Brad Parks: The Girl Next Door Sunday, Jan 20 2013 

Parks’ third mystery featuring journalist Carter Ross is a filled with the wry humor of the protagonist that makes The Girl Next Door a delight to read.9781250013408

Set in the neighborhoods of northern New Jersey, Parks shows the dichotomy of the different areas he has Ross visit in his tenure on Newark’s Eagle-Examiner,  and the different attributes and customs that go along with each one.


Here’s Ross describing his personal attitude after years of experience : “As a newspaper reporter, I’m required to move in all strata of society. I get to observe human behavior everywhere, from the meanest housing projects to the gilded symphony hall. And what always strikes me is that when you strip away the superficial differences in clothing, setting, and dialect, groups of people everywhere are more or less the same . . . most of us are just trying to find a way to fit in.”

Reading the paper’s obituaries leads Ross to come across the death of Nancy Marino, a “girl next door” forties-something carrier for his own paper. When he decides to write a feature story about an everyday woman who dies too young, Ross naturally heads to her wake to meet her family and to hear the stories of this common woman.

So he’s more than surprised and quickly intrigued when one of Nancy’s sisters insists that the hit-and-run accident that claimed Nancy’s life was not an accident at all, but a cold-blooded murder. Adding to his interest is the appearance at the wake of his own newspapers publisher, the smarmy Gary Jackman, who refuses to give him an interview but has an arugment  with another man attending the wake that Ross overhears.

The reporter’s investigation reveals the never-married Nancy held down two jobs while caring for her elderly mother, who lived a few blocks away. Besides being a paper carrier, she worked part-time as a waitress at a local diner and was shop steward for her carrier’s union.

Ross digs into the case, convinced he’s on the right road to find Nancy’s murderer. He’ll get in trouble in far too many places at once, including with his boss and editor, who is his infrequent girlfriend, Tina Thompon. He’ll also become saddled with an intern who reads Emerson and Thoreau and is planning a thesis on Philip Roth, one of New Jersey’s hometown boys.

Parks’ creation is articulate and a pleasure to read; his characters are quirky and colorful. And best of all, his plotting twists and turns as it delves into the gritty world of some of the not-too nicest characters and neighborhoods of New Jersey. And some of those are the friends Carter Ross will depend on when he needs a helping hand.

Filled with action and unexpected turns, it’s difficult at one point to figure out how Ross will come out on top of this one. Keep reading.

Peter Robinson: Watching the Dark Sunday, Jan 13 2013 

Robinson’s twentieth Chief Inspector Banks novel starts off in an unlikely place: St. Peter’s Police Convalescent Treatment Centre, just north of Eastvale, his stomping grounds. watching-the-dark

Watching the Dark opens with the introduction of DI Lorraine Jensen, recovering from multiple leg fractures, the result of a fall from a second-story tower block chasing drug dealers. Awakened early one morning by the pain her leg, she moves outside to watch the sunrise and wait for her painkillers to kick in.

As she sips her tea she notices a bundle of clothes on the far side of the lake. Using her crutch to get closer, she realizes the bundle is really a very dead man, kneeling forward with his head touching the ground.

When the team arrives and the police surgeon turns the body over, everyone is shocked to see a crossbow bolt sticking out of the man’s chest. A recent widower, DI Bill Quinn was a patient at St. Peter’s for issues with his neck.

When Banks decides to search the victim’s room himself, it appears there is little joy to be found. Quinn’s room sports a series of fishing and gardening magazines and only one book: Practical Homicide Investigation.

The well-practiced team swing into action. Interviews of the twelve resident patients and staff, as well as room searches, are carried out quickly and efficiently. That the Centre pays lip service to security is immediately apparent. The thing left to resolve: was Quinn’s murder revenge from a former convict? Or something more deep and sinister.

Then Banks takes a closer look at the book found in Quinn’s room. Under the endpapers, the detective has secreted a thin envelope containing three photographs of himself and a young woman in compromising positions.

But what do these photos have to do with the man’s murder? And how to they tie in with a dead migrant worker found in an abandoned Yorkshire farmhouse?

Then a cold case appears connected.  19 year-old Rachel Hewitt had disappeared on a hen party in Estonia several years ago and was Quinn’s biggest regret, a case he considered his only failure. Would her case provide the key to unlocking why DI Quinn had to die?

Complicating Banks investigation are two women. DI Annie Cabbot, Banks’ former lover and longtime colleague, due back after six months rehab from a shooting incident, is due to return to work in two days. Will she be up to the task or will her demons prevent her from doing her job?

Then Banks’ ACC throws him a curve ball in the form of a Professional Standards Inspector who is assigned to investigate Quinn’s death alongside Banks. Joanna Passero has her own agenda, and finding out if Quinn was a bent copper is just her surface assignment. She painfully dogs Banks’ steps, hampering his quest.

Robinson moves Banks around to Europe and the change of scenery keeps Banks on his toes and readers turning pages. Not all policemen have the same scruples, he will be quick to learn. But how does that tie in with people trafficking, migrant labor scams, and most importantly, murder?

Fans will be delighted to see Banks in action in this highly readable and compelling new novel from a master at the top of his game.

Nele Neuhaus: Snow White Must Die Sunday, Jan 6 2013 

German author Neuhaus is making news with the first English translation of a police procedural that will surprise readers and introduce them to a new detective duo to follow.

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Actually the second in the series, the international best seller features Detective Oliver von Bodenstein, troubled and distinctive, and his partner, Pia Kirchhoff. In this first US import, the Grimm fairy tale describing Snow White becomes a refrain to the story Neuhaus tells of 30-year old Tobias Sartorius. It opens as he leaves prison after serving ten years following the disappearance of two teenaged girls last seen in his company. Having no recollection of most of the events of the evening, his time in prison has been tortuous as he’s come to accept he must have murdered the two girls, despite having no memory of the night in question.

Of the two missing girls, the dark-haired Stefanie Schneeberger had been cast to play Snow White in the local play. On the night the girls disappeared, she was supposed to have broken off her dating relationship with Tobias.

Returning to his small home town, Tobias is shocked to learn the pretense his parents maintained while he imprisoned. They’ve lost their business and separated, and while his father still lives on in the same house, the town has made the family pay for what they feel is Tobias’ murder of the two missing girls by outcasting his parents and damaging their property, with continued harassment.

When Tobias’ mother is pushed from a pedestrian bridge onto the hood of a car below, the two detectives investigation is met with stony silence from the villagers. Then a young girl disappears, and the past seems to be repeating itself. With the villagers certain Tobias is to blame, his life hangs in jeopardy as the Oliver and Pia race against time to find the truth before the villagers take matters into their own hands.

This is lively nuanced mystery, with increasing suspense, and well-crafted characters. The effects of gossip, the use of local power, and the idea of keeping up appearances for outsiders will all be explored, even as Oliver and Pia have their own domestic issues barging into their hectic days. The novel is surprising at times as the events kick up and the pace surges ahead. Readers will become addicted to turning pages as the story engages them. Neuhaus lets them in early on a secret to that they have more information than the detectives, a device which serves to nicely up the suspense factor.

The well-drafted thriller will allow readers to see why Neuhaus is Germany’s top crime writer. In Europe the sixth in the series is in print, and readers here in the US can only hope the translators are hard at work to bring us the next installments of this complex and widely-read crime writer.

HOLIDAY GIFTS FOR READERS Sunday, Dec 9 2012 

Auntie M has decided to give readers a holiday gift: here are selections for you to consider that would make great gift-giving for the readers on your list. And don’t forget to include yourself!

First up is Robin Burcell’s third Sydney Fitzgerald thriller, The Dark Hour, a series featuring the FBI-trained forensic artist whose skills go far beyond her artistic ability.images

Right on the heels on the murder of a prominent Senator, Sydney finds herself, against her better judgment, on the way to Amsterdam to do a forensic drawing of a suspect seen by the victim’s niece near the site of her uncle’s murder. When the niece is murdered just as Sydney makes a harrowing escape, her drawing sets off a train of events that have heads turning everywhere from Washington to Europe and back. There’s every acronym in the book showing up, too,  as the CIA, FBI, ATLAS and others all vie for answers when threats of biological warfare become apparent.

Making Sydney’s job more difficult is the realization that her drawing is the exact likeness of the supposed-dead wife of the agent she’s been attracted in previous books. Griffin’s wife died in an explosion–or has she become a double agent and faked her down death?

There’s plenty of action here as Burcell jumps between cities, including trips to France and the Amazon, and enough fast-paced suspense to keep those pages turning.

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Following in the thriller genre is Laurence O’Bryan’s first in a series, The Istanbul Puzzle.

Sean Ryan is living in London, still grieving over the death of his beloved wife, Irene, when he receives a call that finds him traveling to Istanbul to identify the body of his colleague and friend, Alek Zegliwski.

He is shocked to find Alek has been beheaded, his body found near the sacred archeological site of Hagia Sophia where Alek had been monitoring and photographing ancient tesserae, tiny cubes that make up the beautiful mosaic that decorate the site.

The hunt begins with Sean and British diplomat Isabel Sharp, Alek’s liason officer from the British consulate, searching for Alek’s assassin. Aided by Peter Fitzgerald from the Consulate, the two are soon running from danger. But is Peter the friend he appears to be? A missing mosaic, which may provide the link between pagan gods and Christianity becomes a clue; then a lethal virus is unleashed on the city and the stakes are raised as the pace races along and Sean and Isabel face death and betrayal.

Watch for O’Bryan’s sequel, The Jerusalem Puzzle, which follows Sean and Isabel’s adventures,  due early next year.

If Wall Street and finance get your pulse racing as much as espionage does, you’ll want to look for James Grippando’s Need You Now. 183349165

Set against the backdrop of investment banking, Grippando’s story could be ripped from the headlines of Ponzi schemes, SEC fraud, and interconnected groups who have no business being in business together.

When the craft-master of a $60 billion dollar Ponzi scheme commits suicide, his death means secrets remain. Into this mess steps Patrick Lloyd, the advisor for Wall Street of the world’s largest Swiss bank.

Abe Cushman’s leap out of a window starts a chain of events with repercussions felt especially keenly by Patrick, whose girlfriend, Lilly, had been fired from the Singapore branch of the bank. Despite claiming she knew nothing about the Cushman scheme, the FBI comes into the mix with the discovery of a Treasury memo identifying her involvement.

After escalating incidents, FBI agent Andie Henning is tasked with insuring Patrick’s safety as he follows where the money trail takes him. And then Lilly disappears, and Patrick’s silent identity becomes an issue.

Grippando brings the reader inside the minds of those who try to defraud the government in a realistic way. There will be kidnappings, murder, ties to gun runners and more in this complex thriller that will have you wondering who in the financial world is beyond reproach and if you should really trust that mild-mannered financial advisor with your assets.

Changing gears to more light-hearted fare, look for the delightful, long-running cozy series featuring feline P. I. Joe Grey from Shirley Rousseau Murphy, with Cat Telling Tales.

The bright seaside village of Molena Point has been hit hard by the economic downturn, bringing a spate of foreclosures, causing many residents to abandon their family pets.

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While feline P. I. Joe Grey’s humans, Ryan and Clyde Damen, try to care for the starving cats, a fire leaves a twelve-year-old boy homeless. The body of his alcoholic guardian is discovered in the smoldering ruins, causing Joe to wonder if escape was really as impossible as it seems for the elderly woman, or if this is a case of murder.

Then Debbie Kraft descends uninvited on the Damens’ home with her two children. Her ex-husband has left her without funds and nowhere else to go.

But when Joe learns that the victim of the fire was Debbie’s estranged mother, and that Debbie is not broke at all but carrying plenty of cash, his fur is on end with suspicion.

As Debbie’s abandoned tomcat follows her all the way down the coast from Oregon with his own clues to add to the mix, Joe learns that Debbie’s ex-husband may be involved in a number of intricate real estate scams, and hisi sales partner may be missing.

Then while Joe and his pals prowl through the dead woman’s house, they discover that her reclusive neighbor has disappeared as well.

But it’s not until Debbie’s tomcat arrives that Joe and his feline detective pals find the biggest clue of all: a grave that the cops have missed.

The pieces of the puzzle begin to come together, with help from Joe’s feline friends, who are exceptionally precocious.  And there’s a hint of romance for Joe’s tortoiseshell friend, Kit.

Perfect for the holidays is the newest installment in this feline series, Cat Bearing Gifts, the 18th in the series.       186148889

Attractive divorcee Kate Osborne returns to California with a fairy-tale story to explain her sudden wealth. Joe Grey’s good friend, Kit, and her humans, Lucinda and Pedric Greenlaw have spent a wonderful shopping trip with Kate, piling up the backseat of their car with treasures Kit has helped them glean to redecorate their Molena Point home.

Then the unthinkable happens: a truck and pickup jockey for position on a narrow mountain road and end up causing a horrific accident that involves the Greenlaw’s Lincoln. Pedric and Lucinda have injuries, but Pedric is able to call for help.

But the situation dramatically worsens when two men from the pickup assault Kit’s humans and drive away in the Greenlaw’s battered but still drive-able Lincoln, carrying with them their own stash of money that had been hidden in the pickup.

What the men don’t know is that hidden inside the Lincoln’s door panels are a treasure trove Kate has given the couple. The Greenlaws are rescued by paramedics but Kit hides in the hills and waits to be rescued by her Molena Point friends–that’s if she doesn’t get eaten by hungry coyotes first.

Back at home, Joe Grey finds two men hiding in an abandoned stone cottage, along with the smell of mildewed money and blood.  His friend, the yellow tomcat Misto, unearths an old photograph of a child who lived fifty years ago.

What can the connection be? And what ties in these incidents with the injuries to the Greenlaws and the theft of their car and money? Misto’s memories will help as Joe works hard to unearth a murderer. Delightful and filled with humor, the reader sees the world from the cat’s point of view. These are highly readable for mystery lovers, whether you are a cat lover or not.

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For fans of historical mysteries, the holiday tale by the mother and son writing team known as Charles Todd offers The Walnut Tree, set in 1914 France and England at the start of WWI.

Lady Elspeth Douglas is the daughter of a Highland aristocrat who is visiting her best friend from school, the very pregnant Madeleine. Elspeth is helping her friend await the birth of her first child while she fights her growing boredom. Attracted for many years to Madeleine’s brother, Alain,  their time together results in her promise to marry him–just as the war breaks out and she tries to return to England.

Finding herself stranded in Calais, Elspeth makes herself useful by carrying water to the soldiers near the Front, which nearly results in her getting herself killed when the enemy starts to bomb her position.

Captain Peter Gilchrist saves her, and she finds herself oddly drawn to the leader. Before she can learn more about him and thank him for saving her, they are separated and she returns to London, but remains haunted by the horrors of war she saw firsthand in France.

Always a headstrong girl, bristling against the firm and class conscious restraints of her guardian, her cousin Kenneth, she enrolls in a nursing course, making friends and sharing a flat with fellow nurse Bess Crawford. But her cousin has not given his consent for her to become a nurse, a profession he feels is beneath her class and his notions of what is appropriate for a woman.

Determined to return to the battlefields to do her part, and to find Peter, Elspeth is torn about her promise to Alain, recognizing her heart belongs to Peter. Then Alain goes missing before she can set things right with him, and Peter is seriously wounded.

Charles Todd’s twelve books in the Inspector Ian Rutledge series have shown the duo to be experts with this time period. With its romantic side fully developed, the realism of war is well represented in this heartwarming holiday tale. A must for Downton Abbey fans.

Advancing a bit into the period between the wars, Jacqueline Winspear returns with her newest in the ninth Maisie Dobbs series, Elegy For Eddie.                                    elegyforeddie

Maisie arrives at her Lambeth office one day to find a group of costermongers she knows from her fathers, there to ask for her help. The newest in the series follows private investigators Maisie’s quest to discover whether or not a childhood acquaintance, Eddie, a gentle horse trainer, was murdered.

Police have written off Eddie’s death at a paper factory as an unfortunate accident. These protective friends of Eddie’s don’t accept that verdict, and once Maisie starts to investigate, it becomes obvious that there are more powerful people involved in Eddie’s death. The gentle man, who had a gift for “calming ” horses, surely couldn’t have enemies–or could he?
Maisie’s own sense of right and wrong will be questioned, even as she struggles with her private life and her class-breaking romance with her former employer’s son, James Compton.

She will turn up people from Eddie’s past and seek out his interest in flying machines. And she soon must accept that there are others with a greater understanding of national security that must be protected and that reach up to Churchill himself, even as James and places like America and Canada enter their conversations.

Maisie’s employees are other eyes for the struggles of the era: her trusted assistant, family man Billy Beale, and her part-time secretary, Sandra, a recent widow, both beset with the financial difficulties of the time.

Compelling and haunting, Winspear expertly captures the emotion of the period and the people still healing from the first war and yet balanced on the brink of the next.

Last, but certainly not least, readers should check out the new line of paperback mysteries by HarperCollins called Bourbon Street.

They are starting with the reissue of the four Lord Peter Wimsey mysteries featuring Harriet Vane by Dorothy L. Sayers, one of Britain’s foremost mystery novelists, first published in the 1930’s and set in that tine period.

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Strong Poison opens the set and introduces mystery novelist Harriet Van to Lord Peter. When her fiance’ dies in the same manner of poisoning as described in one of her novels, it looks like Harriet is off to the gallows. But Lord Peter is determined to find the real murderer and clear this intelligent woman who intrigues him.

Have His Carcase starts off with Harriet seeking peace and solace on a deserted beach, until her idyll is cut short when she stumbles on the body of a man whose throat has been cut. Still stinging from her past, Harriet tries to shrug off Lord Peter’s growing infatuation for her, but doesn’t resist his aid in pursing the murderer.

Gaudy Night takes Harriet to her Oxford reunion. Mulling over her growing attraction to Lord Peter with great dismay, a series of bizarre pranks make her time there less fond than she’d hoped. Burnt effigies lead to poison-pen letters, including one to Harriet remarking on her past brush with poison. Now firmly a detecting couple, Harriet and Lord Peter are challenged to get to the bottom of the malice with scant clues to help them.

Busman’s Honeymoon ends the series, a delightful way for this most-intelligent couple to appear. Finally succumbing to his love, Harriet marries Lord Peter and becomes Lady Peter in a wedding uniquely her own. Navigating the demands and challenges of her new title and status, their honeymoon begins with a wallop when the former owner of their new country home is found dead in their cellar. Their romantic country stay becomes their most baffling case yet.

These new editions have smart covers featuring period photography and are accompanied by an introduction by mystery giant Elizabeth George. The entire set for the holidays would make any mystery lover glow.

G. M. Malliet: Wicked Autumn & A Fatal Winter Sunday, Dec 2 2012 

Tis the season for murder and Agatha Award winning author (for Death of a Cozy Writer) G. M. Malliet brings a new series to life with vicar Max Tudor, a former MI5 agent seeking a different kind of life. The tragic killing of his partner had left him guilty and resulted in a depression, a leave of absence,  and finally resignation and the search for something more meaningful. He entered the Anglican Church after schooling at Oxford and seminary training. This backstory fuels Max’s ability to get involved in murder.

In the first installment, Wicked Autumn,  Max thinks he’s found the peace and quiet he desires at his post at St. Edwold’s in Nether Monkslip, until murder erupts and spoils any sense of the idyllic village Max thought he’s found.

Wanda Batton-Smythe has led the Nether Monkslip’s Women’s Institute with an iron hand and a shrill voice that shuts out any contenders for her role. Browbeating the residents into performing as she wishes for the annual Harvest Fayre has only increased their general dislike of the formidable woman. When her body is found on the day of the Fayre, any sense of leaving his past behind vanishes for Max, thrust into the middle of distraught parishioners and suspecting what looks like an accident is actually a case of well-planned murder.

DCI Cotton, whom Max knows from the past, quickly ropes Max into helping with the investigation. Although familiar with the petty grievances and animosities of small-town life, Max is thrown by the idea that one of the residents of his lovely English village is capable of murder; yet he is realistic enough to see that there are many villagers who might have wished for Wanda’s demise. The suspects include Lily Iverson, a timid woman who nonetheless owns a local knitting business but often bore the brunt of Wanda’s assaults. There’s the owner of the Cavalier Team Room, Elka Garth, who often felt Wanda’s pressure, especially when it came to donating her services to the Harvest Fayre; and the chef and restaurateur Guy Nicholls, who felt the same pressures. Then there’s Frank Cuthbert, the local historian an author who often clashed with Wanda over his books. And that’s just the start of the list.

As the investigation heats up, readers will meet more villagers, several who will reappear in Malliet’s second book in the series, A Fatal Winter. But not before Max and Cotton team up to unmask a murderer.

In Book Two, winter has come to Nether Monkslip, and finds Max struggling with his Christmas sermon, but even more with the feelings he’s developed for Awena Owen, the New Age goddess who runs a shop in town. What would his bishop have to say about such an alliance? And should he care?

These are Max’s thoughts as he returns to the village after a brief London stay. A chance meeting on an early train between Max and Letitia, Lady Baynard, of nearby Chedrow Castle is soon put out of Max’s thoughts until Cotton calls him late that same night. The DCI has been at Chedrow Castle since earlier in the day, called just after the body of Lord Footrustle, Letitia’s brother Oscar, has been found murdered in his bed.

Only minutes after that call on his way to the castle, a second call had notified Cotton of the finding of a second body in the garden, that of Letitia herself, at first glance of natural causes. But with assorted relatives ensconced for the holidays in an extremely poor excuse for a family a reunion as orchestrated by the fated Oscar, Cotton knows his handful of CID officers, good as they are, won’t be enough to find this wiley killer.

His ace up his sleeve is his good friend Max Tudor, who will be his feet on the ground and his ears to the family.  Max is called to the castle by Lamorna, Lady Baynard’s religious grand-daughter, as special advisor to the family on the double funeral to be held.  Pastoral duties farmed out, Max leaves for a few days at the castle, and for an experience he’s not soon to forget.

The assorted Footrustle family  includes Letitcia’s Baynard side: two sons and the grand-daughter Lamorna, who had been adopted by Letitia’s dead daughter and son-in-law and left for her to raise. But Oscar’s side is well-represented, as he’d been married twice; three assorted children and one ex-wife are in attendance. This eccentric group includes the washed up actress, Lady Jocasta, Oscar’s daughter, and her American husband Simon Jones. Oscar’s ex-wife, Gwynyth Lavener, brings her teenaged children: Alec, Viscount Edenstarted, and his sister, Lady Amanda, two indulged but intelligent youths.

If this sounds like too much Debrett’s for you, Malliet thoughtfully includes a family tree, which you will find yourself consulting until the character’s become firmly rooted in your mind.

Basically a locked room puzzle, Max will eventually figure out who’s behind the deaths, but not before a third murder is committed, in a great twist that readers won’t see coming.

Readers of the Golden Age mysteries will be entertained by this series, which has all the hallmarks of village mysteries: that lovely English setting, a handsome protagonist, and just a hint of romance to round things out. Booklist says: “Malliet has mastered the delights of the cozy mystery so completely that she seems to be channeling Agatha Christie.”

Susan Hill: A Question of Identity Sunday, Nov 25 2012 

Can a person love two people at the same time?

Can a person BE two different people at the same time?

These are the main questions the wonderful Susan Hill addresses in the compelling new Simon Serailler mystery A Question of Identity.

Fans of the series will not be disappointed, as Hill explores Serailler’s relationship with the woman he loves, whose husband is dying.

She continues to weave in his sister, Cat, a young widow raising three children and working hospice, who faces more changes in her future just as she unearths a terrible family secret.

She also gives us an inside look for the first time into the mind of the killer Simon must unveil, by following snatches of his thoughts during the entire investigative process.

The cathedral town of Laffterton that Serailler inhabits hasn’t seen a crime as this: the brutal murder of an elderly woman, newly moved into a brand new housing scheme, posed in a way that marks the murderer’s signature. This is a careful killer, one who wears gloves, doesn’t leave a trace behind, and chooses his victims for their age and inability to react quickly to his appearance.

As the murders escalate, Serailler’s team keeps several bizarre aspects of the murder from the public. Then their investigation finds these signs to be the exact MO of a suspect previously charged with several murders who had been acquitted. But trying to find the murderer takes on an unreal aspect when Serailler learns the suspect has been given a new identity, and simply vanished. And the powers that be refuse to give him any details or acknowledge the man existed.

Hill ups the empathy with Serialler’s frustration by introducing the victims to the reader before the murders, weaving in his private life and snatched moments with his beloved Rachel at times, visits with his sister and her family at others. Realistic happenings in Cat’s life lend even more verisimilitude as she copes with teens, tweens, and the aftermath of a past case on a young doctor who has been living with her family. The first death doesn’t occur until page 137, plenty of time for Hill to ratchet up the suspense as readers come to realize who the victims will be.

This is a satisfying read in a continuing series that is what The Washington Post calls a “. . .  brooding series that rivets a reader’s attention.”

Ruth Rendell has this to say about Susan Hill: “Not all great novelists can write crime fiction, but when one like Susan Hill does the result is stunning.”

Val McDermid: The Vanishing Point Sunday, Nov 11 2012 

Prolific Scots writer Val McDermid is back with a stand alone that will grab you from page one and keep you flipping until its surprising and eventful resolution. If you aren’t a McDermid fan by now, despite Auntie M expounding this gifts through reviews of her several series and excellent stand alones, now is the time to meet her acquaintance.

The Vanishing Point opens with UK ghost writer Stephanie Harker and her adoptive son trying to enter the US for a much-needed vacation.

The metal in Stephanie’s leg always sets off the security alarm, and she’s prepped young Jimmy to mind their luggage whilst she’s escorted to the clear cubicle to await her pat-down.

Then a kidnapper, disguised as a TSA agent, leads Jimmy away, and Stephanie’s attempts to rescue him are seen by the real TSA agents as an attempt to breach security. She’s detained over her protests and ultimately tasered, helpless to prevent Jimmy being kidnapped as they disappear into the crowded airport.

Once the situation is finally explained, valuable time has been lost, but FBI agent Vivian McKuras soon realizes this is a highly unusual situation, one heightened by the confusing first moments which have allowed a kidnapper to spirit Jimmy away. The boy’s birth mother was the reality star Scarlett, who gave Stephanie custody of her only child when she was dying of cancer, believing the writer would be the best person to provide Jimmy a stable life after her death.

Scotland Yard detective Nick Nikolaides, who knows Stephanie and her complicated background, investigates in England. Both Stephanie and Scarlett have had negative relationships with men in their pasts, and Nick and Stephanie are all too aware of the various ways Jimmy’s abduction could turn out very badly.

This compelling thriller touches every parent on a visceral level, while the possible causes for the kidnapping multiply as McDermid has Stephanie explain the back story to the FBI agent.

The reader follows the timeline of Stephanie’s relationship with Scarlett and their blossoming friendship that led to Stephanie being named as Jimmy’s legal guardian. There are enough players and possibilities for suspects to chose from as their story unfolds: the boy’s pampered, drug-addicted father’s family; a stranger after ransom from the wealthy Scarlett’s estate; or even a demented fan who might have wanted a piece of Scarlett.

When the truth of the situation is made evident, this well-plotted thriller will have you in awe of McDermid’s talents to keep readers on the edge of their seats. Her powerful and unexpected climax is nothing short of a writer’s dream, which is why McDermid recently received the Crime Writers’ Association Cartier Diamond Dagger Award for outstanding achievement in the field of crime writing.

Ann Cleeves: Silent Voices Sunday, Nov 4 2012 

Anne Cleeves marvelous four Shetland Island mysteries, previously reviewed by Auntie M, are joined by the fourth in her Vera Stanhope series. Silent Voices is Cleeves at her best, with the kind of involved plot that revolves around relationships we’ve come to expect  from this talented and prolific author, whose George and Molly books, Inspector Ramsey series, and several stand-alones rank high with the best of British crime writers.

Vera is an unlikely heroine, living with the ghost of her dead father in his house, overweight and lonely, but with an instinctive intuition that has made her a top detective.

This time she’s reluctantly following her doctor’s advice to lose weight, slogging away in the pool early mornings before work at the Willows, a former grand hotel showing its age, but still with pretensions. The Willows had been  taken over by a chain, who put the health club in its basement to increase its profits. Vera hits the steam room, sharing it with a slender, long-legged woman who looks utterly at ease, head thrown back in complete relaxation. Vera tries to copy the relaxed pose without success. Then as the steam clears a bit, she realizes the subject of her regard is dead, strangled in the steam room where she’d come for a bit of relaxation.

Vera swings into official mode, calling her sergeant, Joe Ashworth, to the scene, cordoning off the steam room. The woman is identified as Jenny Lister, aged forty-one, head social worker in the area for fostering and adoptions. She leaves behind a daughter, Hannah, eighteen, and host of unanswered questions.

With her team interviewing the Willows staff, Vera and Joe try to unearth a motive for the murder. They find a connection to a case Jenny had worked on that had led to the death of young child. Soon it emerges that the caseworker of that same boy has moved to the village.

Cleeves does a fine job of illustrating Joe’s struggle to keep his home life, with a wife and young children, on an even keel as the murder investigation heats up–and so does Vera’s joy at being involved in a murder. Death, and finding the killer, brings Vera a surge of renewed vigor that some might find distasteful but that bring Vera the feeling of worthiness she craves.

There are plenty of characters here to choose from, some with motives clear and others fuzzy, but things unfold in what seems a natural way as Vera pursues the killer. And then a young man is murdered just as a young mother and her child go missing, and suddenly the stakes are upped.

This series is being serialized on ITV3, and stars Brenda Blethyn and has twice been nominated for two Dagger awards.  Cleeves received the 2006 Duncan Lawrie Dagger for Best Crime Novel for Raven Black.

 

 

 

Wendi Corsi Staub: Sleepwalker Sunday, Oct 28 2012 

Staub started her trilogy with the fateful backdrop of the horrors of 9/11 in Nightwatcher.  Now the second thriller featuring Allison Taylor, Sleepwalker, picks up her story ten years later.

Allison has married Mack MacKenna, her neighbor who’d lost his wife in the Twin Towers, and they have a lovely home in Westchester and three young children.

Allison has everything she’s always wanted, but the demands of three youngsters and a husband whose job keeps him away from home find her worn down at times. Mack’s chronic insomnia adds to the burden, until at her urging, he starts to take a sleeping pill that allows him to rest but brings back bouts of childhood sleepwalking. Things start to go missing their home; others are moved around. Allison tell herself this is simply due to Mack’s sleepwalking, but she harbors a fear it’s evidence of a far darker menace.

When the man in prison for the Nightwatcher murders commits suicide, Allison knows she should feel relieved. Then why does she have a huge sense of foreboding?

Then their next door neighbor is found by Allison brutally murdered in her own bed, wearing Allison’s nightgown, and killed with the same methodology as the previous murders. Suddenly Allison knows with certainty that the wrong man has been locked up in prison.

What happens next as more murders continue will have readers turning pages as fast as they can read. When a connection between the victims revolves around Mack, Allison must decide if she can trust the man she’s married or if she’s made the most horrific mistake of her life. Then the tension ratchets even higher when her children are kidnapped.

Staub brings back several characters from the first book in the trilogy, including Mack’s friend Ben and his wife, and the NYPD detective who helped clear the first case . . . or did he? She takes on the reality of survivor’s guilt and explores how it touches not only the survivor but those who surround them. And most chillingly, she illustrates the fallacy people have of the feeling of safety in one’s own home in today’s world of technology.

Staub’s third in the trilogy, Shadowkiller, premieres in February 2013. Before then, be prepared to follow Allison as she digs deeply to find the strength to face a killer once again.

 

Rosamund Lupton: SISTER and AFTERWARDS Sunday, Oct 28 2012 

Having a sister of my own, Auntie M was intrigued when another writer insisted I read this 2010 mystery by Londoner Rosamund Lupton, who wrote original screenplays before turning her hand to this debut novel that will knock your socks off. Sister has at its heart an unusual concept of a way to tell a story, and that story will leave you hooked and reeling from page one.

   Beatrice Hemmings has fled her native England to pursue a career in Manhattan and is engaged to be married in three months to an American. While hosting a dinner party with her fiance’ one Sunday,  a call from her mother interrupts the evening when Bee learns that her only sibling, younger sister Tess, has gone missing. Bee soon finds herself flying across the Atlantic to Tess’s Notting Hill apartment.

She find the flat tiny and cluttered. Not even owning a tea kettle, art student Tess has made her bedroom into her studio for the better light. Her bright paintings reflect her personality, open and nonjudgmental, young and talented, with a joy of live Bee has always envied. That central core of Tess’s life will drive Bee fiercely to protect her sisters’ memory.

The suspense starts with a wallop because this is written as Bee is describing the events and what she finds in a narrative to Tess, explaining her actions and tracing her search for her sister, which ends in tragedy. Then Bee’s real investigation starts, to unravel the truth the police would rather leave alone: what really happened to Tess?

Elegantly written, this poignant novel becomes a tribute to sisters as well as a harrowing detailing of the plundering toll of grief. But it is also a wickedly fine mystery that is at once riveting a it moves the reader. By having the reader in such intimate contact with Bee’s thoughts and actions to Tess, Lupton paints a picture of both sisters, the failings of those around them who are meant to do and be more, and the huge sense of loyalty that Bee brings to the forefront of her actions on her sister’s behalf.

There is an element of subdued suspense that heightens as surely as a Hitchcock movie, and indeed, this novel will soon be adapted for the screen. Grab a copy of this highly original book and read it first before the film version. As good as the movie will be, nothing can replace the psychological intensity of the novel and the twists at the ending.

With the same psychological depth of character found in the works of Kate Atkinson, Tana French, and Ruth Rendell, Lupton’s riveting and chilling tale combines true tragedy with a sense of life-affirmation that moved me to tears in several places for the accuracy and depth of its compellingly told story. It’s a quickly-paced, stylish tale, literate and successful.

BookPage calls Sister “A poignant and perceptive depiction of the emotional bonds between two sisters … A superb thriller, full of twists and turns, false leads, and a surprise ending.”
Lupton follows Sister with the same original storytelling in Afterwards, with another clever premise and solid writing the makes her second novel as compelling as her first.

Grace Covey stands with other parents on a grassy field, attending sports day at her son’s school, which coincides with Adam’s eighth birthday. Her teenaged daughter, Jenny, is inside the school, taking the place of the school nurse for minor injuries. When Grace sees black smoke coming from the school, she realizes it’s on fire and races inside to save Jenny.

What happens next is the stuff that makes this book remarkable, as Grace, in an highly unconventional manner, tries to find the person responsible for setting the fire once it appears Jenny was the deliberate target. Grace desperately races to find the culprit to protect both of her children, and in the process, uncovers more than she ever expected to find about the people in her life.

This is a novel about love in its many forms, from that of a mother and her daughter, to the cushion of secure, married love. Ultimately is it about finding courage in the midst of the depths of a mother’s love for her child.

Jeffrey Deaver says of Afterwards: “Uncompromising emotional impact, a poet’s sonorous style, and a gripping story all come together to make this a transcendent literary experience. I guarantee this novel will touch everyone.”

Lupton’s powerful stories and  and her voice will captivate you; Auntie M defies you to put either of these books down once you’ve started reading.

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