Gillian McAllister might have been a lawyer, but since she became a full time writer, she has a string of thrillers to claim: Wrong Place Wrong Time; Famous Last Words; Just Another Missing Person, and The Good Sister are just a partial list of her hits.
When her newest, Caller Unknown, was offered to me for review, Auntie M jumped at the chance to read it.
Simone has left her husband, Damien, in England to run their restaurant so she can meet their daughter, Lucy for a week together, after Lucy has spent the summer at a Texas camp learning to sing before her RADA course starts. It’s mother-daughter time Simone is looking forward to, as the thought of watching her daughter start the next stage of her life courses through her. She knows this is the natural order of things, but she’s having a hard time letting go.
Then the unthinkable happens: after one night together in a cabin, Lucy is kidnapped, a ransom demanded, and Simone’s entire life changes. Damien flies over, but she lies to him that she’s called the police in, as the kidnappers assured her that doing so would cause her daughter’s death. She’s sent a sad proof of life video, showing Lucy with her hands bound behind her back.
This is when McAllister swiftly turns the plot on hits head, with Simone as Mother Warrior, desperately trying anything to save her daughter. There will be shootings, murder, and a drug deal before the heady climax. The twists come fast as the action ramps up until an unbelieveable climax leaves the reader feeling almost bereft, but in awe of Simone’s strength—until a brilliant last sharp turns brings everything into focus.
A meditation on a mother’s inexhaustible love, and the length’s she will go to for her daughter. Stunning.
The third Cal Hooper novel finds the intrepid Chicago detective, now retired, thick in the midst of an unwanted investigation in his rural West Irish town of Ardnakelty.
A lovely young woman, Rachel Holohan, is on the cusp of an engagement to Tommy Moynihan’s Eugene. The local business man has his fingers in so many projects he has half the town beholden to him and the other half scared of him.
So when Rachel’s body is found in the river, her death sets off a chain of events that will have the town, Cal and his fiancee, Lena, and his ward Trey Reddy, more involved than any of them want.
And when Cal’s investigation gets too close to revealing Tommy’s underhanded machinations that threaten the entire town, the gloves are off as the two men match wits, with Tommy having the weight to spread rumors about Cal and Lena, while his grief-stricken son watches from the sidelines.
French’s ability to weave these disparate characters is on full display here, with the townspeople aiding or detracting, depending on whose side they’re on. Cal’s loyalty to his new neighbors will be severely tested, and impact his relationship with Lena. The emotions run high as Cal continues to find out the truth, and find justice for Rachel, sometimes forgotten as a pawn in the fight that ensues.
No one creates atmosphere and uses her setting to her advantage as much as French. Her use of language pulls the reader in to the unfamiliar landscape, and she evokes a mood with words. Her plot is cleverly constructed, too, and as the pain of loss doubles, a sense of impending doom falls over the town. It will take Cal and his mismatched band of supporters to find the real justice at the end of the day.
A brilliant end to the trilogy of Cal Hooper stories. While The Keeper certainly can be read as a standalone, if you haven’t read them all, (The Searcher, The Hunter) Auntie M urges you to do so if you are a fan of well-written, absorbing stories about people who jump off the page.
Higashino is one of Japan’s best-known novelists, and I’ve read and enjoyed many of his books. The translations retain the intricacies of social customs, while his plotting is diverse and engaging.
While the others I’ve read have featured either Detective Galileo (The Devotion of Suspect X) or the intricate mind of Kyoichiro Saga (Malice), Guilt brings homicide detective Godai of Tokyo’s Metropolitan Police to the case of a murdered lawyer.
Kensuke Shiraishi’s body has been found on a riverbank, and after much detecting, Godai finds an older man named Tatsuro Kuraki is involved. Then a strange turn of events cause Kuraki, who at first claimed only minimal knowledge of the dead, to confess to not only his killing, but that of a cold case murder twenty years before.
Despite being congratulated that he has solved two cases at once, Godai fears Kuraki’s confession doesn’t ring true, and continues to investigate, all the while facing stubborn resilences from the man in jail, whose son takes up his own parellel investigation.
Both men will delve into the history of the deceased men, as well as the man who claims to have killed them, with surprising results.
There is a tension that rises as the reader sees what Godai sees–an unraveling of lies and half-trrths, until a final, surprising truth is attained.
Guilt and redemption are the two main themes explored in this highly readable novel.
Berry’s sixth Kate Hamilton mystery keeps the series fresh, utilizing Kate’s antiques expertise and that of her business partner, Ivor Tweedy, in a unique way. Being married to DI Tom Mallory means Kate has an above-average knowledge of murder investigations, too, and has helped Tom in the past.
When an extremely well-preserved body is found at an archeological dig, it’s determined to be from the 14th century, and Kate and Ivor are asked to examine and evaluate the grave goods found buried with the woman’s body, which include a huge, valuable pearl. They meet the team who found the body, composed of varied personalities and talents.
Additionally, Kate is tasked as part of her private investigators work by the wealthy landowner, whose property contains the dig, with unearthing the idenity of the buried woman, who was pregnant at the time of her death. His own wife went missing nine years ago, and a museum of the plague-ridden village was her project, one he has continued in her absence as he struggles with his grief.
Then the lead archeologist, Dr. Simon Sinclair, is found murdered on the site with pearls stuffed in his mouth, and Tom becomes involved while also trying to track a killer in an unrelated death. Sinclair’s murder has numerous suspects, and with Kate on site, Kate works in concert with Tom to obtain inside information that might not surface in a formal police interview.
Berry does a grand job of showing how Kate uses resources and ancient documents to track down the identity of the murdered woman in the midst of Tom’s investigation into the modern murder. Then another set of bones are found to ratchet up the tension. Throw in Kate’s pregnant friend, the local vet and vicar’s wife, and you have a nicely rounded plot with local threads.
The interspersion of the cold cases with the new murder unraveling give rising tension to a well-done climax that makes sense. Don’t miss Berry’s author’s note at the end about the real-life discovery of a medieval body that gave her the storyline idea.
Coffin’s second Det. Brock Justice novel more than continues the promise of the debut in the series, Crimson Thaw, with an atmospheric and charged story.
With baggage from testifying against a fellow officer following him, the state police officer and his partner’s new case takes them to the autumn back roads of small town Maine, where a woman’s body has been found at the roadside. Originally thought a victim of a motor vehicle accident, a stab wound is found on Summer Randall’s body that clouds the cause of death.
Mentoring Detective Chloe Wright, their investigation soon shakes up the small towns near Moosehead Lake, and out fall plenty of suspects. Justice and Wright follow different threads into Summer’s life, but soon Justice is running a parellel case of his own: trying to prove the officer he’d testified against is dirty to the point of unbelievable actions.
There will be affairs in the victim’s past that muddy the waters, while poachers, including a veteran who lives off the grid, all come under scrutiny and add to the tension.
This is a well-plotted police procedural that keeps the action going, and Coffin succeeds in bringing the back woods of Maine to life, populating the novel with realistic characters, while imbuing the case with a sense of urgency matched by his care to find Summer’s killer.
As an added treat, there’s a brilliant ending twist that elevates this very readable book you won’t want to put down.
A master of Icelandic noir, with several popular series and many awards to his credit, Indridason bring a new Detective Konrad mystery to readers. And if you have read some of his others, there are a few brief references that canny readers will catch.
Now retired, the detective continues to pursue his father’s killer. This cold case of the murdered man, not a pleasant person, has occupied Konrad over several years but readers will be quick to understand his background if this is their first read in the series.
It’s not just this case that takes up his time. When a Reykjavik woman is found murdered in her home, Konrad’s phone number is on her desk and he’s notified by the current detective on the case. Valborg had approached him recently, asking for his help in finding the child she gave up for adoption many years ago, over fifty in fact, and faced with that kind of time lag, Konrad hadn’t acquiesced.
But now that she’s dead he feels compelled to figure out what happened to her child, despite having very little knowledge, not even the sex of the child.
This is where Indridason shines, in following Konrad’s private investigation as he ferrets out leads and information from almost thin air as he digs into the woman’s past. It’s a complicated route but one that leads to an unexpected resolution, with surprising stops and starts along the way.
As the tension rises, crimes from the past are unearthed. This is an absorbing story of the echoes of old crimes that last through the years.
After bringing Nicola Upson’s The Christmas Clue and Mandy Morton’s Six Tails at Midnight to your attention, I’m adding two new releases that would make great gifts for the readers on your list that are not set on Christmas but are delightful reads:
Richard Osman’s Thursday Murder Club is a favorite series of many readers with good reason. The vastly different foursome of Joyce, Elizabeth, Ron, and Ibrahim have spent the past year differently after the events of the last installment, The Last Devil to Die.
But with The Impossible Fortune, a wedding (Joyce’s daughter, Joanna, long-yearned for by Joyce) brings the group together for a happy occasion. Then a wedding guest, Nick Silver, who knows of Elizabeth’s history, asks for her help . . . and disappears soon after.
Hoping to grill his business partner, Holly Lewis, only leads to a devastating result, and soon the group are mired deeply in this investigation which revolves around an uncrackable code that leads to riches.
Joanna feels she should help as Nick is a pal of her new husband, and soon adds her help. Ron’s daughter, Suzi, needs help, too, in getting rid of her abusive thug of a husband, and soon her son Kendrick is added to the population. And Ibrahim’s client Connie, newly out of prison, is mentoring a young woman, Tia, in a highly unusual manner.
It’s a wild ride that manages to come together with startling results along the way. Intricately plotted, and with Osman’s trademark humor but clear-sighted view of human nature, this will please any reader on your list.
Sophie Hannah, the gifted author chosen by Agatha Christie’s family to resurrect Hercule Poirot, gives us a convoluted mystery, The Last Death of the Year, set on New Year’s Eve, 1932, when Poirot and his detective inspector cohort, Edward Catchpool, travel to a remote Greek Island at the the behest of the owner.
The island of Lamperos contains tiny horses, goats, and few buildings, but it does have an unusual house on Liakada Bay called Spiti Athanasiou, The House of Perpetural Welcome, set right on the sea, an attraction for Catchpool, who loves to swim at any time of year.
Their host, Nate Athanasiou, has opened his home to a phalanx of different supporters of the community project he and his good friend Matthew Fair are developing: a place where welcome and forgiveness are given to all who live there, without consideration for past actions.
While the premise seems optimistic, Nate’s nervous demeanor hints at the threat of danger as the reason he’s called for Poirot to attend. That becomes obvious when the game played after dinner, where each of the residents writes a New Year’s resolution that isn’t signed, includes one that there will be “the last and first death of the year.”
With this declaration hanging over them, it should be no surprise when it comes true . . .
A masterful look at the psychology of each character in a complicated classic mystery, where the drawing room has been replaced by a craggy house on a Greek isle.
Peter James’s long-running DCI Grace series, now on BritBox in a grand adaptation as Grace, has just published his 22nd in this series, The Hawk is Dead.
The backstory to this novel is fascinating: Her Majesty Queen Camilla, a huge Grace fan, asked him when she was Duchess of Cornwall in 2019 if he couldn’t see a way to bring Sussex-based Grace to London. After kicking the idea around for four years as he worked on other projects already under construction, James figured out a plot what would allow him to bring Grace and a few members of his team to the Palace.
And that kernel of an idea started when James read that the 775 rooms in Buckingham Palace were to undergo a major renovation, which would take place over the course of several years, not just for updating and modernization but for safety reasons. The Royal Collection consists of over a million very valuable art and objects held by The Crown, many in Buckingham Palace.
From that grew the idea for the entire novel, and the beginning of exhaustive research, which included James being given inside tours of the palace, and even learning how to drive a train! Always giving his realistic police procedurals a grand plot, James knocks it out of the park with this one, literally, by taking Grace from his Brighton territory to Buckingham Palace.
His team becomes involved when the Queen is traveling by train to visit hospices along the south coast. Her train must be evacuated after being derailed inside a tunnel. A harrowing scene from the train driver’s point of view brings the accident to life, and as the Queen and a trusted advisor exit the tunnel, shots ring out. While the Queen narrowly misses being assassinated, Sir Peregrine Greaves, Private Secretary to Their Majesties and one of the most senior members of their household, is killed.
Grace has a nagging feeling the Queen might not have been the intended target, and readers are treated to insights into the workings of the Royal Household, and its pecking order, as well as an extensive treatment of the glories contained within the huge building as the investigation ensues.
With attention turned to the household, when a diary Sir Peregrine kept in code, more matters come to light and soon Grace and his team, especially his long-term bagman DI Branson, must sift through Not-My-King protestors; territorial tiffs with the Met, who want to take over his investigation; and missing artifacts. Then a second body is found…
This was one of the most enjoyable Grace novels to date, and as usual, gives us a window into his home life, too. But James’s intricate plotting with its exploration of life within the royal household make this a gripping story.
I’m pleased and honored to call Cambridge partners and authors, Mandy Morton and Nicola Upson, my friends for over a decade, after email correspondence let to our first meeting while attending the memorial service for PD James, our friend and mentor. Their lovely Cornwall cottage, the last thatched cottage in the seaside town of Porthleven, will be the setting for the next Nora Tierney mystery when I get around to writing it!
I’m fascinated by the idea of living with another writer and how that dynamic works. Both of these talented women have new books releasing this fall and worked on them either at their Cambridge home or the Cornwall cottage: Mandy’s No. 2 Feline Detective Agency continues her engaging series set in a world of cats with Six Tails at Midnight. Nicola’s TheChristmas Clue leaves her Josephine Tey series temporarily as this stand-alone revolves around the couple who created the popular game Cluedo, which was adapted in the US as Clue.
They’ve just been hailed in a cover article (see above) in their local Cambridge Independent, which ran a long and detailed article about the duo. The two, who are very involved in the Cambridge Arts scene and often interview each other about their new books, have also curated a wonderful event together at literary festivals: Celebrating P. D. James: A Mind to Murder. They held their launch for both Christmas books at their local Waterstones with a surprise guest—more on that in a moment.
They gave me a glimpse into two very different books written in the same house, and their writing lives in general, telling me their tea-time discussions openly center around plots, creating murders, and being first readers for each other, as well as valued critique partners. They write in different areas of their homes, but come together to talk about their progress, and are deeply involved in each other’s work. For the writers out there, think about the advantage of living with your own private critique partner and reader!
Their works are distinctly different and equally creative despite them both writing mysteries. Mandy’s Six Tails at Midnight is set at Christmas in the Cambridgeshire Fens, and brought back happy memories for the musician and arts journalist of a series she produced years ago for BBC Radio.
“The Fens are shrouded in mystery and legend, with stories of ghosts and murderers, and in this book, I couldn’t resist tapping into some of that history.” Private detectives Hettie and Tilly, along with their friends Bruiser and the Butter Sisters, set out across the snowy fens to spend Christmas at The Fishgutter’s Arms and become snowed in. With no hope of rescue, they find they are soon sharing Christmas with five Christmas spirits who threaten to ruin the festivities.
With Hettie Bagshot and Tilly Jenkins in their feline world, Mandy notes her cats are much more human than many people she’s met. “My cat characters wear cardigans, run bakeries, and are very good at solving murders without any assistance from the likes of you and me! Cats can be spiteful, cruel, vicious, and downright nasty, but they can also be cute, loving, and mild-mannered—the perfect combination for a series of crime novels.”
Six Tails at Midnight is the fifteenth book in this popular series, but Mandy began her professional life as a musician, and was the lead singer for the folk rock group Srpiguns of Tolgus. She more recently worked as an arts journalist for national and local radio. Her books can be found at Farrago Books or on Amazon.co.uk and Amazon.com.
Nicola was researching for The Dead of Winter in her Josephine Tey series, when country house parties were popular in England. Two names she kept finding were Anthony and Elva Pratt, who in 1943 created the game Cluedo, still played today.
Deciding this intriguing couple deserved their own story, Nicola set to work crafting her book surrounding the couple who developed Cluedo on their dining room table in 1943 as a distraction from wartime worries. Motivated by Anthony’s love of detective novels and true crime, the game’s playful murderous premise was inspired by the murder mystery weekends he witnessed during his musician years. The Christmas Clue, set in a snowy country house, stars Anthony and Elva, who step in to detect when a mystery game goes horribly wrong.
“I’ve loved Cluedo since I was a child. It was the board game of choice in my family, and I still have the 1970s version I played then, complete with my mum and dad’s handwriting on the old detective notes, and my own workings-out, which seem to be nothing but question marks!”
She adds: “Not only did it give me hours of pleasure and lots of happy memories, but the game introduced me to crime fiction long before I read Agatha Christie and her contemporaries, and in particular the classic English detective story and its obsession for knowing—or concealing— who did what, where and how.”
That the pair enjoyed writing their Christmas mysteries together is obvious, and their joy increased when Nicola’s book received the stamp of approval from the Pratt’s daughter, Marcia Lewis, who appeared at their Cambridge book launch at the end of September and answered audience questions.
Nicola read English at Downing College, Cambridge. Her first Josephine Tey novel was dramatized for BBC Radio 4, with several listed for the CWA Gold Dagger and Historical Daggers. She is a member of the Detection Club, and in 2024 curated the acclaimed exhibit Murder by the Book: A Celebration of 20th Century British Crime Fiction at the Cambridge University Library. Her books are available from Faber & Faber, or on Amazon.co.uk or Amazon.com.
I hope readers will enjoy discovering these talented authors. Each of these books would make lovely Christmas gifts for the readers on your list~
I almost did after reading the opening pages of this terrific novel. That’s how strong the opener is, and explains why I kept flipping pages long after the light should have gone out…
I’ve been a huge fan of the Poe and Bradshaw series from Day 1 and follow them avidly. Each of the previous books have genius plotting, really well-done characterizations, and an ironic humor that contrasts nicely to some of the darker bits. Because there are darker bits.
But the stakes are raised in this one. A sniper had been shooting individuals with no apparent pattern. Then a bride is killed on her wedding day, and her influential father aids Poe’s investigation in a rare way, desperate to find his daughter’s killer.
The pressure on Poe and Tilly is sharp and relentless, and it doesn’t help that Poe is due to be married shortly. There will be sleight of hand, psychological reasonings, and above all, Tilly’s uncanny ability with maths to bring them closer to an invisible killer.
A thrilling read, this is an extraordinary book, perhaps Craven’s finest, from someone who’s loved them all.
Auntiemwrites Crime-Mystery Author M K Graff 