Alyssa Maxwell: The Gilded Newport Mysteries Sunday, Jun 8 2014 

Please welcome the author of the Gilded Newport Mystery series, Alyssa Maxwell, who will give us look into her historical series:

Write What You Know? No! cover front

If you take a look at my website, you’ll see that writing my Gilded Newport Mystery series has been a very special and personal experience for me. With my husband and his family having deep roots in Newport, you could say that I’ve taken the advice so often quoted to aspiring writers: Write what you know.

In many ways, that’s true. I’ve gotten to know the city much better than if I’d merely vacationed there, and having that “insider’s” view has certainly allowed me to breathe more life into these stories.

So yes, I wrote what I know, but there was also so much I didn’t know when I started writing. The Newport of 1895 was much different than the one we know today. To make my stories believable and true to the times, I had to research the burgeoning technologies of the late 19th century – for example my heroine has a telephone and uses a typewriter, and electric trolleys run through town – as well as notions of class consciousness and the relationships between employers and servants.

No books about Gilded Age Newport would be complete without a look at yacht racing, luxury steam ships, and the kinds of carriages people drove. Fashions, occupations, pastimes – these were all on my “to be researched” list. And, of course, since my heroine is also a newspaper reporter, I needed insight on real women reporters of the times – and yes, there were a few, and some of them even managed to push beyond the limitations of society page news.

Besides my main characters, who are fictional, people like the Vanderbilts play important roles in the books. I’d heard of them, of course, and knew they were incredibly wealthy, lived in huge, ornate houses, and were connected to the railroad industry. But I had no knowledge of them as individuals, or how they interacted with each other. I had to get to know them on a much more personal level so I could remain true to their personalities and their family dynamics.

All of these elements, and more, I had to learn. But what kept it exciting for me was my desire to dig around in the past, find the puzzle pieces, and put them together. Let’s face it – after a while what you already know becomes one big bore. Staying inspired means taking risks and forging into new territory. It’s an adventure that keeps your writing fresh and makes you eager to sit down at the keyboard every day. So for me, it’s not “write what you know,” but “write what you want to know, and what you’re excited to learn about.” In other words, find your passion (or passions) and take off running!

Do you have a passion for something? Share below and be entered for a chance to win a signed copy of Murder at The Breakers! Or just leave any old comment – you’ll still be entered!

About Murder at The Breakers:

As the nineteenth century comes to a close, the illustrious Vanderbilt family dominates Newport, Rhode Island, high society. But when murder darkens a glittering affair at the Vanderbilt summer home, reporter Emma Cross learns that sometimes the actions of the cream of society can curdle one’s blood…

Newport, Rhode Island, August 1895: She may be a less well-heeled relation, but as second cousin to millionaire patriarch Cornelius Vanderbilt, twenty-one-year-old Emma Cross is on the guest list for a grand ball at the Breakers, the Vanderbilts’ summer home. She also has a job to do—report on the event for the society page of the Newport Observer.

But Emma observes much more than glitz and gaiety when she witnesses a murder. The victim is Cornelius Vanderbilt’s financial secretary, who plunges off a balcony faster than falling stock prices. Emma’s black sheep brother Brady is found in Cornelius’s bedroom, passed out next to a bottle of bourbon and stolen plans for a new railroad line. Brady has barely come to before the police have arrested him for the murder. But Emma is sure someone is trying to railroad her brother and resolves to find the real killer at any cost…

murder_at_MARBLE_HOUSE
Bio:
Alyssa Maxwell is the author of The Gilded Newport Mysteries, a historical mystery series featuring the glamor of a bygone era and a sleuth who’s a less “well-heeled” cousin of the illustrious Vanderbilts. The series debuted in March with MURDER AT THE BREAKERS, to be followed by Murder at Marble House
in September, and Murder at Beechwood in 2015. Alyssa will also be debuting an English-set historical series, The Foxwood Hall Mysteries, in October 2015. Alyssa and her family live in South Florida, where she is a member of the Mystery Writers of America – Florida Chapter, Sisters in Crime, and The Florida Romance Writers.

For review quotes, an excerpt, pictures, and all kinds of other fun stuff about The Gilded Newport Mysteries, please visit my website: http://alyssamaxwell.com. I love to hear from readers, so while you’re there feel free to drop me a line!

You can also find me at:
https://www.facebook.com/alyssa.maxwell.750


https://www.goodreads.com/author/show/7163135.Alyssa_Maxwell

Daniel Palmer: Desperate Sunday, May 25 2014 

Desperate
Just when you think there can’t be a new twist to a story, along comes Daniel Palmer, who surprises readers yet again with his newest thriller, Desperate.

Told strongly in first person from the point of view of Gage Dekker, he and his second wife Anna Miller are desperate to adopt. Both have survived the loss of a child, and for Gage, the added loss of his first wife, Karen, compounds his despair when he meets Anna in a grief survivor’s group. After a whirlwind courtship, a meeting of the minds and hearts, the two are married six months when they decide to adopt after Anna experiences a miscarriage.

A chance meeting with unwed mother Lily turns their anticipated long wait to adopt into a sudden rush when Lily asks them to adopt her baby. With their upstairs tenant gone, Lily is installed over their heads to await the blessed event.

And then things start to horribly go wrong for Gage in several areas of his life, and Lily seems to be at the bottom of it all.

But Anna refuses to believe Gage when he insists Lily is sabotaging his life. The two women have bonded and Anna is desperate for this child to complete their family; she blames Gage for the seemingly innocuous incidents that have him believing Lily is not who she seems to be.

As the stakes are raised, Gage will find himself embroiled in a fantastical plot he can’t find a way out of, one that leads to murder, and he’s stuck at the heart of it.

This compelling thriller will appear to leave Gage no way out, and then the complicated plot takes yet another twist until it careens around a sharp curve and readers will be left breathless and amazed at the audacity Palmer infuses into his novel.

Compelling and intelligently written, Palmer will hook readers and draw you in, in this inventive thriller with its surprising events. Unexpected and original.

Linda Barnes: The Perfect Ghost Sunday, May 18 2014 

Linda Barnes is best known for her award-winning Carlotta Carlyle novels. Now she returns with an intriguing premise for a crime novel in The Perfect Ghost. perfectghost
Em Moore is the quieter, writing half of the ghost-writing “autobiography” team of T E Blakmore. Her partner, Teddy Blake, the face of the team with his charismatic personality and winning way during interviews of their subjects, has perished in a car accident.

Despite panic attacks and agoraphobia, Em pursues finishing their most recent contract with the actor, director and filmmaker Garrett Malcolm, and travels to his lavish compound on Cape Cod. The son of a family with theatrical ties, Malcolm is known for his attention to detail and his way with women. A widower with an only daughter, Malcolm wins over the impressionable Em.

It’s hard for Em to come out of her shell but she persists, using learned coping mechanisms, and soon winning Malcolm’s interest and finally his respect. She feverishly pursues their remaining interviews while composing the book, all the while distracted by the persistent questions of a local police detective who suspects Teddy’s accident was not quite so accidental.

Along the way she finds herself reluctantly introduced to a local gossip-monger and tries to decipher the clues he’s collected that point to a dark secret Malcolm is hiding.

Told in Em’s narrative to Teddy, we see the action through her eyes and the unfolding of a story that will leave readers with raised eyebrows, and in a final unseen twist, shocked at the ending.

Barnes just a great job folding readers into Em’s world, who will be caught up in her story. She uses devices like police reports, newspaper clippings and the transcripts of some of Teddy’s interviews to weave a compelling story that will leave readers totally unprepared for its surprising climax.

R. E. Donald: The Highway Mysteries and Hunter Rayne Sunday, Apr 27 2014 

Auntie M is at the Day of the Book in Kensington, MD today. Please drop by the Bridle Path Press table to say hello if you are in the area. In my absence, welcome R. E. Donald, who shares the story of her Highway Mystery Series.

A Hero in the Slow Lane

If you don’t personally know a trucker, this might come as a surprise: truck drivers are as diverse and disparate a group of individuals as the general population. Some are happy-go-lucky and chatty, some are crude and unkind, some are well-educated and eccentric, some are cowardly and mean, some are messy and good-natured – I could go on.

An assorted group of former truck drivers, for example, are Elvis Presley, Liam Neeson, Charles Bronson, Sean Connery and Richard Pryor. The long-haul driver I write about in the Highway Mysteries, Hunter Rayne, is a hero, in his own polite, tormented way.
SlowCurve

Why would a woman whose favorite mystery novelists at the time were Dorothy L. Sayers, Elizabeth George and P.D. James, choose to create a series whose hero is a truck driver? Having lived most of my life on the west coast of North America, I couldn’t write a series set in England (although Elizabeth George, whom I learned a great deal from at an excellent writing workshop at The Book Passage, has done it very successfully). I wanted to write a traditional-style mystery in a setting that I knew well, with believable situations, and with characters that seemed so real that a reader might expect to meet them in her home town. I had a lifetime of west coast characters and twenty-five years experience in the international transportation industry to draw on for ideas and inspiration.
IceontheGrapevine
I looked at my bookshelf and realized it held numerous series featuring police detectives, lawyers and private eyes. I had no desire to compete head-on with the likes of Michael Connelly, John Lescroart and Sue Grafton, yet I wanted a hero who might realistically get involved in investigating murders and also have access to some of the investigative tools a true amateur would not. A former homicide investigator with friends still in the police force fit the bill.

As a fan of the TV series “Murder She Wrote”, I also realized that setting a crime series in a single community raised issues of credibility. How many murders can take place in one small town like Cabot Cove? With my hero on the road, I have a continent full of crime at my disposal.
Sea_to_Sky

That’s how the Highway Mysteries series with “semi-professional” detective Hunter Rayne was born. The first novel in the series, Slow Curve on the Coquihalla, is named after the mountainous highway featured in Discovery Channel’s “Highway Thru Hell” reality show. The supporting cast includes Hunter’s boss and dispatcher Elspeth Watson and a garrulous biker of Viking descent named Dan Sorenson. In spite of an acrimonious relationship with his ex-wife, Hunter struggles to stay connected with his two teenage daughters. His divorce and the suicide of his best friend have left him with wounds that are slow to heal, and a need for the solitude afforded him by life on the road.

You can find Slow Curve on the Coquihalla, Ice on the Grapevine and Sea to Sky in digital or print format at most on-line book retailers, or they can be ordered through your favorite bookstore. A fourth novel in the Highway Mysteries series will be released later this year.

RE Donald web
Full information is available at proudhorsepublishing.com or the author’s website at redonald.com.
About R.E. Donald: Ruth recently moved to a ranch in the South Cariboo region of British Columbia with a French Canadian cowboy, three horses and two dogs. She has never actually driven an eighteen wheeler, and probably never will.

Rick Reed: Jack Murphy Crime Series Sunday, Feb 2 2014 

Please take a moment from the Super Bowl to check out Rick Reed’s essay. Rick is the author of true crime plus the Jack Murphy series. Leave a comment to enter a drawing for a free copy of FINAL JUSTICE.

Final Justice Ebook Cover

Lump of Clay

 

I’ve been asked this question many times. “Do you write from an outline? How do you get your ideas and keep them straight while writing a full length novel?”

 

The answer I gave in the past is, “I don’t start with an outline. I start with a title (an idea) and then let the characters develop the story.”

 

But today I realized that’s only partially true. 

 

Imagine a book as a lump of clay. (And please don’t think I’m comparing myself to an artist.) The definition of sculpting is to create by removing material in order for the shape that is hidden inside to be revealed.

 

With that in mind, imagine a title such as “Murder in Mind.” What images does that create? What feelings does it bring out? For every one of you it’s different, but will have subtle similarities. For one of you the story would be about a serial killer that fantasizes his murders and tries to make them fit the fantasy. For another of you it might be a nightmare, or the unconscious world of a coma patient. 

 

Probably most of you work the other way around. You have an idea in mind, and then come up with a title. Either way, the title almost always changes to fit the story. 

 

My books, The Cruelest Cut, The Coldest Fear, and Final Justice, all started with a title that stuck in my mind. It was my lump of clay. And like any sculptor or potter will tell you, eventually, the clay begins to take over, and the artist is merely the hands and chisel (or laptop) that tells the story. Inside my lump, I saw a number of possible directions for the story, and each one would lead to the characters. Then the characters would take over.

 

Each character has a different idea how they talk, what they will or won’t do, how a scene turns out, who they interact with. I never know the end until the end because it “ain’t over ’til the fat lady sings.” There is no better feeling in the world for an author than writing those two words…THE END.

 

Like any writer or artist or athlete, etc., each book is a different experience and you learn from all of them. I’d like to think that I’ve grown as a writer and I can look back at my old books and see where I would have done them differently. But the difference is the beauty of a book. Not everyone will like what you’ve written. Not everyone appreciates a painting or sculpture or song or music, but that doesn’t make it bad. (Like I used to tell my college students, “Not everyone likes asparagus.”)

 

So I say, “Go forth. Find your lump of clay. Create. Believe.” 

 

THE END

      

Sergeant Rick Reed (Ret.) was a member of the Evansville Police Department and Vanderburgh County Sheriff Department in Indiana for 30 years. During that time he served in almost all areas of law enforcement, as a hostage negotiator, handwriting expert, Bunco-Fraud, juvenile, crimes against persons, and homicide.

 In his law enforcement career he was lead investigator on numerous homicides, rapes, home invasion and battery cases. But it was during his stint in Bunco-Fraud (white collar crime) that he tracked and captured serial killer Joseph Weldon Brown. Reed’s acclaimed book, Blood Trail, is the true account of that investigation, which subsequently unearthed a serial killer claiming the lives of fourteen victims. While serving a life-without-parole sentence for these murders, Brown strangled his cellmate, made coffee, and called for the guard to move the body.

 After the success of Blood Trail Rick signed a two-book contract with Kensington Books to write serial killer thrillers. His first book, The Cruelest Cut, released in 2010, introduces detective Jack Murphy and his partner, Liddell Blanchard, as they chase a pair of revenge-driven serial killers through the streets of Evansville. In The Coldest Fear the detectives attempt to follow the reasoning of an unfathomable serial killer who is wielding a bone axe. The Coldest Fear was released in September 2011. Both of these works have been translated into German and Polish.

 Rick’s third detective Jack Murphy thriller, Final Justice, addresses the corruption and failings within the criminal justice system. Final Justice was released September 2013 and re-released in January 2014.Rick is currently at work on his next Jack Murphy thriller, Murphy’s Law, to be released in mid 2014.

 Rick also belongs to BOOKCLUBREADING.COM, an innovative group that pairs authors with book clubs, libraries, universities, domestic violence groups, and writer’s groups. The Internet makes the author available to speak at your event via Skype or iChat, or in person.

To learn more, visit Rick at:

Website:    http://www.rickreedbooks.com

 Blog:      http://rickreed007.blogspot.comRickReed - Copy

 BookClubReading:  http://bookclubreading.com/final-justice/

 LinkedIN:  http://www.linkedin.com/pub/rick-reed/37/535/8a6

 Facebook:  https://www.facebook.com/pages/Rick-Reed-Author-Page/118343444853522?sk=info&edit=eduwork

 Twitter:  @JackMurphy1010

Or contact via email: rick@rickreedbooks.com

 


 

                                                                                                                   

Leigh Russell: DI Geraldine Steel Sunday, Jan 26 2014 

Leigh Russell’s Geraldine Steel series is finally available in the US, in paper back on Amazon.com and now through the Witness Impulse series as ebooks. Jeffrey Deaver calls the debut of the series: “A stylish top-of-the-line crime tale” and readers on both sides of the pond are quick to agree.

These are intricately plotted crime novels that  find readers quickly flipping pages as the stories race along, and all in the psychological style of Ruth Rendell or Frances Fyfield. Steel is likeable and human, with her own ghosts that haunt her, and her insecurities and errors in relationships feel realistically drawn.

First in the series is Cut Short, which introduces Geraldine and her complicated background as she starts a new job in Kent.  cut-short

Relocating near the small village of Woolmarsh, Steel fully expects her life to take a quiet turn. Still smarting from the end of a six-year relationship to a man who couldn’t handle her commitment to her work, Steel moves into a new flat and prepares to turn a page and start a new chapter. Her flat on a pretty tree-lined street promises to become a haven at the end of her work day for the mobile Murder Investigation Team based in southeast England.

Steel is still unpacking boxes when the call comes to attend the Incident Room being set up in Woolmarsh, a lucky break for Steel for it means she can stay at home instead of traveling to a different site. She’s introduced to her new colleagues, and the DCI she’ll be working with, Kathryn Gordon, a tough but fair detective.

The body of 22 yr-old Angela Waters has been found by children with their nanny, partially hidden in the leaves and shrubs of a nearby park. The crime scene has been compromised by the children, the nanny, and a variety of small animals that have been at the corpse in the day and night she’s lain there.

This is the first of a series of murders by a sick mind preying on young woman. In an interesting twist, several chapters are from the killer’s point of view, so the reader has a very different feel for the motives behind what Steel and her team think is a typical serial murderer.

A great start to an interesting series, with Steel finding her footing in a new environment amongst a new team who may or may not be watching out for her. And of course, one very sick killer who may just get away with murder unless Steel can figure out the culprit.

road-closed-coverRoad Closed finds Steel and her team called in after a gas explosion takes the life of a man in his home. Was this a case of arson or that of a desperate woman trapped in a hasty marriage finding a way to end it?

In the midst of the new case, Steel’s affair with a young man seems to waffle. Is that on her end or his? And what of the grieving widow Sophie? Was her husband’s death the result of a pair of bumbling burglars or did he die at her own hand?

An old woman falls down the stairs during a burglary. Or was she pushed? And are these incidents in any way related?

These are some of the questions facing Steel and her team as they try to pick apart what is real and what is not in this second outing that starts with the death of Steel’s mother.

At the funeral, she is forced to face the ambivalence she felt toward her mother as her older sister’s mourning takes its toll. With her small family reduced to just her sister Celia and her husband and their daughter, Steel ponders what it means to have felt throughout her life as an outsider in her own family. the answer will shock her and rock her very core.

But that answer opens up even more for Steel, and will be almost as difficult as Steel’s investigation. With her team not solidly behind her, Steel has to decide if a witness to the previous crimes who dies in a hit-and-run accident is part of the larger picture or just an untimely coincidence.

Book Three continues with Dead End, the most disturbing case Steel will have to date. The trail will lead to York and back as her team struggles to find a killer9781DeadEnd just as Steel seems to heat things up with the handsome pathologist, Paul Hilliard.

Abigail Kirby is a determined woman, pushing her way to a new position as headmistress at a private school, uprooting her two teenagers from their schools and homes, despite the crumbling state of her marriage. Young Ben seems to have settled in well to his new school, but 14 yr-old Lucy is socially awkward and on the verge of an eating disorder. Plus, she’s furious with her father for having a relationship outside his broken marriage.

Then Abigail’s corpse is found and as horrible as the fact of murder seems, it takes a decided turn for the worse at the postmortem when it’s discovered her tongue had been cut out while she dying. Could her husband have decided to take the easy way out to have the relationship he wants?

As Steel’s team gets their investigation underway, a second corpse is found, that of a potential witness, who has been blinded. Then Lucy runs away from home to find her new internet friend, the only person who seems to understand her.

Meanwhile, Steel’s DS, Ian Peterson, is having his own troubles at home. He’s gained Steel’s trust, but then goes off on his own to follow a tangent in the investigation.

Steel soon finds herself on the receiving end of a surprising twist as the climax builds to a swift conclusion that will jeopardize her own life.

These complex procedurals are tightly written and the new change in store for Steel at the end of this novel promises to keep the series from becoming formulaic or stale.

Death BedBook Four follows Steel’s relocation to London in Death Bed. After a surprise discovery about her personal life, which has affected her deeply, she’s forced to tell her sister that she’s received a transfer she’s hoped for: to the Met to work as Detective Inspector on their Murder Squad in London.

Another move for Steel, this time to Islington, with more boxes and new people to meet and fit in with, and this time she’s also fighting what she perceives as their idea that she’s a country bumpkin who won’t be able to handle the hectic pace of the Hendon Squad.

Her new DS is a woman, an adjustment for both of them, but that becomes the least of the two women’s problems when a young black woman is found murdered in North London. Showing signs of severe abuse, dehydration and marks of being held with chains, the discovery is quickly followed by a second body in similar circumstances.

Worried about calls of racism against black women, the team realizes the two murders are connected, especially when it’s found that two teeth are missing from both women. But their individual circumstances are clearly different. So what is the reason this killer has taken them? Is this his idea of a trophy?

In the midst of their investigation, chapters show the victims chained in the attic of their captor, and the chilling account of his rationale for doing what he believes to be a spiritual purpose, adding to the highly unusual “collection” that readers will find a haunting premise.

This is the darkest of the series, and probes the mind of a sociopath who only sees what he needs for his own purposes. It will be up to Steel to put the pieces together to unmask a canny and highly unusual murderer.

This gritty addition to the series delivers a powerful wallop. There are two more in the series with Steel in London that will be reviewed this spring when they are released by Witness Impulse here, along with an interview with the charming Russell. Stay tuned for more with DI Geraldine Steel from Leigh Russell.

Charlotte Williams: The House on the Cliff Sunday, Jan 12 2014 

charlotte-williams-the-house-on-the-cliff.jpg?w=450Welcome to Cardiff, Wales, home to psychotherapist Jessica Mayhew and her family.

Jessica has it all: lovely home, two great kids, a successful practice, and a loving marriage. Or so she thinks.

She’s sharp and notices small details with her clients, yet somehow misses that things are wrong in her marriage when her frequent-flyer husband, Bob, admits to a one-night stand while away on business.

Think: frosty at home, and you’d be right. She struggles with picturing Bob and his lover while trying to co-parent young Rose and 16 yr-old Nella. Is her marriage over?

But the thaw for Jessica comes in the form of an interesting new client, actor Gwydion Morgan, who arrives asking for her help with a phobia that may affect his career. The son of Evan Morgan, a womanizing, overbearing man with a string of infidelities to his name, Jessica admires Gwydion’s insistence not to trade on his father’s name and to make his own way.

It seems buttons are a huge problem for the incredibly handsome young man, and Jessica feels drawn to him, especially after Bob’s confession and her inability to forgive him.

Jessica soon susses out that the young man’s button phobia masks a deeper issue, and Gwydion admits to a frightening and recurrent dream involving being locked in a box and hearing a man and woman fighting. He wakes before the end of the scene, and soon Jessica is pushing him to remember more. She’s convinced the end of the dream is the way to his recovery.

When Gwydion’s mother calls and says her son has sunk into a deep depression and she thinks he’s suicidal, Jessica breaks one of her own rules and makes a house call. The foreboding Craigfa House reminds the reader of something out of Rebecca, a cliffside Jacobean melange on West Wales. Arianrhod Morgan is grateful Jessica has come to the house. Beautiful but unhappy, the woman has withstood her husband’s ferocious philandering for years. It’s obvious she is concerned about her son.

A drowning off their cliff years before is glossed over until Jessica learns that the young woman, Elsa Lindberg, was actually Gwydion’s nanny. Jessica begins to delve into the case, never imagining the repercussions she will dreg up. Her snooping into the young woman’s death will coincide with Gwydion remembering more and more of his dream until he reaches the devastating end.

How that will impact Jessica and her family run alongside her own distrust of her husband and her growing attraction to the young actor. Who is telling the truth? And who can she really trust?

With her instincts clouded, Jessica tries to find the answers, only to see that the truth may be harder to take than she ever imagined.

A powerful debut thriller, with an interesting family behind it and a keen sense of the psychology that Jessica practices. Williams has a long history or writing for the arts in journalism and making documentaries for the BBC. More recently she’s worked in radio drama on original plays and adaptations. Readers will hope she brings back Jessica for round two down the road.

 

Frances Fyfield: Blood From Stone Sunday, Dec 1 2013 

images_049Auntie M had the pleasure of meeting Frances Fyfield at St Hilda’s this August, where her riveting talk proved what I’d already suspected: here was an intelligent criminal lawyer who had a terrific knowledge of human character and was able to translate that into the highly complex and readable novels I’d always enjoyed. Fyfield worked as a lawyer for the Crown Prosecution Services, where she learned first-hand about murder. Though writing is now her main vocation, the law and its ramifications continue to inspire many of her novels.

Auntie M thought she’d read every Fyfield novel available: the Helen West series, the Sara Fortune series, and several stand-alones, all carefully crafted and thoroughly enjoyable to read for crime enthusiasts.

Therefore, it was a delight to find a new release of one she’d missed through Witness Impulse as an ebook: Blood From Stone, which won the Duncan Lawrie Dagger Award from the Crime Writers Association when it first appeared in 2008.

Marianne Shearer is at the height of her career, a dauntingly successful lawyer, respected by her peers and revered by her clients, even though those who know her well understand the ruthless nature that drives her.  Her latest case had again resulted in an acquittal, although the outcome was principally due to the death of the prime witness after Marianne’s forceful cross-examination.

Then why would she commit suicide in a dramatic and very public way?

Is it possible that this wholly professional and unemotional lawyer been struck by guilt or uncertainty, or is there some secret to be discovered in her rigid yet comfortable private life? Thomas Noble has been handled the job of executor of her estate. Her younger colleague Peter Friel is determined to find out of that last trial held the reason for her taking her own life. Together Noble and Friel will attempt to find out the reason Shearer felt she should end her successful and comfortable life.

The transcript of Shearer’s last trial holds intriguing clues, and excerpts from it give the reader a clear picture of Shearer’s scathing style in court and her ability to demean and demoralize the prosecutor’s witness. Then the sister of the last victim becomes involved and may be the one who holds the key to the truth. A most interesting woman in her own right, Henrietta Joyce’s sister had taken her own life after being subjected to Shearer’s style. Hen finds herself helping Friel and Noble unravel the secrets of Marianne Shearer’s life.

Fyfield has the ability to create fully-realized and very human characters who immediately capture the readers interest and Blood From Stone is a perfect example of Fyfield’s highly satisfying novels.

This January, Witness Impulse will be publishing two more classic Frances Fyfield titles, available to e-readers in the United States. Auntie M thoroughly enjoyed both of these and can highly recommend each book. The first is another stand-alone and the second is part of the Helen West series. Both illustrate Fyfield’s strengths in characterization, complex plots, and highly readable books that will have readers searching for others.

UNDERCURRENTS will be on sale January 7, 2014

For twenty years Henry Evans has been haunted by the memory of Francesca, the one who got away. When he travels to England to re-connect with his long lost love, what he finds is a horrific shock: Francesca is imprisoned for murdering her five-year-old son. But Henry refuses to believe Francesca is guilty, even if she did confess – in chilling detail – to drowning her own child.  In his search for the truth, Henry will find that the darkest of evils are hidden deep beneath the surface…

“Psychologically astute yet eminently readable, UNDERCURRENTS offers the tug of true suspense while probing the eerie confluence of love and loss.” – The Washington Post

DEEP SLEEP  goes on sale January 21, 2014 and was a CWA Silver Dagger Winner.

Pip Carlton is a devoted husband and a highly respected pharmacist, cherished by his loyal customers. When his wife dies in her sleep, with no apparent cause, he is distraught. Comforted by his caring assistant, Pip ignores the rumors about Margaret’s death, relieved that the police seem to have moved on. But Prosecutor Helen West refuses to believe that Margaret simply slipped into her final slumber. As she probes deeper into the affairs of the neighborhood, she uncovers a viper’s nest of twisted passion, jealous rage, and lethal addictions.  As a sudden act of violence erupts, shaking the community, one lone man, armed with strange love potions, prepares to murder again…

 Several of the Helen West series have been serialized for television and her novels have been translated into fourteen languages. If you haven’t discovered the treasure of of the work of Frances Fyfield yet, you’re in for a treat. Don’t forget her when you’re looking for holiday gifts for your reading fans, too.

Around the World in Crime: Norway, France, Iceland, Denmark and Venice Sunday, Nov 17 2013 

Auntie M’s reading list includes many fine Nordic and European authors she hopes you’ll investigate. These books are all great reads, and with the holidays approaching, make great gifts for the bibliophiles on your list.

blessed-are-those-who-thirst.jpg.pagespeed.ce.Y23Pst4KrgHanne Wilhelmsen is a police investigator first introduced in Holt’s Blind Justice. Blessed are Those Who Thirst finds her battling a brutal Oslo heat wave, which has set off a huge upward spiral in violent crime in the area. She’s balancing it all with an unsolved rape case which disturbs her.

The newest crime scene she is sent to baffles her at first: in an abandoned shed, covered with blood, an eight-digit number is scrawled in blood on one wall. Is it human blood?

But there’s no victim, at least none at this site. Is this a terrible prank or the mark of a more sinister killer?

More of these bloody crime scenes start to crop up, all in isolated locations throughout the city, all with different numbers. Then Hanne’s colleague discovers the significance of those numbers: they belong to female foreign immigrants who have gone missing.

As her team races to track down this killer, the rape victim and her father separately plan their own vengeance.

How these intersect, with horrifying consequences, will keep readers rooted to the page. This is a well-plotted mystery in a fascinating series.

Holt’s inclusion of Hanne’s domestic situation adds nice texture and reminds us that police personnel all have home lives.

 

Bernard Minier’s The Frozen Dead was first published in French with the title Glace`, but this translation loses none of the chilling aspects frozen1444732252-detailof the original.

Minier draws on little-known facts to build his suspense, from the bizarre psychiatric methods at some points, to the subterranean power plant that becomes a plot point.

When a headless horse is found suspended from a frozen cliff in southwest France, it annoys the city cop assigned to investigate. Servaz should be dealing with three teens suspect of killing a homeless man.

Yet he cannot ignore this highly unusual and disturbing crime as the rumbling of a cable car brings the horse’s corpse into view. Everyone in attendance is disturbed.

Only miles away, a young psychiatrist named Diane Berg embarks on a journey that will mean so much more than just a year’s assignment in the Pyrenees at the Wargnier Institute.

When DNA from the Institute’s most infamous inmates is discovered on the animal, it is the first hint to Servaz of the nature of the madment he seeks, and sparks a series of horrific murders.

There’s no escaping the cold as theme in this thriller, from the gritty settings to the dark, grisly deeds carried out in the names of healing, and of revenge.

Minier’s novel explains the complicated and different police investigation method of France’s system, which adds to the tone. Readers will look for more by this talented crime writer and await the reappearance of Servaz and his music.

 

17286708Staying with the cold, we head to Reykjavik, Iceland’s setting for the Erlendur series. This tenth entry is Black Skies, by award-winning author Arnaldur Indridason, who won the CWA Golden Dagger Award for Silence of the Grave.

This time it’s Sigurdur Oli in the spotlight of this subtle and superbly crafted police procedural. Oli finds himself reluctantly agreeing to a friend’s request to head off a blackmail attempt in a scheme of wife swapping. Then he finds the woman accountant found bludgeoned to death was involved with her husband in the scheme.

But Oli is forced to look beyond this obvious motive when the victim’s association with a group of disreputable bankers becomes known.

This has an almost sociological feel to it, without judging or hitting the reader over the head, as Oli follows leads that will take him to the heads of high-finance and the lowest criminals on the economic ladder.

That he becomes disgusted with both extremes speaks volumes. The laziness of the criminals he encounters stands in stark contrast to the greed and flagrantly accepted corruption of the upper class.

By showing how these encounters affects Oli’s own thoughts about his family and marital history, we become involved with him as a real person who happens to be a policeman. That he is tasked with this unenviable job that is sometimes at odds with his personal feelings becomes the heart of the book.

 

Another Nordic entry not to be missed comes from Denmark’s sibling team of Lotte and Soren Hammer. 16044964The Hanging brings readers the unusual team of lead detective Konrad Simonsen in this startling novel that starts off with a bang and never lets up.

When two Turkish children get to school early, they find the mutilated and naked bodies of five men hanging from the gymnasium ceiling. It doesn’t help the investigation when a prejudiced policeman takes his time responding to the call.

The horrific crime sees Simonsen recalled from a vacation, which stirs a media frenzy that is compounded when the link between the victims is known: all were pedophiles.

Fighting public opinion that their killer should be overlooked complicates his team’s investigation. At the heart of the matter will be the lingering question: when is justice served?

Adding texture to the book is the feel for Copenhagen the authors transmit, as is the team the authors they give to Simonsen. These include a young policewoman feeling her way through the start of her career, and another with independent financial means who doesn’t need the job.

The first of a planned six-part series, Lotte and Soren Hammer have fans already clamoring for the next translation.

 

n401410The lovely vintage feel and VW bug on the cover of Marco Vichi’s Death in Florence tell the reader immediately that we are not in contemporary times but rather in 1966.

This is the fourth in the series featuring the novel’s protagonist, Inspector Bordelli, owner of the VW.

“How can a boy vanish into thin air?” That’s the question absorbing Bordelli at the moment.

Giacomo Pellissari seems to have melted into the pouring rain leaving his school. When his mother’s car won’t start, his lawyer father arrives to the school to pick him up an hour late. The boy was seen running into the downpour–and there his trail grows cold.

Bordelli begins an increasingly desperate investigation into the boy’s disappearance with the help of his young sidekick, Piras. They will uncover abuse of power, rape, murder and a ring of homosexuals as they delve deeply into the case.

But he is thwarted by the flood that overwhelms Florence. Based on a real occurrence in November of that year, the swollen river Arno laps over the arches of the Ponte Vecchio, breaks its banks, and completely overwhelms the city.

While streets become rushing torrents, the force of the water sweeps away vehicle and trees, doors and even a coffin lid. Mud piles of debris line the city Bordelli calls home, yet the obstinate detective persists in finding a resolution to the disappearance of a little boy.

Written in an atmospheric and literary style, the ending will leave readers surprised and questioning the next volume to follow.

 

Moving from Florence to Venice, the debut novel The Abomination by Jonathan Holt has been hailed for its complex plot involving two forceful abominationwomen, the Carabiniere Captain Kat, and her American counterpart, Holly.

Their case kicks off when the body of a woman washes up from the Grand Canal wearing the robes of a priest, a desecration seen by the Catholic Church as The Abomination. That this happens on the night of the Feast of the Epiphany with its masked balls add to the drama.

Duality is enhanced with the idea of Carnvia.com, a virtual Venice, a social network revolving around a simulated world that gives users complete anonymity by letting them hide their identities behind carnival masks.

The narrow canals and thick, sewage-scented fog that envelops Venice at times is aptly represented, a counterpoint to the usual image of artworks and tourist cathedrals, and provides the backdrop for the corruption and conspiracy the two women will find.

The action never flags in this combination of mystery, tech thriller and conspiracy. The two worlds of Venice and its cyber-counterpart create a compendium of mysteries that are skillfully rendered.

There are two more volumes in the works from this talented author who blends and balances intriguing characters with multiple story-lines of action.

 

 

Elizabeth Haynes: Interview/ Human Remains: Review Sunday, Oct 13 2013 

One of the goals Auntie M has in writing this blog is introducing US writers to great UK authors they may be missing. Elizabeth Haynes (Into the Darkest Corner; Dark Tide) writes quality crime novels you’ll want to seek out. Auntie M had the privilege at Bouchercon of interviewing Haynes about her newest thriller Human Remains. The first photo is of Elizabeth charming the audience as she moderates a panel. She is warm and personable with a wicked sense of humor, and we shared a delightful time together. Here are her thoughts on her work; the review follows.

IMG_2517HaynesAuntie M: Your first two books drew on your experience as a police intelligence analyst, yet Human Remains is the first to give your protagonist that actual job, a real glimpse into a civilian working for the police. Tell us how your job sparked this book’s storyline.

Elizabeth Haynes: Every morning we received a bland document, the Chief Constable’s report of all reported incidents for the last 24 hours. “Human remains found” is often noted with no name or details or identifier.  It’s an incident but not necessarily a crime if these people appear to have died from natural causes, yet it happens more often than you’d think and I wondered about these forgotten people.

Then I saw a documentary called Dreams of a Life, about 38 yr-old Joyce Vincent, whose decayed body was found in her flat three years after her death.  She was sitting on her sofa surrounded by Christmas presents she was wrapping and the telly was still on! No one had missed her, no had checked on her–she had no “key layer” of people who would have raised the alarm. I started to think: what if someone out there was responsible for these seeming natural deaths, how would I search for this to find a pattern? I gave that job to my character, Annabel.

AM: You have created some really creepy bad guys. How do you get close to them?

EH: The first two books were concerned with relationships and it felt easier to write them. This one differs significantly. Both Annabel and Colin are unsocial people, but for vastly different reasons. I see my books as a snapshot of my characters, a window to them. I love them all, even the baddies. At first Colin didn’t want to talk to me, and I suspect he’s more intelligent than I am. He does hideous things but he sees the beauty in what he does and believes in it.

AM: Whether it’s OCD, pole dancing, or neuro-linguistic programming, you do extensive research. It’s one of the bits I enjoy most in my mystery series–do you?

EH: I do enjoy research but I’ve learned there’s a fine line for me between what’s productive and getting track-tracked on something else that catches my fancy. For this book, I was comfortable with the analyst side of it but less so with the NLP and hypnosis. The forensics of decomposition were the hardest. I was sitting in a coffee shop with this huge book on decomposing bodies and after the first picture, I slapped Post-It notes over them all. I could read the text and absorb the words but that photo was disturbing and still haunts me.

AM: With a husband and young son, how do you fit writing into your personal life?

EH: I have a very good husband who gives me space to write when I’m in the thrall of it, although I’m very good at procrastination. I’m not predictable in my writing habits; it seems to come to me in waves or with the pressure of a deadline. I write in my hut with my dog, Bea, a Portuguese rescued podenco, sleeping on a bed next to me.

AM: When you read for pleasure, whose books are on your nightstand? And what writer influence you?

Elizabeth Haynes, cr Ryan Cox                                                                                                                                      Photo courtesy of Ryan Cox

EH: I receive free books all the time and have found some gems, but the authors I look for and read consistently are Ruth Rendell/Barbara Vine, John Harvey and Mark Billingham, amongst others. I’m going to start Michael Robotham’s in order soon. I’d say Alison Lurie’s Love and Friendship was a big influence on my wanting to write.

AM: What’s up for fans of your writing after Human Remains?

EH: Next spring’s Under a Silent Moon will be a police procedural with a twist: the appendix contains actual flow charts that are used by the police analyst for the DCI, Louisa Smith. There are multiple narrators, and in the next few in this series, several characters from previous novels will appear.

AM: Thanks to Elizabeth for sharing her thoughts with readers. Now on to the review of her latest thriller, Human Remains.  

          HUMAN REMAINS00_Annabel is a police analyst who keeps herself busy with work, her cat and her aging mother, while trying  to persuade herself she’s not lonely. When her cat investigates the next door neighbor’s house with shocking results, its Annabel who discovers the woman’s decomposing body. The woman’s absence was not noted, least of all by Annabel, who is disturbed to the point of paying attention to the other cases of “human remains found” in her area. Her talents at investigation soon lead her to find a surge in such cases, but she’s unable to convince her police colleagues to pay attention.

Colin is also a loner, but more by choice. His one friend invites him to meet the woman he’s interested in, with disastrous results. Colin is fastidious and highly intelligent, stuck in a mind-numbing job that pays the bills, and he takes multiple courses at night in subjects all related to the human mind. He has his own study of the human psyche in progress with appalling results, yet he’s convinced he has embarked on a wondrous experiment.

How the paths of these characters intersect, and the devastating results, form the basis for Haynes’ most chilling thriller yet. Readers will find themselves compelled  to trace the trajectory of this story that weaves several threads expertly. One of the hallmarks of all of Haynes books is the level of research she does that adds multiple layers of plausibility to her stories.

The story is told in first person by both narrators, bringing the reader right into their minds and emotions. Sprinkled in between are newspaper articles of the discovery of these bodies, and in a specially insightful twist, chapters from the victims point of view. How these ordinary people living ordinary lives fall prey to Colin through circumstances that could happen to any of us adds to the book’s harrowing tone.

This is an all-too-believable story of what can happen to people who live alone. Highly recommended.

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