Laura Lippman: And When She Was Good Sunday, Oct 21 2012 

In an author’s note, Laura Lippman explains the genesis of the protagonist of And When She Was Good, Heloise Lewis, a character she first created in 2001 and wrote about years later in two short stories.

Now Lippman has taken the time to explore Heloise and her beginnings and her today, alternating her back story for a good part of the novel, so readers can understand this woman who is meticulously organized, financially comfortable, and oh, yes, a prostitute who runs an exclusive agency.

But Heloise so much more: she’s a successful businesswoman who protects her workers; she’s a self-educated reader with a fondness for history; and she’s fiercely protective of her son, Scott, whose biological father languishes in prison and is unaware of his child.

Despite her insistence on strict compartmentalization in her life between work and home, which has left her without close friends, Heloise finds the lines starting to blur. Her vice squad protector and friend is retiring and will no longer have her back. Then an employee or two break her firm rules. When the wisp of possibility that her son’s father may be released from prison, the carefully wrought life she has constructed is in danger. Heloise is not a perfect person, but she is one with an intelligent, thinking mind and a finely-honed instinct for survival.

Val Deluca has only one way to deal with people who have lied or become a threat to him: he has them killed. And it’s  only a matter of time before the former pimp and casual murderer discovers he is in prison in the first place because Heloise betrayed him.

It is to Lippman’s credit that she is not only able to satisfactorily explain how Helen Lewis became Heloise Lewis, in a direct and unflinching way, but she manages to create a tough and resilient character you will find yourself rooting for as the pages turn.

The New York Times has compared Lippman to England’s Ruth Rendell: “Ms. Lippman writes like a warmer-blooded American Ruth Rendell, keenly observant and giving a faintly spooky charge to every stray detail.”

 

 

Tana French: Broken Harbor Sunday, Oct 14 2012 

Auntie M is huge fan of Tana French’s novels set in Ireland, starting with Into the Woods, followed by The Likeness and the stunning Faithful Place. Now she’s back with Broken Harbor, and her novels get stronger and more compelling with each offering. In a recent essay on craft, French described her husband not allowing her to use dream sequences in her novels too much. She doesn’t need dreams; the world she creates is startling enough.

Mick Kennedy is a a top Murder Squad detective who’s earned the nickname “Scorcher” for his devotion to the job and its victims. He lands a tragic but high profile murder case on the half-deserted development now called Brianstown, one of the many high-end neighborhoods that have fallen with the down-turned economy, leaving their few owners to cope with shoddy construction and broken promises.

Mick brings along his new partner, Richie, a rookie detective on his first case, thrilled to learn from the master. But before it was Brianstown, the area was known as Broken Harbor, and Mick has his own disturbing and poignant memories of the area that will haunt him almost as much as the scene they find.

Patrick Spain is dead; his wife, Jenny, lies in intensive care. Their blood splatters the downstairs kitchen area. Upstairs, the Spain’s young son and daughter are found dead in their beds. The scene is shocking and disturbing.

What appears to be an easy case to solve quickly proves to be one of the most tangled and difficult of Mick’s career. There are unexplained things in the house: smashed holes in walls, with baby monitor cameras pointing at them; files have been erased from the Spain’s computer. And then Jenny’s sister Fiona tells the detectives her sister has been afraid of an intruder who slipped past their locks and alarms and helped himself to food from their refrigerator.

As he juggles teaching Richie about true detecting and not jumping to conclusions, Mick’s life is complicated by his younger sister, Dina. Her mental illness escalates and barges into his life and his thoughts, bringing back the memories of his family’s last summer at Broken Harbor. Adding to the layers are Mick’s new relationship with Richie. Partnerships are built on trust. But he doesn’t know Richie well enough to trust him–yet.

French’s sense of setting is acute; she brings all the senses to her descriptions and adds nuances that fill the atmosphere of the book with power and emotion. This is as gripping a novel as Auntie M has read this year, a mix of French’s usual police procedural and psychological thriller, created with realistic characters and situations, plot lines that weave and warp, and with a sense of setting so powerful you will feel as if you’ve been to Broken Harbor.

 

Tace Baker: Speaking of Murder Sunday, Sep 30 2012 

Please welcome Tace Baker, author of Speaking of Murder:

Imagine an attractive and brilliant older undergrad.

 

 

Add in his linguistics professor, a Quaker with an ear for accents.

Complicate the story with an addictive friend and a threatening departmental chairwoman.

In Speaking of Murder, murder at a small Massachusetts college, small-town intrigues, and academic blackmail present obstacles as Professor Lauren Rousseau uses her facility with languages to track down the killer. When Lauren puts aside conflicted feelings for her boyfriend, his expertise in video forensics helps her solve the murder. Her own experience in karate enables her to escape from the killer.

Speaking of Murder was first runner up for the Linda Howard Award for Excellence in March of 2012.

One of the key tools used to solve the crimes in Speaking of Murder is video forensics.

Zac, Lauren’s boyfriend, works as a civilian video forensics expert at the local police station. The tool he uses is dTective from Ocean Systems, developed by Grant Fredericks and others. It’s used by police departments around the country to clarify surveillance video and present video evidence in court.

The dTective software works with Avid Media Composer, an award-winning video- and film-editing software for which I wrote technical documentation for 14 years. I knew I wanted to feature this software in my books. Write what you know, right? I was fortunate to be able to consult with the Raynham, Massachusetts police department, and also the Bristol County District Attorney’s office. They each use this software in their daily crime-fighting and each spent a half day with me, demonstrating the software and talking about how they use it.

It was a fascinating look into some of the inner workings of the criminal justice system. I hope I’ve done justice to their expertise. I learned how much this software can do with surveillance video. For example, you can:

* Apply a standard to see how tall someone is

* Lighten a dark image of a license plate

* Zoom in on a tattoo or other unique physical characteristic

* Compare a fingerprint left on a counter to one taken after arrest

 

It’s very cool stuff.

What about you? Do you know of other software programs that help solve crimes? Or have any questions about linguistics?

 

Tace Baker is the author of Speaking of Murder (Barking Rain Press, September 2012, ), which features Quaker linguistics professor Lauren Rousseau.

Tace Baker is a pseudonym for Edith Maxwell. Edith holds a PhD in linguistics and has been a member of Amesbury Monthly Meeting of Friends for several decades.

Edith also writes the Local Foods Mysteries.  A Tine to Live, a Tine to Die introduces organic farmer Cam Flaherty and a colorful Locavore Club (Kensington Publishing, June, 2013). Edith once owned and operated the smallest certified organic farm in Essex County, Massachusetts.

A technical writer and fourth-generation Californian, Edith also writes short crime fiction and lives north of Boston in an antique house with her beau and three cats. She’s active in Sisters in Crime and serves on the board of the New England chapter. She can be found at www.tacebaker.com, @tacebaker, and www.facebook.com/tacebaker, as well as at www.edithmaxwell.com, @edithmaxwell, and http://www.facebook.com/edithmaxwellauthor.

Susan Santangelo: Marriage Can Be Murder Sunday, Sep 23 2012 

LOCATION!         LOCATION!       LOCATION!
            It’s a major selling point when home buyers are looking at properties to buy.
            And for me, location is just as important in fiction. As an avid mystery reader, I find myself more willing to take a chance on a new author I know nothing about if I’m attracted to the locale where the book is set.
            When I started writing the Baby Boomer mysteries, I created the Connecticut town of Fairport. It’s a thinly disguised version of Fairfield, where my family and I lived for many years. And, yes, we lived in an antique house, just like the principal characters in the series, Carol and Jim Andrews.  But because Fairport is a fictional place, I was free to populate it with restaurants, churches, stores, and street names to my heart’s content, as long as they all worked into the story line, without any current Fairfield resident (or, heaven forbid, an elected town official!) contacting me to say that I hadn’t gotten the description down correctly.
            Believe me, that can happen. Don’t ask me how I know, please. Just trust me. I know.
            But when I started to write Book 3 in the series, Marriage Can be Murder, I wanted to include a destination wedding, so I had to move the location out of Fairport. Where did I decide to have the wedding take place? Somewhere I’ve always loved — the island of Nantucket.
I discovered when I started doing some research about Nantucket that the entire island is designated as a National Historic Landmark.  I never knew that before. Nantucket is affectionately referred to as The Little Grey Lady of the Sea because of its many grey-shingled buildings and frequent fog. The island is 14 miles long by 3.5 miles wide, and is 27 miles out to sea. Nantucket is 30 miles south of Cape Cod, and has a year-round population of approximately 10,000. The population increases to about 50,000 during the summer months, which is Nantucket’s peak tourist season.  There are great shopping opportunities at this time of year. Don’t ask me how I know this, either. But, trust me, I know.
Nantucket was the whaling capital of the world from the mid-1700s to the late 1830s, and was made famous by Herman Melville in his classic novel, Moby Dick. Ok, I’ll confess I’ve never read that book. But I’m sure it’s on my to-be-read pile, somewhere in my office. And I did see the movie starring Gregory Peck, so that counts, right?
 
Some atlases describe Nantucket island as crescent-shaped. To really get the picture, take your right hand and fold in all your fingers but the thumb and index finger. Then rotate your hand to the left, palm down, and voila – your own Nantucket island. Madaket is where your thumb is — a tiny community with its own harbor, gorgeous houses and beautiful beaches. Follow your thumb to the right – that’s Madaket Road, which eventually leads you into the town of Nantucket, approximately where your thumb opens as it heads toward the index finger. Picture that opening as the town, and Straight Wharf, where the ferries to and from the mainland dock.
More than 800 houses on Nantucket were built before the American Civil War, and I decided the primary site for my mystery would be one of them. I named it the Grey Gull Inn. You won’t find this inn on Nantucket, because it’s the product of my over active imagination.  And then I really had fun —  I gave  it some history. Here’s what Carol Andrews, my protagonist, finds out about it from the Grey Gull Inn website: “The inn was built in 1825 by Nathaniel Grey, a whaling captain, as a gift to his new bride, Charity.
Tragically, soon after the couple moved into the house, Charity was found dead at the bottom of the house’s circular staircase. An inquest determined her death was a tragic accident. Captain Grey never recovered from the shock of his young wife’s death, and legend has it that he continues to live in the house, searching in vain for his bride. The building was converted in the 1980s to a 10-bedroom inn. The current owners are siblings JoAnn and Skip Wallace, who are direct descendants of Captain Nate, as he was known in the family. They completely refurbished the structure in 2006, adding a new wing to the inn with six more guest room suites.”
I placed the Grey Gull Inn right in the center of Nantucket town, close to historic Main Street, Nantucket’s primary shopping district.  I gave it a full-service gourmet restaurant and one of the most notable wine lists on the island. But I didn’t give an en suite bathroom to the older part of the inn, where the Andrews family is staying.
Why? Well, I won’t tell.
Here’s the back cover blurb for the book. See if you can figure out a clue:
Book Three of the Baby Boomer mystery series, Marriage Can Be Murder, brings the Andrews family to Nantucket. Carol is thrilled when daughter Jenny announces her engagement. She’s dreamed of planning her daughter’s wedding since the day Jenny was born. But with only two months to pull together a destination wedding on Nantucket, Jenny insists on hiring Cinderella Weddings to organize the event. Father-of-the-bride Jim objects to the cost, and Carol objects to having her opinion ignored. When Carol finds the wedding planner dead at the bottom of a spiral staircase at a Nantucket inn, and the husband of Carol’s BFF Nancy is accused of her death, Carol has more to worry about than getting to the church on time!
            If you can’t figure out the clue, you’ll just have to check out Marriage Can Be Murder for yourself. The Grey Gull Inn is open and ready to receive your reservation! But be sure to call ahead for the ferry, if you want to bring a car.
An early member of the Baby Boomer generation, Susan Santangelo has been a feature writer, drama critic and editor for daily and weekly newspapers in the New York metropolitan area, including a stint at Cosmopolitan magazine. A seasoned public relations and marketing professional, she has designed and managed not-for-profit events and programs for over 25 years, and was principal of her own public relations firm, Events Unlimited, in Princeton NJ for ten years. She also served as Director of Special Events and Volunteers for Carnegie Hall during the Hall’s 1990-1991 Centennial season.
 Susan divides her time between Cape Cod MA and the Connecticut shoreline. She is a member of Sisters in Crime and the Cape Cod Writers Center, and also reviews mysteries for Suspense magazine. She shares her life with her husband Joe and one very spoiled English cocker spaniel, Boomer, who is also the cover model for the mystery books.
          A portion of the sales from the Baby Boomer Mysteries is donated to the Breast Cancer Survival Center, a non-profit organization based in Connecticut which Susan founded in 1999 after being diagnosed with cancer herself. 

Kate George: Crazy Little Thing Called Dead Sunday, Sep 16 2012 

Please welcome Daphne Du-Maurier Award-winning author Kate George:

Death Can Be Funny                                                                             

There are people in the world who think my taste is questionable and my choice of mixing humor and murder is downright wrong. But here’s the thing, I like the contrast between a lighthearted tone and a serious subject. I enjoy making people laugh.

Here’s a little background: Like most people in the world I’ve had my ups and downs. Several years in particular, while I was dealing with a family member’s health issues, were more challenging than usual. I was pretty unhappy. But during that time I discovered an author that made me laugh. It was such a relief to laugh, I decided if I was ever going to write again the writing would be driven by my sense of humor.

I am writing again, and it is driven by my slightly wacked sense of humor, but that doesn’t make it easy. It’s challenging to get the ratio of humor to danger just right. Believe it or not there are people in the world that like their murder straight up, and others who prefer their laughs not be sullied by death. Not that I will ever please everybody. In the immortal words of Fitzwilliam Darcy, “That’s not possible for anyone.”

What I can do is strive to get the balance right. Keep the pace lively. Make my protagonist a little off center, quite irreverent but strong. Create a believable plotline and crimes that are sufficiently severe.  The villain? Self-centered and unconcerned with others. Totally without conscience – a sociopath. And in the end? Our protagonist must save herself. She can have a love interest, and he can help with the take down, but it has to be clear that if our love interest wasn’t there, she’d be capable of doing the job herself – and make you laugh at the same time.

The newest Bree MacGowan, Crazy Little Thing Called Dead, is a little more serious than the first two books in the series. Bree loses almost everything, and is pushed beyond her normal boundaries. But the humor remains. Hopefully it’s a book that will let you experience a range of emotions from dark to light.

Kate George is the author of the Bree MacGowan Mysteries:  Moonlighting in Vermont (2009), California Schemin’ (2011) and Crazy Little Thing Called Dead, which will be available September 30, 2012.

Ms. George lives in the wilds of Central Vermont, coming to terms with mud roads, ice storms and occasionally moose and black bears. Find free short stories at http://www.kategeorge.com.

Judy Alter: Trouble in a Big Box Sunday, Sep 9 2012 

 

An award-winning novelist, Judy Alter has written fiction for adults and young adults, primarily about women in the nineteenth-century American West. Judy’s western fiction has been recognized with awards from the Western Writers of America, the Texas Institute of Letters, and the National Cowboy Museum and Hall of Fame. She has been honored with the Owen Wister Award for Lifetime Achievement by WWA and inducted into the Texas Literary Hall of Fame at the Fort Worth Public Library.

Now she has turned her attention to contemporary cozy mysteries. Trouble in a Big Box, the third Kelly O’Connell mystery, follows Skeleton in a Dead Space and No Neighborhood for Old Women, which received good reviews and popular enthusiasm. Welcome, Judy!

 

 

In Trouble in a Big Box, Kelly O’Connell has her hands full: new husband Mike Shandy is badly injured in an automobile accident that kills a young girl, developer Tom Lattimore wants to build a big-box grocery store in Kelly’s beloved Fairmount neighborhood, and someone is stalking Kelly.

Tom Lattimore pressures her to support the big box, and when his pressure turns to threats, Kelly activates a neighborhood coalition to fight the project. She also tries to find out who is stalking her and why, and her sleuthing puts her in danger that terrifies Mike.

But he isboth powerless to stop her and physically unable to protect her and her young daughters from Lattimore’s threats or the stalker. After their house is smoke-bombed and Kelly survives an amateur attack on her life, she comes close to an unwanted trip to Mexico from which she might never return.

 

Kelly is fighting to save her neighborhood and its old-time small-town atmosphere and historic buildings, to keep from displacing a lot of mom-and-pop businesses. But she’s fighting a larger battle, though she doesn’t realize it. We’ve seen it played out across the country for years: Wal-Mart moves in and the small businesses in a town are forced to close; syndicates take over newspapers until there are only a few if any locally-owned papers in major cities; chains force independent bookstores to close. What do we value? Big business or the individual? Of course I didn’t realize all this when I wrote. I simply wanted to involve Kelly in a new adventure and tell a good story.

 

I’m reminded of Dorothy Johnson who wrote A Man Called Horse, The Hanging Tree, and The Man Who Shot Liberty Valance, among many others (you have to be a bit old to remember). Dorothy once wrote me that she was astounded at all the symbolism critics—and teachers—found in her work, because she didn’t put it there. Maybe we’re all that way, even though our goal is simply to be good storytellers.

 

                                                                                                                                             

 

 


 

 

 

  Follow Judy on Facebook (at https://www.facebook.com/#!/judy.alter) or  http://www.judyalter.com or her two blogs at http://www.judys-stew.blogspot.com or http://potluckwithjudy.blogspot.com. Her mysteries are available in print or as e-books, and some of her western fiction is in e-book form.Judy lives in Fort Worth, Texas, with her two dogs and frequently sees her four children and seven grandchildren.

 

 

 

Simon Toyne: The Key Sunday, Sep 2 2012 

Simon Toyne, author of the first in the Ruin trilogy Sanctus, returns with book two in the series and The Key is every bit as compelling as the first.

A vertical mountain of carved rock, The Citadel of Ruin is the oldest continually inhabited edifice known to Man, and the seat of the Catholic Church.

After the events detailed in Sanctus, an explosion has left three people with intimate knowledge of the secret of the Sacrament, previously only known to a handful of elevated Santi monks.

One of those three is New Jersey journalist Liv Adamsen, who traveled to Ruin to find the truth surrounding the death of her Sancti brother. As The Key opens, Liv lies in a hospital bed, suffering the effects of post-traumatic amnesia. Four doors away, survivor number two, Kathryn Mann, nearly deaf from the explosion, ponders her fate and that of her only son, Gabriel, survivor number three.

In the Vatican City, The Group, composed of three world financial heads, hastily meet with their fourth member, Cardinal Secretary Clementi. Clementi holds his own key: to the Vatican’s Bank. He’s used the Church’s independence and secrecy for the past years to hide the practices of past centuries that have left the Church rich in priceless arts and property but virtually without cash.

For The Group, Liv and the others represent ticking time bombs, threatening to destroy their carefully crafted plan. While inside The Citadel, with the abbot and prelate both dead from the explosion, elections must take place to secure The Citadels’ hierarchy. But their centuries-old secrets are slowly unraveling, as disease spreads and with it, unrest inside the compound.

The Key sucks you in, with its detailed settings and complex sense of history and traditions. The Globe and Mail says:  This is a gripping read, as fast-paced as any action movie and covering Rome to Ruin, and New York to the Middle East deserts, as Toyne fits together his complicated plot until it all makes horrible and terrific sense.

 

Wendy Corsi Staub: Nightwatcher Sunday, Aug 26 2012 

Today I received an incredibly haunting book trailer from New York Times bestselling author Wendy Corsi Staub for her upcoming release of NIGHTWATCHER.  

NIGHTWATCHER Official Book Trailer

Staub is the New York Times bestselling author whose thrillers have a wide following. This is the first installment of a trilogy featuring Allison Taylor, a sympathetic heroine from the Midwest determined to overcome her start in life and conquer New York’s fashion world.

The book opens on September 10th, so the setup couldn’t be more powerful right in the opening pages. What happens after the shock of 9/11 spins a new angle on those horrendous days, when a murderer is cut loose on a town already trying to comprehend the enormous tragedy they are living through.

Allison has few friends but does talk to several renters in her apartment building: her upstairs neighbor, Kristina, and a young man, Mack MacKenna, whose insomnia finds them sharing the front stoop before the events that will change everyone’s lives so dramatically.

Mack’s wife perishes in the disaster, and as Allison reaches out to help him cope, Kristina is found savagely murdered.  Allison’s carefully wrought existence in her adopted city falls apart even more than the buildings that have crashed to the ground. As more women die at the hands of a mad serial killer, it becomes apparent that Allison is the only one who can identify the killer. With her life in danger, Allison tries to help catch this crazed madman, even as she realizes she could be his next victim.

Staub evokes the atmosphere of 9/11 in a vivid and powerful way and uses the events of that day as the catalyst of this new thriller.  She captures the shock, paranoia, and tension of New York City as she weaves this suspenseful thriller into the  enormous ongoingdisaster.  Suspense Magazine called it, “Suspenseful, powerful, tense and—as usual—wonderfully written with an ending that will leave you guessing.  A great read!”

Getting inside the minds of many of the key players broadens the action and put the reader right into the thick of  the tension and escalating terror. The action never lets up and the results are startling. There’s plenty here to keep you turning pages, and the ending will leave you waiting for the next installment, SLEEPWALKER, coming this fall.

John Harvey: Good Bait Sunday, Aug 19 2012 

Auntie M is a huge John Harvey fan, and he doesn’t disappoint in his newest Good Bait, teaming up characters from previous novels in a winning way with overlapping storylines.

DCI Karen Shields heads the Homicide & Serious Crime Team, always working a multitude of cases and hoping for a result. Shields is still grieving over the death of her father and realizing her work commitments have left her with only one good friend. When the body of a teenaged boy is discovered on Hampstead Heath, their investigation leads to a connection with the small Eastern European country of Moldova. At first drugs or illegal trading is suspected as the impetus for the boy’s death.

Miles away on the western coast in Cornwall, DI Trevor Cordon is nearing retirement, which can’t come quickly enough. Passed by for promotions by colleagues with more modern attitudes, he’s part of the old guard and set in his ways. Then the mother of an young woman he’d taken under his wing in the past appears on his doorstep, begging him to look into her daughter’s disappearance. Cordon had tried to put Letitia on a different path from her mother’s life of drug addiction and prostitution. Cordon is soon drawn to London after the mother’s unexpected death, where he enlists the aid of former colleague Jack Kiley, now a private detective.

The working methods, personalities and private lives of Shields and Cordon couldn’t be more different, but the one thing they have in common is that both feel like outsiders. We feel their loneliness in their private lives as we follow the complicated path of Shields’ many cases and the thread of Cordon’s hunt for Letitia.

International money laundering, drug operations, and people trafficking are all involved, along with a heavy dose of Cordon’s music. It is the contrast of Shield’s aggressive and exhausting police work against Cordon’s melancholy and slower investigation that will result in an overlapping link in both cases that will lead to the ultimate resolution.
Harvey manages to weave in socio-economic issues by illustrating how they impact on police work without hitting the reader over the head with these issues. One of Harvey’s greatest strengths is his ability to develop his characters on a rich but subtle level, and this in inherent in all of his works, including the Charlie Resnick and Frank Elder novels.

This is a skilled craftsman writing at the top of his game, and any reader who enjoys a well-crafted police procedural illustrating different detecting methods will enjoy Good Bait.

Mark Billingham: Good as Dead Sunday, Aug 12 2012 

A word first on television made from novels:

Mark Billingham’s novels include a stand-alone, In the Dark, and the DI Tom Thorne series, a character Lee Child has compared to Morse and Rebus. Thorne is now a television series in the UK and Auntie M has seen each of the three-parters that illustrate Billingham’s first two in the series, Sleepyhead and Scaredy Cat. Actor David Morrissey, also executive producer, read a Thorne novel and enjoyed it; then was pleasantly surprised to read he was exactly the actor whom the author pictured playing his detective inspector one, who plays close to, and sometimes, over the line.

The teleplays follow the the original story-lines closely, with the exception of a few casting changes, as in making Thorne’s superior, Brigstocke, a woman. His best friend, pathologist Phil Hendricks is described in the books as a tall, bald, heavily pierced and tattooed Mancunian. In the series, he’s aptly played by shorter Irishman, Aidan Gillen, whose head full of bushy dark hair nonetheless conveys the spirit of the original character as drawn by Billingham. But these are small changes.

What’s in full force is the power of the stories Billingham originally told, and Morrissey’s ability to get Tom Thorne’s ambivalent character just right. Here’s Gillen on the left and Morrissey on the right.

More of the novels are planned for future filming by Sky1; check the local satellite listings in your area.

Now on to the newest Thorne novel, Good as Dead (The Demands in the US).

Change is on Tom Thorne’s mind after upheaval in his personal life. He’s sold his beloved but not fixable old BMW for an updated model he’s still getting used to; he’s put his flat on the market; and he’s even considering a job transfer.

Then he finds himself called for by name, requested by a shopkeeper who has barricaded himself and two hostages into his news shop.

Thorne remembers the man’s name from a prior case involving manslaughter and the man’s son, who received an unusually long sentence in prison for what seemed to be manslaughter in self-defense.

The hostages are a cowardly banker and a DI from the Child Protection Unit whom Thorne remembers from a former case.

Helen Weeks’ partner was killed when she was pregnant with her son, now eight months old. Both hostages are in Amin Akhtar’s shop when harassment by local thugs causes him to snap, a classic case of being in the wrong place at just the wrong time.

Yet Amin has a specific point to holding these two by gunpoint. They are the leverage he needs for Thorne to investigate the apparent suicide of the his son in prison.

Convinced the youth wouldn’t have taken his own life, Amin tasks Thorne with unraveling the secrets behind his son’s death.

The threads Thorne pulls will have unexpected and surprising twists, in the way that Billingham does so well, as Thorne puts his career on the line to find the truth. Time is against him as hours and then days pass as he tries to find the truth about what happened at the youth institution housing Amin’s son.

And in the end, not everyone will walk out of that shop alive.

Billingham’s novels are complex and compelling, filled with with the right amount of psychological insight into his very human character’s mental state. The tension is taut and Billingham manages to keep getting better with each novel. The can’t come fast enough.

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Auntiemwrites Crime-Mystery Author M K Graff

Award-winning Mystery Author on books, reading and life: If proofreading is wrong, I don't wanna be right!

Lee Lofland

The Graveyard Shift

Sherri Lupton Hollister, author

Romance, mystery, suspense, & small town humor...

The Life of Guppy

the care and feeding of our little fish

My train of thoughts on...

Smile! Don't look back in anger.

K.R. Morrison, Author

My author site--news and other stuff about books and things