Blunt Impact: Lisa Black Saturday, Mar 2 2013 

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Please welcome guest Lisa Black whose forensic mystery series continues with it’s fifth entry:

Blunt Impact is the fifth Theresa MacLean forensic mystery and the first to be published by Severn House. Theresa has my old job as a forensic scientist at the coroner’s office in Cleveland, Ohio (now I’m a CSI and latent print examiner in Cape Coral, Florida). I’m also a bit claustrophobic, which is probably why I like to set my murder scenes outdoors. At the lakefront, in the park, on the observation deck of the Terminal Tower or, as in Blunt Impact, on the 23rd floor of a skyscraper under construction.

Theresa is not the butt-kicking gun-carrying bad girl of some TV shows. Nor is she the icy sarcastic genius who likes to point out everyone inadequacies. She prefers to do her work in peace and quiet, unobserved behind the lines—but of course this rarely works out for a good-looking redhead who’s usually found standing over a dead body. And in Blunt Impact she is caught in the knot of unlikely and conflicting human beings surrounding a tough but endangered little girl named Anna, better known as Ghost.

Ghost has a unique lifestyle, loved by her construction worker mother and disabled grandmother but constantly slipping out of her home to roam the back alleys of the large city, looking for the father whose identity has always been kept secret from her. Nothing all that bad ever happens—until she witnesses her mother’s murder, the beautiful young woman thrown from the 23rd floor. Ghost will not rest until she learns the truth, which means that Theresa cannot rest until Ghost is safe.

The building itself is in turmoil, torn by controversy over its purpose as a new county jail. Add in OSHA whistleblowers and missing money, criminal elements using the site for their own purposes and a homely but smart district attorney who becomes more interested in Theresa than the intrigue and Theresa has no choice but to hang on tight as she dangles over the abyss.

Blunt Impact will be available April 1, featuring forensic scientist Theresa MacLean and a series of murders surrounding a skyscraper under construction in downtown Cleveland. The first to die is young, sexy concrete worker Samantha, thrown from the 23rd floor. The only witness is her 11 year old daughter Anna, nicknamed Ghost. Ghost will stop at nothing to find her mother’s killer, and Theresa will stop at nothing to keep Ghost safe.

Also, Kindle owners can find a bargain in my new book The Prague Project, written under the name Beth Cheylan. A death in West Virginia sends FBI agent Ellie Gardner and NYPD Counterterrorism lieutenant Michael Stewart on a chase across Europe as they track stolen nukes and lost Nazi gold, hoping to avert the death of millions of people.    L Black author photo-1

         Lisa Black spent the five happiest years of her life in a morgue. As a forensic scientist in the Cleveland coroner’s office she analyzed gunshot residue on hands and clothing, hairs, fibers, paint, glass, DNA, blood and many other forms of trace evidence, as well as crime scenes. Now she’s a certified latent print examiner and CSI for the Cape Coral Police Department. Her books have been translated into six languages. Evidence of Murder reached the NYT mass market bestseller’s list.

See her website at: http://www.lisa-black.com

 

 

 

 

Deborah Crombie: The Sound of Broken Glass Sunday, Feb 24 2013 

One of the delights of Deborah Crombie’s novels are the British neighborhoods and environs she explores for her murder mysteries. images_067

In this 15th outing between her now-married detective pair of Gemma James and Duncan Kincaid, The Sound of Broken Glass remains firmly rooted in foggy London in the Crystal Palace area. Chapter epigraphs, a device Auntie M highly enjoys, all pertain to the history and destruction of the Crystal Palace building that gave the area its name.

Crombie has kept the series fresh and humanizing by moving along the personal relationships in the Kincaid household and allowing for the growth of the marriage between the main characters. With the addition to their family of a three year-old foster daughter, Charlotte, it is Duncan’s turn to be at home to assist the traumatized little girl through her integration into their family and a more normal life. These moments remind us that police men and women have families of their own, whose absences are noted when normal routines must be adjusted around the demands of a murder investigation.

The main case belongs to Gemma this time, aided by DS Melody Talbot. They investigate the murder of a barrister who has been taking sole care of his wife, suffering from increasing dementia. The body of Vincent Arnott is found in a seedy hotel in the Crystal Palace area, naked, trussed and strangled. The contrast between the man’s public and private faces becomes immediately apparent and startling.

Then a second barrister is killed in the same way and additional evidence ties the cases together. The deaths tie in with a band playing in the area, and especially their talented guitarist, perched on the edge of fame. Is a serial killer at work?

Gemma and Melody must unravel connections going back over fifteen years to tie these murders together. At the heart they will find a bullied and lonely thirteen year-old boy and his relationship with a recently widowed teacher and neighbor. Duncan’s fears rise when a personal connection ties him to one of the suspects and provides the thread between the two murder victims.

When the past and the present collide, Gemma and Melody find themselves in the middle of an ice storm, racing through the steep streets of Crystal Palace to prevent more deaths.

Consistent and compelling, fans of the series won’t be disappointed with Crombie’s latest offering.

 

Peter Robinson: Watching the Dark Sunday, Jan 13 2013 

Robinson’s twentieth Chief Inspector Banks novel starts off in an unlikely place: St. Peter’s Police Convalescent Treatment Centre, just north of Eastvale, his stomping grounds. watching-the-dark

Watching the Dark opens with the introduction of DI Lorraine Jensen, recovering from multiple leg fractures, the result of a fall from a second-story tower block chasing drug dealers. Awakened early one morning by the pain her leg, she moves outside to watch the sunrise and wait for her painkillers to kick in.

As she sips her tea she notices a bundle of clothes on the far side of the lake. Using her crutch to get closer, she realizes the bundle is really a very dead man, kneeling forward with his head touching the ground.

When the team arrives and the police surgeon turns the body over, everyone is shocked to see a crossbow bolt sticking out of the man’s chest. A recent widower, DI Bill Quinn was a patient at St. Peter’s for issues with his neck.

When Banks decides to search the victim’s room himself, it appears there is little joy to be found. Quinn’s room sports a series of fishing and gardening magazines and only one book: Practical Homicide Investigation.

The well-practiced team swing into action. Interviews of the twelve resident patients and staff, as well as room searches, are carried out quickly and efficiently. That the Centre pays lip service to security is immediately apparent. The thing left to resolve: was Quinn’s murder revenge from a former convict? Or something more deep and sinister.

Then Banks takes a closer look at the book found in Quinn’s room. Under the endpapers, the detective has secreted a thin envelope containing three photographs of himself and a young woman in compromising positions.

But what do these photos have to do with the man’s murder? And how to they tie in with a dead migrant worker found in an abandoned Yorkshire farmhouse?

Then a cold case appears connected.  19 year-old Rachel Hewitt had disappeared on a hen party in Estonia several years ago and was Quinn’s biggest regret, a case he considered his only failure. Would her case provide the key to unlocking why DI Quinn had to die?

Complicating Banks investigation are two women. DI Annie Cabbot, Banks’ former lover and longtime colleague, due back after six months rehab from a shooting incident, is due to return to work in two days. Will she be up to the task or will her demons prevent her from doing her job?

Then Banks’ ACC throws him a curve ball in the form of a Professional Standards Inspector who is assigned to investigate Quinn’s death alongside Banks. Joanna Passero has her own agenda, and finding out if Quinn was a bent copper is just her surface assignment. She painfully dogs Banks’ steps, hampering his quest.

Robinson moves Banks around to Europe and the change of scenery keeps Banks on his toes and readers turning pages. Not all policemen have the same scruples, he will be quick to learn. But how does that tie in with people trafficking, migrant labor scams, and most importantly, murder?

Fans will be delighted to see Banks in action in this highly readable and compelling new novel from a master at the top of his game.

Nele Neuhaus: Snow White Must Die Sunday, Jan 6 2013 

German author Neuhaus is making news with the first English translation of a police procedural that will surprise readers and introduce them to a new detective duo to follow.

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Actually the second in the series, the international best seller features Detective Oliver von Bodenstein, troubled and distinctive, and his partner, Pia Kirchhoff. In this first US import, the Grimm fairy tale describing Snow White becomes a refrain to the story Neuhaus tells of 30-year old Tobias Sartorius. It opens as he leaves prison after serving ten years following the disappearance of two teenaged girls last seen in his company. Having no recollection of most of the events of the evening, his time in prison has been tortuous as he’s come to accept he must have murdered the two girls, despite having no memory of the night in question.

Of the two missing girls, the dark-haired Stefanie Schneeberger had been cast to play Snow White in the local play. On the night the girls disappeared, she was supposed to have broken off her dating relationship with Tobias.

Returning to his small home town, Tobias is shocked to learn the pretense his parents maintained while he imprisoned. They’ve lost their business and separated, and while his father still lives on in the same house, the town has made the family pay for what they feel is Tobias’ murder of the two missing girls by outcasting his parents and damaging their property, with continued harassment.

When Tobias’ mother is pushed from a pedestrian bridge onto the hood of a car below, the two detectives investigation is met with stony silence from the villagers. Then a young girl disappears, and the past seems to be repeating itself. With the villagers certain Tobias is to blame, his life hangs in jeopardy as the Oliver and Pia race against time to find the truth before the villagers take matters into their own hands.

This is lively nuanced mystery, with increasing suspense, and well-crafted characters. The effects of gossip, the use of local power, and the idea of keeping up appearances for outsiders will all be explored, even as Oliver and Pia have their own domestic issues barging into their hectic days. The novel is surprising at times as the events kick up and the pace surges ahead. Readers will become addicted to turning pages as the story engages them. Neuhaus lets them in early on a secret to that they have more information than the detectives, a device which serves to nicely up the suspense factor.

The well-drafted thriller will allow readers to see why Neuhaus is Germany’s top crime writer. In Europe the sixth in the series is in print, and readers here in the US can only hope the translators are hard at work to bring us the next installments of this complex and widely-read crime writer.

Susan Hill: A Question of Identity Sunday, Nov 25 2012 

Can a person love two people at the same time?

Can a person BE two different people at the same time?

These are the main questions the wonderful Susan Hill addresses in the compelling new Simon Serailler mystery A Question of Identity.

Fans of the series will not be disappointed, as Hill explores Serailler’s relationship with the woman he loves, whose husband is dying.

She continues to weave in his sister, Cat, a young widow raising three children and working hospice, who faces more changes in her future just as she unearths a terrible family secret.

She also gives us an inside look for the first time into the mind of the killer Simon must unveil, by following snatches of his thoughts during the entire investigative process.

The cathedral town of Laffterton that Serailler inhabits hasn’t seen a crime as this: the brutal murder of an elderly woman, newly moved into a brand new housing scheme, posed in a way that marks the murderer’s signature. This is a careful killer, one who wears gloves, doesn’t leave a trace behind, and chooses his victims for their age and inability to react quickly to his appearance.

As the murders escalate, Serailler’s team keeps several bizarre aspects of the murder from the public. Then their investigation finds these signs to be the exact MO of a suspect previously charged with several murders who had been acquitted. But trying to find the murderer takes on an unreal aspect when Serailler learns the suspect has been given a new identity, and simply vanished. And the powers that be refuse to give him any details or acknowledge the man existed.

Hill ups the empathy with Serialler’s frustration by introducing the victims to the reader before the murders, weaving in his private life and snatched moments with his beloved Rachel at times, visits with his sister and her family at others. Realistic happenings in Cat’s life lend even more verisimilitude as she copes with teens, tweens, and the aftermath of a past case on a young doctor who has been living with her family. The first death doesn’t occur until page 137, plenty of time for Hill to ratchet up the suspense as readers come to realize who the victims will be.

This is a satisfying read in a continuing series that is what The Washington Post calls a “. . .  brooding series that rivets a reader’s attention.”

Ruth Rendell has this to say about Susan Hill: “Not all great novelists can write crime fiction, but when one like Susan Hill does the result is stunning.”

Ann Cleeves: Silent Voices Sunday, Nov 4 2012 

Anne Cleeves marvelous four Shetland Island mysteries, previously reviewed by Auntie M, are joined by the fourth in her Vera Stanhope series. Silent Voices is Cleeves at her best, with the kind of involved plot that revolves around relationships we’ve come to expect  from this talented and prolific author, whose George and Molly books, Inspector Ramsey series, and several stand-alones rank high with the best of British crime writers.

Vera is an unlikely heroine, living with the ghost of her dead father in his house, overweight and lonely, but with an instinctive intuition that has made her a top detective.

This time she’s reluctantly following her doctor’s advice to lose weight, slogging away in the pool early mornings before work at the Willows, a former grand hotel showing its age, but still with pretensions. The Willows had been  taken over by a chain, who put the health club in its basement to increase its profits. Vera hits the steam room, sharing it with a slender, long-legged woman who looks utterly at ease, head thrown back in complete relaxation. Vera tries to copy the relaxed pose without success. Then as the steam clears a bit, she realizes the subject of her regard is dead, strangled in the steam room where she’d come for a bit of relaxation.

Vera swings into official mode, calling her sergeant, Joe Ashworth, to the scene, cordoning off the steam room. The woman is identified as Jenny Lister, aged forty-one, head social worker in the area for fostering and adoptions. She leaves behind a daughter, Hannah, eighteen, and host of unanswered questions.

With her team interviewing the Willows staff, Vera and Joe try to unearth a motive for the murder. They find a connection to a case Jenny had worked on that had led to the death of young child. Soon it emerges that the caseworker of that same boy has moved to the village.

Cleeves does a fine job of illustrating Joe’s struggle to keep his home life, with a wife and young children, on an even keel as the murder investigation heats up–and so does Vera’s joy at being involved in a murder. Death, and finding the killer, brings Vera a surge of renewed vigor that some might find distasteful but that bring Vera the feeling of worthiness she craves.

There are plenty of characters here to choose from, some with motives clear and others fuzzy, but things unfold in what seems a natural way as Vera pursues the killer. And then a young man is murdered just as a young mother and her child go missing, and suddenly the stakes are upped.

This series is being serialized on ITV3, and stars Brenda Blethyn and has twice been nominated for two Dagger awards.  Cleeves received the 2006 Duncan Lawrie Dagger for Best Crime Novel for Raven Black.

 

 

 

Rosamund Lupton: SISTER and AFTERWARDS Sunday, Oct 28 2012 

Having a sister of my own, Auntie M was intrigued when another writer insisted I read this 2010 mystery by Londoner Rosamund Lupton, who wrote original screenplays before turning her hand to this debut novel that will knock your socks off. Sister has at its heart an unusual concept of a way to tell a story, and that story will leave you hooked and reeling from page one.

   Beatrice Hemmings has fled her native England to pursue a career in Manhattan and is engaged to be married in three months to an American. While hosting a dinner party with her fiance’ one Sunday,  a call from her mother interrupts the evening when Bee learns that her only sibling, younger sister Tess, has gone missing. Bee soon finds herself flying across the Atlantic to Tess’s Notting Hill apartment.

She find the flat tiny and cluttered. Not even owning a tea kettle, art student Tess has made her bedroom into her studio for the better light. Her bright paintings reflect her personality, open and nonjudgmental, young and talented, with a joy of live Bee has always envied. That central core of Tess’s life will drive Bee fiercely to protect her sisters’ memory.

The suspense starts with a wallop because this is written as Bee is describing the events and what she finds in a narrative to Tess, explaining her actions and tracing her search for her sister, which ends in tragedy. Then Bee’s real investigation starts, to unravel the truth the police would rather leave alone: what really happened to Tess?

Elegantly written, this poignant novel becomes a tribute to sisters as well as a harrowing detailing of the plundering toll of grief. But it is also a wickedly fine mystery that is at once riveting a it moves the reader. By having the reader in such intimate contact with Bee’s thoughts and actions to Tess, Lupton paints a picture of both sisters, the failings of those around them who are meant to do and be more, and the huge sense of loyalty that Bee brings to the forefront of her actions on her sister’s behalf.

There is an element of subdued suspense that heightens as surely as a Hitchcock movie, and indeed, this novel will soon be adapted for the screen. Grab a copy of this highly original book and read it first before the film version. As good as the movie will be, nothing can replace the psychological intensity of the novel and the twists at the ending.

With the same psychological depth of character found in the works of Kate Atkinson, Tana French, and Ruth Rendell, Lupton’s riveting and chilling tale combines true tragedy with a sense of life-affirmation that moved me to tears in several places for the accuracy and depth of its compellingly told story. It’s a quickly-paced, stylish tale, literate and successful.

BookPage calls Sister “A poignant and perceptive depiction of the emotional bonds between two sisters … A superb thriller, full of twists and turns, false leads, and a surprise ending.”
Lupton follows Sister with the same original storytelling in Afterwards, with another clever premise and solid writing the makes her second novel as compelling as her first.

Grace Covey stands with other parents on a grassy field, attending sports day at her son’s school, which coincides with Adam’s eighth birthday. Her teenaged daughter, Jenny, is inside the school, taking the place of the school nurse for minor injuries. When Grace sees black smoke coming from the school, she realizes it’s on fire and races inside to save Jenny.

What happens next is the stuff that makes this book remarkable, as Grace, in an highly unconventional manner, tries to find the person responsible for setting the fire once it appears Jenny was the deliberate target. Grace desperately races to find the culprit to protect both of her children, and in the process, uncovers more than she ever expected to find about the people in her life.

This is a novel about love in its many forms, from that of a mother and her daughter, to the cushion of secure, married love. Ultimately is it about finding courage in the midst of the depths of a mother’s love for her child.

Jeffrey Deaver says of Afterwards: “Uncompromising emotional impact, a poet’s sonorous style, and a gripping story all come together to make this a transcendent literary experience. I guarantee this novel will touch everyone.”

Lupton’s powerful stories and  and her voice will captivate you; Auntie M defies you to put either of these books down once you’ve started reading.

Judy Alter: Trouble in a Big Box Sunday, Sep 9 2012 

 

An award-winning novelist, Judy Alter has written fiction for adults and young adults, primarily about women in the nineteenth-century American West. Judy’s western fiction has been recognized with awards from the Western Writers of America, the Texas Institute of Letters, and the National Cowboy Museum and Hall of Fame. She has been honored with the Owen Wister Award for Lifetime Achievement by WWA and inducted into the Texas Literary Hall of Fame at the Fort Worth Public Library.

Now she has turned her attention to contemporary cozy mysteries. Trouble in a Big Box, the third Kelly O’Connell mystery, follows Skeleton in a Dead Space and No Neighborhood for Old Women, which received good reviews and popular enthusiasm. Welcome, Judy!

 

 

In Trouble in a Big Box, Kelly O’Connell has her hands full: new husband Mike Shandy is badly injured in an automobile accident that kills a young girl, developer Tom Lattimore wants to build a big-box grocery store in Kelly’s beloved Fairmount neighborhood, and someone is stalking Kelly.

Tom Lattimore pressures her to support the big box, and when his pressure turns to threats, Kelly activates a neighborhood coalition to fight the project. She also tries to find out who is stalking her and why, and her sleuthing puts her in danger that terrifies Mike.

But he isboth powerless to stop her and physically unable to protect her and her young daughters from Lattimore’s threats or the stalker. After their house is smoke-bombed and Kelly survives an amateur attack on her life, she comes close to an unwanted trip to Mexico from which she might never return.

 

Kelly is fighting to save her neighborhood and its old-time small-town atmosphere and historic buildings, to keep from displacing a lot of mom-and-pop businesses. But she’s fighting a larger battle, though she doesn’t realize it. We’ve seen it played out across the country for years: Wal-Mart moves in and the small businesses in a town are forced to close; syndicates take over newspapers until there are only a few if any locally-owned papers in major cities; chains force independent bookstores to close. What do we value? Big business or the individual? Of course I didn’t realize all this when I wrote. I simply wanted to involve Kelly in a new adventure and tell a good story.

 

I’m reminded of Dorothy Johnson who wrote A Man Called Horse, The Hanging Tree, and The Man Who Shot Liberty Valance, among many others (you have to be a bit old to remember). Dorothy once wrote me that she was astounded at all the symbolism critics—and teachers—found in her work, because she didn’t put it there. Maybe we’re all that way, even though our goal is simply to be good storytellers.

 

                                                                                                                                             

 

 


 

 

 

  Follow Judy on Facebook (at https://www.facebook.com/#!/judy.alter) or  http://www.judyalter.com or her two blogs at http://www.judys-stew.blogspot.com or http://potluckwithjudy.blogspot.com. Her mysteries are available in print or as e-books, and some of her western fiction is in e-book form.Judy lives in Fort Worth, Texas, with her two dogs and frequently sees her four children and seven grandchildren.

 

 

 

John Harvey: Good Bait Sunday, Aug 19 2012 

Auntie M is a huge John Harvey fan, and he doesn’t disappoint in his newest Good Bait, teaming up characters from previous novels in a winning way with overlapping storylines.

DCI Karen Shields heads the Homicide & Serious Crime Team, always working a multitude of cases and hoping for a result. Shields is still grieving over the death of her father and realizing her work commitments have left her with only one good friend. When the body of a teenaged boy is discovered on Hampstead Heath, their investigation leads to a connection with the small Eastern European country of Moldova. At first drugs or illegal trading is suspected as the impetus for the boy’s death.

Miles away on the western coast in Cornwall, DI Trevor Cordon is nearing retirement, which can’t come quickly enough. Passed by for promotions by colleagues with more modern attitudes, he’s part of the old guard and set in his ways. Then the mother of an young woman he’d taken under his wing in the past appears on his doorstep, begging him to look into her daughter’s disappearance. Cordon had tried to put Letitia on a different path from her mother’s life of drug addiction and prostitution. Cordon is soon drawn to London after the mother’s unexpected death, where he enlists the aid of former colleague Jack Kiley, now a private detective.

The working methods, personalities and private lives of Shields and Cordon couldn’t be more different, but the one thing they have in common is that both feel like outsiders. We feel their loneliness in their private lives as we follow the complicated path of Shields’ many cases and the thread of Cordon’s hunt for Letitia.

International money laundering, drug operations, and people trafficking are all involved, along with a heavy dose of Cordon’s music. It is the contrast of Shield’s aggressive and exhausting police work against Cordon’s melancholy and slower investigation that will result in an overlapping link in both cases that will lead to the ultimate resolution.
Harvey manages to weave in socio-economic issues by illustrating how they impact on police work without hitting the reader over the head with these issues. One of Harvey’s greatest strengths is his ability to develop his characters on a rich but subtle level, and this in inherent in all of his works, including the Charlie Resnick and Frank Elder novels.

This is a skilled craftsman writing at the top of his game, and any reader who enjoys a well-crafted police procedural illustrating different detecting methods will enjoy Good Bait.

Mark Billingham: Good as Dead Sunday, Aug 12 2012 

A word first on television made from novels:

Mark Billingham’s novels include a stand-alone, In the Dark, and the DI Tom Thorne series, a character Lee Child has compared to Morse and Rebus. Thorne is now a television series in the UK and Auntie M has seen each of the three-parters that illustrate Billingham’s first two in the series, Sleepyhead and Scaredy Cat. Actor David Morrissey, also executive producer, read a Thorne novel and enjoyed it; then was pleasantly surprised to read he was exactly the actor whom the author pictured playing his detective inspector one, who plays close to, and sometimes, over the line.

The teleplays follow the the original story-lines closely, with the exception of a few casting changes, as in making Thorne’s superior, Brigstocke, a woman. His best friend, pathologist Phil Hendricks is described in the books as a tall, bald, heavily pierced and tattooed Mancunian. In the series, he’s aptly played by shorter Irishman, Aidan Gillen, whose head full of bushy dark hair nonetheless conveys the spirit of the original character as drawn by Billingham. But these are small changes.

What’s in full force is the power of the stories Billingham originally told, and Morrissey’s ability to get Tom Thorne’s ambivalent character just right. Here’s Gillen on the left and Morrissey on the right.

More of the novels are planned for future filming by Sky1; check the local satellite listings in your area.

Now on to the newest Thorne novel, Good as Dead (The Demands in the US).

Change is on Tom Thorne’s mind after upheaval in his personal life. He’s sold his beloved but not fixable old BMW for an updated model he’s still getting used to; he’s put his flat on the market; and he’s even considering a job transfer.

Then he finds himself called for by name, requested by a shopkeeper who has barricaded himself and two hostages into his news shop.

Thorne remembers the man’s name from a prior case involving manslaughter and the man’s son, who received an unusually long sentence in prison for what seemed to be manslaughter in self-defense.

The hostages are a cowardly banker and a DI from the Child Protection Unit whom Thorne remembers from a former case.

Helen Weeks’ partner was killed when she was pregnant with her son, now eight months old. Both hostages are in Amin Akhtar’s shop when harassment by local thugs causes him to snap, a classic case of being in the wrong place at just the wrong time.

Yet Amin has a specific point to holding these two by gunpoint. They are the leverage he needs for Thorne to investigate the apparent suicide of the his son in prison.

Convinced the youth wouldn’t have taken his own life, Amin tasks Thorne with unraveling the secrets behind his son’s death.

The threads Thorne pulls will have unexpected and surprising twists, in the way that Billingham does so well, as Thorne puts his career on the line to find the truth. Time is against him as hours and then days pass as he tries to find the truth about what happened at the youth institution housing Amin’s son.

And in the end, not everyone will walk out of that shop alive.

Billingham’s novels are complex and compelling, filled with with the right amount of psychological insight into his very human character’s mental state. The tension is taut and Billingham manages to keep getting better with each novel. The can’t come fast enough.

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