Auntie M has a huge stack of crime fiction waiting to be read and she likes to take the middle of the summer, when guest blogs build up, to remind you of those books that are in print that you will enjoy. Seek out the ones that appeal to you for some fun summer readings.
First up is an interview with author Rory Flynn, whose first crime novel, THIRD RAIL: An Eddy Harkness Novel, is in print. Auntie M had the distinct pleasure of meeting Mr. Flynn when she was in Concord, MA, recently with her writing group visiting the literary sites. Not far from the homes of Emerson and Alcott, we talked about Mr. Flynn’s character Eddy, his hometown of Nagog, not unlike Concord, and Flynn’s writing process.
Auntie M: When a former principal remarks that what happened to Eddy’s family is Shakespearian, Eddy answers:” And you don’t mean the comedies do you?” How much of that comes from your own history and from living in a small town? You have a line: “Cities churn, suburbs strive, but small towns stay the same.”
Rory Flynn: My real mother disappeared from my life over twenty years ago so that’s a part of it. I choose when to go in and out of focus on that kind of stuff and end up taking out more after the first draft. The idea of small town’s never gets lost, but people know where they are they are in small town living. It’s a microcosm of the whole world, and when Eddy turns over a stone it’s familiar to readers. The monument crash in the book and its subsequent controversy over fixing it or not actually occurred here, and like us, there are elements that convey a bigger story about behavior and life.
AM: We see the action unfold from Eddy’s shoulder which gives the book a tremendous sense of immediacy. Despite his fall from grace that paints him as a tragic figure, he handles it all gracefully.
RF: Eddy’s a walking-around kinda guy, especially when he’s collecting meter change. When he loses his gun, it’s a metaphor for him losing face on the job that got him demoted in the first place. I like to throw everything into a chapter and then take out what’s not needed but something’s always got to be happening. There’s darkness and there should be dimensions in each chapter where something happens. I have fun writing him.
AM: “Morning is about flaws.” These lines of realism smack the reader in the face with a universal truth. Do you create them out of the writing or have them in mind first?
RF: I liked lines that resonate and have that universal truth. It’s like a filter of Life. I fit them in with when I can work them into the lines around what’s happening; it can’t be forced. But sometimes that kind of line resonates.
AM: Some of your characters are way out there, eccentric to say the least. Where does that come from?
RF: I played in a grotty urban punk band and we’d do these gigs, often in college towns, I’d meet and see so many different kinds of people, always with a nightlife I was supporting. And I like being wild, throwing in characters who are out there.
AM: You write and work but you’re very community-mnded. You work with Gaining Ground, a community farm group.
RF: My wife and I both do. It’s a 100-acre farm run by volunteers who grow and give produce to the people who need it. There’s a real give and take with the surrounding community and it’s a program that’s spread to fifteen countries.
AM: Yet you find time to write, time to volunteer, time to work at a copyediting job, and time to run the Concord Free Press.
RF: I need that job to put two daughters through college! Very few writers, unless you’re Stephen King or JK Rowling, can make a living off their writing. I have other novels (under his real name, Stona Fitch) and one was made into a movie and another optioned by Harry Connick, Jr, but only a very small percentage of writers support their families just on their writing. The Press came about from an idea, again, of giving back to the community.
Generosity is infectious and I find the whole concept fascinating. It’s an odd publishing model, Concord Free Press, with underwriting from Kodak that covers printing costs. We reach out to people and the books choose us. We ask them to let us give 3,000 copies of a book away for free and then ask the recipient to make a donation to any charity of their liking and then pass the book on. Once you take money out of the equation all things are possible. To date we’ve raised over $400,000 dollars to various charities and given the author exposure. People are reading their books who might never have seen them and readers are making donations they wouldn’t have thought about. We’d like to expand next to books out of print.
AM: What’s on your nightstand waiting to be read and who do you like in crime? And more importantly, what’s up next for Eddy Harkness?
RF: In crime, Megan Abbott’s The Fever–she’s on CFP’s editorial board. I like Alan Guthrie and Robert Parker, too. I like Jess Walter, Stephen Zweig, Martin Walser; that night stand has Bohumil Hrabel’s I Served the King of Englandand Herman Koch’s The Dinner. Eddy? In Third Rail, the fictional drug loosens people and their problems up, until they have a monumental crash. I liked that and its effects. The sequel, Dark Horse, is a tale of personal responsibility on many levels.
AM: Thanks for your time, Mr. Flynn. Now for THIRD RAIL, the first Eddy Harness novel.
Eddy Harkness is a young detective with a sixth sense for finding hidden things: cash, drugs, guns, bodies. But Eddy’s place in an elite narcotics unit is derailed by the death of a Red Sox fan in the chaos of a World Series win, a death some feel he could have prevented. The incident is not told in great detail; just enough to interest readers and explain Eddy’s fall from grace. Eddy finds himself exiled to his hometown just outside Boston, where he empties parking meters and struggles to redeem his disgraced family name with its own history.
After a night of crazed drinking with a wild new companion, Eddy’s police-issue Glock disappears. Unable to report the theft, Eddy starts a secret search for it, using a plastic model for cover, just as a string of fatal accidents lead him to uncover a new, dangerous smart drug, Third Rail. There is a cast of characters filled with eccentricities who rival Monty Python, too. With only that plastic gun to protect him, Eddy’s investigation leads him into the darkest corners of his hometown, where it soon becomes tough to tell the politicians from the criminals. There will be death and revealed secrets as Eddy turns over stones in the town he thought he knew. With a highly developed setting, a very human protagonist, and a story that takes off from page one and never lets up until its startling finale, Third Rail readers will be looking for the next Eddy Harkness novel.
On to other recommended reads.
Martha Grimes has been off writing other novels, so her return to a Richard Jury novel after four long years is anxiously awaited in Vertigo 42. Jury as a Superintendent has more flexibility, although he still has Carole-anne Palutski as his comely upstairs neighbor. The whole eccentric crew revolving around Melrose Plant is back for a few scenes, too, although their presence has more to do with comic relief and less do with Jury’s investigation when he’s asked by an old friend to look to the death of the friend’s wife seventeen years ago.
Tess Williiamson died in a fall down stone steps at her Devon home, several years after coming under suspicion for the death of a child, there for a day’s outing with a group of other children at the home, in a similar way. Her husband, Tom, can’t believe it was accidental, or that Tess committed suicide. Tom asks Jury to look into the case, and as it falls on the turf of his friend, Brian Macalvie, only too eager to establish the real cause of death. Jury soon finds himself at the house, called Laburnum.
The scene seems staged to Jury, but then so does the death near Ardy’s house in Sidbury of a young woman who has fallen from a high tower. The Hitchcock movie “Vertigo” comes into play here. Dressed impeccably in designer clothes and shoes, the woman’s death investigation runs parallel to Jury’s old one, until a man dead from gunshots is found in an alley and things really get complicated after that.
Auntie M was happy to be with the familiar cast but the ending seemed to be almost anti-climatic, or perhaps the pace was off a tad. Whatever, it’s still a pleasure to be back with Richard Jury and his unlikely crew of friends.
Witness Impulse has brought out Frances Fyfield’s Gold Digger, in ebook and trade paperback, and its a tour de force from this talented writer who gets inside the psyche of her characters. Readers will also learn about the art world as that world is the pivot point of the entire plot. But it’s so much more, in the talented way Fyfield has of creating engaging and very real characters who leap off the page, all damaged by life.
Thomas Porteous sees something in the urchin Diana Quigley, who enters his house as a thief only to steal his heart and become his wife, despite a huge age difference.
Thomas is an art collector, with an eye that rivals Di’s own, and he sets about teaching her to see art and nature with new eyes. Theirs is a happy if brief marriage, and one of the highlights of the novel are Di’s descriptive cards of the paintings they share in the huge old house by the sea that was once a school.
Thomas’ first wife turned their two daughters against him in a most horrendous way, but that doesn’t stop either of the daughter’s from plotting to get their hands on what they feel is their wealth by right, instead of going to Di. Despite his best try at reconciliation before his death, his daughters abandon him until Thomas is gone. The only family member who adores him, along with Di, is one young grandson, Patrick.
Now the family has planned to rob Di and gain back what they feel is theirs, and she enlists a motley group of compatriots to help her foil their plan. Suspenseful and compelling.
Sharon Bolton made a name for herself with engaging stand-alone suspense novels before launching her Lacey Flint series. The newest, A Dark and Twisted Tide, shows once again why this unusual protagonist is the perfect foil for the gritty settings Bolton chooses and the unusual stories she tells.
Lacey is living on a houseboat on the Thames and starts to feel she’s becoming part of the river’s community until the shrouded body of a young woman is found in the river. She’s recently joined the marine police unit and is fast becoming used to the ins and outs of the river and its byways.
When she realizes this body has been deliberately left for her to find, Lacey knows she’s being watched. But by who and why? And with her fragile relationship with Joesbury on hold while he does undercover work, she’s feeling exposed and vulnerable.
Then someone starts leaving creepy gifts on the deck of Flint’s houseboat just as the bodies being to pile up of more young woman, garbed in the same kind of unusual shroud. That’s when her former boss Dana Tulloch gets involved and Lacey’s investigation takes on a new angle: are young women being kidnapped and kept prisoner after being lured her from places like Afghanistan? And what of the brother and sister team Lacey comes to know and befriend who live on a tributary? How are they involved? This is a first-rate mystery with all the twists and plot turns any reader could want,and a solid nail-biter ending. But it’s the characters that infuse A Dark and Twisted Tide with such heart and reality— not just the damaged Flint but her friends and colleagues as well. Highly recommended.
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