Nicola Upson: Fear in the Sunlight Sunday, May 19 2013 

Nicola Upson’s fourth mystery featuring real-life Golden Age mystery writer Josephine Tey proves once again that Upson is a master at plotting, and at figuring out the complexities of personality and psychology.

Fear-in-the-Sunlight-Nicola-Upson-Cover

An intriguing setting is provided by Portmeirion, Wales, the imaginative architectural transformation of Clough Williams-Ellis, who created an Italianate village out of a section of northwest Wales’ coastal wilderness.

Noel Coward wrote Blithe Spirit at the resort, and it was frequented by actors and writers, including Tey and her circle, as a place of undeniable beauty and peace, a refuge from the hectic reality of their celebrity lives. It is to Upson’s credit that Portmeirion springs to life in the reader’s mind.

Into this tranquil setting of medieval buildings and fragrant gardens, Josephine has arrived to celebrate her fortieth birthday with the circle of friends readers will recognize, including detective Archie Penrose. Also present are celebrated director Alfred Hitchcock and his wife Alma Reville and a few of their company.

Hitchcock wants to convince Tey she should allow him to adapt her mystery, A Shilling for Candles, for the screen. (The film was made as Young and Innocent, released in 1937 and was Hitchcock’s favorite British film.) But Tey needs to meet the Hitchcock’s first before granting her approval.

It is the eve of World War II, and the Hitchcock’s are being wooed to come to America, a move that will certainly change their lives. This decision weighs heavily on the director’s mind, as he listens to the wise counsel of his wife, the woman who served as his editor, writer and confidante.

But Hitchcock was known for elaborate and sometimes perverse pranks, a master manipulator of people and their reactions, fodder for his superb psychological thrillers. As Josephine and Archie each struggle with their own private demons, the group at Portmeirion will fall prey to one of the filmmaker’s most unusual and absurd tricks.

Then a grande dame of cinema is found horrifically murdered in a nearby cemetery, and each person at Portmeirion will have their past explored.

The bodies continue to pile up until a resolution is reached that leaves more questions than answers.

For Archie, the case had a very unsatisfying conclusion. It is only in the opening and closing chapters, set in 1954, that readers will learn the truth behind the string of killings that had deep-seated roots.

For readers not familiar with the series, Upson does exhaustive research into the 1930’s in the entire series, so readers are transported to the spell of that era. She has immersed herself in the life of Elizabeth Mackintosh, the Scottish author who wrote her mysteries as Tey and historical plays under the name of Gordon Daviot.

In Fear in the Sunlight, the resort village will spring to life. Portmeirion in all its glory becomes a character in itself, in this compelling mystery that hints at the future of several of its major characters. Each character is finely drawn, visually imagined, with distinct voices and sometimes surprising viewpoints.

Don’t miss this newest blend of fact and fiction from an author whose stories leap off the page. Highly recommended.

Mark Billingham: From the Dead Sunday, Apr 8 2012 

DI Tom Thorne’s life is about to become more complicated. On the personal front, he and his partner Louise, also in The Job, are splitting their time between their two flats, their plans to buy a large one together on hold after Louise’s miscarriage months before. The strain of grief is taking its toll on both of them, their relationship strained and worsening. At work, he’s on edge, waiting for the verdict in a case that has become personal and difficult to prove: that high-powered Adam Chambers murdered the missing Andrea Keane, without her body being found. Worse is that Chambers has become a media darling.

Into this tension steps Anna Carpenter, a new private investigator looking for a life different from the bank job she held before.

Recent photos have surfaced that seem to be of Alan Langford, a wealthy career criminal who supposedly died ten years ago, handcuffed to the steering wheel of his car which was set afire in the midst of Epping Forest. Langford’s wife had been subsequently arrested for paying for her abusive husband’s death and has just been released from prison.

Donna Langford is trying to reconnect with her teenaged daughter and start a new life with a female partner she’s met in prison. When these photos are anonymously delivered to her, Donna hires Anna to find the truth. Anna’s research finds Thorne sent Donna Langford to prison and she enlists his aid. When she shows up with the photos from Donna, she becomes attached to Thorne’s investigation by his publicity-seeking DSI, to his chagrin.

Thorne loses the Chambers case, which contributes to his moody, anti-social behavior. The Langford case takes Thorne to Spain, with the tension building as the investigation heats up. His patience with Anna at times wears thin, but her honesty and outlook wear him down, and he finds himself drawn to the young woman’s joy of life. By the end of the novel, Thorne is surprisingly vulnerable, even as the twists and turns of the plot take their toll. This one has a climax you won’t see coming.

By giving us Anna Carpenter’s point of view, Billingham ties readers to the amateur sleuth and how she views Thorne. His knack for describing small details in the life of his characters add texture and complexity that allow the reader to view them in reality, making him one of Auntie M’s favorite reads. This is compelling read, completely engrossing, and will keep you flipping pages to the unexpected ending.

UK’s Sky TV has filmed some of the Thorne series and it’s to Auntie M’s regret that the series isn’t available here yet. But the books are so well written that Thorne leaps off the page satisfyingly and without the need of film.

Billingham’s next in the Thorne series, Good as Dead, make number one in the UK and you can be certain Auntie M will be reading it soon.

P D James: Death Comes to Pemberley Friday, Feb 10 2012 

Fans of P. D. James will find this newest offering to be very different from her carefully plotted, meticulously described, and heavily psychologically-oriented crime novels. Readers familiar with James’ autobiography Time to Be in Earnest will know of her lifelong passion for Jane Austen. Indeed, one of her daughters is named Jane.

So it’s no surprise that James has adeptly recreated the world of Pride and Prejudice, and readers of Austen will be plunged immediately into the familiar landscape of those novels.

It’s 1803, and Elizabeth and Darcy are settled comfortably at his magnificent estate at Pemberley, parents to two healthy little sons, aptly named Fitzwilliam and Charles. With her favorite sister, Jane, and Jane’s husband, Bingley, and their family living nearby, Elizabeth has grown into her role, running the household competently. Darcy’s sister, Georgiana, is contemplating marriage prospects. It is an idyllic life, soon to be in disarray.

The estate is preparing for the autumnal Lady Anne’s ball, silver being polished, flowers being chosen with care, when a flying chaise arrives on the eve of the ball, “lurching and swaying down the woodland road towards the house, its two sidelights blazing like small flames. Imagination provided what was too distant to be seen–the manes of the horses tossed by the wind, their wild eyes and straining shoulders, the postilion heaving at the reins.”

And we’re off and running with the story, as Lydia Wickham, Elizabeth’s younger, most unreliable sister, runs into the house, screaming hysterically that her husband has been murdered. Suddenly everyone at Pemberley is thrust into a frightening situation which threatens the peace and future of all who inhabit it. Secrets will be unearthed and confidences made public as the weeks unfold, for it is not Wickham who has been killed; he is instead arrested as the murderer. Darcy will play several roles in the drama, even as he finds himself in the uncomfortable position of being called as a star witness in the eventual trial. At times it seems there is little chance for a peaceful resolution. But to expect that would be to underestimate P. D. James.

James is spot on with the period details, as well as the mores and customs of the time. She has a gift for the cadence of Austen, too, with a lovely use of language and syntax which represent another era. The details of the unfolding mystery are parsed out as the story unfolds, and the mystery is eventually solved with great consideration.

Some readers have pointed out that the mystery seems to take a back seat to the perambulations of the story; no Dalgliesh investigation here. Indeed, James prefaces the novel with an Author’s Note apologizing “for involving her beloved Elizabeth in the trauma of a murder investigation … ”   But Auntie M feels Jane Austen would applaud James for her wise craft and gratifying skill in bringing crime to Pemberley.

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