Kate George: Crazy Little Thing Called Dead Sunday, Sep 16 2012 

Please welcome Daphne Du-Maurier Award-winning author Kate George:

Death Can Be Funny                                                                             

There are people in the world who think my taste is questionable and my choice of mixing humor and murder is downright wrong. But here’s the thing, I like the contrast between a lighthearted tone and a serious subject. I enjoy making people laugh.

Here’s a little background: Like most people in the world I’ve had my ups and downs. Several years in particular, while I was dealing with a family member’s health issues, were more challenging than usual. I was pretty unhappy. But during that time I discovered an author that made me laugh. It was such a relief to laugh, I decided if I was ever going to write again the writing would be driven by my sense of humor.

I am writing again, and it is driven by my slightly wacked sense of humor, but that doesn’t make it easy. It’s challenging to get the ratio of humor to danger just right. Believe it or not there are people in the world that like their murder straight up, and others who prefer their laughs not be sullied by death. Not that I will ever please everybody. In the immortal words of Fitzwilliam Darcy, “That’s not possible for anyone.”

What I can do is strive to get the balance right. Keep the pace lively. Make my protagonist a little off center, quite irreverent but strong. Create a believable plotline and crimes that are sufficiently severe.  The villain? Self-centered and unconcerned with others. Totally without conscience – a sociopath. And in the end? Our protagonist must save herself. She can have a love interest, and he can help with the take down, but it has to be clear that if our love interest wasn’t there, she’d be capable of doing the job herself – and make you laugh at the same time.

The newest Bree MacGowan, Crazy Little Thing Called Dead, is a little more serious than the first two books in the series. Bree loses almost everything, and is pushed beyond her normal boundaries. But the humor remains. Hopefully it’s a book that will let you experience a range of emotions from dark to light.

Kate George is the author of the Bree MacGowan Mysteries:  Moonlighting in Vermont (2009), California Schemin’ (2011) and Crazy Little Thing Called Dead, which will be available September 30, 2012.

Ms. George lives in the wilds of Central Vermont, coming to terms with mud roads, ice storms and occasionally moose and black bears. Find free short stories at http://www.kategeorge.com.

Simon Toyne: The Key Sunday, Sep 2 2012 

Simon Toyne, author of the first in the Ruin trilogy Sanctus, returns with book two in the series and The Key is every bit as compelling as the first.

A vertical mountain of carved rock, The Citadel of Ruin is the oldest continually inhabited edifice known to Man, and the seat of the Catholic Church.

After the events detailed in Sanctus, an explosion has left three people with intimate knowledge of the secret of the Sacrament, previously only known to a handful of elevated Santi monks.

One of those three is New Jersey journalist Liv Adamsen, who traveled to Ruin to find the truth surrounding the death of her Sancti brother. As The Key opens, Liv lies in a hospital bed, suffering the effects of post-traumatic amnesia. Four doors away, survivor number two, Kathryn Mann, nearly deaf from the explosion, ponders her fate and that of her only son, Gabriel, survivor number three.

In the Vatican City, The Group, composed of three world financial heads, hastily meet with their fourth member, Cardinal Secretary Clementi. Clementi holds his own key: to the Vatican’s Bank. He’s used the Church’s independence and secrecy for the past years to hide the practices of past centuries that have left the Church rich in priceless arts and property but virtually without cash.

For The Group, Liv and the others represent ticking time bombs, threatening to destroy their carefully crafted plan. While inside The Citadel, with the abbot and prelate both dead from the explosion, elections must take place to secure The Citadels’ hierarchy. But their centuries-old secrets are slowly unraveling, as disease spreads and with it, unrest inside the compound.

The Key sucks you in, with its detailed settings and complex sense of history and traditions. The Globe and Mail says:  This is a gripping read, as fast-paced as any action movie and covering Rome to Ruin, and New York to the Middle East deserts, as Toyne fits together his complicated plot until it all makes horrible and terrific sense.

 

Mark Billingham: Good as Dead Sunday, Aug 12 2012 

A word first on television made from novels:

Mark Billingham’s novels include a stand-alone, In the Dark, and the DI Tom Thorne series, a character Lee Child has compared to Morse and Rebus. Thorne is now a television series in the UK and Auntie M has seen each of the three-parters that illustrate Billingham’s first two in the series, Sleepyhead and Scaredy Cat. Actor David Morrissey, also executive producer, read a Thorne novel and enjoyed it; then was pleasantly surprised to read he was exactly the actor whom the author pictured playing his detective inspector one, who plays close to, and sometimes, over the line.

The teleplays follow the the original story-lines closely, with the exception of a few casting changes, as in making Thorne’s superior, Brigstocke, a woman. His best friend, pathologist Phil Hendricks is described in the books as a tall, bald, heavily pierced and tattooed Mancunian. In the series, he’s aptly played by shorter Irishman, Aidan Gillen, whose head full of bushy dark hair nonetheless conveys the spirit of the original character as drawn by Billingham. But these are small changes.

What’s in full force is the power of the stories Billingham originally told, and Morrissey’s ability to get Tom Thorne’s ambivalent character just right. Here’s Gillen on the left and Morrissey on the right.

More of the novels are planned for future filming by Sky1; check the local satellite listings in your area.

Now on to the newest Thorne novel, Good as Dead (The Demands in the US).

Change is on Tom Thorne’s mind after upheaval in his personal life. He’s sold his beloved but not fixable old BMW for an updated model he’s still getting used to; he’s put his flat on the market; and he’s even considering a job transfer.

Then he finds himself called for by name, requested by a shopkeeper who has barricaded himself and two hostages into his news shop.

Thorne remembers the man’s name from a prior case involving manslaughter and the man’s son, who received an unusually long sentence in prison for what seemed to be manslaughter in self-defense.

The hostages are a cowardly banker and a DI from the Child Protection Unit whom Thorne remembers from a former case.

Helen Weeks’ partner was killed when she was pregnant with her son, now eight months old. Both hostages are in Amin Akhtar’s shop when harassment by local thugs causes him to snap, a classic case of being in the wrong place at just the wrong time.

Yet Amin has a specific point to holding these two by gunpoint. They are the leverage he needs for Thorne to investigate the apparent suicide of the his son in prison.

Convinced the youth wouldn’t have taken his own life, Amin tasks Thorne with unraveling the secrets behind his son’s death.

The threads Thorne pulls will have unexpected and surprising twists, in the way that Billingham does so well, as Thorne puts his career on the line to find the truth. Time is against him as hours and then days pass as he tries to find the truth about what happened at the youth institution housing Amin’s son.

And in the end, not everyone will walk out of that shop alive.

Billingham’s novels are complex and compelling, filled with with the right amount of psychological insight into his very human character’s mental state. The tension is taut and Billingham manages to keep getting better with each novel. The can’t come fast enough.

Two-fer Opposites: Andrew Kaplan and Linda Lovely Sunday, Aug 5 2012 

Auntie M has two books that are as far apart as you can get on the setting scale, but both satisfying reads of different kinds.

First up is Andrew Kaplan’s entry in his Scorpion series, Scorpion Winter, a thriller that  takes place largely in the Ukraine with stops in the Middle East and Europe, featuring a killer pacing that never lets up. Kirkus Reviews says: “Kaplan takes the thriller genre at its word, moving as fast as Ludlum but with ten times the eye for settings and crisp characterizations.”

Scorpion is a former CIA covert operative who operates on a freelance basis. This means he has friends–and enemies–in almost every country in the world.

His newest assignment is to prevent the assassination of a Ukraine politician on the eve of an election that has world-wide consequences and interests. Assisting him, despite his initial misgivings, is the very lovely Iryna Shevchenko, whose father founded the Independent movement in the country.

But everything goes horribly wrong, and Iryna and Scorpion soon find themselves on the run, hunted down as the assassins themselves as they become caught in the trap of an unknown enemy. With NATO, Russia and US forces ready to become involved in a war, they race against time to find the real murderers and clear their names. Along the way, there are plenty of deaths, sleight of hand maneuvers, impossible getaways, and enough violence told in a matter-of-fact disturbing way to keep you awake at night.

The pacing is relentless as the couple, whose attraction to each other becomes too strong to ignore, face the brutal realities of too many sub-culture political parties operating under the radar. Acronyms abound: The SVR, the SBU, the NSA and even Chinese mobsters are involved at different points.

Scorpion proves himself to be a master of deception, with false identities and useful fighting and burglary skills learned over the years that keep him just one small step ahead of his opponents–until a false step lands him in prison and in the hands of a sadistic madman. The torture he endures is horrific; with no salvation in sight, his death is imminent. How he gets himself out of that situation, and the eventual unraveling of this twisted plot, will leave readers stunned. When Scorpion says near the end: “Sometimes you need your enemies more than your friends,” you will understand the complicated life he’s chosen to lead.

Kaplan has done exhaustive research, and the cold winter of Siberia looms real enough to make your joints ache. The use of phrases in Russian and other languages are thoughtfully translated for the reader but add to the feel of being on the other side of the world. This is an action thriller that will leave you breathless at its end.

Doing a hard 180 degree turn, we travel to the Midwest and the Great Lakes area of Iowa. Linda Lovely first introduced retired military intelligence officer Marley Clark in the SC low country mystery Dear Killer, where Marley’s security job formed the basis for that mystery. In No Wake Zone, Marley travels to a family reunion for her feisty Aunt May’s birthday, expecting a totally different kind of vacation from the one she encounters.

Marley gets roped into helping her tourist-boat captain cousin aboard his boat on West Okoboji Lake for a wedding reception, but never dreams she’ll find herself diving into the cold depths of the lake in a vain attempt to save the life of a billionaire.

The founder of a biotech company is the unlucky groom, only he’s dead before he hits the water. When it turns out an old college friend is the bride, Marley finds herself deeply embroiled in the murder investigation.

Each member of the tycoon’s family try to top each other as Nastiest Relative of the Year in the greed department. Adding to the mix is the head of an international security company who has his own issues against Marley from their previous association.

Things heat up even more when Marley’s former Pentagon boss enlists her aid in the investigation and intrigue abounds.

Then a handsome attorney with his own secrets steps into the case and Marley finds herself attracted to him, despite her inner turmoil over trusting him, all under the inquisitive eye of Aunt May. When the deaths start to mount up, the killer soon targets Marley and her family and the suspense rises as the pace continues to pound along.

There’s plenty of action here and a gripping plot with as many turns as the amusement park rides that feature in an action-packed climax scene. The dialogue is snappy and you’ll be longing for another adventure with Marley Clark when you turn the last page.

The author spent summers in the Spirit Lake area with her family and her real-life captain cousin played a major role in the creation of the Maritime Museum, which also becomes a setting. Her familiarity with the area, including local landmarks and restaurants, brings it to life for those not familiar with this area of the Midwest.

It’s refreshing to have a well-written series with an engaging protagonist who is 52, smart and witty, and with a zest for life that is engaging.

Faye Kellerman: Gun Games Sunday, Jul 22 2012 

Fortunately for readers, Faye Kellerman’s Dentistry doctoral degree couldn’t keep her from writing the consistently winning  Peter Decker/Rina Lazurus series. Starting  in 1986 with the Anthony Award-nominated TheRitual Bath, that book won the Macavity for Best First Novel and launched the series Kellerman has kept writing, in addition to producing other novels and short stories, some with two of her four children.

From this auspicious start, which expertly detailed the rituals of Jewish Orthodoxy, Kellerman took the pair to LA where we’ve watched the Decker’s extended family grow and change. One of the delights of the series has been the way their family life and traditions have been incorporated into the stories. She’s managed to keep the series fresh by changing the focus of each story, even taking readers to Israel on one occasion.

In this 20th in the series, Gun Games, the Decker’s are grandparents via Decker’s daughter and empty-nesters with their youngest child together finally off to college. They should be starting to enjoy some well-deserved alone time, but on the heels of the prior novel, Hangman, they’ve become temporary guardians to the teenaged son of notorious psychopathic gangster Chris Donatti, welcoming Gabriel Whitman into their home and family. Gabe is a talented pianist interested in composing music, a quiet and often secretive youth who, despite his worldly attitude, isn’t immune to the high emotional turmoil and roiling hormones of his biological age.

Interspersed with Gabe’s life and his lovely, believable romance, the story follows Decker at work as lieutenant detective when he and his team become involved in investigating the apparent suicide of a boy Gabe’s age who attended a prestigious prep school.

Then the second suicide of another teen from the same school leads the detectives to discover a nasty clique of privileged, wealthy students who harbor a thirst for bullying, guns and violence.

Decker’s team of Marge Dunn and Scott Oliver help him as he unravels the reality behind the unbelievable actions of this group of spoiled teens whose dark side has triumphed over their better judgement.

Kellerman does a wonderful job of showing us Decker’s growing comprehension as he struggles to believe what is truly happening. This parent thought he had a handle on teens, including Gabe, but it soon becomes apparent that he is out of his realm of knowledge and experience. Kellerman also has a grand handle on the emotional roller coaster that all teenagers face and shows how differently they handle this challenge.

When the dark group overlaps Gabe’s path, the ramifications become terrifying and deadly. Don’t miss this compelling thriller from a writer who knows how to explore her character’s personalities and tell an all-too-realistic and frightening story at the same time.

 

 

 

Katia Lief: Vanishing Girls Sunday, Jul 15 2012 

Lief’s previous two suspense novels featuring former detective Karin Schaeffer are filled with malice and the kinds of twists and turns that kept readers turning pages as they became emotionally involved with her protagonist.

In Vanishing Girls, a serial killer who has remained on the streets of New York murdering prostitutes for two years appears to strike again.

Now married to her former partner, Mac, and with a young son, Ben, Karin is still learning to cope with loss when she becomes involved unofficially in the cases of two women found one Sunday night on a Brooklyn street.

With Mac ill with s serious case of the flu, Karin responds to a friend’s call and arrives on the crime scene. One victim is an eleven-year old girl, the apparent victim of a hit-and-run, who remains uncommunicative throughout the early part of the investigation. The second body mirrors the work of the serial killer on the loose.

Complicating matters is the post-traumatic syndrome that Karin and Mac’s good friend, homicide detective Billy Staples, is suffering from, a year and a half after loosing an eye and almost his life in a shootout with the woman he loved. His dazed appearance at the crime scene confuses Karin, and at the same time, convinces her Billy needs professional help.

“There was something to see hiding in the shadows” Karin thinks, as the plot turns and escalates.

As she gets involved deeper into the cases, a strange link occurs that will change everything, and terror will strike close to home, changing Karin’s family in unexpected and profound ways.

Lief paints a realistic picture of Karin’s distraught feeling that she attracts darkness to her life and the fears for her family that this brings. She’s also produced a suspense-packed novel that will have you looking for the next Karin Schaeffer installment.

 

 

Two New in Paperback Sunday, Apr 29 2012 

Avon is reprinting two great mysteries in paperback for readers to gobble up.

J. A. Jance’s twentieth novel featuring J.P. Beaumont is titled Betrayal of Trust, and after reading this Seattle-based detective novel, you’ll understand the title refers to the many layers of trust that have been violated.

Telling the story from Beaumont’s first person point of view allows for the narrator’s dry wit and digressions to provide relief from the grim crime scenes he will face. Beaumont and his wife, fellow detective Mel Soames, work for the Attorney General’s Special Homicide Investigation Team on Squad B. It’s a recurring point of humor that the acronym for their team gets bandied about, but there’s nothing humorous about the case they find themselves seconded to, in Olympia’s Squad A, at the direct request of the Attorney General.

They meet with the AG at the hotel they’ll be living out of for the duration of the case, and the snuff film he shows them on a cell phone will lead them to unravel a twisted tale that revolves around murder, bullying, and blended families, thrusting them at the door of the governor’s mansion.

The cell phone belongs to the governor’s step-grandson, a troubled boy who denies knowledge of the apparent juvenile prank gone wrong. At least that’s what Beaumont and Soams are led to believe–until there’s a second death, and as the bodies pile up, it’s obvious there are deeper implications and layers of corruption with multiple perpetrators, who just might be minors.

The horrific case changes from being a part of Beaumont’s job to a more personal quest when he identifies with one of the dead young men. An interesting subplot concerning Beaumont’s own family roots is handled well, never detracting from the forward thrust of the investigation.

Jance’s characters feel authentic and her plot twists will grab your attention as she illustrates how dogged police work puts the pieces of a puzzle together and lead to a satisfying conclusion. The next in this series is titled Judgement Call. Jance is also the author of the Joanna Brady series, the Ali Reynolds series, and four Walker family thrillers.

 

Next up is Katherine Hall Page’s Faith Fairchild mystery, The Body in the Gazebo, the Agatha Award winner’s nineteenth in the series. Having a caterer and ‘foodie’ as a protagonist leads to the hallmark of the series: the inclusion at the end of the book of many of the recipes caterer Faith Fairchild mentions or uses during the course of the story. She also has a gift for weaving in historical details of the northeast.

Faith’s best friend, Pix Miller, is out of town at pre-wedding festivities, meeting her son’s soon-to-be in-laws. When Faith agrees to keep an eye on Pix’s mother, Ursula Rowe, it’s a gesture of born of friendship and genuine liking for the older woman, home recovering from a bout of pneumonia.

But Ursula’s recuperation is hampered by a story she feels she must confide to Faith: a secret tale of long-ago intrigue and murder that dates back to the Great Depression. It will take her days to tell Faith the story due to her weakened condition and the emotions attached to it. Faith hadn’t known until this time that Ursula once had an older brother; a brother who was brutally murdered, with an innocent man accused of his death.

As Faith becomes embroiled in the story, told often with flashbacks to the period from Ursula’s memory, she’s also trying to keep her children cared for competently and her business going, even as she worries about her assistant, newly-pregnant Niki Theodopolous.

Then Faith’s husband, Reverend Thomas Fairchild, is accused of embezzling from his church’s discretionary fund, and Faith swings into action to unravel all the mysteries affecting those she loves, putting herself squarely in danger in the process.

Page writes a lively mystery with a fast pace. Her gift for story-telling leads her readers down many avenues as her novels combine a balance between lightness and the deeper personal dramas that envelop her characters. Love, faith and redemption reside alongside murder, theft and intrigue, all wrapped up tighter than a good egg roll.

The next in this series is The Body in the Boudoir.

Mark Billingham: From the Dead Sunday, Apr 8 2012 

DI Tom Thorne’s life is about to become more complicated. On the personal front, he and his partner Louise, also in The Job, are splitting their time between their two flats, their plans to buy a large one together on hold after Louise’s miscarriage months before. The strain of grief is taking its toll on both of them, their relationship strained and worsening. At work, he’s on edge, waiting for the verdict in a case that has become personal and difficult to prove: that high-powered Adam Chambers murdered the missing Andrea Keane, without her body being found. Worse is that Chambers has become a media darling.

Into this tension steps Anna Carpenter, a new private investigator looking for a life different from the bank job she held before.

Recent photos have surfaced that seem to be of Alan Langford, a wealthy career criminal who supposedly died ten years ago, handcuffed to the steering wheel of his car which was set afire in the midst of Epping Forest. Langford’s wife had been subsequently arrested for paying for her abusive husband’s death and has just been released from prison.

Donna Langford is trying to reconnect with her teenaged daughter and start a new life with a female partner she’s met in prison. When these photos are anonymously delivered to her, Donna hires Anna to find the truth. Anna’s research finds Thorne sent Donna Langford to prison and she enlists his aid. When she shows up with the photos from Donna, she becomes attached to Thorne’s investigation by his publicity-seeking DSI, to his chagrin.

Thorne loses the Chambers case, which contributes to his moody, anti-social behavior. The Langford case takes Thorne to Spain, with the tension building as the investigation heats up. His patience with Anna at times wears thin, but her honesty and outlook wear him down, and he finds himself drawn to the young woman’s joy of life. By the end of the novel, Thorne is surprisingly vulnerable, even as the twists and turns of the plot take their toll. This one has a climax you won’t see coming.

By giving us Anna Carpenter’s point of view, Billingham ties readers to the amateur sleuth and how she views Thorne. His knack for describing small details in the life of his characters add texture and complexity that allow the reader to view them in reality, making him one of Auntie M’s favorite reads. This is compelling read, completely engrossing, and will keep you flipping pages to the unexpected ending.

UK’s Sky TV has filmed some of the Thorne series and it’s to Auntie M’s regret that the series isn’t available here yet. But the books are so well written that Thorne leaps off the page satisfyingly and without the need of film.

Billingham’s next in the Thorne series, Good as Dead, make number one in the UK and you can be certain Auntie M will be reading it soon.

Deborah Crombie: No Mark Upon Her Sunday, Apr 1 2012 

In the latest installment of her Duncan Kincaid/Gemma Jones series, Texas author Deborah Crombie’s  love and affinity for England once again shine through.

Detective Inspector Gemma Jones is finally very married to Detective Superintendent Duncan Kincaid, and their blended family is adjusting to its newest member. Crombie skillfully weaves the tapestry of their lives into the investigation of their latest case.

Preparing to trade Gemma’s domestic leave to take his own turn, Duncan finds himself at the last minute involved in a murder investigation filled with far-reaching tendrils, as the victim was a detective with the Metropolitan Police and an Olympic-grade rower. A subplot includes a high-ranking predatory policeman which complicates his investigation at every turn.

Becca Meredith is a solitary and competitive rower, hoping to regain her footing in a controversial bid for a place on the Olympic team. Her dreams are ended when a training row ends with her being tipped from her scull and drowning in the Thames River near Henley. Her lover, Kieran Connolly, struggles with post-war injuries. Part of the volunteer K9 search and rescue team with his Labrador Retriever, Finn, he is among the first to find Becca’s body, caught near the downstream weir near Mill End.

When the mysterious drowning becomes Duncan’s case, his team investigates Becca’s past, including her rowing for Oxford Blue, and her ex-husband, a former rower. It quickly becomes obvious that Becca’s talented but difficult personality has led her to acquire many admirers and just as many enemies. Complicating matters is a politically fraught work situation that will spill over into a  separate investigation Gemma has gotten entangled with just as her family leave is ending, and this widens the list of suspects for both detectives.

Then Kieran is targeted in a horrid accident, it becomes obvious that there is a killer who needs to silence people and it’s up to Duncan to stop him before he can kill again.

Rooted in reality, Crombie’s endpapers on the hard-covered books contain a lovely hand-drawn map by Laura Maestro of the area, which goes a long way to helping readers unfamiliar with the area visualize the main places of the action. The descriptions and feel of The Leander Club, a revered Henley rowing club, as well as the grueling routine of an elite rower, add to the pleasure. One of the hallmarks of Crombie’s books is the way she brings to life pockets of the UK we readers vicariously come to know, and the clubby, status-conscious world of Oxford rowing blends well with the routines of the K9 rescue team and their dogs.

Michael Robotham: Bleed for Me Sunday, Mar 18 2012 

Clinical psychologist Joe O’Loughlin is one of my favorite series characters. Dealing with the daily effects of “Mr. Parkinson,” Joe is separated from the wife he still loves. Living outside Bristol near them, his life is entwined with Julianne and their two girls, Charlotte and Emily.  In Bleed for Me, Joe is waiting for his marriage to formally end, and for his own acceptance of that: “I’m still thinking about what Coop said about life leading somewhere or meaning something. Mine doesn’t. I am living in a kind of limbo, a lull in proceedings. I am waiting for my wife to have me back–when I should be seizing every day and living it like it could be my last.”

O’Loughlin understands pain and grief: of losing a child, as he almost lost Charlotte in a previous novel; of losing his functioning, as he battles his disease on a daily basis and its effects; of losing the life he thought was perfect. When Sienna Hegarty, Charlotte’s best friend, tells him “You’re kind of broken,” we understand she is telling the truth.

But is Sienna telling the truth when she insists she hasn’t killed her father? She shows up at Julianne’s home, covered in blood, and runs away. Joe goes after her and finds her, shivering and almost catatonic, on the river bank. The blood is her dead father’s, a celebrated former policeman found in Sienna’s bedroom with his throat cut. Sienna’s trauma has pushed the details of the incident away but she is convinced that she isn’t a murderer–and so is Joe O’Loughlin.

Sienna is the obvious suspect when her history with her father comes to light, yet O’Loughlin is convinced there is a more devious murderer at work. Assigned to give the court a clinical profile of Sienna, he pursues his own investigation of her father’s murder in the hope at first it will win him back Charlotte’s affection. With the aid of a retired detective, he ferrets out a widening circle of hypocrisy and crime that may do more than explain Sienna’s actions. As the plot escalates, the circle of terror widens to a crushing climax.

Robotham’s disturbing storyline is all too realistic, as are the fine characters he creates, multifaceted and complex, at times downright chilling. His story is clever and compelling, a terrific psychological thriller that has a fast pace yet at times is achingly moving. There are flashes of unexpected humor, too, as when O’Loughlin unexpectedly finds himself conversing with the man who sees himself as Julianne’s next husband and is waiting to take her out. O’Loughlin doesn’t hesitate to explain she won’t be long because she’s just upstairs “taking her medication,” and instructs her suitor not to let her order dessert–even as he admits to himself that “the love you want to save won’t survive the constraints of jealousy … Love is either equal or a tragedy.”

Author Linwood Barclay says: “Michael Robotham doesn’t just make me scared for his characters; he makes my heart ache for them.”

Don’t miss this remarkable novel that combines subtlety with an intimate knowledge of human nature and builds suspense with a masterful touch.

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