Ann Cleeves: Silent Voices Sunday, Nov 4 2012 

Anne Cleeves marvelous four Shetland Island mysteries, previously reviewed by Auntie M, are joined by the fourth in her Vera Stanhope series. Silent Voices is Cleeves at her best, with the kind of involved plot that revolves around relationships we’ve come to expect  from this talented and prolific author, whose George and Molly books, Inspector Ramsey series, and several stand-alones rank high with the best of British crime writers.

Vera is an unlikely heroine, living with the ghost of her dead father in his house, overweight and lonely, but with an instinctive intuition that has made her a top detective.

This time she’s reluctantly following her doctor’s advice to lose weight, slogging away in the pool early mornings before work at the Willows, a former grand hotel showing its age, but still with pretensions. The Willows had been  taken over by a chain, who put the health club in its basement to increase its profits. Vera hits the steam room, sharing it with a slender, long-legged woman who looks utterly at ease, head thrown back in complete relaxation. Vera tries to copy the relaxed pose without success. Then as the steam clears a bit, she realizes the subject of her regard is dead, strangled in the steam room where she’d come for a bit of relaxation.

Vera swings into official mode, calling her sergeant, Joe Ashworth, to the scene, cordoning off the steam room. The woman is identified as Jenny Lister, aged forty-one, head social worker in the area for fostering and adoptions. She leaves behind a daughter, Hannah, eighteen, and host of unanswered questions.

With her team interviewing the Willows staff, Vera and Joe try to unearth a motive for the murder. They find a connection to a case Jenny had worked on that had led to the death of young child. Soon it emerges that the caseworker of that same boy has moved to the village.

Cleeves does a fine job of illustrating Joe’s struggle to keep his home life, with a wife and young children, on an even keel as the murder investigation heats up–and so does Vera’s joy at being involved in a murder. Death, and finding the killer, brings Vera a surge of renewed vigor that some might find distasteful but that bring Vera the feeling of worthiness she craves.

There are plenty of characters here to choose from, some with motives clear and others fuzzy, but things unfold in what seems a natural way as Vera pursues the killer. And then a young man is murdered just as a young mother and her child go missing, and suddenly the stakes are upped.

This series is being serialized on ITV3, and stars Brenda Blethyn and has twice been nominated for two Dagger awards.  Cleeves received the 2006 Duncan Lawrie Dagger for Best Crime Novel for Raven Black.

 

 

 

Wendi Corsi Staub: Sleepwalker Sunday, Oct 28 2012 

Staub started her trilogy with the fateful backdrop of the horrors of 9/11 in Nightwatcher.  Now the second thriller featuring Allison Taylor, Sleepwalker, picks up her story ten years later.

Allison has married Mack MacKenna, her neighbor who’d lost his wife in the Twin Towers, and they have a lovely home in Westchester and three young children.

Allison has everything she’s always wanted, but the demands of three youngsters and a husband whose job keeps him away from home find her worn down at times. Mack’s chronic insomnia adds to the burden, until at her urging, he starts to take a sleeping pill that allows him to rest but brings back bouts of childhood sleepwalking. Things start to go missing their home; others are moved around. Allison tell herself this is simply due to Mack’s sleepwalking, but she harbors a fear it’s evidence of a far darker menace.

When the man in prison for the Nightwatcher murders commits suicide, Allison knows she should feel relieved. Then why does she have a huge sense of foreboding?

Then their next door neighbor is found by Allison brutally murdered in her own bed, wearing Allison’s nightgown, and killed with the same methodology as the previous murders. Suddenly Allison knows with certainty that the wrong man has been locked up in prison.

What happens next as more murders continue will have readers turning pages as fast as they can read. When a connection between the victims revolves around Mack, Allison must decide if she can trust the man she’s married or if she’s made the most horrific mistake of her life. Then the tension ratchets even higher when her children are kidnapped.

Staub brings back several characters from the first book in the trilogy, including Mack’s friend Ben and his wife, and the NYPD detective who helped clear the first case . . . or did he? She takes on the reality of survivor’s guilt and explores how it touches not only the survivor but those who surround them. And most chillingly, she illustrates the fallacy people have of the feeling of safety in one’s own home in today’s world of technology.

Staub’s third in the trilogy, Shadowkiller, premieres in February 2013. Before then, be prepared to follow Allison as she digs deeply to find the strength to face a killer once again.

 

Rosamund Lupton: SISTER and AFTERWARDS Sunday, Oct 28 2012 

Having a sister of my own, Auntie M was intrigued when another writer insisted I read this 2010 mystery by Londoner Rosamund Lupton, who wrote original screenplays before turning her hand to this debut novel that will knock your socks off. Sister has at its heart an unusual concept of a way to tell a story, and that story will leave you hooked and reeling from page one.

   Beatrice Hemmings has fled her native England to pursue a career in Manhattan and is engaged to be married in three months to an American. While hosting a dinner party with her fiance’ one Sunday,  a call from her mother interrupts the evening when Bee learns that her only sibling, younger sister Tess, has gone missing. Bee soon finds herself flying across the Atlantic to Tess’s Notting Hill apartment.

She find the flat tiny and cluttered. Not even owning a tea kettle, art student Tess has made her bedroom into her studio for the better light. Her bright paintings reflect her personality, open and nonjudgmental, young and talented, with a joy of live Bee has always envied. That central core of Tess’s life will drive Bee fiercely to protect her sisters’ memory.

The suspense starts with a wallop because this is written as Bee is describing the events and what she finds in a narrative to Tess, explaining her actions and tracing her search for her sister, which ends in tragedy. Then Bee’s real investigation starts, to unravel the truth the police would rather leave alone: what really happened to Tess?

Elegantly written, this poignant novel becomes a tribute to sisters as well as a harrowing detailing of the plundering toll of grief. But it is also a wickedly fine mystery that is at once riveting a it moves the reader. By having the reader in such intimate contact with Bee’s thoughts and actions to Tess, Lupton paints a picture of both sisters, the failings of those around them who are meant to do and be more, and the huge sense of loyalty that Bee brings to the forefront of her actions on her sister’s behalf.

There is an element of subdued suspense that heightens as surely as a Hitchcock movie, and indeed, this novel will soon be adapted for the screen. Grab a copy of this highly original book and read it first before the film version. As good as the movie will be, nothing can replace the psychological intensity of the novel and the twists at the ending.

With the same psychological depth of character found in the works of Kate Atkinson, Tana French, and Ruth Rendell, Lupton’s riveting and chilling tale combines true tragedy with a sense of life-affirmation that moved me to tears in several places for the accuracy and depth of its compellingly told story. It’s a quickly-paced, stylish tale, literate and successful.

BookPage calls Sister “A poignant and perceptive depiction of the emotional bonds between two sisters … A superb thriller, full of twists and turns, false leads, and a surprise ending.”
Lupton follows Sister with the same original storytelling in Afterwards, with another clever premise and solid writing the makes her second novel as compelling as her first.

Grace Covey stands with other parents on a grassy field, attending sports day at her son’s school, which coincides with Adam’s eighth birthday. Her teenaged daughter, Jenny, is inside the school, taking the place of the school nurse for minor injuries. When Grace sees black smoke coming from the school, she realizes it’s on fire and races inside to save Jenny.

What happens next is the stuff that makes this book remarkable, as Grace, in an highly unconventional manner, tries to find the person responsible for setting the fire once it appears Jenny was the deliberate target. Grace desperately races to find the culprit to protect both of her children, and in the process, uncovers more than she ever expected to find about the people in her life.

This is a novel about love in its many forms, from that of a mother and her daughter, to the cushion of secure, married love. Ultimately is it about finding courage in the midst of the depths of a mother’s love for her child.

Jeffrey Deaver says of Afterwards: “Uncompromising emotional impact, a poet’s sonorous style, and a gripping story all come together to make this a transcendent literary experience. I guarantee this novel will touch everyone.”

Lupton’s powerful stories and  and her voice will captivate you; Auntie M defies you to put either of these books down once you’ve started reading.

Laura Lippman: And When She Was Good Sunday, Oct 21 2012 

In an author’s note, Laura Lippman explains the genesis of the protagonist of And When She Was Good, Heloise Lewis, a character she first created in 2001 and wrote about years later in two short stories.

Now Lippman has taken the time to explore Heloise and her beginnings and her today, alternating her back story for a good part of the novel, so readers can understand this woman who is meticulously organized, financially comfortable, and oh, yes, a prostitute who runs an exclusive agency.

But Heloise so much more: she’s a successful businesswoman who protects her workers; she’s a self-educated reader with a fondness for history; and she’s fiercely protective of her son, Scott, whose biological father languishes in prison and is unaware of his child.

Despite her insistence on strict compartmentalization in her life between work and home, which has left her without close friends, Heloise finds the lines starting to blur. Her vice squad protector and friend is retiring and will no longer have her back. Then an employee or two break her firm rules. When the wisp of possibility that her son’s father may be released from prison, the carefully wrought life she has constructed is in danger. Heloise is not a perfect person, but she is one with an intelligent, thinking mind and a finely-honed instinct for survival.

Val Deluca has only one way to deal with people who have lied or become a threat to him: he has them killed. And it’s  only a matter of time before the former pimp and casual murderer discovers he is in prison in the first place because Heloise betrayed him.

It is to Lippman’s credit that she is not only able to satisfactorily explain how Helen Lewis became Heloise Lewis, in a direct and unflinching way, but she manages to create a tough and resilient character you will find yourself rooting for as the pages turn.

The New York Times has compared Lippman to England’s Ruth Rendell: “Ms. Lippman writes like a warmer-blooded American Ruth Rendell, keenly observant and giving a faintly spooky charge to every stray detail.”

 

 

Tana French: Broken Harbor Sunday, Oct 14 2012 

Auntie M is huge fan of Tana French’s novels set in Ireland, starting with Into the Woods, followed by The Likeness and the stunning Faithful Place. Now she’s back with Broken Harbor, and her novels get stronger and more compelling with each offering. In a recent essay on craft, French described her husband not allowing her to use dream sequences in her novels too much. She doesn’t need dreams; the world she creates is startling enough.

Mick Kennedy is a a top Murder Squad detective who’s earned the nickname “Scorcher” for his devotion to the job and its victims. He lands a tragic but high profile murder case on the half-deserted development now called Brianstown, one of the many high-end neighborhoods that have fallen with the down-turned economy, leaving their few owners to cope with shoddy construction and broken promises.

Mick brings along his new partner, Richie, a rookie detective on his first case, thrilled to learn from the master. But before it was Brianstown, the area was known as Broken Harbor, and Mick has his own disturbing and poignant memories of the area that will haunt him almost as much as the scene they find.

Patrick Spain is dead; his wife, Jenny, lies in intensive care. Their blood splatters the downstairs kitchen area. Upstairs, the Spain’s young son and daughter are found dead in their beds. The scene is shocking and disturbing.

What appears to be an easy case to solve quickly proves to be one of the most tangled and difficult of Mick’s career. There are unexplained things in the house: smashed holes in walls, with baby monitor cameras pointing at them; files have been erased from the Spain’s computer. And then Jenny’s sister Fiona tells the detectives her sister has been afraid of an intruder who slipped past their locks and alarms and helped himself to food from their refrigerator.

As he juggles teaching Richie about true detecting and not jumping to conclusions, Mick’s life is complicated by his younger sister, Dina. Her mental illness escalates and barges into his life and his thoughts, bringing back the memories of his family’s last summer at Broken Harbor. Adding to the layers are Mick’s new relationship with Richie. Partnerships are built on trust. But he doesn’t know Richie well enough to trust him–yet.

French’s sense of setting is acute; she brings all the senses to her descriptions and adds nuances that fill the atmosphere of the book with power and emotion. This is as gripping a novel as Auntie M has read this year, a mix of French’s usual police procedural and psychological thriller, created with realistic characters and situations, plot lines that weave and warp, and with a sense of setting so powerful you will feel as if you’ve been to Broken Harbor.

 

Tace Baker: Speaking of Murder Sunday, Sep 30 2012 

Please welcome Tace Baker, author of Speaking of Murder:

Imagine an attractive and brilliant older undergrad.

 

 

Add in his linguistics professor, a Quaker with an ear for accents.

Complicate the story with an addictive friend and a threatening departmental chairwoman.

In Speaking of Murder, murder at a small Massachusetts college, small-town intrigues, and academic blackmail present obstacles as Professor Lauren Rousseau uses her facility with languages to track down the killer. When Lauren puts aside conflicted feelings for her boyfriend, his expertise in video forensics helps her solve the murder. Her own experience in karate enables her to escape from the killer.

Speaking of Murder was first runner up for the Linda Howard Award for Excellence in March of 2012.

One of the key tools used to solve the crimes in Speaking of Murder is video forensics.

Zac, Lauren’s boyfriend, works as a civilian video forensics expert at the local police station. The tool he uses is dTective from Ocean Systems, developed by Grant Fredericks and others. It’s used by police departments around the country to clarify surveillance video and present video evidence in court.

The dTective software works with Avid Media Composer, an award-winning video- and film-editing software for which I wrote technical documentation for 14 years. I knew I wanted to feature this software in my books. Write what you know, right? I was fortunate to be able to consult with the Raynham, Massachusetts police department, and also the Bristol County District Attorney’s office. They each use this software in their daily crime-fighting and each spent a half day with me, demonstrating the software and talking about how they use it.

It was a fascinating look into some of the inner workings of the criminal justice system. I hope I’ve done justice to their expertise. I learned how much this software can do with surveillance video. For example, you can:

* Apply a standard to see how tall someone is

* Lighten a dark image of a license plate

* Zoom in on a tattoo or other unique physical characteristic

* Compare a fingerprint left on a counter to one taken after arrest

 

It’s very cool stuff.

What about you? Do you know of other software programs that help solve crimes? Or have any questions about linguistics?

 

Tace Baker is the author of Speaking of Murder (Barking Rain Press, September 2012, ), which features Quaker linguistics professor Lauren Rousseau.

Tace Baker is a pseudonym for Edith Maxwell. Edith holds a PhD in linguistics and has been a member of Amesbury Monthly Meeting of Friends for several decades.

Edith also writes the Local Foods Mysteries.  A Tine to Live, a Tine to Die introduces organic farmer Cam Flaherty and a colorful Locavore Club (Kensington Publishing, June, 2013). Edith once owned and operated the smallest certified organic farm in Essex County, Massachusetts.

A technical writer and fourth-generation Californian, Edith also writes short crime fiction and lives north of Boston in an antique house with her beau and three cats. She’s active in Sisters in Crime and serves on the board of the New England chapter. She can be found at www.tacebaker.com, @tacebaker, and www.facebook.com/tacebaker, as well as at www.edithmaxwell.com, @edithmaxwell, and http://www.facebook.com/edithmaxwellauthor.

Susan Santangelo: Marriage Can Be Murder Sunday, Sep 23 2012 

LOCATION!         LOCATION!       LOCATION!
            It’s a major selling point when home buyers are looking at properties to buy.
            And for me, location is just as important in fiction. As an avid mystery reader, I find myself more willing to take a chance on a new author I know nothing about if I’m attracted to the locale where the book is set.
            When I started writing the Baby Boomer mysteries, I created the Connecticut town of Fairport. It’s a thinly disguised version of Fairfield, where my family and I lived for many years. And, yes, we lived in an antique house, just like the principal characters in the series, Carol and Jim Andrews.  But because Fairport is a fictional place, I was free to populate it with restaurants, churches, stores, and street names to my heart’s content, as long as they all worked into the story line, without any current Fairfield resident (or, heaven forbid, an elected town official!) contacting me to say that I hadn’t gotten the description down correctly.
            Believe me, that can happen. Don’t ask me how I know, please. Just trust me. I know.
            But when I started to write Book 3 in the series, Marriage Can be Murder, I wanted to include a destination wedding, so I had to move the location out of Fairport. Where did I decide to have the wedding take place? Somewhere I’ve always loved — the island of Nantucket.
I discovered when I started doing some research about Nantucket that the entire island is designated as a National Historic Landmark.  I never knew that before. Nantucket is affectionately referred to as The Little Grey Lady of the Sea because of its many grey-shingled buildings and frequent fog. The island is 14 miles long by 3.5 miles wide, and is 27 miles out to sea. Nantucket is 30 miles south of Cape Cod, and has a year-round population of approximately 10,000. The population increases to about 50,000 during the summer months, which is Nantucket’s peak tourist season.  There are great shopping opportunities at this time of year. Don’t ask me how I know this, either. But, trust me, I know.
Nantucket was the whaling capital of the world from the mid-1700s to the late 1830s, and was made famous by Herman Melville in his classic novel, Moby Dick. Ok, I’ll confess I’ve never read that book. But I’m sure it’s on my to-be-read pile, somewhere in my office. And I did see the movie starring Gregory Peck, so that counts, right?
 
Some atlases describe Nantucket island as crescent-shaped. To really get the picture, take your right hand and fold in all your fingers but the thumb and index finger. Then rotate your hand to the left, palm down, and voila – your own Nantucket island. Madaket is where your thumb is — a tiny community with its own harbor, gorgeous houses and beautiful beaches. Follow your thumb to the right – that’s Madaket Road, which eventually leads you into the town of Nantucket, approximately where your thumb opens as it heads toward the index finger. Picture that opening as the town, and Straight Wharf, where the ferries to and from the mainland dock.
More than 800 houses on Nantucket were built before the American Civil War, and I decided the primary site for my mystery would be one of them. I named it the Grey Gull Inn. You won’t find this inn on Nantucket, because it’s the product of my over active imagination.  And then I really had fun —  I gave  it some history. Here’s what Carol Andrews, my protagonist, finds out about it from the Grey Gull Inn website: “The inn was built in 1825 by Nathaniel Grey, a whaling captain, as a gift to his new bride, Charity.
Tragically, soon after the couple moved into the house, Charity was found dead at the bottom of the house’s circular staircase. An inquest determined her death was a tragic accident. Captain Grey never recovered from the shock of his young wife’s death, and legend has it that he continues to live in the house, searching in vain for his bride. The building was converted in the 1980s to a 10-bedroom inn. The current owners are siblings JoAnn and Skip Wallace, who are direct descendants of Captain Nate, as he was known in the family. They completely refurbished the structure in 2006, adding a new wing to the inn with six more guest room suites.”
I placed the Grey Gull Inn right in the center of Nantucket town, close to historic Main Street, Nantucket’s primary shopping district.  I gave it a full-service gourmet restaurant and one of the most notable wine lists on the island. But I didn’t give an en suite bathroom to the older part of the inn, where the Andrews family is staying.
Why? Well, I won’t tell.
Here’s the back cover blurb for the book. See if you can figure out a clue:
Book Three of the Baby Boomer mystery series, Marriage Can Be Murder, brings the Andrews family to Nantucket. Carol is thrilled when daughter Jenny announces her engagement. She’s dreamed of planning her daughter’s wedding since the day Jenny was born. But with only two months to pull together a destination wedding on Nantucket, Jenny insists on hiring Cinderella Weddings to organize the event. Father-of-the-bride Jim objects to the cost, and Carol objects to having her opinion ignored. When Carol finds the wedding planner dead at the bottom of a spiral staircase at a Nantucket inn, and the husband of Carol’s BFF Nancy is accused of her death, Carol has more to worry about than getting to the church on time!
            If you can’t figure out the clue, you’ll just have to check out Marriage Can Be Murder for yourself. The Grey Gull Inn is open and ready to receive your reservation! But be sure to call ahead for the ferry, if you want to bring a car.
An early member of the Baby Boomer generation, Susan Santangelo has been a feature writer, drama critic and editor for daily and weekly newspapers in the New York metropolitan area, including a stint at Cosmopolitan magazine. A seasoned public relations and marketing professional, she has designed and managed not-for-profit events and programs for over 25 years, and was principal of her own public relations firm, Events Unlimited, in Princeton NJ for ten years. She also served as Director of Special Events and Volunteers for Carnegie Hall during the Hall’s 1990-1991 Centennial season.
 Susan divides her time between Cape Cod MA and the Connecticut shoreline. She is a member of Sisters in Crime and the Cape Cod Writers Center, and also reviews mysteries for Suspense magazine. She shares her life with her husband Joe and one very spoiled English cocker spaniel, Boomer, who is also the cover model for the mystery books.
          A portion of the sales from the Baby Boomer Mysteries is donated to the Breast Cancer Survival Center, a non-profit organization based in Connecticut which Susan founded in 1999 after being diagnosed with cancer herself. 

Kate George: Crazy Little Thing Called Dead Sunday, Sep 16 2012 

Please welcome Daphne Du-Maurier Award-winning author Kate George:

Death Can Be Funny                                                                             

There are people in the world who think my taste is questionable and my choice of mixing humor and murder is downright wrong. But here’s the thing, I like the contrast between a lighthearted tone and a serious subject. I enjoy making people laugh.

Here’s a little background: Like most people in the world I’ve had my ups and downs. Several years in particular, while I was dealing with a family member’s health issues, were more challenging than usual. I was pretty unhappy. But during that time I discovered an author that made me laugh. It was such a relief to laugh, I decided if I was ever going to write again the writing would be driven by my sense of humor.

I am writing again, and it is driven by my slightly wacked sense of humor, but that doesn’t make it easy. It’s challenging to get the ratio of humor to danger just right. Believe it or not there are people in the world that like their murder straight up, and others who prefer their laughs not be sullied by death. Not that I will ever please everybody. In the immortal words of Fitzwilliam Darcy, “That’s not possible for anyone.”

What I can do is strive to get the balance right. Keep the pace lively. Make my protagonist a little off center, quite irreverent but strong. Create a believable plotline and crimes that are sufficiently severe.  The villain? Self-centered and unconcerned with others. Totally without conscience – a sociopath. And in the end? Our protagonist must save herself. She can have a love interest, and he can help with the take down, but it has to be clear that if our love interest wasn’t there, she’d be capable of doing the job herself – and make you laugh at the same time.

The newest Bree MacGowan, Crazy Little Thing Called Dead, is a little more serious than the first two books in the series. Bree loses almost everything, and is pushed beyond her normal boundaries. But the humor remains. Hopefully it’s a book that will let you experience a range of emotions from dark to light.

Kate George is the author of the Bree MacGowan Mysteries:  Moonlighting in Vermont (2009), California Schemin’ (2011) and Crazy Little Thing Called Dead, which will be available September 30, 2012.

Ms. George lives in the wilds of Central Vermont, coming to terms with mud roads, ice storms and occasionally moose and black bears. Find free short stories at http://www.kategeorge.com.

Judy Alter: Trouble in a Big Box Sunday, Sep 9 2012 

 

An award-winning novelist, Judy Alter has written fiction for adults and young adults, primarily about women in the nineteenth-century American West. Judy’s western fiction has been recognized with awards from the Western Writers of America, the Texas Institute of Letters, and the National Cowboy Museum and Hall of Fame. She has been honored with the Owen Wister Award for Lifetime Achievement by WWA and inducted into the Texas Literary Hall of Fame at the Fort Worth Public Library.

Now she has turned her attention to contemporary cozy mysteries. Trouble in a Big Box, the third Kelly O’Connell mystery, follows Skeleton in a Dead Space and No Neighborhood for Old Women, which received good reviews and popular enthusiasm. Welcome, Judy!

 

 

In Trouble in a Big Box, Kelly O’Connell has her hands full: new husband Mike Shandy is badly injured in an automobile accident that kills a young girl, developer Tom Lattimore wants to build a big-box grocery store in Kelly’s beloved Fairmount neighborhood, and someone is stalking Kelly.

Tom Lattimore pressures her to support the big box, and when his pressure turns to threats, Kelly activates a neighborhood coalition to fight the project. She also tries to find out who is stalking her and why, and her sleuthing puts her in danger that terrifies Mike.

But he isboth powerless to stop her and physically unable to protect her and her young daughters from Lattimore’s threats or the stalker. After their house is smoke-bombed and Kelly survives an amateur attack on her life, she comes close to an unwanted trip to Mexico from which she might never return.

 

Kelly is fighting to save her neighborhood and its old-time small-town atmosphere and historic buildings, to keep from displacing a lot of mom-and-pop businesses. But she’s fighting a larger battle, though she doesn’t realize it. We’ve seen it played out across the country for years: Wal-Mart moves in and the small businesses in a town are forced to close; syndicates take over newspapers until there are only a few if any locally-owned papers in major cities; chains force independent bookstores to close. What do we value? Big business or the individual? Of course I didn’t realize all this when I wrote. I simply wanted to involve Kelly in a new adventure and tell a good story.

 

I’m reminded of Dorothy Johnson who wrote A Man Called Horse, The Hanging Tree, and The Man Who Shot Liberty Valance, among many others (you have to be a bit old to remember). Dorothy once wrote me that she was astounded at all the symbolism critics—and teachers—found in her work, because she didn’t put it there. Maybe we’re all that way, even though our goal is simply to be good storytellers.

 

                                                                                                                                             

 

 


 

 

 

  Follow Judy on Facebook (at https://www.facebook.com/#!/judy.alter) or  http://www.judyalter.com or her two blogs at http://www.judys-stew.blogspot.com or http://potluckwithjudy.blogspot.com. Her mysteries are available in print or as e-books, and some of her western fiction is in e-book form.Judy lives in Fort Worth, Texas, with her two dogs and frequently sees her four children and seven grandchildren.

 

 

 

Simon Toyne: The Key Sunday, Sep 2 2012 

Simon Toyne, author of the first in the Ruin trilogy Sanctus, returns with book two in the series and The Key is every bit as compelling as the first.

A vertical mountain of carved rock, The Citadel of Ruin is the oldest continually inhabited edifice known to Man, and the seat of the Catholic Church.

After the events detailed in Sanctus, an explosion has left three people with intimate knowledge of the secret of the Sacrament, previously only known to a handful of elevated Santi monks.

One of those three is New Jersey journalist Liv Adamsen, who traveled to Ruin to find the truth surrounding the death of her Sancti brother. As The Key opens, Liv lies in a hospital bed, suffering the effects of post-traumatic amnesia. Four doors away, survivor number two, Kathryn Mann, nearly deaf from the explosion, ponders her fate and that of her only son, Gabriel, survivor number three.

In the Vatican City, The Group, composed of three world financial heads, hastily meet with their fourth member, Cardinal Secretary Clementi. Clementi holds his own key: to the Vatican’s Bank. He’s used the Church’s independence and secrecy for the past years to hide the practices of past centuries that have left the Church rich in priceless arts and property but virtually without cash.

For The Group, Liv and the others represent ticking time bombs, threatening to destroy their carefully crafted plan. While inside The Citadel, with the abbot and prelate both dead from the explosion, elections must take place to secure The Citadels’ hierarchy. But their centuries-old secrets are slowly unraveling, as disease spreads and with it, unrest inside the compound.

The Key sucks you in, with its detailed settings and complex sense of history and traditions. The Globe and Mail says:  This is a gripping read, as fast-paced as any action movie and covering Rome to Ruin, and New York to the Middle East deserts, as Toyne fits together his complicated plot until it all makes horrible and terrific sense.

 

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John Bainbridge Writer

Indie Writer and Publisher

Chick Lit Book Café

CLBC Multi-Genre Book Reviews

Miss Demeanors

A Blog for Readers and Writers of Mystery, Crime, and Suspense Fiction

Mysteries To Die For

For Mystery Listeners and Readers

Amazing Family Books

Featuring The Very Best in Fiction & Nonfiction Books For Children, Parents & The Entire Family

Book Review Magazine

Incredible Books & Authors

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Shining a small, bright light in a wilderness of writing scams

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Books, Reviews & Author Spotlights

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Auntiemwrites Crime-Mystery Author M K Graff

Award-winning Mystery Author on books, reading and life: If proofreading is wrong, I don't wanna be right!

Lee Lofland

The Graveyard Shift

Sherri Lupton Hollister, author

Romance, mystery, suspense, & small town humor...

The Life of Guppy

the care and feeding of our little fish

My train of thoughts on...

Smile! Don't look back in anger.