Jo Spain: The Confession. Sunday, Nov 25 2018 


Jo Spain is the Irish international number one bestseller of the DCI Tom Reyolds series and the standalone psychological thriller The Confession. A graduate of Trinity College Dublin, former parliamentary assistant and vice-chair of the business body InterTrade Ireland, Jo now writes full-time.

In 2018 she co-wrote her first original television show, TAKEN DOWN, currently airing in Ireland, bought by ARTE Europe and also picked up for international distribution by industry giant Fremantle. Jo has now been headhunted to work on several European dramas.

Jo lives in Dublin with her husband and their four small children. Auntie M recently had the opportunity to speak with Jo about her writing and her books.


Auntie M: What drew you to writing crime fiction in the first place?

Jo Spain: Crime fiction is my favourite genre to read and to watch. I love the thrill of the mystery, the adrenaline of the whodunnit, and the satisfaction of the resolution. I think crime fiction storytellers are the hardest working writers.

AM: Your new release, The Confession, is your first stand-alone thriller after writing the popular Tom Reynolds series. Why the switch?

JS: The story had arrived fully formed in my mind and I knew it didn’t fit with the DCI Reynolds series. Tom is police procedural – each is a whodunnit. In The Confession, we know who did it, we just don’t know why.
I also wanted to stretch myself. I write really quickly and am currently averaging two books a year and two TV series. To keep on top of it all, I like variety, because each time I pick up a project it’s like a holiday from the other writing. If that makes sense!

AM: Did you find the experience of writing a stand-alone differed from writing for the series?

JS: Very much so. Over the course of a series you can develop much-loved characters so your readers have the satisfaction of the soap of their lives on top of the plots. But it’s hard, because you have to keep them going, with new developments for the same people in each book.
In a standalone, you have to create characters that readers will instantly love/hate. There’s no second chance, it’s all within the four-hundred-odd pages. Then you have to mentally wrap them up in your own head, and move on, so it’s a bit like mourning a set of characters each time.


AM: Will you go back to Tom now? Any other books percolating?

JS: The fourth Tom came out in Europe this year, The Darkest Place. I’ve a new standalone out in February, Dirty Little Secrets, and a new Tom, The Boy Who Fell next summer. And I just completed my latest standalone, due in 2020.

AM: You’re a busy woman! With four youngsters and jobs aplenty, how do you find time to write?

JS: I write full-time and my husband is here full-time, too. He works for me now, editing and proofing (he’s a former editor) and does the heavy lifting with the children. But we’ve managed to establish a lovely family/work routine and we’re both at home pretty much all the time. And I am a fast writer, which really helps.


AM: And publicity, how do you reconcile accomplishing that with family, job and writing demands?

JS: That’s harder, especially now I’m writing for TV. I try to condense all my publicity outings to short periods in and around book releases (but I make exceptions for very lovely bloggers). When my new TV show Taken Down, (which is based on an original idea) came out this month there was more publicity than I’ve ever had to handle. It was fun but exhausting.

AM: What piece of advice would you give to a new writer starting out in crime fiction?

JS: We all say it – read, read, read. Know your genre, hone your craft. I always advise the masters; Agatha Christie, Arthur Conan Doyle etc. And I personally plan out all my books because I feel excellent plots take a lot of organisation. At least, I hope that’s what my readers feel about my plots…!

AM: Who would we find on your nightstand waiting to be read?

JS: When I find an author I love I buy everything they’ve ever written and wait eagerly for the next. Some of my favourites include Fred Vargas, Louise Penny, Pierre LeMaitre, Chris Whitaker, Donato Carrisi, J.P. Delaney and Liane Moriarty. I’m a huge fan of well-written crime, I don’t tend to read formulaic-type thrillers, though I respect their skill.

Four set in England: Bolton, Cleeland, Westron, French Wednesday, Nov 21 2018 

Auntie M loves her trips to England and enjoyed being there for two weeks this summer doing setting research. Cornwall and Cambridge figured highly in the trip, so you can expect Nora Tierney to be spending time in each place in future books.

It seems appropriate then to feature several books set in the UK for your reading pleasure.

Auntie M previously reviewed Sharon Bolton’s The Craftsman when it was published in the UK, but it’s just out here in the US, so let’s revisit a snipped of what she said then:
Sharon Bolton’s novels are always original and well-crafted. Elly Griffith’s notes that her newest, The Craftsman, is ” . . . an absolutely terrific crime novel that takes your darkest fear and makes it real” in this first of a planned trilogy.

It’s 1999 and Florence Lovelady has returned to Lancashire for the burial of Larry Glassbrook, who has died in prison for burying three teens alive, thirty years before. She travels with her teen son, Ben, to Larry’s funeral, and stays on when a new piece of evidence comes to light. The case made Florence’s career, and yet she wonders now if she put the right person behind bars all those years ago.

The book swtiches to 1969, when the third of three teens has gone missing. The town is scared, and it’s down to Florence to suggest a re-enactment of the day the third, Patsy Wood, went missing. It’s a novel approach, but one her Superintendent decides to try.

When Flossie decides she must investigate a freshly-dug grave, she’s the one who finds Patsy’s body, buried on top of another corpse. It’s evident at once the teen was alive when she was put into the casket.

The horror of such a death is the stuff of nightmares for most people, and the dark and disturbing images stay with readers as the book advances and the perpetrator is caught. Or is he?

With its history of Pendle Hill witches in the area adding to the terrifying atmosphere, this is the kind of gothic novel that grips you by the back of your neck and doesn’t let go even after the last page is turned. You’ll learn the difference between caskets and coffins and why that matters. You’ll learn how the moon affects witches. And you’ll learn to be terrifed and then in awe of Florence. Highly recommended.


Anne Cleeland’s Doyle and Action series returns with Murder in Spite, and this time the action takes place in Doyle’s Irish home. What starts as a supposed holiday takes on an entirely different tenor when a priest implicated in earlier London case is found dead on the steps of the Garda station Acton visits, a knife through one eye the implement of his death.

Doyle, with her special ability to see through people, quickly susses out that there’s more to Acton’s helping out in this case, just as there’s more to be seen with an African cab driver who seems to appear at the most needed times.

Having their young son along only cramps Doyle’s sleuthing abilities a small bit. Another entertaining entry in a well-drawn series known for its complicated plots and charming protagonists.


Carol Westron’s Strangers and Angels
is a Victorian Murder Mystery of the highest kind, filled with realistic period details, backed up by a complex plot that supports intriguing characters.

She takes readers to Gosport in 1850, along England’s the southern coast. Kemal is the Turkish midshipman on a training mission, accused of murder. With feelings running high against the Turkish sailors to begin with, it seems likely Kemal will face the gallows.

That is, until he finds help from two unlikely women: widow Adelaide and lady’s maid Molly. With little power or privilege between, the women have an almost insurmountable task to try to save the young Turk.

In a nice twist, Westron brings her sleuths into contact with real people from the era. A strong start to what should be a recurring series.


It’s always sad to see a beloved series come to an end, but Frieda Klein, Nicci French’s London-walking psychologist, perhaps deserves a rest more than most. Day of the Dead brings with it the resolution of the Dean Reeve case, the psychopathic killer who has eluded Frieda and the police for more than a decade, often with disastrous results to those Frieda cared about.

Charming and likeable, Reeves has been able to disappear and reappear at will, and become obsessed over the years with Frieda. After a decade of working with the police on cases, she now finds herself in hiding to protect those she loves.

But a showdown looms, and she must step out in public once again in order to bring Reeves to justice if she can. It will take a criminology student who tracks Frieda down to make the psychologist see that she herself holds the key to stopping Reeves, despite the cost to her personally.

As Frieda plays off against Reeve and his twisted games, she finds herself running up against her most formidable opponent. It’s a chilling climax that will stay with the reader long after the last page is read. A worthy conclusion to an addictive series.

Emily Littlejohn: Lost Lake Sunday, Nov 18 2018 


Emily Littlejohn’s third Colorado Detective Gemma Monroe mystery, Lost Lake, finds the new mother investigating a missing persons case that soon become so much more.

Four friends are camping at Lost Lake, despite the chilly weather, when they wake in the morning to find Sari Chesney has gone missing in the night. There’s no trace of the young woman, and the timing is most suspect.

Sari has been working on the special gala at the local museum and that night is its gala. As assistant curator, she would never miss this special evening, of great importance to gathering donors.

Gemma is slated to attend and does so, espcially when she’s summoned by the current director who claims a valuable diary, the gem of the museum for attracting donors, is missing.

Then a murder occurs, and Gemma realizes the history of the town and these people are wrapped together in more of a complex way than she’s imagined. Could the secrets of the past we impacting on the present in a deadly way?

Littlejohn’s prose elevates the detective investigation: “…Who was ultimately more authentic: the man who lived in meekness and possibly had a darker side, or the man who walked in darkness and struggled to find the light within?”

With the setting its own intriguing character, this is a strong entry in a compelling series.

Elly Griffiths: The Vanishing Box Tuesday, Nov 13 2018 

Elly Grifftiths delightful period series, The Magic Men Mysteries, returns with The Vanishing Box, and it’s Auntie M’s favorite yet in a compelling series.

It’s almost Christmas in Brighton, and magician Max Mephisto is headlining a special act at the Hippodrome with his daughter, Ruby. With a television show in the offing, the Vanshing Box trick wows the audience. Things are changing for the magician duo in more ways than one.

An act gaining a lot of interest and controversy in the same show is the “living statues” act, where near-naked women freeze in a strange tableau of historic moments. While some appreciate the stillness of the women and others their strategic feathers and leaves, there are cries of obscenity in the town that pale in comparison when one of the young women is murdered.

Max’s good friend, DI Edgar Stephens, who happens to be Ruby’s fiance, leads the investigation into the death of the lovely young woman. He also must deal with his conflicted feelings for a colleague, with surprising results.

There will be secrets from the past woven into the fabric of the mystery Edgar must solve as the deaths mount up. And when the danger hits close to home, Edgar will realize this is his most important case yet.

A fine entry in the series, with the period details spot on. And don’t miss Griffiths’ new stand-alone Gothic thriller, The Stranger Diaries.

Matt Ferraz: Sherlock Holmes and the Glad Game Monday, Nov 12 2018 

Please welcome Matt Ferraz, to tell readers about his new release based on two very popular figures, Sherlock Holmes, and Pollyanna:

Writing Sherlock Holmes and the Glad Game By Matt Ferraz

The genesis of Sherlock Holmes and the Glad Game was a challenge I made to myself: pick two characters in public domain that apparently have nothing to do with each other, and somehow make them work together.

I’ve been a Sherlockian all my life, and have wanted to write a book with the detective for some time. But who could I match him with? Other writers already had him meeting Jack the Ripper, Mr Hyde, Captain Nemo and so many others. What could I bring to the table that was new and fresh?

I was at a bookshop in my town when I saw brand new editions of Pollyanna and Pollyanna Grows Up, by Eleanor H. Porter. Those were books I had never read, but knew the basic premise: a girl who always sees the bright side of everything no matter what.

I had seen the 1920 movie with Mary Pickford, one of my favourite actresses, but remembered little of it. So I got myself copies of those two books, and while reading them, a novel started to form in my mind. No one had ever had the idea of putting Holmes and Pollyanna Whittier in the same story. After all, they’re so different!

But my mind was made up: I was going to write a book where she comes to London and assists Holmes and Watson in an investigation. People didn’t believe I could pull it off. In fact, my fiancée thought it was a crazy idea to begin with, but decided to give me the benefit of doubt.

I wrote the first draft of this book in a month – which is faster than I had ever worked before! For that whole month, I was completely immersed in the book, having re-watched several Holmes movies for inspiration and re-reading big sections of Porter’s books. My idea wasn’t simply to have Pollyanna ringing at 221b Baker Street offering a case for the detective to solve. I wanted to fit her in the Holmes cannon as organically as possible.

My book starts with Pollyanna becoming a good friend of Dr. and Mrs. Watson while Holmes was considered to be dead after facing Professor Moriarty. Pollyanna is in London to see a special doctor during an injury she suffered in her childhood – which is shown in the first Porter book. She eventually returns to America but shows up in London two years later, when Holmes is already back from the dead, with a brand new husband and a lot of trouble on her back. The best part of writing this story were the comedic possibilities in the interaction between these characters.

I tried to avoid making Pollyanna too annoying and naive – she’s actually pretty smart and kicks some butts. It was also nice to create a more humane Holmes, different from the stubborn and arrogant versions we’ve seen in movie and TV in the past few years. It’s a little, quirky and funny book I’m very proud of.

British sleuth Sherlock Holmes can solve any mystery from a small clue. American traveler Pollyanna Whittier can only see the good side of every situation. The only thing they have in common is their friendship with Dr. John Watson. When Pollyanna shows up in London with a mystery for Holmes to solve, she decides to teach the detective the Glad Game: a way of remaining optimistic no matter what. A dangerous – and hilarious – clash of minds, where these two characters of classic literature need to learn how to work together in order to catch a dangerous criminal.

Amazon: https://www.amazon.com/dp/B07K7W4PQL/
Goodreads: https://www.goodreads.com/book/show/42648425-sherlock-holmes-and-the-glad-game/

Catriona McPherson: Go To My Grave Sunday, Nov 11 2018 

Catriona McPherson’s newest standalone, Go To My Grave,
with a gothic thriller that’s eerie even as it’s a study in characterization.

For Donna Weaver and her mother, restoring Galloway beach house The Breakers and turning it into a posh inn has been the stuff of their dreams. Redecorated, filled with fresh flowers, Donna awaits the arrival of their first guests for a long weekend where she will cook and wait on them.

She’s juggling this alone as her Mum is at a wedding venue getting new clients when the gang of relations arrive for one couple’s tenth anniversary. It’s not long before most of them realize they’ve been at this very house decades before, for a sixteenth birthday party that didn’t end well.

Things soon start to happen that catch them off balance, playing games with their memories and the events of that party. Until the unthinkable happens and a body is found.

At once atmospheric, the tangle of people at this party confound Donna with their interwoven histories that are slowly revealed to her, as are the details of exactly what happpened at the party, when the participants swore to keep the details secret in a vow of silence they would take to their graves.

For some of them, this might just come true.

Disturbing and twisted, this is a deliberately devious mystery with a shocking and unexpected ending.

Ragnar Jonasson: The Darkness Wednesday, Nov 7 2018 

Iceland’s Ragnar Jonasson steps away from his Detective Ari Thor series to bring a stand-alone that will have the hair standing up on the back of your neck in The Darkness.

DI Hulda Hermanndottir is approaching retirement age at the Reykjavik Police when her superior calls her into his office to inform her he’s already hired her replacement. She’s free to leave instead of working her last year.

Stunned, unwilling to let go of the place and job that have been her home and sustained her lonely existence, Hulda pushes to be allowed a few weeks to solve one last cold case. While the widow has developed a new friendship with a fellow hiker, she has secrets of her own she’s hiding.

A Russian asylum seeker had been found murdered in a rocky cove, and the case speaks to her, especially when she starts to investigate and finds the original detective’s sloppy work led to a hasty conclusion of suicide.

Instead, Hulda finds threads of information that point to something else entirely, and don’t add up. The more she searches, the more convinced she becomes the young woman was murdered.

There is a startling conclusion to this grim story as Hulda nears the real story of what really happened to young Elena, one that will shock and surprise readers. Publishers Weekly notes: “Fans of uncompromising plotting will be satisfied.”

Andrew Michael Hurley: Devil’s Day Sunday, Nov 4 2018 


Andrew Michael Hurley’s mines the Lancashire landscape when he brings John Pentecost an his young wife back to the Endlands in Devil’s Day.

Unsettling from the outset, John brings his newly pregnant wife, Katherine, home for the funeral of his grandfather, known as the Gaffer.

Dadda, John’s father, has his own agenda, and the funeral is the backdrop to the local legends and tales that are told and retold as preparations for the ritual to keep the Devil away from the sheep begin. Everything has a superstition behind it, and everyone on the moors is affected. But it’s all just tales and nonsense, isn’t it?

The unsettled landscape comes alive under Hurley’s talented pen, as the gripping tale shows Nature at her finest and her cruelest. The eerie feel to the entire tale had the Daily Mail note: “This impeccably written novel tightens like a clammy hand around your throat.”

With Katherine’s growing apprehension, is John merely failing to see the menace she sees, or does he know something more?

An accomplished followup to Hurley’s award-winning first novel, The Loney.

Alyssa Palombo: The Spellbook of Katrina Van Tassel Wednesday, Oct 31 2018 

Happy Hallowe’en! And what better book to present than Alyssa Palombo’s retelling of the classic legend of Sleepy Hollow in The Spellbook of Katrina Van Tassel.

Palombo’s previous historicals,The Violinist of Venice and The Most Beautiful Woman in Florence, were both hailed for their accurate period details woven into an intriguing story. Spellbook continues in that vein, and as a New Yorker who grew up on Washington Irving’s story The Legend of Sleepy Hollow, this retelling of that story combines aspects of a sweeping romance with a gothic thriller that are delight to read.

Katrina Van Tassel is heiress to her father’s extensive farms along the Hudson River Valley, and a suitable husband must soon be found for the attractive girl. When the new schoolmaster arrives and begins music lessons, Ichabod Crane and Katrina are immediately drawn to each other.

So begins their love story, one that is threatened by the courting of Brom Van Brunt, son of a neighboring farmer. Katrina’s father is convinced the melding of the two farms would be a boon and is in favor of this union, which Katrina is definitely not.

Growing up with her best friend, Charlotte, daughter of the local midwife and herbalist, Charlotte was called a witch by Brom when the three were young, and Katrina has never forgiven him. Indeed, the friendship between Charlotte Jansen, supposed ‘white witch’ and the heiress Katrina are at the heart of the novel.

As Ichabod and Katrina begin their love affair, the ghost of the local legends surround them, until Ichabod suddenly disappears on All Hallows Eve. While locals whisper the Headless Horseman has claimed Ichabod, Katrina fears a more human element. Than how to explain the visions she sees when staring into a candle’s flame?

At the heart of the bool is the story told through the eyes of Katrina. Readers see the time period spool out before them with its customs and mores, as well as the lovers secret life.

Set against the backdrop of the country as its first President is searching for a replacement, the novel gives a feminist version of the haunting legend and its consequences as they revolve around Katrina. An intriguing and new way to look at an old legend.

Thomas Kies: Random Road & Darkness Lane Sunday, Oct 28 2018 

Please welcome Thomas Kies, who will explain writing his series from the point of view of a female reporter:

Writing From the POV of a Female Reporter

Both Random Road and Darkness Lane are written from the first-person viewpoint of Geneva Chase . . . a woman. I’m male, I have both an X and a Y chromosome.

“Really, you write as a woman?” I’m often asked. “What the hell were you thinking?”

First, a little about Ms. Chase. She’s blonde, tall (five-ten), athletic, blue eyes, attractive, forty years old, and a snarky smart ass. Geneva is a reporter for her hometown newspaper in Sheffield, Connecticut, a bedroom community outside of New York City. As the first book opens, she’s seeing a married man, has been recently arrested for hitting a cop, has been married three times, and she drinks too much.

Geneva Chase is a hot mess. Likable and smart as hell, but still a hot mess.

That doesn’t answer the question, “What the hell were you thinking?”

I started writing Random Road as an experiment. One chapter I’d write from the male protagonist’s POV and the next chapter I’d write as Geneva Chase. About ten chapters into the book, I discovered I was having much more fun writing as Genie. Through her eyes, I could view the world as a cynical journalist. Through her voice, I could make snarky, sarcastic observations. Simply put . . . she was fun!

A writer needs to be keenly observant of the world around him or her. Writing as a woman, I needed to study how someone like Genie would dress, what kind of jewelry she’d wear, how she would speak and move. I know more about women’s shoes than I ever wanted to.

Now, a word to the wise: it’s a fine line between being extremely observant and being creepy.

Honestly, I wasn’t thinking beyond Random Road when I wrote it. I certainly wasn’t planning on doing a series of Geneva Chase mysteries.

But it was blessed with good reviews, deemed debut of the month by the Library Journal, and sold out of its first hardcover printing before the launch date.

My publisher asked for two more over the next two years. Darkness Lane came out last June to excellent reviews, and I’ve just sent in the manuscript for the third Genie Chase novel, Graveyard Bay.

I’ve had some interesting comments from readers about Geneva. I’ve had women tell me how much they identify with her. I take that as a compliment.

I’ve had men tell me how much they like the character, and I actually had one guy tell me that he’d fallen in love with her. That made me kind of uncomfortable . . .

If you read either Random Road or Darkness Lane please let me know what you think at tbkies11@gmail.com. You can see upcoming events and more blogs at http://www.thomaskiesauthor.com.


Thomas Kies has wanted to be a mystery writer nearly all his life, cutting his teeth on every John D. MacDonald novel he could get his hands on. The first of his Geneva Chase Mysteries started with RANDOM ROAD and six naked bodies found hacked to death on an island. The second, DARKNESS LANE, opens with an abused woman torching her sleeping husband. When the police arrive, she’s drinking wine, saying, “I’m just toasting my husband.” Concurrently, a fifteen-year-old high school student vanishes. The two plots appear to have nothing in common but as Geneva chases down leads, she finds that they are dangerously related.

Thomas Kies has a long career working for newspapers and magazines, primarily in New England and New York. Thomas Kies is currently the President of the Carteret County Chamber of Commerce. He lives on a barrier island on the coast of North Carolina with his wife, Cindy, and their Shi-tzu, Lilly. He’s just submitted to his editor the finished manuscript of his the third book in the Geneva Chase series- GRAVEYARD BAY. http://www.thomaskiesauthor.com

« Previous PageNext Page »