James Ziskin: Turn to Stone Wednesday, Jan 22 2020 

Please welcome award-winning author James Ziskin, to talk about his newest Ellie Stone mystery, where he takes Ellie–and us!–to Florence:

Benvenuti a Firenze! Ellie Stone goes to Italy in TURN TO STONE

I write a series of traditional mysteries set in the early 1960s, featuring plucky young newspaper reporter Ellie Stone. Since the first book, Ellie has moved around quite a bit. That’s because she’s living and working in an upstate New York mill town and I wanted to avoid Cabot Cove syndrome. You know, that disorder characterized by too many murders in a small village? Ellie has solved crimes in her adopted upstate home of New Holland, New York City, the Adirondacks, Los Angeles, Saratoga Springs, and now—in the latest installment, TURN TO STONE—in Florence, Italy.

It’s September 1963. Ellie is in Florence to attend an academic symposium honoring her late father. Just as she arrives on the banks of the Arno, however, she learns that her host, Professor Alberto Bondinelli, has been fished out of the river, quite dead. Then a suspected rubella outbreak leaves ten of the symposium participants quarantined in a villa outside the city with little to do but tell stories to entertain themselves. Making the best of their confinement, the men and women spin tales and gorge themselves on fine Tuscan food and wine. And as they do, long-buried secrets about Bondinelli rise to the surface, and Ellie must figure out if one or more of her companions is capable of murder.

One of the perks of sending Ellie out on the road is that I get to write about the interesting places she visits. From Paramount Studios, Malibu, and the Hollywood Hills in CAST THE FIRST STONE, to the famed Saratoga Race Course in A STONE’S THROW, I get to accompany Ellie on her adventures. Next up is a late-summer visit to Florence. Let’s have a look at some of the sites she visits.

First, here’s a map, including a legend that identifies some of the places that appear in the book.

Number 1 is Albergo Bardi. This is a fictional hotel that I placed on the Oltrarno, the section of the city on the southern bank of the Arno river. Oltrarno, by the way, means “beyond the Arno.” You can see it identified on the map as well. The Palazzo Pitti museum and the Boboli Gardens can be found on the Oltrarno, as well as Piazzale Michelangelo, where you’ll find the best views of Florence. San Miniato al Monte is also located on the south side of the river, perched high above the city. Depending on the time of year, the basilica’s façade glows golden in the late afternoon sun. A magnificent sight to behold.

Number 2 is Ponte Vecchio. Ellie crosses this ancient bridge several times in the novel. Today, Ponte Vecchio is home to jewelers, art dealers, and souvenir shops. The famous Vassari Corridor, an enclosed passageway connecting Palazzo Vecchio and Palazzo Pitti, was built above the shops to provide a private thoroughfare for Cosimo I de’ Medici in 1565.

Number 3 is the Porcellino, a bronze statue of a boar in the Mercato Nuovo. This is a popular stop for tourists, who, for good luck, have rubbed the boar’s nose to a bright shine. Ellie remembers having seen the Porcellino in The Light in the Piazza with George Hamilton just a year before her visit to Florence.

Number 4 is the Palazzo Vecchio in the Piazza della Signoria. This is Florence’s town hall. Construction began in 1299. The opening ceremony of the symposium honoring Ellie’s father is held here. A large replica of Michelangelo’s David stands outside the entrance.

Number 5 is Trattoria Cammillo on Borgo San Jacopo on the Oltrarno. This is a real restaurant that has been a popular eating place since the 1940s. It’s still there today. Ellie has her first dinner in Florence there.

https://www.cntraveler.com/restaurants/florence/trattoria-cammillo

Number 6 is Ponte Santa Trinita. This is the next bridge downstream from Ponte Vecchio. It’s also the place where Professor Bondinelli’s body is first spotted in the river. Like so many other bridges and landmarks, Ponte Santa Trinita was destroyed by retreating German troops in World War II. It was rebuilt in the 1950s with many of its own stones that were retrieved from the river.

Number 7 is the Basilica of Santa Croce. Ellie recalls having visited Santa Croce in 1946 with her father when he took her to Italy for an academic tour. Dante’s empty cenotaph is located inside the church (he’s buried in Ravenna), as are the tombs of Michelangelo, Galileo, Machiavelli, and Rossini. Ellie lights three candles here, one each for her brother, her mother, and father.

Number 8 is the Tempio Maggiore. This is the Great Synagogue of Florence. Completed in 1882, it is one of the largest synagogues in Southern Europe. Ellie meets a special witness at the temple in TURN TO STONE and gets a private tour.

Number 9 is the Church of Santa Maria Novella. The church was where the ten young people in Boccaccio’s Decameron met to begin their journey to Fiesole to escape the Black Death in 1348. This is also where Ellie and her nine companions meet to begin their trip to Fiesole.

Number 10 is the Santa Maria Novella train station, located opposite the church. Built in 1934 during the fascist Ventennio, the station is a example of Italian modernism.

Number 11 is San Domenico in Fiesole. This is near Villa Bel Soggiorno, where Ellie and her companions go for their weekend in the country.

Number 12 is Villa Bel Soggiorno itself. This is a fictional house on via Boccaccio in Fiesole, high above Florence. Ellie and her companions spend an eventful few days here, telling stories and enjoying fine Tuscan food and wine, just as the young people did in the Decameron.

Numbers 13, 14, and 15 are locations that play a role in the resolution of the story and, therefore, I will leave them to the reader to discover.

I hope you enjoy your sojourn in Florence! Buon viaggio!

TURN TO STONE launches January 21, 2020. Like all the Ellie Stone mysteries, TURN TO STONE can be read as a standalone. Readers needn’t start from the beginning of the series.

James W. Ziskin, Jim to his friends, is the author of the seven Ellie Stone mysteries. His books have been finalists for the Edgar, Anthony, Barry, Lefty, and Macavity awards. His fourth book, Heart of Stone, won the 2017 Anthony for Best Paperback Original and the 2017 Macavity (Sue Feder Memorial) award for Best Historical Mystery. He’s published short stories in various anthologies and in The Strand Magazine. Before he turned to writing, he worked in New York as a photo-news producer and writer, and then as director of NYU’s Casa Italiana. He spent fifteen years in the Hollywood postproduction industry, running large international operations in the subtitling and visual effects fields. His international experience includes two years working and studying in France, extensive time in Italy, and more than three years in India. He speaks Italian and French. Jim can be reached through his website http://www.jameswziskin.com or on Twitter @jameswziskin.

Gabriel Valjan: Dirty Old Town Monday, Jan 20 2020 

Please welcome Gabriel Valjan, whose new mystery, DIRTY OLD TOWN is just out. We sat down recently to talk about it.

Auntie M: Your new book, Dirty Old Town, is the first in the Shane Cleary Mystery with Level Best Books. What drew you to create Shane and after five books in your Roma Series with Winter Goose Publishing, what drew you to writing this new series?

Gabriel Valjan: The Roma Series novels were written out of my love and appreciation of Italy, having spent time abroad and reading the late Andrea Camilleri’s Inspector Montalbano series. What I continue to admire in Camilleri’s writing is the way he braided food, history, and humor while serving up a slice of crime and corruption to readers. I should also mention that the end notes from his translator Stephen Sartarelli are brilliant.

As a writer I like to challenge myself. With the Shane series, I’m working on my goal to write historical fiction, and the Seventies were a part of my childhood. I didn’t live in Boston at the time, so I think being an outsider is a positive because I can see and appreciate New England from a different angle. The Seventies is a maligned decade for its fashion, music, and even its headless sense of direction after the tumultuous Sixties; it was, for me, an era full of cults and conspiracies—Watergate being the foremost political debacle—and an era that wanted to feel passionate about something, whether it was the environment, feminism, or other forms of social justice.

AM: The title brings a reader immediately to asking questions and investigating the setting, making this reader feel that Boston will function as a strong character. Was the title always Dirty Old Town, or was it an editorial suggestion?

GV: Dirty Old Town was my title. People might think “Dirty Old Town” is a riff on Jim Botticelli’s book Dirty Old Boston (2014), which started out as a Facebook group page, or the Pogue’s track, “Dirty Old Town” from their 1985 album, Rum Sodomy & the Lash, but the truth is I was thinking of how dirty the Charles River and Boston Harbor were in the Seventies.

I remember vividly the campaign ads George Bush, Senior ran against Governor Dukakis in 1988. Bush drilled down on Dukakis’s failure to clean up Boston Harbor, which is ironic, given the Exxon Valdez spill in 1990.

AM: How does the world of this private investigator function? Do you think you’d like being a PI in reality?

GV: Shane becomes a PI, after a failed career with the Boston Police Department. Why he left the BPD is part of a longer story arc. He believes in Right or Wrong, but he also understands Life in Boston is often gray and ambiguous. He’s knows class distinction and prejudices.

His best friend is another Vietnam vet and cop, who happens to be closeted gay. Shane himself came up working-class, aware of the difference between ‘lace curtain Irish’ and ‘shanty Irish.’ He is educated among the Elites, until his father’s suicide changes his life’s direction. His client in this first novel is the husband of his ex, who married up “because she had a name and no money, and he had money and a name.”

I’d like to think I’d make a decent PI. Research has always been a strength for me. Back in the day, I worked in a lab, which taught me procedure. Once upon a time I was in engineering, which taught me structure. I was a nurse, which helped me ‘read people.’

We’ve talked about this last point at Malice Domestic. Nurses rely on Observation and Assessment, which lead to hypotheticals and POE, Process of Elimination. I know this will sound terrible, but nurses are the most ruthless people I know. We don’t have luxuries when it comes to saving lives. We see and we respond. Like a PI or a cop, sometimes a hunch is involved.

We shouldn’t be surprised if past experiences influence writing. We have several journalists among our ranks (RG Belsky, Hilary Davidson, and Hank Phillippi Ryan); lawyers (Shannon Capone and Connie Hambley Johnson); health care professionals (me, you, and Alexia Gordon), and we have folks from law enforcement (Micki Browning, Bruce Coffin, and Lissa Marie Redmond).

AM: To expand on my earlier question of ‘Why the Seventies?’ Were there any pitfalls or dangers of this era?

GV: Like trying not to sound like George V. Higgins, Robert Parker, or Dennis Lehane? Let’s be honest, each decade of American history is a continuum of unresolved social issues, however we label or repackage them. Black Power. Gay Liberation. Women’s Lib.

We’re having the same conversation today, albeit with a different vocabulary. Any cynicism, like cologne, varies with intensity. Power and Money still rely on desire and division, whether it’s your vote or how much is in your wallet. Aware of history, I try to avoid clichés and caricatures in my writing when I take the reader into the Seventies.

People want stories. I try to tell one that’ll make you experience a different reality. I want you to feel the people I create, cringe and shudder with them, and laugh at them or with them. Life is about learning, living, and dying. Learning about yourself or others is on you.

Gabriel Valjan lives in Boston’s South End where he enjoys the local restaurants. When he isn’t appeasing Munchkin, his cat, with tuna, he documents the #dogsofsouthendboston on Instagram. His short stories have appeared online, in journals, and in several anthologies. He has been a finalist for the Fish Prize, shortlisted for the Bridport Prize, and received an Honorable Mention for the Nero Wolfe Black Orchid Novella Contest. Gabriel is the author of two series, Roma and Company Files, with Winter Goose Publishing. Dirty Old Town is the first in the Shane Cleary series for Level Best Books. You can find him on Twitter (@GValjan) and Instagram (gabrielvaljan). He lurks the hallways at crime fiction conferences, such as Bouchercon, Malice Domestic, and New England Crime Bake. Gabriel is a lifetime member of Sisters in Crime.

Jane Shemilt: The Playground Thursday, Jan 16 2020 

Jane Shemilt’s The Playground brings rising suspense to a hot London summer with unexpected consequences.

Three very different couples with children converge w hen their children join Eve’s tutoring classes. An earth mother, type, she vastly differs from Melissa, an interior designer with an abusive husband, and from Grace, the Zimbabwe wife who keeps her novelist husband and children afloat while her own writing is put on hold.

While the husbands also differ, their relationships with their wives will change and morph.

That summer the couples becomes close–almost too close–and lose sight of how their children are behaving. When tragedy upon tragedy strikes, the couples will turn to each other, wanting to learn the truth behind what happened, but afraid of that very truth.

There’s a destructive force at work, and with harrowing twists, including a surprising courtroom scene, the suspense builds to a shattering climax.

Peter Robinson: Many Rivers to Cross Tuesday, Jan 14 2020 

Peter Robinson’s 26th Alan Banks mystery, Many Rivers To Cross, brings today’s issues to the forefront in the long-running series. Robinson manages to remain timely while bringing a fresh perspective to Banks, his colleagues, and detecting.

A young Middle Eastern boy’s body is found stuffed into a garbage bin, and with no identifiers or missing persons report, it takes Banks and his team a while to find his identity.

Found on the East Side Estate, interviews with the few neighbors provide little information other than that of a car engine leaving the area of the old woman whose bin has been used as a dump site.

Then a heroin addict is found dead in his home in an estate scheduled to be torn down for redevelopment. Are the two deaths related and are drugs involved? Or are illegal immigrants and trafficking at the bottom of these deaths?

With information from other squads pointing Banks toward organized crime in his beloved Eastvale, Banks must separate the twisted threads to find out the truth.

A fascinating subplot follows a friend grappling with her past and dealing with the trauma. Add to that Banks’s musical choices, and readers will be treated to a police procedural that keeps on winning on all fronts.

Johana Gustawsson: Blood Song Wednesday, Jan 8 2020 


Gustawsson’s third in her award-winning Roy and Castells series, Blood Song, ties in events of the heinous acts during the brutal dictatorship of Franco’s regime with a series of murders in Falkenberg, Sweden, during contemporary times.

If this seems an unlikely connection, it will be clarified as readers become involved with Scotland Yard’s newest profiler. Alienor Lindbergh’s family have died under especially horrific circumstances, murdered in the wealthy family’s Swedish home.

With her profiler mentor, Canadian Emily Roy, accompanying Alienor home for the investigation, and French true-crime writer Alexis Castells involved, the unlikely trio will soon find that there is a tie to fertility clinics as well as to the sad and terrifying brutality of the orphanages of Franco’s Spain.

As the body count continues to rise, the women use the Swedish police resources as well as their own knowledge to figure out what’s been happening. There will be side trips and tough interviews as the darkness that happened decades ago deeply shadows modern times.

Gustawsson’s Authors Note bears reading first to ground the reader in the research and reasoning in connecting the two time periods. It’s a dark and unpredictable story, with an ending that is extraordinary.

Michael J. Malone: In the Absence of Miracles Saturday, Jan 4 2020 

Michael J. Malone’s haunting thriller, In the Absence of Miracles, has the distinction of garnering Auntie M’s first “Highly Recommended” rating of the New Year, thanks to @orendabooks.

The novel brings John Doherty to the page, a teacher whose mother is recovering from a massive stroke that will leave her in a facility. With his job and relationships in turmoil, John’s younger brother arrives to help with the selling of the family home.

It’s while John roots through stored items in the attic that he comes across a photo of himself as a toddler being held by an older brother he never knew existed. Setting out to find the truth behind that photo, along with other scarce evidence he uncovers, John plays detective-of-sorts, investigating the knowledge both of his parents hid from their other two sons, even while he discounts memories he might have buried.

John’s younger brother finally comes on board to help in the search once it becomes clear there was indeed an older brother neither boy knew about. But things continue to twist as the plot becomes as complicated as John himself.

Are there other secrets to uncover? What about the memories John can’t recall? Whose truth and memories are the right ones? How did growing up in this particular home affect these three young men and their choices?

Ian Rankin calls this novel “Vivid, visceral and compulsive” with good reason. Readers may be shocked by one particular twist, but Malone manages to capably illustrate what happens in a family where secrets are kept and hidden, and the long-term repercussions of growing up in such a home.

There’s heartbreak here, but also redemption for some characters. Malone has a gift for perceiving facets of human nature as he combines the inexplicable with a degree of sensitivity that brings a simple beauty out of tragedy. Not to be missed.

Happy New Year: My Highly Recommended of 2019 Wednesday, Jan 1 2020 

Happy New year to all the readers of the Auntie M Writes Crime blog! This year Auntie M is stepping out from behind the personality of Auntie M to myself, Marni Graff, writer and mystery author of two series. I wish you all a healthy and happy 2020!

Over the past year, it has been my distinct honor to review 148 books on the blog. This doesn’t include the occasional guest I give a slot to, because the writing community is one of the most generous and giving I’ve been a part of, and it is my pleasure to share in that.

It’s also the time of year when I want to thank my followers of the blog, and hope you will continue reading into 2020.

I read about 3 books a week in all kinds of places and always carry a book with me wherever I go. This year there were only 3 books I didn’t review as they were not for me–hey, it happens.

But of those 148 I’ve shared, 37 of them received my “Highly Recommended” rating. That’s about a quarter of the many books to receive HR, so you can see that a book knocks my socks off to receive that rating.

So here they are, in the order they were reviewed. Clumps of HRs reflect publishing cycles and my time to read, nothing more. If an author or title strikes your fancy and you missed the original review, all reviews are archived by month:

Jan: Louisa Luna/Two Girls Down
Fiona Barton/The Suspect
Christian White/The Nowhere Child

Feb: CJ Tudor/The Hiding Place
Ausma Zehanat Khan/Deadly Divide
Peter Robinson/Careless Love

Mar: James Oswald/No Time To Cry

Apr: Lexie Elliot/The Missing Years

May: Nicola Upson/Stanley and Elsie
Elly Griffiths/The Stone Circle
Mandy Morton/Beyond the Gravy
Roz Watkins/The Devil’s Dice & Dead Man’s Daughter
Susan Hill/The Comforts of Home
Aline Templeton/Carrion Comfort
Sophie Hannah/The Mystery of 3 Quarters

June: Ashley Dyer/The Cutting Room

July: Natalie Daniels/Too Close

Aug: Anthony Horowitz/The Sentence is Death
Jane Casey/Cruel Acts
Alex Michaelides/The Silent Patient
Louise Penny/A Better Man
Kate Rhodes/Fatal Harmony & Ruin Beach

Sept: Ann Cleeves/The Long Call
James Oswald/Nothing to Hide

Oct: Nicola Upson/Sorry for the Dead
Laura McHugh/The Wolf Wants In
Kate Atkinson/Big Sky

Nov: GR Halliday/From the Shadows
Paula Munier/Blind Search
Alex North/The Whisper Man

Dec: Stuart MacBride/All That’s Dead
Stuart Neville/So Say the Fallen & Those We Left Behind
Vanda Simon/The Ringmaster

Now get reading!

Deborah Crombie: A Bitter Feast Sunday, Dec 29 2019 

Crombie brings her married detectives, Duncan Kincaid and Gemma James, outside their home turf in A Bitter Feast.

The Scotland Yard Detective Superintendent and his Inspector wife are having a lovely weekend with their three children in the Cotswolds’ Glouchestershire valley, courtesy of Melody Talbot, Gemma’s sergeant.

Melody’s palatial family home, Beck House, befits the publisher of one of London’s largest newspapers. A charity harvest luncheon will take place this weekend, catered by local chef Viv Holland, once at a Michelin-starred restaurant, now running a local pub.

But a car accident coupled with several resultant murders have a deep impact on the gathering, and lead Duncan and Gemma to lead the sleuthing, helping the locals. It’s soon apparent that there’s a strong connection to Viv’s pub, and the weekend gets getting extended as the couple, along with members of their team, try to figure out who’s doing the killing, and why.

One of the hallmarks of Crombie’s series is how deeply she researches the neighborhoods of her mysteries, and the rolling hills and golden stone homes are a delight. Vintage Crombie.

Elly Griffiths: Now You See Them Wednesday, Dec 25 2019 

Merry Christmas! And to celebrate, here’s a gift for you, a great read from Elly Griffiths:

Elly Griffiths’ Brighton series takes a leap eleven years after The Vanishing Box to 1964 in New You See Them. The swinging 60s bring readers into time of mods, rockers, and a changing culture.

An awful lot has changed in the intervening years. Edgar Stephens is now the police Superintendent, married to Emma Holmes, with three young children. His former sergeant finds being sidelined after marriage an uncomfortable place to be, even though she loves her children and husband.

Edgar’s Army pal, magician Max Mephisto, has gone Hollywood, marrying a star, with two young children of his own, after starring in a movie. His talented daughter, Ruby, took television by storm, and stars in her own British series.

They reunite in Brighton for the funeral of their mutual old friend when Edgar’s new case puts out fingers that have them all involved. A young girl from the tony girl’s school, Roedean, has gone missing. Has she really left to go to London, as evidenced by the note she left behind?

Then the connection is made between two other missing woman, all who left notes behind, and some of the Roedean girl’s clothing is found in a most unexpected place.

Exploring the dark side of Brighton in this strange new world, with change all around them, soon has each main character questioning her or her choices, as the race heats up to find the missing young women.

The period details and Griffiths’s wit add to the crackling mystery. Here she brings out Emma Holmes’ character: “Reading Film Frolics was one of Emma’s weaknesses; her photographic memory was one of her strengths.”

A highly delightful read with deeper layers to the characters than at first glance. @ellygriffiths

Vanda Symon: The Ringmaster Tuesday, Dec 24 2019 

After introducing Sam Shepherd in Overkill, the newly-minted New Zealand detective returns in The Ringmaster.

With a move to the university town of Dunedin, rooming at the home of her best friend’s aunt and uncle, Sam is a lowly detective constable with an unerring sense of human nature.

Sam clashes with her boss, who keeps her under his thumb, yet is forced to include her on the fringes of an investigation into the murder of a university researcher. The young woman’s work was the envy of her doctoral colleagues, yet Sam suspects the motive to be far more personal.

With a local circus in town, Sam connects several unsolved murders to dates of visits by this traveling circus, and soon the interviews are interminable. This is where Symon shines, as she manages to bring humanity to the various workers, and even the animals. There will be more tragedy, some that impacts Sam personally, before the stunning and unforeseen climax.

Symon brings the New Zealand setting wrapped into the story so well its stark beauty becomes another character with her vivid imagery. The series will make you want to visit the area.

But the story belongs to Sam, feeling her way in what is still very much a man’s police world here. Her wit and foibles make her a very likable and identifiable young woman, one readers will have no difficulty following.

Look for book 3 in the series, Containment, in the US in early 2020. Highly recommended. @OrendaBooks @vandasymon.

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