Julia Spencer-Fleming: Hid From Our Eyes Tuesday, Apr 7 2020 

Julia Spencer-Fleming brings readers the ninth installment in her popular series featuring NY police chief Russ Van Alstyne and his wife, Episcopalian priest Clare Fergusson in Hid From Our Eyes.

With two busy careers, the newlyweds are managing their infant son’s needs. Russ is fielding the possible defunding of his department and an impending vote, while Clare looks for help at her church to ease her workload and fights for her sobriety when a young woman’s body is found on a lonely road outside of town.

The body is found in a situation that bears an uncanny resemblance to a similar case from 1952, when the police chief at the time was Harry McNeil.

When he retired and the new chief was Jack Liddle, another woman was found in similar circumstances. In that case, the suspect was a local boy, a Vietnam vet who’d just returned and found the body while passing on his motorcycle: Russ Van Alstyne.

The book shows threads of all three time periods as the case heats up and shows that the first two cases were never solved. Of course, the last thing Russ needs is the decades-old suspicions coming up when he’s fighting to save his department.

And it may be the last thing harried Clare needs, too.

They will set out to find the murderer who has managed to evade authorities for decades. As the action switches between
the time periods and the victims, suspects will rear be on the radar, but the stretched time period skews things, making the denouement all the more complex and interesting.

Spencer-Fleming has developed the personalities of Russ and Clare thoroughly in previous books, yet readers new to the series will be able to discern why they are such a popular couple, as she illustrates the frustrations they share underpinned by their love.

She doesn’t ignore secondary characters, either, bringing attention to single mom Hadley Knox, whose past she keeps running from, and her strained relationship with another officer no longer in their department.

It all adds up to a highly anticipated mystery that will make readers of the series realize just how much they’d been missing Russ and Clare. Highly recommended.

CJ Tudor: The Other People Wednesday, Apr 1 2020 

Perfect for April Fool’s Day!

Auntie M reads about three crime novels a week. So when an author who writes great books keeps getting consistently better, she takes notice. Without repeating herself, CJ Tudor has done just that, bringing out her fourth, The Other People. And as much as the first three were loved and exalted, this one just may be her best.

It’s the stuff of nightmares. Driving home one night, stuck in traffic, the face of a young girl appears in the back window of the car in front of Gabe. It’s his daughter’s face.

He races home only to find police there with unthinkable news: his wife and daughter, Izzy, have been killed by an apparent intruder. How could this happen?
And how could he have seen his daughter in a car in front of him when she’s already dead?

In the intervening three years, Gabe has become a ghost of his former self. Living in a van, he drives up and down the highway, looking for the rusted old car that took his daughter away. For he’s convinced he saw her that night, and that she can’t be dead.

What’s going on here is not a ghost story, not really. But there are spooky and unbelievable things happening, and they center around The Other People, a group who have taken the awfulness that’s happened to them as individuals and dealt with it not by forgetting but by exacting revenge in a way that can’t lead back to them.

It’s a total and complete new world Gabe finds himself in. Forced to confront his own secrets, too, he must figure out what’s really happening, and finds an accomplice in an unlikely place.

Lee Child says: “Some writers have it, and CJ Tudor has it big time.” Creepy and atmospheric, yet a satisfying read, this one completely earns the tag Highly Recommended.

Charles Finch: The Last Passenger Sunday, Mar 22 2020 

Charles Finch brings Charles Lenox in a third novel in a prequel trilogy to the series in The Last Passenger. Set in Victorian London in 1855 during the days leading up to the Civil War in America, this clueless murder case may be young detective’s most disturbing case.

It’s a way to discern the man Lenox will become and those who form part of his mature life when he’s called in to the case of murder. A has been found on a train to London without any way to identify it. What is first thought of as a case of theft may instead have ties to the anti-slavery movement hitting America.

Throughout the investigation is Finch’s deep respect for language and for historical accuracy. Readers will learn about the mores and customs of the era, the social prejudices, and the ways of the era.

The character’s are realistic and fit the time period, from the main to the smallest side parts. And the book fills a hole in Lenox’s own history, while at the same time pointing out the class differences all around, even extending to women and their roles. Of course, there are all the women thrust at the highly marriageable Lenox.

But that is additionally to the investigation he undertakes, and the obstacles he finds. An accomplished and realistic look at the differences between UK and US times, there is enough humor to keep the book afloat as Lenox figures it all out.

Phillip Margolin: A Reasonable Doubt Friday, Mar 20 2020 

Phillip Margolin brings a juicy legal thriller in his Robin Lockwood series to readers with A Reasonable Doubt.

Magic is the name of the game when one of her former boss’s earlier clients, Robert Chesterfield, shows up asking for her help with patent protection. A fan of magic, Robin doesn’t have the expertise he needs, but when she investigates the earlier cases, finds he was previously arrested for two murders, for which her boss, Regina Barrister, defended him easily.

When she’s invited to see this new illusion performed, it ends with Robin’s disappearance. Has he gone away to avoid another arrest, or is there more to his disappearance? Just how many enemies does the famed musician with his heavy British accent, actually have?

Plenty, as Robin soon discovers. With the story shifting through the years to show Chesterfield’s history and his accumulation of enemies, Robin will be forced to look deeper when a twist occurs that shocks everyone.

Margolin’s legal experience as a criminal defense lawyer is apparent in the courtroom scenes but as always, it’s Robin and her team who bring the cases to a close.

Tightly paced and well-plotted, it’s a satisfying read with suspenseful chills.

Charles Todd: A Divided Loyalty Saturday, Feb 29 2020 

The duo team known as Charles Todd brings Inspector Ian Rutledge his most difficult cases in their 22nd outing, A Divided Loyalty.

Rutledge is giving evidence in a case while he walks a fine edge with his superiors. His colleague and war-time friend, Brian Leslie, is the one sent to Avebury where an unidentified woman’s body has been found near the prehistoric stone circle.

But Leslie recognizes the victim, but chooses to keep that information to himself, and then is unable to find the murderer; meanwhile Rutledge is instead sent to find the killer of a second murdered woman found in a recently dug grave.

After solving his case, Rutledge finds himself assigned to take a second look at the case his friend couldn’t solve. He must try to identify the victim and re-do the investigation of his friend, a thankless task to begin with, and his failure would give his superintendent the reason he needs to fire Rutledge.

Aware he’s in a tough situation, Rutledge struggles to find the clues he needs to solve the case, and when he does, it will bring with it the ammunition his superiors need to fire him. The ending puts twists to an unusual climax that puts everyone involved in jeopardy.

For fans of this post-WWI era, the historic details are atmospheric and add to the story in this popular long-running series.

Lori Rader-Day: The Lucky One Wednesday, Feb 26 2020 

Anthony and Mary Higgins Clark Winner Lori Radar-Day brings her newest psychological thriller to the page with The Lucky One.

Two strong women, Alice and Merrily, tell their stories that will eventually converge.

Alice Fine works in the Chicago office of the construction business her father and Uncle have run together for her entire life. With a recently broken engagement behind her, Alice spends her down time searching the pages of the true-crime volunteer site The Does Pages, searching for clues that would bring closure to unknown victims.

With her mother dead a few years, she’s close to her father, who often despairs of her volunteering. Once a policeman, he rescued her from a kidnapping in Indiana when she was a young child, which prompted the family’s move to Chicago. Part of Alice’s quest is to find her kidnapper, and one day she sees his photo on The Doe Pages website.

After that she must search for the truth of who this man was, even though the post with his photo is quickly deleted. That search brings her and two local amateurs from the Doe Pages to Merrily Cruz, a young woman who knew the man Alice seeks, and has her own history with him.

The dark truth they seek will surprise readers as the women research the pasts of this man and the people whose lives he touched. A stunning climax turns everything Alice and Merrily thought they knew on its head.

Rarer-Day uses a clever device of excerpts from the Doe chat page that enhances the story. This terrific story has a chilling effect as it’s all-too believable, as are the characters. It will leave readers wondering just who really was the lucky one. Highly recommended.

Art Taylor: The Boy Detective & The Summer of ’74 Sunday, Feb 23 2020 

Please welcome award-winning author Art Taylor, to talk about choosing the order of the stories in his new suspense collection The Boy Detective & The Summer of ’74 and Other Tales of Suspense:

Plans are afoot for me to teach a course on short story collections at George Mason University in Spring 2021—not reading collections but creating them. This would be a creative writing course, not a literature course.

What choices should student authors (or any author) make in selecting their stories or writing new ones with an eye toward a cohesive book? Should the stories adhere to some specific genre? have some thematic focus? And once they’ve chosen/written their stories, how should they arrange them to choreograph an experience for the reader? Would the strongest story be first or last, for example, or somewhere in between?

These won’t be simply academic questions for those creative writing students. They’ll sift through drafts from their college workshops and craft new stories within our own class. And those questions weren’t academic for me either, when I pulled together my own collection into a full manuscript more than a year ago.

That collection—The Boy Detective & The Summer of ’74 and Other Tales of Suspense—was released this month by Crippen & Landru, and while I’ll leave it to readers to determine whether the book ultimately coheres as a satisfactory read, I’m glad to share my thoughts on organizing it.

The stories here cover 25 years in my writing career (has it been that long?) from “Murder on the Orient Express” in Ellery Queen’s Mystery Magazine’s Department of First Stories in December 1995, to the collection’s title story, which first appeared in Alfred Hitchcock’s Mystery Magazine’s January/February 2020 issue. Rereading the stories, I was intrigued myself to see how certain themes persisted over that quarter-century—this writer’s own interests and obsessions revealing themselves. A focus on relationships predominated, for example—family ties, romances, core friendships—and on the responsibilities of being in those relationships, the costs of betraying them.

While that focus helped provide a core thread here, the stories also loosely follow some chronological progression: The title story, about childhood and coming-of-age, appears early in the collection, while “When Duty Calls,” the second-to-last story, features an aging character, a retired serviceman now in his dotage. Midway through the book, “Parallel Play” explores parenthood and its many perils.

I also tried to situate stories next to others that resonated with them or offered some counterpoint. “Ithaca 37,” for example, begins with the line “Family takes care of family”—but it’s sandwiched between two stories that directly challenge the idea of family being a place of safety and support: “The Care & Feeding of Houseplants” and “Parallel Play,” mentioned above. (And truth be told, “Ithaca 37” challenges that notion too.)

For the stories that open and close the collection, I chose two experimental stories—also among the shortest. An amuse-bouche and a taste of dessert perhaps? As an added bonus they respectively feature small welcomes and farewells. The first story, “Mastering the Art of French Cooking,” includes the line “Take that first bite”—a welcome of sorts to the collection ahead. And the final story, “English 398: Fiction Workshop,” actually ends with the phrase “the last word.” Can’t get more final than that.

Maybe these organizing principles and small flourishes won’t stand out explicitly to readers, but they gave me a sense of direction in assembling the manuscript—and I hope they’ll add some sense of subtle cohesion to the collection as a whole.

Art Taylor

You can find Art’s new book here:
http://www.crippenlandru.com/shop/oscommerce-2.3.4/catalog/product_info.php?products_id=161&osCsid=2bf6b7a4c5d74e749daa01b07f4c64a3

In addition to the new collection, Art Taylor is the author of On the Road with Del & Louise: A Novel in Stories, winner of the Agatha Award for Best First Novel. He won last year’s Edgar Award for Best Short Story for “English 398: Fiction Workshop,” and his story “Better Days” has recently been named a finalist for this year’s Agatha Award. Find out more at http://www.arttaylorwriter.com.

Sophie Hannah: Perfect Little Children Wednesday, Feb 5 2020 

Sophie Hannah, plotter extraordinaire, brings a stand-alone that will have readers empathize with protagonist Beth Leeson as she tries to figure out what’s happened to her best friend, Flora Braid, in Perfect Little Children.

The former friends haven’t been in touch in twelve long years, since the Flora and her family moved away. Their friendship has started to flag at that time, right after the Braids had a third child. Then when Beth’s son’s football game takes her to the same town where the Braids now live, Flora can’t resist driving past their new home.

What she sees as she watches the large house behind gates shocks her: Flora’s son and daughter, surely teenagers by now, appear to be the same age they were when the Braids moved away five and three. But they should be seventeen and fifteen.

What starts as an oddity becomes an obsession for Beth. Her husband at first doesn’t believe her, and then isn’t quick to support her as Beth feels compelled to pursue the situation. She involves her own teenage daughter to help her figure out the mystery of these children who don’t age.

Convinced Flora and her children have to be in danger, Beth will put herself and her own family in danger to help Flora, who used to be her best friend.

The plot of this one is a real humdinger readers won’t be able to put down as Beth tries to make sense of all the ways this creepiness could possibly make sense.

Bruce Robert Coffin: Within Plain Sight Tuesday, Feb 4 2020 

Within Plain Sight, Bruce Robert Coffin’s newest Detective Bryon novel takes the best of police procedurals and adds an element of reality that others miss in his Portland-set series.

The opening scene is packs a wallop that is explained later but sets this up in a way that lets the reader know this is not your usual killing. The mutilated body of a young woman is found inside an abandoned lumber yard, and soon enough the suspect list is growing.

Det. Byron has his personal struggles but his dedication to his job is unquestionable. He’s acclimating to the first female police Chief Portland has had, stepping through the political hoops of the job he tries to avoid, when he catches a new murder case.

For Byron, this means interviews, footwork, relying on his team members to gather more information, and trying to see the pattern through the evidence. With his instincts for the job highly developed, Bryon often sees threads others miss, and this will lead him to figure out the subterfuge that’s at hand.

The city of Portland comes to life under Coffin’s talented pen. An accomplished realism painter, he applies that same technique to his writing, allowing readers will feel they’re in on the investigation. This is a series that keeps getting stronger and more satisfying. Highly recommended.
@BruceRobertCoffin

James Ziskin: Turn to Stone Wednesday, Jan 22 2020 

Please welcome award-winning author James Ziskin, to talk about his newest Ellie Stone mystery, where he takes Ellie–and us!–to Florence:

Benvenuti a Firenze! Ellie Stone goes to Italy in TURN TO STONE

I write a series of traditional mysteries set in the early 1960s, featuring plucky young newspaper reporter Ellie Stone. Since the first book, Ellie has moved around quite a bit. That’s because she’s living and working in an upstate New York mill town and I wanted to avoid Cabot Cove syndrome. You know, that disorder characterized by too many murders in a small village? Ellie has solved crimes in her adopted upstate home of New Holland, New York City, the Adirondacks, Los Angeles, Saratoga Springs, and now—in the latest installment, TURN TO STONE—in Florence, Italy.

It’s September 1963. Ellie is in Florence to attend an academic symposium honoring her late father. Just as she arrives on the banks of the Arno, however, she learns that her host, Professor Alberto Bondinelli, has been fished out of the river, quite dead. Then a suspected rubella outbreak leaves ten of the symposium participants quarantined in a villa outside the city with little to do but tell stories to entertain themselves. Making the best of their confinement, the men and women spin tales and gorge themselves on fine Tuscan food and wine. And as they do, long-buried secrets about Bondinelli rise to the surface, and Ellie must figure out if one or more of her companions is capable of murder.

One of the perks of sending Ellie out on the road is that I get to write about the interesting places she visits. From Paramount Studios, Malibu, and the Hollywood Hills in CAST THE FIRST STONE, to the famed Saratoga Race Course in A STONE’S THROW, I get to accompany Ellie on her adventures. Next up is a late-summer visit to Florence. Let’s have a look at some of the sites she visits.

First, here’s a map, including a legend that identifies some of the places that appear in the book.

Number 1 is Albergo Bardi. This is a fictional hotel that I placed on the Oltrarno, the section of the city on the southern bank of the Arno river. Oltrarno, by the way, means “beyond the Arno.” You can see it identified on the map as well. The Palazzo Pitti museum and the Boboli Gardens can be found on the Oltrarno, as well as Piazzale Michelangelo, where you’ll find the best views of Florence. San Miniato al Monte is also located on the south side of the river, perched high above the city. Depending on the time of year, the basilica’s façade glows golden in the late afternoon sun. A magnificent sight to behold.

Number 2 is Ponte Vecchio. Ellie crosses this ancient bridge several times in the novel. Today, Ponte Vecchio is home to jewelers, art dealers, and souvenir shops. The famous Vassari Corridor, an enclosed passageway connecting Palazzo Vecchio and Palazzo Pitti, was built above the shops to provide a private thoroughfare for Cosimo I de’ Medici in 1565.

Number 3 is the Porcellino, a bronze statue of a boar in the Mercato Nuovo. This is a popular stop for tourists, who, for good luck, have rubbed the boar’s nose to a bright shine. Ellie remembers having seen the Porcellino in The Light in the Piazza with George Hamilton just a year before her visit to Florence.

Number 4 is the Palazzo Vecchio in the Piazza della Signoria. This is Florence’s town hall. Construction began in 1299. The opening ceremony of the symposium honoring Ellie’s father is held here. A large replica of Michelangelo’s David stands outside the entrance.

Number 5 is Trattoria Cammillo on Borgo San Jacopo on the Oltrarno. This is a real restaurant that has been a popular eating place since the 1940s. It’s still there today. Ellie has her first dinner in Florence there.

https://www.cntraveler.com/restaurants/florence/trattoria-cammillo

Number 6 is Ponte Santa Trinita. This is the next bridge downstream from Ponte Vecchio. It’s also the place where Professor Bondinelli’s body is first spotted in the river. Like so many other bridges and landmarks, Ponte Santa Trinita was destroyed by retreating German troops in World War II. It was rebuilt in the 1950s with many of its own stones that were retrieved from the river.

Number 7 is the Basilica of Santa Croce. Ellie recalls having visited Santa Croce in 1946 with her father when he took her to Italy for an academic tour. Dante’s empty cenotaph is located inside the church (he’s buried in Ravenna), as are the tombs of Michelangelo, Galileo, Machiavelli, and Rossini. Ellie lights three candles here, one each for her brother, her mother, and father.

Number 8 is the Tempio Maggiore. This is the Great Synagogue of Florence. Completed in 1882, it is one of the largest synagogues in Southern Europe. Ellie meets a special witness at the temple in TURN TO STONE and gets a private tour.

Number 9 is the Church of Santa Maria Novella. The church was where the ten young people in Boccaccio’s Decameron met to begin their journey to Fiesole to escape the Black Death in 1348. This is also where Ellie and her nine companions meet to begin their trip to Fiesole.

Number 10 is the Santa Maria Novella train station, located opposite the church. Built in 1934 during the fascist Ventennio, the station is a example of Italian modernism.

Number 11 is San Domenico in Fiesole. This is near Villa Bel Soggiorno, where Ellie and her companions go for their weekend in the country.

Number 12 is Villa Bel Soggiorno itself. This is a fictional house on via Boccaccio in Fiesole, high above Florence. Ellie and her companions spend an eventful few days here, telling stories and enjoying fine Tuscan food and wine, just as the young people did in the Decameron.

Numbers 13, 14, and 15 are locations that play a role in the resolution of the story and, therefore, I will leave them to the reader to discover.

I hope you enjoy your sojourn in Florence! Buon viaggio!

TURN TO STONE launches January 21, 2020. Like all the Ellie Stone mysteries, TURN TO STONE can be read as a standalone. Readers needn’t start from the beginning of the series.

James W. Ziskin, Jim to his friends, is the author of the seven Ellie Stone mysteries. His books have been finalists for the Edgar, Anthony, Barry, Lefty, and Macavity awards. His fourth book, Heart of Stone, won the 2017 Anthony for Best Paperback Original and the 2017 Macavity (Sue Feder Memorial) award for Best Historical Mystery. He’s published short stories in various anthologies and in The Strand Magazine. Before he turned to writing, he worked in New York as a photo-news producer and writer, and then as director of NYU’s Casa Italiana. He spent fifteen years in the Hollywood postproduction industry, running large international operations in the subtitling and visual effects fields. His international experience includes two years working and studying in France, extensive time in Italy, and more than three years in India. He speaks Italian and French. Jim can be reached through his website http://www.jameswziskin.com or on Twitter @jameswziskin.

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