Two Jewels by Barry Maitland Sunday, Nov 6 2011 

Award-winning novelist Barry Maitland was born in Scotland, but grew up in London. Although he’s lived in Australia since 1984, Maitland takes us to a different London neighborhood in each of his police procedurals featuring Metropolitan police detectives David Brock and Kathy Kolla. Despite their age difference and relationships with other people as the series has advanced, the bond between the more experienced Brock and his acolyte Kolla has deepened, even as the younger woman’s strengths as an investigator have grown.

Auntie M’s readers know she follows this series, and Maitland’s two most recent novels won’t disappoint fans or newcomers. Both offer the ingenious plotting based on a solid framework that Maitland’s architectural background lends, one of his hallmarks. Perhaps credit should also be given to his great-grandparents skills as weavers. Whatever the source of his talent, Maitland’s main plot and subplots all hang together without becoming obtuse or unnecessary, even when characters from the personal lives of Brock and Kolla take the stage and become woven into the plot of the story.

His books also display extensive research into an area of obsession for that novel’s characters, so that readers learn about a subject important to the main personalities. It is to Maitland’s credit that this information forms a vital part of the story and yet keeps the reader intrigued, without lapsing into a travelogue or primer feel that would take away from the novel. Auntie M knows when she opens a new Brock and Kolla novel that her knowledge of a new area will be enriched as she follows the investigative trajectory.

Dark Mirror takes Brock and Kolla into the world of the Pre-Raphaelites, when a student has a seizure at the London Library and dies shortly after. Marion Sommers was a diabetic, but what seems to be a simple tragedy becomes the object of investigation when it is determined that the graduate student, an Ophelia-lookalike, died from arsenic poisoning. Was this a deliberate ingestion by a depressed young scholar, or the work of a devious murderer?                                                   Kathy Kolla has just been promoted to Detective Inspector of Scotland Yard’s Serious Crime Unit and holds herself up a role model for the younger members of her team. In her first big case she is determined to find the truth behind the death of the pretty student . With the help of DCI Brock and other members of their team, she begins to unravel the complicated story behind the young woman’s ties to a world where it was once common to use arsenic for a variety of household uses.  Kolla is immediately thwarted in her investigation when she experiences difficulties finding the dead woman’s residence and next of kin.

When Kolla eventually finds Marion’s home and her family, both raise more questions than answers for the detective. Kolla tries to understand Marion and her work, exploring the world of Dante Gabriel Rossetti, Lizzie Siddal, Janey Burden Morris, and the lesser-known Pre-Raphaelites who figure in Marion Sommers work. The detective is led to Marion’s faculty tutor, her research assistant, and eventually, to the killer of the young woman whose research threatened someone’s existence to the point of murder.

Just published in the US is Maitland’s newest offering, Chelsea Mansions, named for a residence block near one of the tourist highlights of London, the annual Chelsea Flower Show. Leaving the show, an American tourist is horrifically killed in what at first appears to be a random act of violence. When Brock and Kolla’s team investigate, they realize the killer has skillfully kept his face and his escape from the neighborhood from being captured on CCTV cameras mounted near the accident site. What appears to be a random act begins to feel like the planned, deliberate murder of Boston widow Nancy Haynes.

Before any resolution can occur, a wealthy Russian businessman is murdered in the garden across the street from Nancy’s hotel. Mikhail Moszynski’s lavish home encompasses the rest of the block where Nancy’s hotel is situated. As questions mount and the investigation heats up, Kathy becomes convinced the two killings are connected, just as Brock falls seriously ill and his survival is in question. With her professional life at stake, Kolla travels to Boston to explore Nancy’s background.

Maitland gets Boston just right and his subplots involving other characters showcase the author’s skill at devising a multi-layered story. He manages to coalesce threads concerning biological warfare, MI-5, a scurrilous MP we’ve met in a previous novel, Russian agents, and a Canadian university professor into a highly satisfactory conclusion which answers all the questions that have been raised, and all in a believable manner.

It is to Maitland’s credit that he started writing with the pairing up of a male-female protagonist team before it became fashionable. If you haven’t had the pleasure of reading Barry Maitland, Auntie M suggests you begin with the delightful series opener, The Marx Sisters, to follow the careers and private lives of the two detectives these eleven novels revolve around. But no matter in which order you read them, Barry Maitland’s novels, in the UK and Aussie idiom, go down a treat.

Peter James: Riveting Two-fer Sunday, Oct 30 2011 

Peter James two latest Roy Grace novels reveal why Lee Child calls him “. . .  one of the best in the world.” James has produced numerous films (The Merchant of Venice with Al Pacino, Jeremy Irons and Joseph Fiennes) and his novels have a cinematic appeal, visual and complex. Indeed, three of the novels have been filmed and the books have sold over five million copies and been translated into thirty-three languages, a track record any author would envy.

James  blames being burgled for the realistic bent he brings to Detective Superintendent Roy Grace and his Brighton team. A detective James met at the time offered to help him with his series research, and later became the model for Grace. James says becoming friendly with the policeman and his cohorts led him to see that they live in an inclusive world of their own compatriots, looking differently at their surroundings from the average citizen: they have a healthy dose of suspicion most of us lack. James credits another detective friend who reads and comments on his novels-in-progress for being an invaluable resource. Auntie M agrees: her own Cumbrian source for The Green Remains (due out early in 2012) helps with details of everything, from the colors of the lights on top of Lake District panda cars, to the distance to the police station from the major crime scene.

Dead Like You opens in Brighton at the Metropole Hotel on New Year’s Eve. A woman is brutally raped; a week later, a second woman is attacked. Both victims have their shoes taken by the offender.

 

 

The cases jog Grace’s memory back to a series of remarkably similar crimes which remain unsolved from 1997. Are these crimes the work of a copycat perpetrator, or has the “Shoe Man” resurfaced?

By shifting between the past and present, James presents us with the fullest picture yet of Grace’s personal life, taking readers into the time before his beloved wife went missing and changed his world irrevocably. He also offers a fascinating story of sexual obsession. As the crimes mount, Grace’s team race to save the latest victim.

The novel is inventive and engrossing, blending aspects of the police procedural with the psychological suspense that has become the hallmark of James’ novels, which Jeffery Deavers say echo ” . . . the heart and voices of such authors as P. D. James and Ian Rankin at their best.”

 

 

James’ newest addition to the series will be on sale here at the end of November. Auntie M scored an Advance Readers’ Edition of Dead Man’s Grip and feels this is the strongest entry yet in the Roy Grace series.

This one sizzles off the page, building from chapter to chapter, as the action ranges through several countries and surges with emotional charges on several levels.                                                                                                                                                  

The action starts in a seemingly innocuous way, with widow Carly Chase hurrying to the office after dropping her son at school. A terrible motor vehicle accident occurs, with the resultant death of a Brighton University student. Too much wine the evening before is still in Carly’s system, but when she’s eventually cleared of any wrongdoing in the accident, she has no idea that the repercussions will extend far beyond the loss of her driving license.

When Grace’s Sussex team become involved, it becomes clear that the dead student had connections to organized crime in America, and several scenes are set in New York on Long Island’s tony Hamptons. Since this is Auntie M’s homeground, she was particularly keen to read these bits, but the routes used to get there from Manhattan are correct and descriptions of the area hold up well.

Then revenge killings of the others involved in the accident begin, accompanied by some of the most horrific torture imaginable. It becomes obvious to Grace that Carly is next on the killer’s list.

Besides James’ terrific plotting, this novel is notable for two other aspects. The first is the hit man involved, and here Grace does a sensational job of getting inside the mind of the kind of freakish sociopath who would be able to carry out these detailed killings. This may be one of the most evil characters to come out of James’ imagination yet.

The second is the weaving in of Grace’s personal life, which takes an surprising and unforeseen turn. Readers of the series will be chomping at the bit for the next book to see how this newest twist plays out. Don’t miss this latest entry from Peter James for a satisfying read and a wild ride.

 

Aline Templeton X 3 Sunday, Oct 16 2011 

Auntie M had been enjoying Aline Templeton’s DI Marjory Fleming series and earlier this summer brought her to readers attention. (See blog of 7/31) She is also the author of six previous stand-alones.

Now she’s successfully tracked down a copy of Templeton’s first novel in the Fleming series, Cold in the Earth, which introduces Marjory, her family, and recurring members of her team. From this beginning, it’s easy to see how the series launch attracted so much attention.

Played out against the real-life tragedy of hoof-and-mouth disease that devastated sheep and cattle farms and destroyed lives, Templeton gives us the people of the Scottish countryside near Galloway who must endure this unspeakable loss. Enter psychologist Laura Harvey, newly returned to the UK from New York, leaving behind a failed marriage and facing her mother’s funeral. The loss of her last family member gives her the impetus to renew a search for her sister Diana, “Dizzy,” who argued with her parents at the age of twenty and left home, never to be heard of again. Fifteen years later, a chance encounter brings Laura on the trail to the place her sister was last seen, the small town of Kirkluce.

The catastrophic disease comes too close to home for Marjory and her sheep farmer husband, and just as she feels she should take a leave of absence to be home with her husband, teams digging a pit for dead cattle at the Chapelton estate turn up the bones of a dead woman. Is this the missing Dizzy, or the mother of the Mason’s , who deserted the obnoxious family before Dizzy came to work there? Marjory’s investigation will turn up a family’s sinister obsession with bull running, providing an background to her first murder investigation. We see how she relies on DS Tam MacNee, the Burns-quoting sergeant, and how her family relationships affect her work and her work affects her family. With its strong atmosphere and taut narration, Cold in the Earth will leave you reaching for the next Marjory Fleming novel in a compelling new addiction.

2009’s Dead in the Water takes us to the other end of the spectrum in terms of Marjory’s growth as the head of an investigative team. The fifth novel in the series, Marjory’s family has faced growth and change, as has her team. Now a new challenge faces the detective. For political reasons she’s asked  to reopen a cold case that her late father, also a policeman, was unable to solve: the real reason behind the death twenty years ago of a young, pregnant woman, who washed up on the rocks.

Templeton shows  a woman in a high-powered, responsible position who often has to make tough choices between her job and her family. When a television crew arrives in town to film an episode of a popular detective show, the complications rise. The show’s star, Marcus Lindsay, is a local-born hero and scenes are to be filmed in his family home. He is also a former boyfriend of the dead girl, and the man the victim’s mother insists was responsible for her murder.

He brings with him an aging film star who is to have several cameo scenes in the episode, an homage to the woman he considers a step-mother, his father’s mistress. Although confined to a wheelchair, Sylvia Lascalles manages to charm the town and even Marjory’s sergeant and right-hand man, Tam MacNee.

Complicating the matter are the Polish workers whose presence antagonizes the less desirable town hooligans, adding a barrage of assaults to Marjory’s already-hectic schedule, and interfering with the immigrant Polish family who reside in the cottage at Marjory’s farm and help with the sheep and the housework, which have lightened Marjory’s home load.

Templeton manages to combine all of these subplots into a satisfying chain of events that escalate, even as charges from the Procurator Fiscal threaten to destroy Marjory’s career. The ending will provide resolution, but at a high cost to Marjory and her career, and to the memory of her father.

One thing Auntie M enjoys about this series is that Templeton’s storylines are always fresh and individual.

She continues the threads of Marjory’s home life and those of her team we’ve come to know and care about in the next novel in the series, 2010’s Cradle to Grave.

Hellish summer downpours have created flooding and may cancel plans for a three-day pop music festival planned on the grounds of Rosscarron, owned now by local lad Gillis Crozier, who has done well in the music business and bought the former shooting lodge on the Rosscarron headland as a second home.

With multiple business interests, he is also responsible for a spate of new homes  built at the mouth of the Carron, which the overflow have devastated. Questions of planning permission have led to demonstrations in the area, and there is vandalism at Rosscarron before the festival even gets started.

Then a landslide changes everything. Several small cottages on the coast are destroyed, some buried under the landfall from the overhanging cliff. A few people staying there are rescued, but a body is found in one cottage, and when it turns out the man was murdered before the landslide, the hunt is on for a killer. When the only approach bridge washes out, it sets the stage for an escalation of harm and tension, as Marjory and McNee are trapped for days at Rosscarron house.

Complicating matters is the appearance of Lisa Stewart, a young woman whose past includes being accused of allowing an infant in her care to die. Not convicted, nevertheless her past has followed her, and when she returns to the area, the bodies start to pile up. Once Marjory’s team uncovers Lisa’s ties to Gillis Crozier and his dysfunctional family, they must decide if Lisa is a victim or a ruthless murderess, settling old scores.

Fighting her own recent past actions, plus a part of her history she hadn’t faced in decades, Marjory’s investigation is also hampered by the tension between her and McNee, her most valued team member and her go-to sounding board. Something is going on in Tam McNee’s life, but the events from the last book have meant he hasn’t felt able to confide in Marjory. Will she be able to uncover the truth? As she unravels the history of those involved, the stories overlap and interconnect in unseen ways. What first started out as appearing to be a simple revenge scheme, turns out to be so much more.

This one is slickly plotted, with a high tension level thoughout the entire book. Templeton has vivid characters and uses the landscape to ratchet up her scenes. Templeton never goes for the easy fixes, and things are resolved in messy and often surprising ways.

Thanks once again to the wonderful Louise Penny for recommending this series. Auntie M hopes new readers will discover Aline Templeton’s  satisfying Marjory Fleming series.

Louise Penny: A Trick of the Light Sunday, Sep 25 2011 

The wonderful Canadian author Louise Penny is back with the next installment in her award winning series featuring Chief Inspector Armand Gamache, his team, and the villagers of Three Pines in A Trick of the Light.

This seventh novel starts with a dream-come-true moment for artist Clara Morrow–a solo show at Montreal’s famed Musee d’Art Contemporain. Penny launches us into the heart of Clara’s terror with the opening lines “Oh, no, no, no, thought Clara Morrow as she walked toward the closed doors.”

Despite her nerves, Clara’s show is a success, the culmination of a life’s work beside her husband, Peter, also an artist. Their celebration continues to a party that evening at their home in the tiny Quebec village of Three Pines, filled with the assortment of quirky and endearing character’s who readers of Penny’s work have come to love and admire.

But the tone quickly changes when a woman’s body is found the next morning in Clara’s garden, and the victim turns out to be a college friend of the Morrow’s and a former close friend to Clara. Who would want to murder Lillian Dyson? And why is she in the Morrow’s garden? The head of homicide for the Surete du Quebec is called in, and Inspect. Gamache brings his team and all of their troubles with him, as they are still healing from the physical and psychic wounds incurred in last year’s magnificent Bury Your Dead.

The art world is represented in Three Pines, from artists to gallery owners,  and all quickly come under suspicion, as well as the Morrow’s themselves. Penny develops the theme of shadow and light that embraces all of her novels, as she explores the face we show the world and the one we keep to ourselves. Gamache’s investigation will uncover deep secrets, and truths that have been hidden which color the world when they are exposed to the light of day. There are consequences for all of the people involved, as Gamache finds a killer even as he struggles with the problems buried deeply within his team and himself.

I thought Bury Your Dead (which just won an Anthony and a Macavity after already winning an Agatha and a Dilys), with its three main story lines and dramatic turns, couldn’t be topped. I was wrong. The message here, that ‘trick of the light,’ will capture you. Penny’s description of the universal shading of truth and deception, along with the way each person seeing the same situation can have dramatically different points of view,  are all compellingly illustrated. The ending of this book moved me deeply with its last visual scene.

I had the distinct pleasure of meeting Penny in person a few weeks ago in Maine, on the second day of her book promotion tour. A delightful storyteller, her wit and charm captivated the audience of over a hundred squeezed into the downstairs of Kennebooks bookstore, hanging on her every word.

After reading a brief passage from the new book, Penny described her pathway to becoming a novelist, including her childhood fears, long journalism career, and years of interviewing authors for the CBC. She answered questions readily and honestly, with a wise wit, often quoting from poets who inspire her. She also described the eighth book in the series, which readers will have to wait a year to read.

Any reader who had read Penny’s blog has a good sense of the person behind the novels: the importance of her husband, Michael, their dogs and their home; the small comforts we can identify with and share, from good food to good friends; her delight as the books have gained prominence and continue to win awards. Penny has the distinction of winning FOUR Agatha Awards in a row, a first for any mystery novelist.

Penny was gracious about her success and thanked her enthusiastic readers for helping to spread interest in the series. Her audience was left with a sense of meeting a “new” old friend, one her readers hope will continue to amaze and delight us in the future.

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