Laura McHugh: The Wolf Wants In Saturday, Oct 12 2019 

Laura McHugh’s previous novels (The Weight of Blood, Arrowood) have won or bee nominated for awards, bringing the Midwest to life in each stunning portrayal. In The Wolf Wants In, she uses her strengths of language and pathos to what is essentially a mystery, while at the same time balancing that with effective and complex characters.

Told in two points of view months apart that eventually overlap, the device gains momentum at the weeks converge to a stunning climax.

Sadie Keller is a social worker who can’t let the sudden death of her brother, Shane, fade lightly. Determined that there’s more to investigate, she isn’t able to get the local detective to take her seriously. With her daughter off at her ex-husband’s house during the week for a better school option, she has the time to talk to people and sniff around, using her older sister as a sounding board.

When a child’s skull is found in the woods, that death overshadows any help Sadie might have received. But Sadie makes it her mission to keep looking, all while working full time, taking care of her brother’s ill dog, and caring for her daughter at weekends.

Henley Pettit knows her family are talked about in town. With relatives selling drugs as their side business, an addicted mother in and out of jail or rehab, she’s had to bring herself up in rural Kansas. There are loyalties to some, but more to herself, as she tries to save from her cleaning job for the trip that will take her to the cool mountains of Colorado where she yearns to reinvent herself, away from her history and the influence of others.

There are few good choices but many good people living in rural areas, with the struggle of opioid addiction affecting far too many families, its tendrils snaking into poverty, robbery, murder and more. McHugh shows how this impacts these families in heartbreaking and sad ways of betrayal.

Yet there is an element of hope and light in this story that makes the resolution even more bittersweet. An insightful journey of these two women who will know each other only tangentially, but whose impact on each other will be felt for decades. Highly recommended.

Nicola Upson: Sorry for the Dead Tuesday, Oct 8 2019 

After the tremendous success of the stand-alone Stanley and Elsie, Nicola Upson’s tour de force of the artist Stanley Spencer’s complicated marriage and art from the view of his housekeeper, Elsie Munday, the author gives us the the eighth in her series the Sunday Times calls “historical fiction at its very best” featuring Josephine Tey as its main character in Sorry for the Dead.

Upson takes readers in part to Tey’s younger years, alternating with the time period associated with the majority of the previous novels in the 1930s, with a few brief forays a decade later. It is to Upson’s credit that the details for each period ring true and cement each era without confusing the reader. Indeed, the reader becomes immersed in each time frame, in its details and its mores within history.

These periods are needed to tell the story that starts in 1915, when a young Josephine is present as a teacher at Charleston Farmhouse on the Sussex Downs when a young girl dies under suspicious circumstances.

Decades later when Josephine returns to the same house, the memories of those days already brought to the forefront of her mind by recent events, she remembers the two women who ran the farm and taught horticulture to young women during the Great War.

Georgina Hartford-Wroe and Harriet Barker had a difficult time with the neighboring farmers, with whispers about their personal relationship they might have overcome, if not for the tragic death of the girl in their care. That death will turn out to haunt both women for the rest of their lives.

Deftly weaving the storylines between young Josephine’s life and choices then to the path she has chosen as an adult, readers are given privy to her backstory and the events surrounding the death; and later as an adult as she determines she must follow up on the death of that young woman.

In each period, Upson’s language captures the essence of any scene, such as when Josephine as an adult peers into the former site of the girl’s death: “Everything was covered by a silver labyrinth of spiders’ webs, miraculously strong enough to hold the past in place,” presenting a wonderful foreshadowing of the secrets from that long-ago day.

In the earlier time frame, she illustrates the pathos of a WWI train station:

“The platform had filled up quickly, with no one willing to board the train before the last possible moment. She scanned the faces of those who had come to see their loved ones off: wives who talked too much to hide their fear; fathers standing strict and silent; children for whom a uniform hadn’t lost its glamour … As for the men themselves, their faces were set and impassive, and she noticed how few of them dared to look for long at the people they loved.”

This sense of loss, the effects of war, the horrors it brought to those who fought and to those left behind, are indicated in such a subtle but discerning way that it is impossible to forget the aura of the day in the earlier chapters, and in those of 1938, the lead up to the brink of new horrors.

The ending brings with it not so much a sense of justice as that of survival and ultimately, unending love. This is an accomplished novel, as moving as it is complex, with the mystery of a young woman’s death at its heart. Highly recommended.

Nicci French: The Lying Room Sunday, Oct 6 2019 

Auntie M was not the only disappointed reader when the duo of Nicci French decided to end their Frieda Klein series, but they’ve made up for that with a brilliant stand-alone, The Lying Room.

Neve Connolly is the gal everyone admires: a working mom of three who cooks and keeps it all together, and remembers to feed the guinea pig, she’s a great friend, too. So when her small print design company is bought out by a larger one, she decides to drop to 3 1/2 days a week to give herself some breathing room.

That her breathing room for herself means seeing one of the new bosses in an exciting fling has her feeling guilty but exhilarated——until the morning she receives a text to meet her lover at his tiny town flat and finds him dead, brutally attacked with hammer.

Unable to process any other thought but self-preservation, Neve sets out to eradicate any trace of herself and their relationship from the apartment, literally scrubbing herself away, all the while feeling she’s forgotten something.

The detective investigating Saul Stevenson’s murder seems to keep turning up at Neve’s door with questions, while her usually hectic household erupts into even more chaos with visiting friends from uni outstaying their welcome and her best friend’s marriage disintegrating at the same time.

Worried over her oldest child, Mabel, a young woman off to uni with her own ghosts she battles, Neve is consumed with worry and anxiety.

And all the time she exhausts herself to find a way out of the morass, while the detective intent on digging to the bottom of the case keeps turning up with more questions for Neve in a way that soon feels like the two of them are playing a strategic game.

But there’s another person out there watching as all the pieces fall into place, and that’s the real killer. As Neve tries to figure out who the killer must be, several on her list are those she loves, and she can’t begin to imagine how her life can continue if it is one of them.

The complicated plot adds to the very real feel of these characters, finely drawn with problems and issues all families and marriages entertain and their secrets emerge. As Neve’s attempts at misdirection rise, so does the tension, inexorably, toward a stunning climax that isn’t as much of an ending as a new beginning for some.

Eminently readable, this unsettling thriller is justly deemed highly recommended.

Agatha Christie: The Last Seance: Tales of the Supernatural Sunday, Sep 29 2019 

The Last Seance is the newest compilation of twenty stories by Agatha Christie and features a story never before published in the USA.

Subtitled Tales of the Supernatural, that theme runs through the stories. There are some old favorites readers might have read before: “The Blue Geranium,” a Miss Marple story that includes science in its deciphering, and several Poirot’s, including “The Dream,” where Poirot debunks the supernatural.

The story never before seen in the US is “The Wife of Kenite,” a revenge tale that echoes the horrors of war and while it has none of Christie’s familiar characters, it’s at once a tale of war and its travesties as much as it is a case of being in the wrong place at the wrong time–or is it exactly the right time?

One of Auntie M’s personal favorites has to be “Philomel Cottage,” where a young wife finds out that the husband she’s married is not whom he seems and sets out to rectify her situation.

Devilishly clever, and just in time for the spooky time of the fall. A great addition to any Christie fans collection, or for those who enjoy sinister tales.

Bella Ellis: The Vanished Bride Sunday, Sep 22 2019 

Bella Ellis brings a new series set in the Yorkshire moors, and starring none other than the Bronte sisters, Charlotte, Emily and Anne, in The Vanished Bride.

Becoming ‘detectors’ after their governess friend at a neighboring house two miles away asks for their help, they are tracking the disappearance of the second wife and young mother who’s missing from her home.

In her bedroom, there’s enough blood to leave little hope that the young woman survived, yet the two sisters try to help their friend, Mattie French, find out the circumstances of her disappearance.

It doesn’t help that her husband’s first wife committed suicide under shady circumstances, not that Elizabeth Chester has left behind not just her young stepson but her own infant boy, Archie.

With the sometimes help of their brother, Branwell, the sisters set out on various journeys to gather evidence and to follow clues left by Elizabeth. One of their first discoveries is that Robert Chester, the missing bride’s husband, is subject to cruel rages and horrible beatings of his wives, and becomes the likely suspect in Elizabeth’s disappearance.

The three women, as different in nature and personality as they are in appearance, must at times flaunt the conventions of the time as they travel to unmask the truth behind the evil at Chester Grange.

A grand start to a new series under a very Bronte-esque name by children’s author and novelist Rowan Coleman,

James Oswald: Nothing to Hide Friday, Sep 20 2019 

James Oswald returns with his second DC Constance Fairchild novel in Nothing to Hide, as strong and compelling an entry as his first in this new series, No Time to Cry. Fans of Oswald’s Inspector acClean series will recognize Oswald’s touch with creative characters and bringing his settings to life, with an added touch of something ‘other.’

On paid leave after her last case ended with several high-profile arrests within the police system, and including one of Britain’s wealthy power men, Con finds herself at loose ends trying to keep a low profile until a big trial, when she returns from time in the Highlands to her London flat, and comes across a mutilated young man who’s barely alive.

This is the first of a string of such mutilations which leave most of its victims dead, and Con is determined to find out who is responsible for these horrific acts, even as she receives the cold shoulder at work from some colleagues and strict instructions from her higher-ups to leave the investigation alone, especially when the National Crime Agency becomes involved.

Worse still, she’s hounded at home by the tabloid press and often can’t sleep in her own bed when her privileged upbringing comes back to haunt her. Oswald brings readers strong women to surround Con, from her neighbor who makes great coffee, Mrs. Feltham, to her Aunt Felicity; from a PC assigned to her, Karen Eve, who just might be a friend, to the fabulous Madame Rose.

But staying out of trouble and not investigating is not Con’s way, and soon she’s embroiled in a case that will take her to the most unlikely places, including Scotland, and even worse, back to her own home, with her title of Lady Constance.

While the evil is there for all to see, taking down the responsible parties is complicated. Con’s mother is involved; her brother is trying to keep the press away from his wedding; and then a friend in Scotland offers her an unlikely refuge to keep her face out of the papers and helps her go undercover.

Oswald doesn’t shirk from today’s issues plaguing young people, but balances them with Con’s sly humor. The Daily Mail calls this “A cracking story beautifully told,” and Auntie M heartily agrees. Highly recommended.

Karin Slaughter: The Last Widow Saturday, Sep 14 2019 

After an absence of three years, Karin Slaughter brings back reader favorites Will Trent and Sara Linton in The Last Widow, both with the Georgia Bureau of Investigation

A young mother who works at the CDC is kidnapped at a shopping mall. A month later, there’s no sign of Michelle Spivey, leaving her wife and young child bewildered and grieving.

Sara, a medical examiner and pediatrician, is getting ready to have lunch with Will, a Georgia agent, at the home of her aunt when emergency sirens fill the air and explosions are heard coming from Emory University.

Running toward the emergency, they come across a horrific car accident with disastrous consequences for them both. Will watches helplessly as Sara is taken away but recognizes that Michelle Spivey was in one of the cars.

The events force Will to go undercover to find the mountain lair of the Invisible Patriot Army, whose leader, Dash, has a diabolical scheme planned. Readers who expect awful things to happen will still be shocked at what does happen.

While Sara fights to treat the children on the compound, Will tries to insinuate himself into the IPA. Neither can imagine just how badly things will go awry. Racing to stop the plan that will affect the nation, the horrific ending is still shocking in its intensity.

A timely and scary plot make this a what Publishers Weekly calls a “…visceral, gratifying entry.”

Elizabeth Duncan: Remembering the Dead Tuesday, Sep 10 2019 

Elizabeth Duncan’s tenth Penny Brannigan mystery, Remembering the Dead, takes readers to north Wales and the lovely rural area where Penny runs a spa with her friend, Victoria the town of Llanelan.

By now everyone in the area is aware of Penny’s propensity for uncovering details that are helpful to police in an investigation, so the amateur sleuth has the ear of the local detective when a tragedy occurs.

Her good friend Emyr is delighted to have custody for a few nights of a special chair given posthumously to the great WWI Welsh poet, Held Wyn, who was awarded the bard’s chair during the 1917 National Eisteddfod. After restoration, the chair is making its way to Wyn’s hometown and his museum with a reception by the Prince of Wales. But this stopover for a few nights means a special dinner party thrown at Emyr’s manor house. The unveiling of the carved chair after the meal is to be the highlight of the evening, but goes at once awry when the black cloth covering it is removed to display one of Emyr’s library chairs.

Penny’s been asked to coordinate the dinner party and is on the premises all evening when tragedy strikes twice. Besides the missing chair, she stumbles in the mist over the rain-soaked body of dying young man outside the scullery, who succumbs to his injuries. He’s the nephew of the spa’s receptionist, which gives Penny even more of a vested interest in uncovering what’s happened.

To unravel the threads, Penny will need to carefully explore a young witness and speak to her friend Jimmy, a former thief now residing at the local nursing home.
This will include bringing Penny on a brief trip to Ireland, with a surprising subplot.

Readers will be fairly certain they know who the culprits are from the outset, but it’s the masterminds behind the events of the evening that need to be outed.
With her books steeped in Welsh history and her lovely descriptions of the countryside, Duncan shows once again that Penny is a force to be reckoned with as she pulls together the disparate pieces that form the whole story.

A charming cozy for a series that continues to delight.

Fred Vargas: This Poison Will Remain Thursday, Sep 5 2019 

Translated from the French, Fred Vargas’s This Poison Will Remain beings Commissaire Adamsberg his most devilish and complicated mystery yet.

The four-time winner of CWA’s International Dagger, Vargas has a creative bent with an imagination that makes the books as whimsical as her protagonist while at the same time detailing a complex plot and storyline.

Adamsberg is called back from a trip to Iceland for a hit-and-run investigation, but his imagination is caught by the deaths of three men killed by brown recluse spider bites.

With the first case ingeniously and quickly solved, the detective must fight some members of his own team while pursuing what some feel is a ridiculous investigation as he follows his hunch.

Yet his own research has assured him that these spiders haven’t mutated or suddenly been transformed. To die the way these men have died would have been a Herculean task of collecting their venom.

Adamsberg is convinced these are murders. He has his team set out to find what the possible link there could be between these three men, and finds more than he expected. Is it possible these are revenge murders for incidents that took place decades ago? And the murders continue.

The members of Adamsberg’s team are an unlikely bunch, from a narcoleptic to a strong female lieutenant, from a childhood friend of Adamsberg’s to a naturalist who’s eel stinks up their offices.

There’s no question that Adamsberg’s thought processes range from quirky to odd, but his brilliance in making connections makes this an imaginative read that Auntie M found captivating.

Ann Cleeves: The Long Call Tuesday, Sep 3 2019 

Ann Cleeves, the celebrated author of the Vera and Shetlands series, creates a new series that take readers to the area of North Devon where she grew up in The Long Call.

Introducing DI Matthew Venn, we see his own complicated family history in the area. Leaving an evangelical family made Matthew an outcast to his family, and so he’s on the periphery at his own father’s funeral. The book’s title refers to the call of a herring gull that has always sounded to him like someone in pain, a window onto his brooding nature.

Matthew barely has time to examine his grief when he’s called away to the site of a murder on the beach. A man has been stabbed to death and Matthew heads the case with his new team.

Living in a cottage with his husband, Jon, Matt is chagrined when this case becomes tied to The Woodyard, an arts and crafts centre Jon runs that contains a day center for disabled adults where the murdered man was a volunteer.

The dead man, Simon Walden, had been rooming with two young women while hiding secrets of his own. A recovering alcoholic with the tattoo of an albatross on his neck to remind him of prior guilt he carries, Simon is a cipher that Matt must learn.

With his more formal dress hiding an introspective bent, Matt is a different kind of detective, still feeling his way around his unit and having pangs of insecurity he hides from his team. But it’s his strong mind and ability to line up clues that make him stand out and ultimately figure out who would have wanted to kill Simon Walden.

As the investigation advances and people connected tangentially to both The Woodyard and to Simon are interviewed, Matthew starts to form his impression of what has happened while getting used to his new team. His DS in particular, Jen Rafferty, is a strong character in this atmospheric story that deals well with Down’s Syndrome adults. And when one of these adults goes missing, the tension ramps up.

A complicated plot adds to this character-driven procedural that brings an enticing new detective to follow. Highly recommended.

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