Kate Flora: Redemption Sunday, Feb 19 2012 

HOMICIDE: OUR DAY BEGINS WHEN YOUR DAY ENDS.

That’s the slogan one of homicide detective Joe Burgess’ colleagues wears on a T-shirt.

Welcome to the very real, very gritty world of Joe Burgess, a cynical Portland, Maine cop with a soft heart and a tenacious nature that propels him to follow threads and solve his cases.

Burgess is a seasoned detective, coping in this volume with the added pressures of a committed relationship. He yearns for the resiliency of his younger years. “Between the unspeakable things people did to each other and the cases he couldn’t fix, the iron that held him upright and hopeful was rusting.”

But with age comes experience, and Burgess will need all of that and more to solve the murder of Vietnam vet and old high school friend, Reggie the Can Man.

Reggie’s alcoholism and mental problems post-war haven’t stopped Burgess from keeping an eye of Reggie and continually trying to rescue him since their shared days as 19-yr olds in the jungles of Southeast Asia. Reggie has spent decades alternating between appearing fine and then dropping into the dark hole of mental illness, propped up by his brother, Clay, and Burgess. On a perfect autumn Columbus Day, when all Burgess wants is the quiet calm of a picnic, Reggie’s body is found in the water off a pier in downtown Portland, and Burgess’ weekend off is lost.

When the drowning is questioned as deliberate, Burgess steels himself to do this last act of kindness for Reggie–find his murderer and bring him to justice. For Reggie had managed to keep secrets to protect the ones he loved, and it will take all of Burgess’ instincts and people skills to tease out the reason Reggie needed to die.

In the course of his investigation, Burgess will run up against a host of likely suspects, ranging from Reggie’s ex-wife and his wayward son, who also happens to be Burgess’ godson, to corrupt businessmen and a woman who claims to be a witch. She tries to prove it to Burgess in a most unusual way.

Flora gets the Portland area just right, from the lovely countryside and fishy scent of the harbor area, to the unused lot Burgess and his team scour for clues: ” … his nostrils were filled with the smells of crushed grass and weeds, mildew, and the sourness of rotting vegetation. Every season had its scent, and fall’s crisp scents of fresh air and burning leaves were underlain by the odor of death and decay. Like his life.” The people and the setting will jump off the page; the details of the police procedural are done just right, with distinct characters helping Burgess, even if he would sometimes use the word “help” sarcastically.

Her character’s are well-drawn, distinct individuals, but it’s Burgess and her story who will keep you reading for the resolution. Flora’s novels include seven in the Thea Kozak mysteries, a true crime novel and a suspense thriller. Finding Amy was nominated in 2007 for an Edgar and has been filmed for TV. Teaching writing for Grub Street in Boston, Flora has a new true crime project underway revolving around a Canadian serial killer, and is working on a screenplay.

Redemption is the third Joe Burgess novel. Auntie M will be reading the first two.

 

P D James: Death Comes to Pemberley Friday, Feb 10 2012 

Fans of P. D. James will find this newest offering to be very different from her carefully plotted, meticulously described, and heavily psychologically-oriented crime novels. Readers familiar with James’ autobiography Time to Be in Earnest will know of her lifelong passion for Jane Austen. Indeed, one of her daughters is named Jane.

So it’s no surprise that James has adeptly recreated the world of Pride and Prejudice, and readers of Austen will be plunged immediately into the familiar landscape of those novels.

It’s 1803, and Elizabeth and Darcy are settled comfortably at his magnificent estate at Pemberley, parents to two healthy little sons, aptly named Fitzwilliam and Charles. With her favorite sister, Jane, and Jane’s husband, Bingley, and their family living nearby, Elizabeth has grown into her role, running the household competently. Darcy’s sister, Georgiana, is contemplating marriage prospects. It is an idyllic life, soon to be in disarray.

The estate is preparing for the autumnal Lady Anne’s ball, silver being polished, flowers being chosen with care, when a flying chaise arrives on the eve of the ball, “lurching and swaying down the woodland road towards the house, its two sidelights blazing like small flames. Imagination provided what was too distant to be seen–the manes of the horses tossed by the wind, their wild eyes and straining shoulders, the postilion heaving at the reins.”

And we’re off and running with the story, as Lydia Wickham, Elizabeth’s younger, most unreliable sister, runs into the house, screaming hysterically that her husband has been murdered. Suddenly everyone at Pemberley is thrust into a frightening situation which threatens the peace and future of all who inhabit it. Secrets will be unearthed and confidences made public as the weeks unfold, for it is not Wickham who has been killed; he is instead arrested as the murderer. Darcy will play several roles in the drama, even as he finds himself in the uncomfortable position of being called as a star witness in the eventual trial. At times it seems there is little chance for a peaceful resolution. But to expect that would be to underestimate P. D. James.

James is spot on with the period details, as well as the mores and customs of the time. She has a gift for the cadence of Austen, too, with a lovely use of language and syntax which represent another era. The details of the unfolding mystery are parsed out as the story unfolds, and the mystery is eventually solved with great consideration.

Some readers have pointed out that the mystery seems to take a back seat to the perambulations of the story; no Dalgliesh investigation here. Indeed, James prefaces the novel with an Author’s Note apologizing “for involving her beloved Elizabeth in the trauma of a murder investigation … ”   But Auntie M feels Jane Austen would applaud James for her wise craft and gratifying skill in bringing crime to Pemberley.

Sue Grafton: V is for Vengeance Sunday, Jan 29 2012 

FOLKS: Auntie M will be attending the Cape Fear Crime Festival and will return to this spot on Feb. 12th with a great new review for you!

Reading Sue Grafton’s Kinsey Millhone series is like working your way through a box of Godiva chocolates: you get more and more excited tasting the different flavors and don’t want the box to end. That sums up Auntie M’s feelings after reading her newest, V is for Vengeance.

The talented Grafton just keeps getting better and better. The Wall Street Journal notes: “Millhone’s complexity is mirrored by the novels that document her cases: books that nestle comfortably within the mystery genre even as they prod and push its contours.”

This time the licensed private detective is shopping for underwear when she’s a witness to a woman shoplifting in Nordstrom’s lingerie department. Discreetly enlisting the nearest clerk, the woman is caught by security but not before Kinsey witnesses her companion changing clothes in the ladies room. Said accomplice manages to get away after trying to run Kinsey down in the parking lot. But no, this still doesn’t explain why Kinsey is nursing a broken nose and two black eyes on her thirty-eighth birthday, one hell of a way to remember the day.

The lead up to that broken nose takes us through the details of Kinsey’s latest case, starting with the shoplifter, who has apparently jumped off a bridge in remorse–for shoplifting a lace teddy and two pairs of silk pajamas? When the woman’s fiance’ shows up at Kinsey’s office and begs her to look into the jumper’s death, Kinsey becomes involved in a web of dangerous and toxic relationships that will affect her and those around her in surprising and sometimes deathly ways.

As her investigation grows, so does this web in which Kinsey finds herself entangled, leading her to a ruthless and unfaithful businessman, a woman on the verge of leaving her husband, a young man with a bad gambling habit, and a brutal gangster. Throw in a mob-related professional shoplifting ring, and a dirty, ruthless cop, and you have an idea of what Kinsey’s week has just become. If you thought shoplifting was a minor, irritating crime, you’re in for an eye-opener. This is big business on a world-wide level; and at the heart of this ring is a charming, powerful businessman whose work might be outside the law but whose moral code is above that of the cop who becomes a thorn in Kinsey’s side.

Here’s Kinsey’s telling us about herself in a way that affects the fulfilling ending of the novel: “For the record, I’d like to say I’m a big fan of forgiveness as long as I’m given the opportunity to get even.”

Grafton fans will admire this latest installment, as she’s managed to take her novel a notch higher. Not only do we have Kinsey’s voice and first-person point of view, but we have the added viewpoints of several of the other major players in the story, which adds multiple layers to this very satisfying novel. Then there is the matter of what must be exhaustive research on Grafton’s end into the areas she’s dealing with. The ending couldn’t have been handled better, and that black eye turns out to be a saving grace.

This is a writer at the height of her talent, with a comfortable relationship with her main character that forms the solid foundation of her books. By “V,” Grafton is widening her reach, and we are the fortunate recipients. Auntie M’s only hope is that with only four more letters in the alphabet, Sue Grafton will consider starting all over from A.

Alan Bradley: I am Half-sick of Shadows Sunday, Jan 22 2012 

The delightful chemistry whiz Flavia de Luce is back in Alan Bradley’s fourth mid-20th century series mystery featuring the youngest daughter of Colonel de Luce. The series has won multiple awards, including the Crime Writers’ Association Debut Dagger Award, the Barry Award, the Agatha Award, the Macavity Award, the Dilys Winn Award, and the Arthur Ellis Award.

It’s near Christmas at Buckshaw, the de Luce’s decaying English estate, and eleven-year-old Flavia is in her chemistry laboratory, whipping up a potion guaranteed to prove once and for all if Saint Nick is a reality by gluing him to Buckshaw’s roof. Her father’s desperate financial situation has led him to rent out his beloved estate to, of all things, a film company.

Flavia’s sisters are enthralled: the flirtatious Feeley and bookish Daphne’s excitement is contagious, and even Flavia becomes a bit smitten when film star Phyllis Wyvern appears, along with the cast and crew needed for the few scenes to be filmed there. When Wyvern’s leading man, Desmond Duncan, is added to the mix, even a few minor crew accidents don’t seem important. Wyvern and Duncan are quickly pressed into performing the classic balcony scene from Romeo and Juliet as a fundraiser for the village church roof.

Unfortunately, a huge blizzard arrives, snowing in most of the Bishop Lacey villagers who’ve arrived for the benefit. A long with the film crew, the heavy snowfall leaves everyone stranded and people sleeping in Buckshaw’s hall.

And then a body is found, strangled with a length of film in a staged scene that has Flavia and her dear Inspector Hewitt carrying on twin investigations into this classic “locked room” mystery.

Readers of the series will have learned by now that the mystery is almost secondary in the series to the inner thoughts and machinations of Flavia’s astute mind. This child prodigy in the realm of chemistry is still learning how to read people’s emotions and decipher her own. Bradley fields her struggle with childish feelings and growing pains against her supreme intelligence and sleuthing skills. Sherlock Holmes would be a fan of Flavia.

Ruth Rendell: The Vault Sunday, Jan 15 2012 

Rendell’s dear Chief Inspector Reggie Wexford has retired–or has he?

Wexford’s actress daughter owns a home in the posh Hampstead section of London, complete with a carriage house she offers to her parents, where Wexford and his wife Dora are spending time now that the Chief is retired from policing. Trying to fill his days with reading, opera, galleries and walks, he is also trying to cope with missing policing, six months out of service. One of these walks down the Finchley Road leads him to a chance encounter with a bright young detective he knew thirty years ago and instantly recognizes.

But Tom Ede has moved on and is now Detective Superintendent Ede, based at the new Metropolitan Police headquarters in Cricklewood. When Ede promises to phone the next day, Wexford finds himself anxiously anticipating the call. Yet he’s still surprised when Ede indicates he could use Wexford in the role of expert advisor. “Open confession is good for the soul,” said Tom, “and I’ll tell you frankly, I’ve asked for your help because so far we’re getting nowhere fast.”

Despite the lack of renumeration, Wexford agrees when he finds out the particular case Ede wants help with concerns a house in Orcadia Place, where four bodies have been found in an underground vault. Three of the bodies are of vintage variety, and one is new. The house’s new owner had pulled up a manhole cover in the garden with an eye to making an underground room and made the horrific discovery. Readers of Rendell’s 1998 novel A Sight for Sore Eyes will remember this particular house and its grisly climax with three bodies buried, one alive, but now the number is up to four. I hasten to point out that no knowledge of that book is necessary to enjoy this one. But the question for readers of the earlier book will become immediately apparent, as it soon does to Wexford: How did somebody else end up in that chamber? And who knew of its existence?

Wexford’s dogged nature and detecting skills will take him all over London’s neighborhoods as he uses his honed experience to figure out the criminal minds at work here and follows the trail that leads to the original murders over a decade ago. There are neighbors and workers and past owners to be interviewed and investigated. Just when he’s making what seems like progress on the case, a family tragedy brings him back to Kingsmarkham and changes everything. Wexford’s old partner Mike Burden makes his appearance here. Just as that situation looks to be under control, the books powerful resolution brings Wexford himself into physical danger.

This is Rendell at her finest, with masterful plotting and an eye for the details of human nature. Rendell delves into the psychology of her characters as she twists her plots, and twists them again, and that keeps Auntie M reading.

As an aside, it must be noted that many of the Wexford novels were made for television into a fine series called The Ruth Rendell Mysteries, starring George Baker as Wexford. A multi-talented actor and writer, Baker embodied the character, and died last October of pneumonia after a stroke. His third wife, actress Louie Ramsey, had played Dora, Wexford’s wife in the series, and predeceased him in March of 2011. One of Baker’s five daughters told the BBC after his death: “He absolutely loved Wexford and he loved being Wexford.”

How lucky for readers that Wexford’s creator is still going strong and we can only hope Baroness Rendell will keep Wexford alive and sleuthing for a long time to come.

Susan Hill: Betrayal of Trust Sunday, Jan 8 2012 

With the sixth Simon Serrailler mystery, the wonderful Susan Hill has given her readers a New Years gift that’s only missing its red bow. All of the delightful elements are here that make this acclaimed series one of the most highly anticipated in British mystery.

A gale passing through southwest England opens the action, affecting the characters in different ways.  The brooding Chief Superintendent has driven home from a friend’s wedding in Wales with the gale licking his heels. He’s tucked up warm and cozy, when the gale hits his flat in Cathedral Close and town of Lafferton with a vengance. At his sisters farmhouse, Cat Deerborn worries about Molly Lucas, the final year medical student who lives with her. Molly biked to the med school library and hasn’t returned home. Across town, arthritic Jocelyn Forbes faces the storm alone in her bedroom, wishing for someone to talk to about her deteriorating body.

Then just after midnight the river bursts its banks; streets and lanes fill up with flash flooding. Debris washes down the Moor into the road below and the hill becomes impassable, bringing with it stone, soil, branches, and along with this, bones from two shallow graves.

These bones bring Serrailler the chilling prospect of a complicated cold case involving prominent businessman John Lowther. Some of the bones belong to his daughter, Joanne, missing for twenty years, whose supposed death as a teenager led to her mother’s suicide. The others bones owner are harder to pin down and prove to be only the first of the surprising twists Hill has in store for her readers.

Lafferton’s force has been hit with budget cuts, and the shortage of staff finds Serrailler out doing the kind of legwork in this investigation he’s best suited for. The story lines threads and themes that follow Molly Lucas, learning how to manage the end of life in patients, and Jocelyn Forbes, facing hers, weave in and out of Serrailler’s investigation, as he tried to identify the second body while trying to learn what happened to Joanne Lowther.

Hill manages to wrap these disparate threads into a complex and highly satisfying plot, exploring the quality of life, what that really means, and whose decision it is to make that judgment.

A surprising twist in Serrailler’s personal life dovetails neatly with the novel’s theme but is not the only surprise Hill has in for her reader. This is a chillingly well-plotted novel, and Auntie M found the novel’s ending raised more questions than it answered and left her anxiously anticipating the next novel. Hill delves into the psychology of her characters in a way that makes them very human and allows her readers to relate to them with her deep empathy for the human condition.  Never one to take the expected pathway, fans of P D James and Ruth Rendell will find The Betrayal of Trust wholly satisfying and unable to put  down until the shocking last page is turned. It will be difficult to wait for the next installment.

Guest Blogger Susan Sloate: Book Research: When You Do It Right and It Still Comes Out Wrong Sunday, Dec 4 2011 

Folks, Auntie M’s son is getting married, so the next two posts will feature guest bloggers.

Please welcome Susan Sloate and her very interesting story~

https://mail.google.com/mail/u/0/?ui=2&ik=cb5e064ea5&view=att&th=13406808a8ce227b&attid=0.2&disp=inline&zw     I’ll admit it up front: I’m a real snob about book research. When I read historical fiction, I expect the author to have gotten the facts right. I love losing myself not only in a great story, but a story that’s teeming with details, large and small, which make me believe I’m there.

A writer’s job, first and foremost, is to tell a good story. But in the process of telling that good story – and persuading the reader of its truth – the writer also owes the reader something critical: factual accuracy.

If an author is sloppy with facts, how can a reader believe the rest of the tale? The bond between writer and reader – that pledge to tell the truth – is broken when there are misspellings, bad grammar (except in dialogue), and most glaringly, errors of historical fact.

I am severe on such errors. (Think of a schoolmarm wielding a big hickory stick.) It takes work to check the details, correct the spelling errors and see to the punctuation. But it’s part of the job.

I’ve always accepted that, and enjoyed writing stories with historical backgrounds. The challenge of burrowing for facts – often obscure ones – and populating my stories with them, to surprise and (hopefully) fascinate the reader, was part of the pleasure (also an excellent excuse for putting off the actual writing, which as any writer knows is half the job, anyway). There is endless room for creativity after you’ve founded it on historical fact.

… Which brings me to my own novel, FORWARD TO CAMELOT, co-authored with Kevin Finn. CAMELOT is a story about an actress who travels back in time from the year 2000 to November of 1963, and while trying to retrieve  priceless artifact, finds a way to save President Kennedy from assassination in Dallas.

We did plenty of research. Years worth. Probably a hundred books, a dozen films, hundreds of newspaper and magazine articles, audio tapes, trips to Dealey Plaza in Dallas, the JFK Library in Boston and Arlington National Cemetery, several symposia on the assassination, conversations with archivists, historians, researchers. We really tried.

Getting it right was important, because we were presenting historical figures as major characters in the story, and we wanted to show them, as much as possible, as they really were. Finding both President Kennedy and Lee Oswald in the mists of fantasy, legend and just plain prejudice, was not easy. But we think we finally did.

We were also blending historical fact with the plot we created, such as the car crash in Dallas on November 18th (4 days before the assassination) that revealed hundreds of stolen rifles, part of a gunrunning operation that had been going on for years, and was tied to the perpetrators of the assassination. (True; you can look it up.)

That gunrunning operation was originally set up by – wait for it – Jack Ruby, the man who shot Oswald. (I am not inventing this.) And it did become an important part of our plot, which most people thought we had made up. (Wish we were that creative.)

So getting the details right in this case was important because we were mixing them right into the creative stew of our story.

So what happens when you realize you’ve committed the cardinal sin – you’ve gotten it wrong?

     The plot of FORWARD TO CAMELOT turns on an artifact that our heroine, Cady, is sent back in time to retrieve: The Bible owned by JFK, which was used to swear in Lyndon Johnson as president on November 22, 1963. According to William Manchester’s excellent DEATH OF A PRESIDENT, the Bible disappeared after Sara Hughes, the judge who swore in LBJ, left Air Force One in Dallas and was asked by an unknown man at the bottom of the ramp to give it back.

Intriguing? You betcha. This is a novelist’s dream – to find some obscure fact no one else has ever used, that we can then work up into a grand story.

But … we also wanted to be sure of the facts. Manchester’s book is the ONLY one of the hundreds we read that even mentioned the Bible’s disappearance. (The other books, understandably, dealt with the continuing questions over whodunit.) Jim Bishop’s excellent book on the same subject says the Bible was in fact a Catholic missal (prayer book), but never mentions that it was lost.

What’s a mother to do?

What we did was call the Kennedy Library in Boston, asking if the Bible had ever been returned. Manchester says the Kennedy family wanted it back, but that was in 1967. The archivist said very definitely that the Bible had not been returned.

That’s when we knew we had a winner: A totally original take on the assassination story, a treasure worthy of the hunt, that if recovered today would be priceless. Jackpot!

      The book was published in November 2003, to coincide with the 40th anniversary of the assassination. It became a #6 Amazon bestseller, took honors in three literary competitions and was optioned (though alas not yet made) by a Hollywood film company.

Everything was grand – until Kevin called me in despair a few years ago and said, “We have to pull the book. We made a huge mistake.”

Uh – excuse me?

He then told me that two of his friends had called to let him know that they knew where the Bible (rather, the prayer missal – Jim Bishop was right) actually was, and of course it was the one place you would never expect.

According to them, it was at the Lyndon B. Johnson Presidential Library in Austin, Texas, where it had been, on display, since the library opened.

To make matters worse, they had found out this interesting fact on JEOPARDY. Yes, America’s game show had mentioned it, in front of millions.

Who knew?

Apparently, according to the LBJ Library archivist I belatedly consulted, Sara Hughes, the judge, did hand off the Bible to a Secret Service agent, who returned it to Mrs. Johnson (not Mrs. Kennedy), who then turned it over to her own press secretary, Liz Carpenter, because she knew that reporters covering the story would be interested in the details of the swearing in.

But … nobody ever asked. No one was interested in how LBJ was sworn in; to them, the story was the dead president, not the live one. (That must have been a real kick to LBJ’s considerable ego.)

So the Johnson family kept the missal and when they were setting up the LBJ Presidential Library, asked the Kennedy family whether they wanted it back. The Kennedys said it had been a recent gift to JFK from an admirer; it did not have sentimental value for them, and they didn’t care about it.

Thus it landed in the LBJ Library – which neither of the authors ever thought of consulting. We figured a JFK librarian would have information on JFK’s possessions and spent considerable time cross-checking other books about the assassination, looking for references to it.

So there you are. Our Bible, which was really a prayer missal, was never a cherished possession of JFK’s (as Manchester stated) and in fact was never `missing’.

We did not pull the book, though. I suppose there’s egg all over our faces, but even so, it’s hard to get mad about this one. We read something in a well-written, well-researched book that turned out to be wrong, and tried hard to corroborate the facts in logical places, except that the people we consulted knew less about it than we did. And therefore, we believed our assumptions to be true, and acted on them.

Frankly, I can’t feel too bad about it. Because if we had gone to the right source in the first place and learned that the Bible (missal) had never really been misplaced, we might have thought twice about trying to save JFK from assassination in FORWARD TO CAMELOT. And I’m convinced that giving up on this novel would have been the real mistake.

I’m still very proud of the book – glaring inaccuracy and all – and if I need comfort, I go back to my favorite time-travel book, Jack Finney’s TIME AND AGAIN. Finney’s classic was set in New York in 1882 and featured the Dakota apartment house in the plot. In a research note at the end of the novel, Finney said that the Dakota was actually built in 1885, but … he needed it for his story in 1882, so he used it.

Well, that works for me. We needed a lost Bible, and using it helped us save JFK (on paper anyway) from tragedy. Anyway, that’s my story, and I’m sticking to it.

So to you writers of historical fiction: Sometimes getting it wrong helps you to surprising new revelations. I wish you lots of interesting research, and many wonderful surprises along the way.

Susan Sloate is the author of 17 young-adult books and the co-author (with Kevin Finn) of FORWARD TO CAMELOT, the 2003 time-travel novel about the JFK assassination, which became a #6 Amazon bestseller, took honors in 3 literary competitions and was optioned for Hollywood film production. Her biography for children, RAY CHARLES: FIND ANOTHER WAY!, was honored in the 2007 Children’s Moonbeam Book Awards. Her unpublished 2007 novel, STEALING FIRE, was a semi-finalist in the 2008 and 2009 Amazon Breakthrough Novel Award contests. She has written and co-directed two one-act plays in their world premieres, optioned two screen properties to Hollywood film companies, written feature articles for sports publications, and is a sought-after speaker for conferences and classrooms. She appears in volumes of WHO’S WHO IN AMERICA, WHO’S WHO IN ENTERTAINMENT and WHO’S WHO AMONG AMERICAN BUSINESSWOMEN. Visit her online at http://susansloate.com.

Simon Beckett: The Calling of the Grave Sunday, Nov 27 2011 

Simon Beckett’s novels featuring forensics expert Dr. David Hunter display the kind of in-depth research that keeps readers like Auntie M coming back. With his painstaking approach to detail Beckett’s novels have a sense of authenticity that at times is eerie, and which applies to other character’s specialties, as well.

When Beckett was writing for the Daily Telegraph Magazine, one assignment took him on a field trip to the world-famous Anthropological Research Facility in Tennessee known as The Body Farm. That visit inspired not only the character of David Hunter, but this recent offering in the series, The Calling of the Grave. “Nothing stays hidden forever” is the last line of the prologue and an apt theme for this absorbing novel that will end in an entirely different way from the reader’s first expectations.

Almost a decade ago a body was found buried on Dartmoor, presumably the work of the psychotic rapist and multiple murderer Jerome Monk. The bodies of two other victims, twin sisters, were never recovered. Called upon to be a part of the recovery team, Hunter is eager to be included in a search of the area when Monk offers to point to where the bodies are buried. The premise allows us to go back into Hunter’s private life as he recalls the the days of the first search, and brilliantly ties those events to others that have severely affected his life.

On the moors Hunter meets Leonard Wainwright, a Cambridge don turned consultant to the police, renowned as a forensics expert, especially in the area of archeology. Part of the team will be the local pathologist, Dr. Pirie, and also Sophie Keller, a Behavioral Investigative Advisor, who will advise on offender’s characteristics and motivations, and will help to plan the strategy and assessment of Monk. DI Terry Connors is a surprise: his wife and Hunter’s own were friends years ago and the men used to see each other socially.

The moor is beautiful described, in all its dark and wild glory, and provides the perfect setting for the shackled prisoner as he arrives after a decoy has shaken reporters off in a different direction. The real prisoner has a hulking presence, powerful presence, with a ghastly congenital indentation in his forehead, “as though he’d been struck with a hammer and somehow survived.” With his crooked mouth and small, empty eyes, the murderer has a chilling effect on those present.  

The the unthinkable happens: a nightmarish scenario develops and Monk tried to escape. With great difficulty the police manage to subdue and contain him, but not before he has ruined the career Sophie Keller. With Monk safely behind bars, Hunter returns to London and his wife and daughter–until his own nightmare begins.

Eight years later, Hunter is surprised to find Terry Connor on his doorstep. Both of their lives have changed, not for the better, and Hunter is not happy to see Connor. Then the detective tells him his news: Jerome Monk had suffered a heart attack, and on transfer to a civilian hospital, managed to break his restraints, subdue his guards, and escape into the night. When a panicked Sophie Keller contacts Hunter a few days later, begging him to visit her, he acquiesces. But Keller fails to show up at the pub where they were to meet, and Hunter drives out to her house, only to find her beaten into unconsciousness.

What happens next will bring Hunter into the realm of a murderer, as the members of the original search team begin to be hunted down and murdered, and Hunter realizes he only knows half the real story of the events of eight years ago.

This is a gripping and solid read, with the pacing ratcheted up as Hunter and Sophie try to flee from a maniac on the loose. Or is the real threat closer to home?

Another solid offering from Simon Beckett.

Denise Mina: The End of the Wasp Season Sunday, Nov 20 2011 

Ian Rankin calls fellow Scot Denise Mina: “The most exciting crime writer to have emerged in Britain in years.” Readers of Auntie M will know that she follows Mina’s crime novels, from her stand alones to her Paddy Meehan series. With a law degree in her pocket, Mina also writes short stories, has authored a play, and is a regular contributor to TV and radio.

Mina is back with a new protagonist, as original as any of her others. DS Alex Morrow is pregnant with twins when she catches a murder case that will send shock waves through the wealthy suburb of Glasgow where the victim lived. It will also touch Morrow’s personal life and impact her career as she tries to keep her own ghosts at bay.

Sarah Erroll had taken exceptional care of her ailing mother until the woman’s recent death, providing round-the-clock care in the home Joy Erroll loved. When Sarah is found brutally murdered at the bottom of the stairs of that home, it appears to be a vicious but random attack. Then Morrow listens to the recording made when Sarah tried to call 999 and hears her tell one of her murderers: “I know you.” The case is further complicated when stacks of cash are found hidden under the kitchen table, totaling close to $700,ooo Euros. What was the source of Erroll’s money? Who knew about it?

In a seemingly unrelated event in Kent, millionaire banker Lars Anderson hangs himself from the oak tree standing on the sacred lawn of his mansion. Under investigation for fraudulent business practices that have left his clients destitute, his death is seen by many as a penance for his lifetime self-serving attitude, a just decision in a world damaged by ever-widening recession. Although left in financial straits, his deeply damaged family mostly feel  a sense of release at his death. But just how damaged are they?

Stonewalled by DCI Bannerman, a man who’s learned how to turn rudeness into an art form, it will be up to Morrow to sort out the tangled web that connects both deaths. Travel to London follows as Morrow begins to unravel the threads that will lead to a shattering resolution.

This is a complex and multilayered novel, full of plot turns, with Mina illustrating a deft rendering of the complicated emotions of the people in the book’s world. This talent makes her characters eminently human, and her novels are ones easily gobbled up as the pages turn.

 

 

Two for Sorrow: Nicola Upson’s third winner Sunday, Nov 13 2011 

Auntie M has been encouraging readers to investigate Nicola Upson. With her background in theater and as a crime fiction critic, it is easy to see how Upson’s research into the life of Elizabeth Mackintosh led to this very original series. Upson is also the author of two non-fiction books, and studied English at Cambridge.

Upson became interested in writers working between the two World Wars, which led her to Mackintosh, who wrote plays and mainly historical fiction under the pen name of Gordon Daviot. When she turned her hand to some of the most original crime novels of 1930’s-1950’s, Mackintosh wrote under the name Josephine Tey.

It is Upson’s own original device in this series to star Tey as the protagonist in her mystery novels, and it is highly effective. Following the authorship of Tey’s real novels and life events, Upson brings to life the era and settings that Mackintosh inhabited, weaving in aspects of her life with that of Tey and her friends in the theater.

In her third Tey novel, Two for Sorrow, Upson has Tey in London doing research for a possible novel based on the last double female hanging at Holloway Prison in Britain. The book follows two stories: Tey’s research into the life of the two women convicted of murdering newborn infants taken from their mothers for adoption; and the murder of a young seamstress who has been found murdered under horrific circumstances in the design studio of the Motley sisters, Tey’s friends.

Tey is staying at the Cowdray Club, a club for nurses and professional women where Mackintosh was a member from 1925 until her death in 1952. The club is the planned setting for a lavish charity gala with surperstars headlining the fundraiser, and the Motley sisters are designing many of the dresses for the prominent women attending. Inspector Archie Penrose and his team investigate the young woman’s death, which at first appears to be laid at the door of her abusive father. Penrose is not convinced this is the case, and he enlists Tey’s help in finding the real murderer, even as she continues her own novel’s research, which includes a visit to Holloway.

The lives of several women living at the Cowdray Club are brought under Archie’s spotlight, and Tey finds herself at times uncomfortable with Archie’s investigation. Then as he becomes convinced he is on the trail of the murderer, a second young woman suffers a terrible accident and the race is on to unearth a sadistic killer.

Upson’s settings are vividly described and recall the era perfectly. She also mines the reserve of the time and the simmering emotions that lie just beneath the surface of most personal relationships. Her research is exhaustive and we are the happy recipients as she expertly overlaps the real with the fictional.

The two main story lines overlap in several places that heighten the tension. The entire novel is bolstered by an intriguing subplot featuring Tey’s private life. Auntie M had to do a little research of her own to find that this, too, was based on what can be gleaned from Mackintosh’s very private life.

P. D. James has remarked that Upson  “. . .  is to be congratulated” and Auntie M agrees. Don’t miss this third strong outing in a consistently entertaining and well-written series.

 

 

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