Edith Maxwell: Farmed and Dangerous Sunday, May 31 2015 

Auntie M thoroughly enjoyed Edith Maxwell’s newest Local Foods mystery, Farmed and Dangerous.

The mystery follows the latest adventure of organic farmer Cameron Flaherty. Moran Manor Assisted Living is now home to the man who raised her, Great-Uncle Albert, and his new romantic interest, Marilyn. But it’s much more to Cam, trying to establish herself as an organic farmer. She’s hoping to get the contract to provide produce for the Manor and to that end has dropped off some of her delicious greens, root veggies, squash, herbs and even homemade pesto for a trial meal. With her rescued chickens, including the recalcitrant TopKnot slow to lay eggs in the cold weather, Cam works hard alone at her farm with only occasional help.

With her detective beau Pete Pappas making her a fabulous Greek meal that night, Cam’s fingers are crossed that dinner at Moran Manor is going well. Then Pete gets a call that changes everything: one of the Manor’s patients has died, poisoned after eating the meal based on Cam’s produce. And Pete must step back from their relationship until she’s cleared.

Since no one else at the Manor who ate the same meal was poisoned, the question soon becomes: Who would want Bev Montgomery to die? Surely not the handsome opera singer/farmer Richard Broadhurst, seen taking Bev out to dinner recently. Could it be her own daughter, Ginger, who wants to use Bev’s farmland for luxury condos? And what is Cam’s friend’s ex husband doing at the Manor? Ruth Dodge’s husband, Frank, hasn’t been seen or heard from in months, yet it suddenly appears his photographs are being featured at the Manor.

You’ll learn about the intricacies of organic farming while Cam unearths a killer in this second Local Foods mystery. But wait–there’s more!

Auntie M had the pleasure of interviewing fellow Sister in Crime, author Edith Maxwell. This is not the only series Edith writes. Let’s hear from her in her own words about how she juggles writing.

Auntie M: Edith, you have such an interesting background. Could you tell readers how you came to write crime fiction?

Edith Maxwell: I love reading mysteries, especially cozy and traditional mysteries. It just made sense that I would write in that genre, too. I started my first book when my younger son went off to kindergarten while I was home with the kids for a few years and being an organic farmer. It was the first time I’d had every morning to myself since my older son was born, and I jumped into mystery writing feet first, knowing nothing much about creative writing except my urge to do exactly that.

AM: You juggle writing FOUR different mystery series! It boggles my mind how busy you must be with The Local Foods Mysteries; The Quaker Midwife Mysteries; The Country Store Mysteries; The Lauren Rousseau Mysteries. What made you decide to go in these very different directions?

EM: It was a pretty organic process. I will say that, for now, I have no plans for additional Lauren Rousseau books after Bluffing is Murder, which came out last November. Three series is enough to keep me more than busy, even though Speaking of Murder was my very first completed mystery novel and dear to my heart.

The Local Foods series was my first contract with a major publisher. After I turned in the third book, I wasn’t sure if they were going to extend the contract, so I created the Country Store series set in southern Indiana, where I used to live. Lo and behold, my editor at Kensington bought it, AND continued the Local Foods series for at least two more books. Delivering the Truth, the first in the historical Quaker Midwife Mysteries, which is set in my town in 1888, was a book I simply had to write, combining my love of local history with the legacy of independent and courageous Quaker women. I feel so privileged that Midnight Ink acquired it and awarded me a three-book contract. I’m just starting to write the second book now.

AM: How do you keep four different series straight? Talk about juggling—what’s your routine for writing and keeping things straight and organized?

EM: I write every morning, starting by seven. I do my very best to be working on only one book at a time. While I’m working on the first draft in one series, a draft in a different series might be sitting. Seasoning, as Quakers call it, and giving me some distance before I plunge into revisions. Sometimes, of course, the system blows up a little, like when copyedits come in on one book, a synopsis is due for a different book, and all I really want to be doing is creating the story of a third. But usually it works pretty well. Mind you, I am a complete failure at juggling actual balls.

AM: And while we’re on the subject of juggling, you also have a short story that was nominated for an Agatha –how did you fit that in?

EM: Once I get the idea for a short story, it doesn’t take me that long to write. Short works also go through their own seasoning and polishing process, but it’s all so abbreviated I can fit it in around the edges of my other work. I took Amtrak to Bethesda for the Malice Domestic conference, for example, and most of my work time down and back was working on a Poe-themed short story.

AM: Could you compare writing short fiction to a full-length novel for readers?

EM: Sometimes a short story plot just isn’t big enough for a novel. And the complexity of a novel-length work would overwhelm a 4000-word short. For example, the seed of Delivering the Truth was a short story I wrote, “Breaking the Silence,” which was published in a Level Best Anthology (and which I have reissued as an ebook called “Fire in Carriagetown”). But its story of malicious arson wasn’t big enough for a book, and the protagonist, a seventeen-year old mill girl, wasn’t strong enough to carry a series. So I invented her midwife aunt, Rose Carroll, who is the sleuth in the books, and added a couple of murders.

AM: When you have down time, which I suspect there isn’t much of, what else besides writing interests you?

EM: I love gardening, once the snow has stopped. Which took a long time this year! I cook, I read, I go for long walks, and we love to see movies on the big screen at our local Screening Room.

AM: When you squeeze in reading time, what’s waiting on your To Be Read Pile?

EM: I still pretty much read only in the genre. Right now next up is two of the Wicked Cozy authors’ new releases: The Icing on the Corpse by Liz Mugavero, and Musseled Out by Barb Ross. Then I’m dying to read Catriona McPherson’s new thriller, Come to Harm, and Victoria Thompson’s latest Gaslight Mystery, Murder on Amsterdam Avenue, also an historical featuring a midwife-sleuth. But I’ve also agreed to blurb a collection of short stories by fabulous Quaker author Chuck Fager, so that’s going to bump the novels. So many books, so little time!
AM: Finally, what’s one thing readers would never guess about Edith Maxwell?

EM: I’ve said before publically that I hold a long-dusty black belt in karate as well as a long-unused doctorate in linguistics, so those won’t work. Okay, here’s one. When I was twenty-two, traveling cross- country on a Greyhound pass for a month, I sometimes climbed up and stretched out in the overhead luggage rack on long nighttime rides between far-flung western cities. No, I didn’t tell my parents. And if you actually know me, this won’t surprise you all that much. Also, see the last line in my answer to question 4…

MaxwellCrop Agatha-nominated and Amazon-bestselling author Edith Maxwell writes four murder mystery series, most with recipes, as well as award-winning short stories. Farmed and Dangerous is the latest in Maxwell’s Local Foods Mysteries series (Kensington Publishing). The latest book in the Lauren Rousseau mysteries, under the pseudonym Tace Baker (Barking Rain Press), is Bluffing is Murder. Maxwell’s Country Store Mysteries, written as Maddie Day (also from Kensington), will debut with Flipped for Murder in November, 2015. Her Quaker Midwife Mysteries series features Quaker midwife Rose Carroll solving mysteries in 1888 Amesbury with John Greenleaf Whittier’s help, and will debut in March, 2016 with Delivering the Truth.

A fourth-generation Californian, Maxwell lives in an antique house north of Boston with her beau and three cats. She blogs every weekday with the other Wicked Cozy Authors (http://wickedcozyauthors.com), and you can find her at http://www.edithmaxwell.com, @edithmaxwell, on Pinterest and Instagram, and at http://www.facebook.com/EdithMaxwellAuthor.

Edith Maxwell: A Tine to Live, A Tine to Die Sunday, May 26 2013 

A Tine to live a tine to die COVER

In A Tine to Live, a Tine to Die, the first book in my Local Foods Mysterie series, a central character is Ellie Kosolski, a plucky 14-year old Girl Scout just entering high school. In the first book, she’s working on her Locavore badge — one of the newest badges– and she’s volunteering on Cam Flaherty’s organic farm. She ends up being trapped in a near-fatal situation with Cam toward the end and the two work together to forge their escape. We see her mature as the series continues but she continues being a Scout.



I’ll admit that when I read about the new Locavore badge, I just had to add Ellie to my series. But it was a natural addition for me who, like many of my author peers, grew up on Nancy Drew and Cherry Ames, strong girls who solved intriguing puzzles. When I informally surveyed a number of fellow crime fiction writers in Sisters in Crime, forty-one reported having been a Girl Scout with only two saying they hadn’t. Some who had didn’t stay in long, but many said it really formed their self-perception as a person who could do whatever she wanted.




Growing up in Southern California, I was a Brownie and then a Girl Scout from second grade all the way through senior year in high school.

It was an important part of my life. My older sisters were in scouting, too, and my mother was a leader for many of those years. She was Leader of the Year for our council in 1968 and also worked at a couple of summer camps.



My family’s summer vacation was always camping for two weeks among the giant Sequoias in Sequoia National Park, so I was accustomed to being able to live simply outdoors. But our troop did so much more than camp. EdieCamp




Of course, with the era I grew up in, scouting sometimes reinforced traditional roles for girls. I remember learning as a Brownie how to make a hospital corner with a bed sheet, a skill I found fascinating (and hadn’t learned at home), and we sewed our own skating skirts when we took roller skating as a group.



But we also learned about Juliette Gordon Low. We were taught to tie knots, brush and ride a horse at summer camp, sing in harmony, live with dirty knees and hiking boots, and, of course, how to become excellent little sales people when cookie and calendar time came around every year. I even studied judo with my older sister’s troop. Despite being decidedly non-militaristic as an adult, I must confess that I loved wearing a uniform and marching (wearing white gloves) in step in parades.BrowniesParade



Being competent and self-reliant was part of the Scouting package and that identity has carried through my life to this day. We learned to work well with others, to support other females on our team, and we were led by kind, strong women. I never experienced any of the cliquish in-fighting that went on among girls in my larger world.  



When I was a Senior Scout, our troop volunteered with a disabled girl who needed directed limb exercises. We put on a community pancake breakfast to raise money for some charity. We wore our camp uniforms to meetings: white blouse, green bermuda shorts, and knee socks in a time when girls couldn’t even wear pants to school. Over the blouse we had light-blue cotton jackets on which we sewed patches collected from every trip we took.



I was even a Scout during my exchange-student year in Brazil, which I left for halfway through my senior year in high school. I was completely welcomed into a local equipe de Guias Bandeirantes, a Girl Scout troop.




What about you? What childhood experiences shaped your best adult traits? Was scouting part of it?











The first book in Edith’s Local Foods Mystery series, A Tine to Live, a Tine to Die, featuring organic farmer Cam Flaherty and a colorful Locavore Club, is published by Kensington Publishing (May, 2013). Edith once owned and operated the smallest certified-organic farm in Essex County, Massachusetts, although she never encountered a body in the hoophouse.


Edith’s first completed murder mystery, Speaking of Murder, features Quaker linguistics professor Lauren Rousseau, murder on campus, and small-town Massachusetts. It was first runner up in the Linda Howard Award for Excellence contest, and is published under her pen name Tace Baker (Barking Rain Press, September 2012). Edith is a member of the Society of Friends and holds a doctorate in linguistics.


Her short stories have appeared in the Fish Nets anthology (Wildside Press, 2013), Thin Ice and Riptide by Level Best Books, the Burning Bridges anthology, the Larcom Review, and the North Shore Weekly. She is active in Sisters in Crime and MWA and is on the board of SINC New England.


Edith, a fourth-generation Californian and world traveler, has two grown sons and lives in an antique house north of Boston with her beau and their three cats. She recently left a career writing software documentation to devote herself to creating mysteries full time.