G. M. Malliet: Wicked Autumn & A Fatal Winter Sunday, Dec 2 2012 

Tis the season for murder and Agatha Award winning author (for Death of a Cozy Writer) G. M. Malliet brings a new series to life with vicar Max Tudor, a former MI5 agent seeking a different kind of life. The tragic killing of his partner had left him guilty and resulted in a depression, a leave of absence,  and finally resignation and the search for something more meaningful. He entered the Anglican Church after schooling at Oxford and seminary training. This backstory fuels Max’s ability to get involved in murder.

In the first installment, Wicked Autumn,  Max thinks he’s found the peace and quiet he desires at his post at St. Edwold’s in Nether Monkslip, until murder erupts and spoils any sense of the idyllic village Max thought he’s found.

Wanda Batton-Smythe has led the Nether Monkslip’s Women’s Institute with an iron hand and a shrill voice that shuts out any contenders for her role. Browbeating the residents into performing as she wishes for the annual Harvest Fayre has only increased their general dislike of the formidable woman. When her body is found on the day of the Fayre, any sense of leaving his past behind vanishes for Max, thrust into the middle of distraught parishioners and suspecting what looks like an accident is actually a case of well-planned murder.

DCI Cotton, whom Max knows from the past, quickly ropes Max into helping with the investigation. Although familiar with the petty grievances and animosities of small-town life, Max is thrown by the idea that one of the residents of his lovely English village is capable of murder; yet he is realistic enough to see that there are many villagers who might have wished for Wanda’s demise. The suspects include Lily Iverson, a timid woman who nonetheless owns a local knitting business but often bore the brunt of Wanda’s assaults. There’s the owner of the Cavalier Team Room, Elka Garth, who often felt Wanda’s pressure, especially when it came to donating her services to the Harvest Fayre; and the chef and restaurateur Guy Nicholls, who felt the same pressures. Then there’s Frank Cuthbert, the local historian an author who often clashed with Wanda over his books. And that’s just the start of the list.

As the investigation heats up, readers will meet more villagers, several who will reappear in Malliet’s second book in the series, A Fatal Winter. But not before Max and Cotton team up to unmask a murderer.

In Book Two, winter has come to Nether Monkslip, and finds Max struggling with his Christmas sermon, but even more with the feelings he’s developed for Awena Owen, the New Age goddess who runs a shop in town. What would his bishop have to say about such an alliance? And should he care?

These are Max’s thoughts as he returns to the village after a brief London stay. A chance meeting on an early train between Max and Letitia, Lady Baynard, of nearby Chedrow Castle is soon put out of Max’s thoughts until Cotton calls him late that same night. The DCI has been at Chedrow Castle since earlier in the day, called just after the body of Lord Footrustle, Letitia’s brother Oscar, has been found murdered in his bed.

Only minutes after that call on his way to the castle, a second call had notified Cotton of the finding of a second body in the garden, that of Letitia herself, at first glance of natural causes. But with assorted relatives ensconced for the holidays in an extremely poor excuse for a family a reunion as orchestrated by the fated Oscar, Cotton knows his handful of CID officers, good as they are, won’t be enough to find this wiley killer.

His ace up his sleeve is his good friend Max Tudor, who will be his feet on the ground and his ears to the family.  Max is called to the castle by Lamorna, Lady Baynard’s religious grand-daughter, as special advisor to the family on the double funeral to be held.  Pastoral duties farmed out, Max leaves for a few days at the castle, and for an experience he’s not soon to forget.

The assorted Footrustle family  includes Letitcia’s Baynard side: two sons and the grand-daughter Lamorna, who had been adopted by Letitia’s dead daughter and son-in-law and left for her to raise. But Oscar’s side is well-represented, as he’d been married twice; three assorted children and one ex-wife are in attendance. This eccentric group includes the washed up actress, Lady Jocasta, Oscar’s daughter, and her American husband Simon Jones. Oscar’s ex-wife, Gwynyth Lavener, brings her teenaged children: Alec, Viscount Edenstarted, and his sister, Lady Amanda, two indulged but intelligent youths.

If this sounds like too much Debrett’s for you, Malliet thoughtfully includes a family tree, which you will find yourself consulting until the character’s become firmly rooted in your mind.

Basically a locked room puzzle, Max will eventually figure out who’s behind the deaths, but not before a third murder is committed, in a great twist that readers won’t see coming.

Readers of the Golden Age mysteries will be entertained by this series, which has all the hallmarks of village mysteries: that lovely English setting, a handsome protagonist, and just a hint of romance to round things out. Booklist says: “Malliet has mastered the delights of the cozy mystery so completely that she seems to be channeling Agatha Christie.”

Susan Hill: A Question of Identity Sunday, Nov 25 2012 

Can a person love two people at the same time?

Can a person BE two different people at the same time?

These are the main questions the wonderful Susan Hill addresses in the compelling new Simon Serailler mystery A Question of Identity.

Fans of the series will not be disappointed, as Hill explores Serailler’s relationship with the woman he loves, whose husband is dying.

She continues to weave in his sister, Cat, a young widow raising three children and working hospice, who faces more changes in her future just as she unearths a terrible family secret.

She also gives us an inside look for the first time into the mind of the killer Simon must unveil, by following snatches of his thoughts during the entire investigative process.

The cathedral town of Laffterton that Serailler inhabits hasn’t seen a crime as this: the brutal murder of an elderly woman, newly moved into a brand new housing scheme, posed in a way that marks the murderer’s signature. This is a careful killer, one who wears gloves, doesn’t leave a trace behind, and chooses his victims for their age and inability to react quickly to his appearance.

As the murders escalate, Serailler’s team keeps several bizarre aspects of the murder from the public. Then their investigation finds these signs to be the exact MO of a suspect previously charged with several murders who had been acquitted. But trying to find the murderer takes on an unreal aspect when Serailler learns the suspect has been given a new identity, and simply vanished. And the powers that be refuse to give him any details or acknowledge the man existed.

Hill ups the empathy with Serialler’s frustration by introducing the victims to the reader before the murders, weaving in his private life and snatched moments with his beloved Rachel at times, visits with his sister and her family at others. Realistic happenings in Cat’s life lend even more verisimilitude as she copes with teens, tweens, and the aftermath of a past case on a young doctor who has been living with her family. The first death doesn’t occur until page 137, plenty of time for Hill to ratchet up the suspense as readers come to realize who the victims will be.

This is a satisfying read in a continuing series that is what The Washington Post calls a “. . .  brooding series that rivets a reader’s attention.”

Ruth Rendell has this to say about Susan Hill: “Not all great novelists can write crime fiction, but when one like Susan Hill does the result is stunning.”

Lynda LaPlante: Blood Line Sunday, Nov 18 2012 

Prime Suspect‘s Lynda LaPlante is back with a new Anna Travis novel.

Blood Line follows Anna’s new case as a DCI, heavily watched over with increasing annoyance to her by her mentor and former lover, Superintendent James Langton.

Her first case was a slam dunk that she made her way through numbly, dealing with the aftermath of the death of her fiance`. The pacing here is different from the usual murder novel, as the case starts out as something entirely different and meanders its way into a murder investigation, when a court clerk whose son has disappeared asks Anna to look into the case. Langton concurs, trying to give Anna time to grieve before getting her feet under her in a real murder case.

Alan Rawlins is a good-looking chap, engaged to be married to salon owner Tina Brooks. A shy gentleman, Alan’s sudden disappearance has his father and fiancee` stumped.

Anna’s initial interviews reveal nothing specific. At first glance, Alan is a paragon of virtue, with savings in the bank and a steady job. Tina arrived home from her salon one day after he’d come home early from work with a migraine to find Alan gone; it is his father who insisted a Missing Person’s report be filed when there’s no word from Alan after two weeks.

Meeting Tina for the first interview leaves Anna with a gut feeling something is wrong. The flat is too neat, compulsively so. And despite supposedly in the midst of shopping for a wedding dress and ordering invitations, Tina shows little emotion when discussing her missing partner, stating she feels he’s gone off with another woman. At first Anna feels it’s possible Alan has taken off to escape marriage to Tina and the pressures of his mother’s dementia, especially when a potential second source of income is identified.

Then a better search of the apartment Alan and Tina shared turns up evidence of a blood pool behind the head of the bed, and more Luminol work shows a massive cleanup in the bathtub as the full-scale murder investigation swings into action.

Despite the evidence, the question of the identity of the victim becomes an issue. Someone was murdered in that flat, but just who it was becomes more and more difficult to establish in a series of twists that have Anna, under pressure to solve the case, becoming almost obsessed with all the trails she finds. And over it all, Langton is watching her like a hawk.
The book follows the extensive details and delays of real police work, from waiting for forensic reports to traveling to interview witnesses, always with the budget in mind. Anna also deals with the personalities of her hastily-thrown together team.

LaPlante’s lack of contractions may take some readers aback as it gives her dialogue a more formal feel; but it also serves to keep the British tone in the reader’s ear. This edition comes through the new line of mysteries from HarperCollins, Bourbon Street books.

Val McDermid: The Vanishing Point Sunday, Nov 11 2012 

Prolific Scots writer Val McDermid is back with a stand alone that will grab you from page one and keep you flipping until its surprising and eventful resolution. If you aren’t a McDermid fan by now, despite Auntie M expounding this gifts through reviews of her several series and excellent stand alones, now is the time to meet her acquaintance.

The Vanishing Point opens with UK ghost writer Stephanie Harker and her adoptive son trying to enter the US for a much-needed vacation.

The metal in Stephanie’s leg always sets off the security alarm, and she’s prepped young Jimmy to mind their luggage whilst she’s escorted to the clear cubicle to await her pat-down.

Then a kidnapper, disguised as a TSA agent, leads Jimmy away, and Stephanie’s attempts to rescue him are seen by the real TSA agents as an attempt to breach security. She’s detained over her protests and ultimately tasered, helpless to prevent Jimmy being kidnapped as they disappear into the crowded airport.

Once the situation is finally explained, valuable time has been lost, but FBI agent Vivian McKuras soon realizes this is a highly unusual situation, one heightened by the confusing first moments which have allowed a kidnapper to spirit Jimmy away. The boy’s birth mother was the reality star Scarlett, who gave Stephanie custody of her only child when she was dying of cancer, believing the writer would be the best person to provide Jimmy a stable life after her death.

Scotland Yard detective Nick Nikolaides, who knows Stephanie and her complicated background, investigates in England. Both Stephanie and Scarlett have had negative relationships with men in their pasts, and Nick and Stephanie are all too aware of the various ways Jimmy’s abduction could turn out very badly.

This compelling thriller touches every parent on a visceral level, while the possible causes for the kidnapping multiply as McDermid has Stephanie explain the back story to the FBI agent.

The reader follows the timeline of Stephanie’s relationship with Scarlett and their blossoming friendship that led to Stephanie being named as Jimmy’s legal guardian. There are enough players and possibilities for suspects to chose from as their story unfolds: the boy’s pampered, drug-addicted father’s family; a stranger after ransom from the wealthy Scarlett’s estate; or even a demented fan who might have wanted a piece of Scarlett.

When the truth of the situation is made evident, this well-plotted thriller will have you in awe of McDermid’s talents to keep readers on the edge of their seats. Her powerful and unexpected climax is nothing short of a writer’s dream, which is why McDermid recently received the Crime Writers’ Association Cartier Diamond Dagger Award for outstanding achievement in the field of crime writing.

Ann Cleeves: Silent Voices Sunday, Nov 4 2012 

Anne Cleeves marvelous four Shetland Island mysteries, previously reviewed by Auntie M, are joined by the fourth in her Vera Stanhope series. Silent Voices is Cleeves at her best, with the kind of involved plot that revolves around relationships we’ve come to expect  from this talented and prolific author, whose George and Molly books, Inspector Ramsey series, and several stand-alones rank high with the best of British crime writers.

Vera is an unlikely heroine, living with the ghost of her dead father in his house, overweight and lonely, but with an instinctive intuition that has made her a top detective.

This time she’s reluctantly following her doctor’s advice to lose weight, slogging away in the pool early mornings before work at the Willows, a former grand hotel showing its age, but still with pretensions. The Willows had been  taken over by a chain, who put the health club in its basement to increase its profits. Vera hits the steam room, sharing it with a slender, long-legged woman who looks utterly at ease, head thrown back in complete relaxation. Vera tries to copy the relaxed pose without success. Then as the steam clears a bit, she realizes the subject of her regard is dead, strangled in the steam room where she’d come for a bit of relaxation.

Vera swings into official mode, calling her sergeant, Joe Ashworth, to the scene, cordoning off the steam room. The woman is identified as Jenny Lister, aged forty-one, head social worker in the area for fostering and adoptions. She leaves behind a daughter, Hannah, eighteen, and host of unanswered questions.

With her team interviewing the Willows staff, Vera and Joe try to unearth a motive for the murder. They find a connection to a case Jenny had worked on that had led to the death of young child. Soon it emerges that the caseworker of that same boy has moved to the village.

Cleeves does a fine job of illustrating Joe’s struggle to keep his home life, with a wife and young children, on an even keel as the murder investigation heats up–and so does Vera’s joy at being involved in a murder. Death, and finding the killer, brings Vera a surge of renewed vigor that some might find distasteful but that bring Vera the feeling of worthiness she craves.

There are plenty of characters here to choose from, some with motives clear and others fuzzy, but things unfold in what seems a natural way as Vera pursues the killer. And then a young man is murdered just as a young mother and her child go missing, and suddenly the stakes are upped.

This series is being serialized on ITV3, and stars Brenda Blethyn and has twice been nominated for two Dagger awards.  Cleeves received the 2006 Duncan Lawrie Dagger for Best Crime Novel for Raven Black.

 

 

 

Wendi Corsi Staub: Sleepwalker Sunday, Oct 28 2012 

Staub started her trilogy with the fateful backdrop of the horrors of 9/11 in Nightwatcher.  Now the second thriller featuring Allison Taylor, Sleepwalker, picks up her story ten years later.

Allison has married Mack MacKenna, her neighbor who’d lost his wife in the Twin Towers, and they have a lovely home in Westchester and three young children.

Allison has everything she’s always wanted, but the demands of three youngsters and a husband whose job keeps him away from home find her worn down at times. Mack’s chronic insomnia adds to the burden, until at her urging, he starts to take a sleeping pill that allows him to rest but brings back bouts of childhood sleepwalking. Things start to go missing their home; others are moved around. Allison tell herself this is simply due to Mack’s sleepwalking, but she harbors a fear it’s evidence of a far darker menace.

When the man in prison for the Nightwatcher murders commits suicide, Allison knows she should feel relieved. Then why does she have a huge sense of foreboding?

Then their next door neighbor is found by Allison brutally murdered in her own bed, wearing Allison’s nightgown, and killed with the same methodology as the previous murders. Suddenly Allison knows with certainty that the wrong man has been locked up in prison.

What happens next as more murders continue will have readers turning pages as fast as they can read. When a connection between the victims revolves around Mack, Allison must decide if she can trust the man she’s married or if she’s made the most horrific mistake of her life. Then the tension ratchets even higher when her children are kidnapped.

Staub brings back several characters from the first book in the trilogy, including Mack’s friend Ben and his wife, and the NYPD detective who helped clear the first case . . . or did he? She takes on the reality of survivor’s guilt and explores how it touches not only the survivor but those who surround them. And most chillingly, she illustrates the fallacy people have of the feeling of safety in one’s own home in today’s world of technology.

Staub’s third in the trilogy, Shadowkiller, premieres in February 2013. Before then, be prepared to follow Allison as she digs deeply to find the strength to face a killer once again.

 

Rosamund Lupton: SISTER and AFTERWARDS Sunday, Oct 28 2012 

Having a sister of my own, Auntie M was intrigued when another writer insisted I read this 2010 mystery by Londoner Rosamund Lupton, who wrote original screenplays before turning her hand to this debut novel that will knock your socks off. Sister has at its heart an unusual concept of a way to tell a story, and that story will leave you hooked and reeling from page one.

   Beatrice Hemmings has fled her native England to pursue a career in Manhattan and is engaged to be married in three months to an American. While hosting a dinner party with her fiance’ one Sunday,  a call from her mother interrupts the evening when Bee learns that her only sibling, younger sister Tess, has gone missing. Bee soon finds herself flying across the Atlantic to Tess’s Notting Hill apartment.

She find the flat tiny and cluttered. Not even owning a tea kettle, art student Tess has made her bedroom into her studio for the better light. Her bright paintings reflect her personality, open and nonjudgmental, young and talented, with a joy of live Bee has always envied. That central core of Tess’s life will drive Bee fiercely to protect her sisters’ memory.

The suspense starts with a wallop because this is written as Bee is describing the events and what she finds in a narrative to Tess, explaining her actions and tracing her search for her sister, which ends in tragedy. Then Bee’s real investigation starts, to unravel the truth the police would rather leave alone: what really happened to Tess?

Elegantly written, this poignant novel becomes a tribute to sisters as well as a harrowing detailing of the plundering toll of grief. But it is also a wickedly fine mystery that is at once riveting a it moves the reader. By having the reader in such intimate contact with Bee’s thoughts and actions to Tess, Lupton paints a picture of both sisters, the failings of those around them who are meant to do and be more, and the huge sense of loyalty that Bee brings to the forefront of her actions on her sister’s behalf.

There is an element of subdued suspense that heightens as surely as a Hitchcock movie, and indeed, this novel will soon be adapted for the screen. Grab a copy of this highly original book and read it first before the film version. As good as the movie will be, nothing can replace the psychological intensity of the novel and the twists at the ending.

With the same psychological depth of character found in the works of Kate Atkinson, Tana French, and Ruth Rendell, Lupton’s riveting and chilling tale combines true tragedy with a sense of life-affirmation that moved me to tears in several places for the accuracy and depth of its compellingly told story. It’s a quickly-paced, stylish tale, literate and successful.

BookPage calls Sister “A poignant and perceptive depiction of the emotional bonds between two sisters … A superb thriller, full of twists and turns, false leads, and a surprise ending.”
Lupton follows Sister with the same original storytelling in Afterwards, with another clever premise and solid writing the makes her second novel as compelling as her first.

Grace Covey stands with other parents on a grassy field, attending sports day at her son’s school, which coincides with Adam’s eighth birthday. Her teenaged daughter, Jenny, is inside the school, taking the place of the school nurse for minor injuries. When Grace sees black smoke coming from the school, she realizes it’s on fire and races inside to save Jenny.

What happens next is the stuff that makes this book remarkable, as Grace, in an highly unconventional manner, tries to find the person responsible for setting the fire once it appears Jenny was the deliberate target. Grace desperately races to find the culprit to protect both of her children, and in the process, uncovers more than she ever expected to find about the people in her life.

This is a novel about love in its many forms, from that of a mother and her daughter, to the cushion of secure, married love. Ultimately is it about finding courage in the midst of the depths of a mother’s love for her child.

Jeffrey Deaver says of Afterwards: “Uncompromising emotional impact, a poet’s sonorous style, and a gripping story all come together to make this a transcendent literary experience. I guarantee this novel will touch everyone.”

Lupton’s powerful stories and  and her voice will captivate you; Auntie M defies you to put either of these books down once you’ve started reading.

Lisa Black: Defensive Wounds & Tilly Bagshawe: Angel of the Dark Sunday, Oct 21 2012 

Forensic scientist Lisa Black brings all of her expertise to play in Defensive Wounds, the newest forensic thriller featuring investigator Theresa MacLean.

This is the fourth in the series, and there’s no question Black knows her stuff, so the story spins out with enough CSI-like details to keep crime junkies happy. But Black balances these with a deft hand at sly humor, which keeps the story rolling without becoming too scientific.

The pace hums along when Theresa is called to the Presidential Suite of Cleveland’s Ritz-Carlton to attend the murder scene of defense attorney Marie Corrigan, which happens in the middle of a huge lawyer’s convention. Known her history of corrupting evidence and witnesses, as well as making most forensic and police testifiers look bad, Corrigan’s hate list is too numerous to count. Add in her rampant sex appeal and use of it, and even Marie’s lovers could have had a motive for her murder.

What immediately ratchets up the tension is that Theresa’s only child, daughter Rachael, is working the front desk, dating a young man from the hotel’s kitchen crew. Then a second lawyer is found murdered in the hotel, and just as she gets involved in this second murder, Theresa is given information that leads to serious misgivings about Rachael’s beau. Add in the forensic nightmare of trace evidence left at at the hotel by hundreds of former guests, and Theresa’s nightmare is only beginning.

Black does a fine job of making Theresa complicated and real, as the crime unfolds and the investigation includes a detective with terrific chemistry with her. The struggle between mother and daughter is nicely done, too, and adds to the layered feel of the novel.

Next up is Angel of the Dark, the combined work of the late master storyteller Sidney Sheldon, and using his archives, novelist Tilly Bagshawe to round out the story and the complicated action.

This is novel with a theme of obsessions, dark and brooding, with action and lies at its heart.

Continuing in Sheldon’s style of heavy violence and lusty scenes, Bagshawe introduced LAPD Detective Danny MacGuire and his the big murder case that threatened to do him in. Millionaire art dealer Andrew Jakes has been brutally murdered and his lovely wife raped and beaten, then left died to her husband’s dead body. Drawn to the beautiful widow, but when he tried to question Angela Jakes about an inconsistency in her statement, she’s vanished without a trace.

Ten years later, McGuire is happily living in France, working for Interpol and enjoying life with the love of his life, Celine. Until the day Andrew’s son Matt appears, bringing evidence of three other unsolved identical slayings. Soon the two men are flying around  the globe in pursuit of the most brilliant murderer McGuire has ever seen.

Bagshawe does an admirable job of coming close to the intensity of Sheldon’s original novels. This is one readers will be able to picture on the big screen, larger than life, and filled with those endings that are not real resolutions at all.

Laura Lippman: And When She Was Good Sunday, Oct 21 2012 

In an author’s note, Laura Lippman explains the genesis of the protagonist of And When She Was Good, Heloise Lewis, a character she first created in 2001 and wrote about years later in two short stories.

Now Lippman has taken the time to explore Heloise and her beginnings and her today, alternating her back story for a good part of the novel, so readers can understand this woman who is meticulously organized, financially comfortable, and oh, yes, a prostitute who runs an exclusive agency.

But Heloise so much more: she’s a successful businesswoman who protects her workers; she’s a self-educated reader with a fondness for history; and she’s fiercely protective of her son, Scott, whose biological father languishes in prison and is unaware of his child.

Despite her insistence on strict compartmentalization in her life between work and home, which has left her without close friends, Heloise finds the lines starting to blur. Her vice squad protector and friend is retiring and will no longer have her back. Then an employee or two break her firm rules. When the wisp of possibility that her son’s father may be released from prison, the carefully wrought life she has constructed is in danger. Heloise is not a perfect person, but she is one with an intelligent, thinking mind and a finely-honed instinct for survival.

Val Deluca has only one way to deal with people who have lied or become a threat to him: he has them killed. And it’s  only a matter of time before the former pimp and casual murderer discovers he is in prison in the first place because Heloise betrayed him.

It is to Lippman’s credit that she is not only able to satisfactorily explain how Helen Lewis became Heloise Lewis, in a direct and unflinching way, but she manages to create a tough and resilient character you will find yourself rooting for as the pages turn.

The New York Times has compared Lippman to England’s Ruth Rendell: “Ms. Lippman writes like a warmer-blooded American Ruth Rendell, keenly observant and giving a faintly spooky charge to every stray detail.”

 

 

The Desolate Garden: Danny Kemp Sunday, Oct 14 2012 

Please welcome UK author Danny Kemp, whose spy thriller THE DESOLATE GARDEN has been sold to a London production company.

To try is such a worthy thing. To wait; a worthless thing. Those who try stand to fall. While those who wait gain nothing at all. Danny Kemp.

Living ‘The Desolate Garden’ and the newly found frustrating life of a writer.

An image grows from a dream and becomes ‘real’ to the story teller. My story, The Desolate Garden, came directly from a dream. I saw, in my minds eye, an attractive woman sitting in the martini bar of a famous London Hotel, saying to a ‘supposed’ stranger, “tell me a joke.” I then enlarged on that dream, turning it into the tale that it became.

The writer in me lived that dream all day, going through the life of the central characters as if it was me walking those streets in their shoes.

My father, when alive, said I was deceitful, meaning I told lies . . . That’s really a story in the making, as you become aware that you have to remember the initial ‘lie.’ With a story you write that ‘lie,’ and easily refer back to it. Father was right, incidentally.

Some, I believe, over complicate storytelling with needless grammar that only the esoteric can recognize. I want to understand the tale, not have to refer to a dictionary.

All my life I’ve been around people of different breeding, speaking to them and hearing them speak and, perhaps more importantly, listening to them. Dialogue makes a story solid to me. As a writer you paint the broad strokes, then let the characters come alive and fill in the detail, as you or I would if you come across a stranger who asks about your life. The beginning, the hook, is important. The end is important. The middle is what joins the two together and makes or breaks that story.

If you live an interesting life, and are lucky, it never goes from point A, birth, straight to point B, death. It has many diversions . . . that’s the story.

I saw it once described as packing a suitcase. The stuff you pack in the middle are the essential bits; in my case, that’s the story. Some, I find, fill it with dull, bland prose that rolls on and on, full of dross. In the case of a film they use the bedroom to hide the mundane. To me, the story never stops being told. Never an item of clothing of waste in the suitcase, or a passage in the novel, that isn’t necessary.

I have always a beginning. I have two stories at various stages underway now, and another beginning of one in my head. The middle leads off from that . . . leading to an end that I never know when I start.

It excites me that way, as nothing is forced. If there is a defined ‘end’ when you start, it seems to me that you are governed by that ‘end.’ I’m open all the way until it’s obvious, to me, but not the reader. (There’s that deception that my father recognized.) Then I might go back and change something in that middle if needs be, or simply redefine the dialogue, perhaps a hint of that end. Here’s a brief synopsis of the story of The Desolate Garden, which I hope you will read and enjoy:

Only months before the murders of Lord Elliot Paterson and his youngest son Edward, an address in Leningrad is discovered hidden in the ledgers of the Families Private Bank in Westminster, dating back to the 1930’s.—-There is a spy in the Family, but on whose side?

Elliot’s eldest son, Harry, is recruited into the British Intelligence Service to uncover the traitor. Lord Harry Paterson, Earl of Harrogate, is introduced to an attractive woman from the Foreign Office and together, desperately, they try to unravel the intricate web before the killer strikes again.

The Desolate Garden is a twisting tale of deceit and intrigue, spanning decades when the truth was best not told!

The Desolate Garden is on forty worldwide internet sites and in major bookshops in the United Kingdom. It comes in Hardcover, Paperback, Kindle and Nook.

The Amazon link where four chapters can be read from either the Book or The Kindle is: http://www.amazon.com/The-Desolate-Garden-ebook/dp/B008BJWJ2Y/ref=tmm_kin_title_0

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A Blog for Readers and Writers of Mystery, Crime, and Suspense Fiction

Mysteries To Die For

For Mystery Listeners and Readers

Amazing Family Books

Featuring The Very Best in Fiction & Nonfiction Books For Children, Parents & The Entire Family

Book Review Magazine

Incredible Books & Authors

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& Author Spotlights

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Shining a small, bright light in a wilderness of writing scams

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Books, Reviews & Author Spotlights

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Auntiemwrites Crime-Mystery Author M K Graff

Award-winning Mystery Author on books, reading and life: If proofreading is wrong, I don't wanna be right!

Lee Lofland

The Graveyard Shift

Sherri Lupton Hollister, author

Romance, mystery, suspense, & small town humor...

The Life of Guppy

the care and feeding of our little fish

My train of thoughts on...

Smile! Don't look back in anger.