believed in. Her faith in those around her destroyed, Tora doesn’t know who she can trust, if anyone.

Readers of Anne Cleeves Shetland Island novels will be familiar with the barren landscape and physical challenges of living in such an area, which adds to the terror as Tora’s journey takes off in a series of escalating twists.

This is a page-turning debut, a real chiller, that will have you rooting for Tora. Bolton has several other novels I’ve ordered and will report on later this summer, but this initial novel promises her to be a writer whose books you’ll be waiting for down the road.

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