Michael Robotham: Say You’re Sorry Sunday, Mar 24 2013 

The incomparable Michael Robotham is back with my favorite psychologist, Joe O’Loughlin, in his newest addition to this stunning series. 13528436

The book opens with the musings of one of the two Bingham girls, two teens who went missing one night three years ago. It is Piper who talks to readers throughout the novel as she writes in her journal. Through her they learn of the horrors the girls have lived through for years. until one of them risks a daring escape.

Joe struggles with broken marriage and his relationship with his two daughters, most notably the older, Charlotte, a teen who prefers “Charlie,” and whom Joe describes as having “a smart mouth and a dozen different moods.”

Despite the heavy snow, Charlie is on her way up to London to spend four days with her father in Oxford. He’s to counsel her on a doubtful boyfriend and her behavior with the boy;  they will spend time together after his talk at a mental health symposium.

From the train window just outside Oxford, the train slows with the weather. Joe and Charlies glimpse a line of policemen moving across a snowy field. As their train moves slowly forward, they sees white-clothed crime scene officers struggling in the wind, trying to erect a canvas tent over the edge of a lake. They see what they are trying to shield: a body, trapped beneath the ice.

Their first full day together is interrupted by the sudden appearance of detectives, looking for Joe to consult on the ghastly murder of a couple in nearby farmhouse. Joe is not inclined to cooperate; this kind of thing has gotten him into trouble before. But Charlie, bored with the ancient town after one shopping spree, wants to see her dad at work, and soon Joe agrees to help with the case.

As he investigates, it soon becomes clear that these murders and the disappeared girls are related.

But will Joe figure out the murderer in time to save one of the missing girls?

The device Robotham uses of having Piper document her past and current habitats is chilling; her thoughts, so controlled and matter-of-fact to reality, show readers a young woman who was barely seen before, but will never be forgotten again.

For readers of the series who understand the struggle Joe has endured over several books, the ending will move you to tears.

Well-written, compelling, with complex characters, Say You’re Sorry‘s layered title will show readers its true meaning.

 

P M Terrell: Dylan’s Song Sunday, Mar 17 2013 

dylans-song With past clients ranging from the CIA, Secret Service and Department of Defense, it’s no wonder that author P. M. Terrell uses her computer expertise and technical knowledge to highlight the drama in the fourth book in her Black Swamp Mystery series. Dylan’s Song is a romantic suspense novel with just a hint of the paranormal.

The book is a rousing good read. Suspense Magazine calls Terrell’s books “powerfully written and masterfully suspenseful; you have to hang on for the ride of your life.”

Terrell brings the reader to the Irish homeland of Dylan Macquire, whose character was first introduced in Vicki’s Key, a finalist in the 2012 International Book Awards and 2012 Best Book Awards in mystery/suspense.The charming Irishman is running from secrets in his homeland, secrets which will be laid bare in this latest episode.

Vicki Boyd is a psychic who uses her abilities in conjunction with the CIA. Able to travel to remote locations in her mind, Vicki provides startlingly realistic information for her boss Sam. Rounding out the main characters is Brenda Carnegie, a brilliant computer hacker related to Vicki and the best traveling companion Vicki could have when Sam sends the trio to Ireland on a dangerous retrieval mission.

Vicki and Dylan are a couple, which tangles Dylan’s proposed mission on several levels. She’s withholding important information from him, and the stubborn Dylan doesn’t want to go anywhere near his home town. Then a call from Father Rowan, who had been like a brother to Dylan, draws him back reluctantly to the village. The grandmother who raised him is dying and wants to see him one more time.

Suddenly, retrieving operative Stephen Anders seems more urgent. But a tricky complication exists: Vicki’s images show Anders has been kept in the cells of a former castle, one that now exists under one of Ireland’s famous peat bogs.

Dylan is a charmer and his love for Vicki is a big as it can be exasperating. Brenda proves herself to be a necessary compatriot, and Father Rowan in Ireland comes to the trios aid in several important ways. The spy angle is tinged with the sadness of Dylan’s last visit with his Mam, while the local traditions and customs are winningly described.

There will be local intrigue, too, as Dylan returns to the village he escaped from years ago, after hoping his past and its secrets would never catch up with him. All this raises the tension and the hurdles Dylan and the women will have to conquer: to rescue Anders, and to save their own lives.

Terrell does a fine job of getting inside each character while she transports readers from the small southern town of Lumberton, NC, where Vicki and Dylan have been living, to the rolling, fertile countryside of Ireland and the small village where they stay. The tension mounts as the retrieval operation for Anders goes horribly wrong, and just when it seems there’s time for readers to catch their collective breath, terror and danger strike again.

NC author Terrell has written fifteen books, including the historical suspense novel River Passage, which won the 2012 Best Book Award. Her original manuscript is so accurate it is now housed in the Nashville Metropolitan Government Archives for future use by researchers and historians in Tennessee. She is also the co-founder of The Book’Em Foundation, committed to raising public awareness of the correlation between high crime and illiteracy rates. You can read more about the yearly NC wing of Book’Em North Carolina, held in the town of Lumberton that features in her series, by visiting www.bookemnc.org.

 

 

Deborah Crombie: The Sound of Broken Glass Sunday, Feb 24 2013 

One of the delights of Deborah Crombie’s novels are the British neighborhoods and environs she explores for her murder mysteries. images_067

In this 15th outing between her now-married detective pair of Gemma James and Duncan Kincaid, The Sound of Broken Glass remains firmly rooted in foggy London in the Crystal Palace area. Chapter epigraphs, a device Auntie M highly enjoys, all pertain to the history and destruction of the Crystal Palace building that gave the area its name.

Crombie has kept the series fresh and humanizing by moving along the personal relationships in the Kincaid household and allowing for the growth of the marriage between the main characters. With the addition to their family of a three year-old foster daughter, Charlotte, it is Duncan’s turn to be at home to assist the traumatized little girl through her integration into their family and a more normal life. These moments remind us that police men and women have families of their own, whose absences are noted when normal routines must be adjusted around the demands of a murder investigation.

The main case belongs to Gemma this time, aided by DS Melody Talbot. They investigate the murder of a barrister who has been taking sole care of his wife, suffering from increasing dementia. The body of Vincent Arnott is found in a seedy hotel in the Crystal Palace area, naked, trussed and strangled. The contrast between the man’s public and private faces becomes immediately apparent and startling.

Then a second barrister is killed in the same way and additional evidence ties the cases together. The deaths tie in with a band playing in the area, and especially their talented guitarist, perched on the edge of fame. Is a serial killer at work?

Gemma and Melody must unravel connections going back over fifteen years to tie these murders together. At the heart they will find a bullied and lonely thirteen year-old boy and his relationship with a recently widowed teacher and neighbor. Duncan’s fears rise when a personal connection ties him to one of the suspects and provides the thread between the two murder victims.

When the past and the present collide, Gemma and Melody find themselves in the middle of an ice storm, racing through the steep streets of Crystal Palace to prevent more deaths.

Consistent and compelling, fans of the series won’t be disappointed with Crombie’s latest offering.

 

Charles Todd: Proof of Guilt Sunday, Feb 10 2013 

000290326In their fifteenth outing together, mother-and-son team Caroline and Charles Todd follow Scotland Yard Inspector Ian Rutledge into the countryside in search of a murderer in Proof of Guilt.

Those new to the series learn enough of his back-story and WWI experience to understand his personal demons and the reason for the ever-present Hamish, the voice who alternately guides and chides the detective, just over his shoulder and always out of sight.

Readers familiar with the series will enjoy Rutledge’s careful but frustrating investigation. His sister Frances, whom Rutledge has come to depend upon for companionship in his darker days, has her own surprising news.

This time Rutledge is dealing with getting to know his new Acting Chief Superintendent, a man who decides on a course based on reading reports and refuses to listen to Rutledge’s instinctual alternate theories. At times it seems the Super is deliberately thwarting Rutledge in his investigation.

When a car runs over the body of young man, the heirloom pocket watch found on him is the only clue to his identity. It soon becomes apparent the man did not die on the quiet but dignified street where he was found, but was dumped there.

Is this a clue to who he is, or a warning to someone living on that street?

The search for the man’s identity leads Rutledge to the co-owner of a Madeira wine company. Lewis French has gone missing, but it’s not his body on the slab in the morgue. Then how did the dead man end up with French’s watch?

And where is Lewis French?

Rutledge finds French’s sister to be an angry and jealous person who had quarreled with her brother just before his disappearance; his fiancee` seems less concerned than she might be. He also finds himself drawn to the man’s former jilted fiancee`. There seem to be plenty of people who might want French dead.

But if French is dead, where is his body? And how does a second disappearance of a war veteran tie in?

The time period necessitates a slower pace, as Rutledge must navigate by his own motor car to the various country villages outside London that eat into his precious time to follow the slender threads he uncovers.

This is not a fast-paced thriller but more the deliberate and tenacious unraveling of a plot with fingers lasting decades. Rutledge must find evidence to trap the killer before he becomes the latest victim.

 

Brad Parks: The Girl Next Door Sunday, Jan 20 2013 

Parks’ third mystery featuring journalist Carter Ross is a filled with the wry humor of the protagonist that makes The Girl Next Door a delight to read.9781250013408

Set in the neighborhoods of northern New Jersey, Parks shows the dichotomy of the different areas he has Ross visit in his tenure on Newark’s Eagle-Examiner,  and the different attributes and customs that go along with each one.


Here’s Ross describing his personal attitude after years of experience : “As a newspaper reporter, I’m required to move in all strata of society. I get to observe human behavior everywhere, from the meanest housing projects to the gilded symphony hall. And what always strikes me is that when you strip away the superficial differences in clothing, setting, and dialect, groups of people everywhere are more or less the same . . . most of us are just trying to find a way to fit in.”

Reading the paper’s obituaries leads Ross to come across the death of Nancy Marino, a “girl next door” forties-something carrier for his own paper. When he decides to write a feature story about an everyday woman who dies too young, Ross naturally heads to her wake to meet her family and to hear the stories of this common woman.

So he’s more than surprised and quickly intrigued when one of Nancy’s sisters insists that the hit-and-run accident that claimed Nancy’s life was not an accident at all, but a cold-blooded murder. Adding to his interest is the appearance at the wake of his own newspapers publisher, the smarmy Gary Jackman, who refuses to give him an interview but has an arugment  with another man attending the wake that Ross overhears.

The reporter’s investigation reveals the never-married Nancy held down two jobs while caring for her elderly mother, who lived a few blocks away. Besides being a paper carrier, she worked part-time as a waitress at a local diner and was shop steward for her carrier’s union.

Ross digs into the case, convinced he’s on the right road to find Nancy’s murderer. He’ll get in trouble in far too many places at once, including with his boss and editor, who is his infrequent girlfriend, Tina Thompon. He’ll also become saddled with an intern who reads Emerson and Thoreau and is planning a thesis on Philip Roth, one of New Jersey’s hometown boys.

Parks’ creation is articulate and a pleasure to read; his characters are quirky and colorful. And best of all, his plotting twists and turns as it delves into the gritty world of some of the not-too nicest characters and neighborhoods of New Jersey. And some of those are the friends Carter Ross will depend on when he needs a helping hand.

Filled with action and unexpected turns, it’s difficult at one point to figure out how Ross will come out on top of this one. Keep reading.

Peter Robinson: Watching the Dark Sunday, Jan 13 2013 

Robinson’s twentieth Chief Inspector Banks novel starts off in an unlikely place: St. Peter’s Police Convalescent Treatment Centre, just north of Eastvale, his stomping grounds. watching-the-dark

Watching the Dark opens with the introduction of DI Lorraine Jensen, recovering from multiple leg fractures, the result of a fall from a second-story tower block chasing drug dealers. Awakened early one morning by the pain her leg, she moves outside to watch the sunrise and wait for her painkillers to kick in.

As she sips her tea she notices a bundle of clothes on the far side of the lake. Using her crutch to get closer, she realizes the bundle is really a very dead man, kneeling forward with his head touching the ground.

When the team arrives and the police surgeon turns the body over, everyone is shocked to see a crossbow bolt sticking out of the man’s chest. A recent widower, DI Bill Quinn was a patient at St. Peter’s for issues with his neck.

When Banks decides to search the victim’s room himself, it appears there is little joy to be found. Quinn’s room sports a series of fishing and gardening magazines and only one book: Practical Homicide Investigation.

The well-practiced team swing into action. Interviews of the twelve resident patients and staff, as well as room searches, are carried out quickly and efficiently. That the Centre pays lip service to security is immediately apparent. The thing left to resolve: was Quinn’s murder revenge from a former convict? Or something more deep and sinister.

Then Banks takes a closer look at the book found in Quinn’s room. Under the endpapers, the detective has secreted a thin envelope containing three photographs of himself and a young woman in compromising positions.

But what do these photos have to do with the man’s murder? And how to they tie in with a dead migrant worker found in an abandoned Yorkshire farmhouse?

Then a cold case appears connected.  19 year-old Rachel Hewitt had disappeared on a hen party in Estonia several years ago and was Quinn’s biggest regret, a case he considered his only failure. Would her case provide the key to unlocking why DI Quinn had to die?

Complicating Banks investigation are two women. DI Annie Cabbot, Banks’ former lover and longtime colleague, due back after six months rehab from a shooting incident, is due to return to work in two days. Will she be up to the task or will her demons prevent her from doing her job?

Then Banks’ ACC throws him a curve ball in the form of a Professional Standards Inspector who is assigned to investigate Quinn’s death alongside Banks. Joanna Passero has her own agenda, and finding out if Quinn was a bent copper is just her surface assignment. She painfully dogs Banks’ steps, hampering his quest.

Robinson moves Banks around to Europe and the change of scenery keeps Banks on his toes and readers turning pages. Not all policemen have the same scruples, he will be quick to learn. But how does that tie in with people trafficking, migrant labor scams, and most importantly, murder?

Fans will be delighted to see Banks in action in this highly readable and compelling new novel from a master at the top of his game.

Nele Neuhaus: Snow White Must Die Sunday, Jan 6 2013 

German author Neuhaus is making news with the first English translation of a police procedural that will surprise readers and introduce them to a new detective duo to follow.

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Actually the second in the series, the international best seller features Detective Oliver von Bodenstein, troubled and distinctive, and his partner, Pia Kirchhoff. In this first US import, the Grimm fairy tale describing Snow White becomes a refrain to the story Neuhaus tells of 30-year old Tobias Sartorius. It opens as he leaves prison after serving ten years following the disappearance of two teenaged girls last seen in his company. Having no recollection of most of the events of the evening, his time in prison has been tortuous as he’s come to accept he must have murdered the two girls, despite having no memory of the night in question.

Of the two missing girls, the dark-haired Stefanie Schneeberger had been cast to play Snow White in the local play. On the night the girls disappeared, she was supposed to have broken off her dating relationship with Tobias.

Returning to his small home town, Tobias is shocked to learn the pretense his parents maintained while he imprisoned. They’ve lost their business and separated, and while his father still lives on in the same house, the town has made the family pay for what they feel is Tobias’ murder of the two missing girls by outcasting his parents and damaging their property, with continued harassment.

When Tobias’ mother is pushed from a pedestrian bridge onto the hood of a car below, the two detectives investigation is met with stony silence from the villagers. Then a young girl disappears, and the past seems to be repeating itself. With the villagers certain Tobias is to blame, his life hangs in jeopardy as the Oliver and Pia race against time to find the truth before the villagers take matters into their own hands.

This is lively nuanced mystery, with increasing suspense, and well-crafted characters. The effects of gossip, the use of local power, and the idea of keeping up appearances for outsiders will all be explored, even as Oliver and Pia have their own domestic issues barging into their hectic days. The novel is surprising at times as the events kick up and the pace surges ahead. Readers will become addicted to turning pages as the story engages them. Neuhaus lets them in early on a secret to that they have more information than the detectives, a device which serves to nicely up the suspense factor.

The well-drafted thriller will allow readers to see why Neuhaus is Germany’s top crime writer. In Europe the sixth in the series is in print, and readers here in the US can only hope the translators are hard at work to bring us the next installments of this complex and widely-read crime writer.

G. M. Malliet: Wicked Autumn & A Fatal Winter Sunday, Dec 2 2012 

Tis the season for murder and Agatha Award winning author (for Death of a Cozy Writer) G. M. Malliet brings a new series to life with vicar Max Tudor, a former MI5 agent seeking a different kind of life. The tragic killing of his partner had left him guilty and resulted in a depression, a leave of absence,  and finally resignation and the search for something more meaningful. He entered the Anglican Church after schooling at Oxford and seminary training. This backstory fuels Max’s ability to get involved in murder.

In the first installment, Wicked Autumn,  Max thinks he’s found the peace and quiet he desires at his post at St. Edwold’s in Nether Monkslip, until murder erupts and spoils any sense of the idyllic village Max thought he’s found.

Wanda Batton-Smythe has led the Nether Monkslip’s Women’s Institute with an iron hand and a shrill voice that shuts out any contenders for her role. Browbeating the residents into performing as she wishes for the annual Harvest Fayre has only increased their general dislike of the formidable woman. When her body is found on the day of the Fayre, any sense of leaving his past behind vanishes for Max, thrust into the middle of distraught parishioners and suspecting what looks like an accident is actually a case of well-planned murder.

DCI Cotton, whom Max knows from the past, quickly ropes Max into helping with the investigation. Although familiar with the petty grievances and animosities of small-town life, Max is thrown by the idea that one of the residents of his lovely English village is capable of murder; yet he is realistic enough to see that there are many villagers who might have wished for Wanda’s demise. The suspects include Lily Iverson, a timid woman who nonetheless owns a local knitting business but often bore the brunt of Wanda’s assaults. There’s the owner of the Cavalier Team Room, Elka Garth, who often felt Wanda’s pressure, especially when it came to donating her services to the Harvest Fayre; and the chef and restaurateur Guy Nicholls, who felt the same pressures. Then there’s Frank Cuthbert, the local historian an author who often clashed with Wanda over his books. And that’s just the start of the list.

As the investigation heats up, readers will meet more villagers, several who will reappear in Malliet’s second book in the series, A Fatal Winter. But not before Max and Cotton team up to unmask a murderer.

In Book Two, winter has come to Nether Monkslip, and finds Max struggling with his Christmas sermon, but even more with the feelings he’s developed for Awena Owen, the New Age goddess who runs a shop in town. What would his bishop have to say about such an alliance? And should he care?

These are Max’s thoughts as he returns to the village after a brief London stay. A chance meeting on an early train between Max and Letitia, Lady Baynard, of nearby Chedrow Castle is soon put out of Max’s thoughts until Cotton calls him late that same night. The DCI has been at Chedrow Castle since earlier in the day, called just after the body of Lord Footrustle, Letitia’s brother Oscar, has been found murdered in his bed.

Only minutes after that call on his way to the castle, a second call had notified Cotton of the finding of a second body in the garden, that of Letitia herself, at first glance of natural causes. But with assorted relatives ensconced for the holidays in an extremely poor excuse for a family a reunion as orchestrated by the fated Oscar, Cotton knows his handful of CID officers, good as they are, won’t be enough to find this wiley killer.

His ace up his sleeve is his good friend Max Tudor, who will be his feet on the ground and his ears to the family.  Max is called to the castle by Lamorna, Lady Baynard’s religious grand-daughter, as special advisor to the family on the double funeral to be held.  Pastoral duties farmed out, Max leaves for a few days at the castle, and for an experience he’s not soon to forget.

The assorted Footrustle family  includes Letitcia’s Baynard side: two sons and the grand-daughter Lamorna, who had been adopted by Letitia’s dead daughter and son-in-law and left for her to raise. But Oscar’s side is well-represented, as he’d been married twice; three assorted children and one ex-wife are in attendance. This eccentric group includes the washed up actress, Lady Jocasta, Oscar’s daughter, and her American husband Simon Jones. Oscar’s ex-wife, Gwynyth Lavener, brings her teenaged children: Alec, Viscount Edenstarted, and his sister, Lady Amanda, two indulged but intelligent youths.

If this sounds like too much Debrett’s for you, Malliet thoughtfully includes a family tree, which you will find yourself consulting until the character’s become firmly rooted in your mind.

Basically a locked room puzzle, Max will eventually figure out who’s behind the deaths, but not before a third murder is committed, in a great twist that readers won’t see coming.

Readers of the Golden Age mysteries will be entertained by this series, which has all the hallmarks of village mysteries: that lovely English setting, a handsome protagonist, and just a hint of romance to round things out. Booklist says: “Malliet has mastered the delights of the cozy mystery so completely that she seems to be channeling Agatha Christie.”

Susan Hill: A Question of Identity Sunday, Nov 25 2012 

Can a person love two people at the same time?

Can a person BE two different people at the same time?

These are the main questions the wonderful Susan Hill addresses in the compelling new Simon Serailler mystery A Question of Identity.

Fans of the series will not be disappointed, as Hill explores Serailler’s relationship with the woman he loves, whose husband is dying.

She continues to weave in his sister, Cat, a young widow raising three children and working hospice, who faces more changes in her future just as she unearths a terrible family secret.

She also gives us an inside look for the first time into the mind of the killer Simon must unveil, by following snatches of his thoughts during the entire investigative process.

The cathedral town of Laffterton that Serailler inhabits hasn’t seen a crime as this: the brutal murder of an elderly woman, newly moved into a brand new housing scheme, posed in a way that marks the murderer’s signature. This is a careful killer, one who wears gloves, doesn’t leave a trace behind, and chooses his victims for their age and inability to react quickly to his appearance.

As the murders escalate, Serailler’s team keeps several bizarre aspects of the murder from the public. Then their investigation finds these signs to be the exact MO of a suspect previously charged with several murders who had been acquitted. But trying to find the murderer takes on an unreal aspect when Serailler learns the suspect has been given a new identity, and simply vanished. And the powers that be refuse to give him any details or acknowledge the man existed.

Hill ups the empathy with Serialler’s frustration by introducing the victims to the reader before the murders, weaving in his private life and snatched moments with his beloved Rachel at times, visits with his sister and her family at others. Realistic happenings in Cat’s life lend even more verisimilitude as she copes with teens, tweens, and the aftermath of a past case on a young doctor who has been living with her family. The first death doesn’t occur until page 137, plenty of time for Hill to ratchet up the suspense as readers come to realize who the victims will be.

This is a satisfying read in a continuing series that is what The Washington Post calls a “. . .  brooding series that rivets a reader’s attention.”

Ruth Rendell has this to say about Susan Hill: “Not all great novelists can write crime fiction, but when one like Susan Hill does the result is stunning.”

Lynda LaPlante: Blood Line Sunday, Nov 18 2012 

Prime Suspect‘s Lynda LaPlante is back with a new Anna Travis novel.

Blood Line follows Anna’s new case as a DCI, heavily watched over with increasing annoyance to her by her mentor and former lover, Superintendent James Langton.

Her first case was a slam dunk that she made her way through numbly, dealing with the aftermath of the death of her fiance`. The pacing here is different from the usual murder novel, as the case starts out as something entirely different and meanders its way into a murder investigation, when a court clerk whose son has disappeared asks Anna to look into the case. Langton concurs, trying to give Anna time to grieve before getting her feet under her in a real murder case.

Alan Rawlins is a good-looking chap, engaged to be married to salon owner Tina Brooks. A shy gentleman, Alan’s sudden disappearance has his father and fiancee` stumped.

Anna’s initial interviews reveal nothing specific. At first glance, Alan is a paragon of virtue, with savings in the bank and a steady job. Tina arrived home from her salon one day after he’d come home early from work with a migraine to find Alan gone; it is his father who insisted a Missing Person’s report be filed when there’s no word from Alan after two weeks.

Meeting Tina for the first interview leaves Anna with a gut feeling something is wrong. The flat is too neat, compulsively so. And despite supposedly in the midst of shopping for a wedding dress and ordering invitations, Tina shows little emotion when discussing her missing partner, stating she feels he’s gone off with another woman. At first Anna feels it’s possible Alan has taken off to escape marriage to Tina and the pressures of his mother’s dementia, especially when a potential second source of income is identified.

Then a better search of the apartment Alan and Tina shared turns up evidence of a blood pool behind the head of the bed, and more Luminol work shows a massive cleanup in the bathtub as the full-scale murder investigation swings into action.

Despite the evidence, the question of the identity of the victim becomes an issue. Someone was murdered in that flat, but just who it was becomes more and more difficult to establish in a series of twists that have Anna, under pressure to solve the case, becoming almost obsessed with all the trails she finds. And over it all, Langton is watching her like a hawk.
The book follows the extensive details and delays of real police work, from waiting for forensic reports to traveling to interview witnesses, always with the budget in mind. Anna also deals with the personalities of her hastily-thrown together team.

LaPlante’s lack of contractions may take some readers aback as it gives her dialogue a more formal feel; but it also serves to keep the British tone in the reader’s ear. This edition comes through the new line of mysteries from HarperCollins, Bourbon Street books.

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