Two Jewels by Barry Maitland Sunday, Nov 6 2011 

Award-winning novelist Barry Maitland was born in Scotland, but grew up in London. Although he’s lived in Australia since 1984, Maitland takes us to a different London neighborhood in each of his police procedurals featuring Metropolitan police detectives David Brock and Kathy Kolla. Despite their age difference and relationships with other people as the series has advanced, the bond between the more experienced Brock and his acolyte Kolla has deepened, even as the younger woman’s strengths as an investigator have grown.

Auntie M’s readers know she follows this series, and Maitland’s two most recent novels won’t disappoint fans or newcomers. Both offer the ingenious plotting based on a solid framework that Maitland’s architectural background lends, one of his hallmarks. Perhaps credit should also be given to his great-grandparents skills as weavers. Whatever the source of his talent, Maitland’s main plot and subplots all hang together without becoming obtuse or unnecessary, even when characters from the personal lives of Brock and Kolla take the stage and become woven into the plot of the story.

His books also display extensive research into an area of obsession for that novel’s characters, so that readers learn about a subject important to the main personalities. It is to Maitland’s credit that this information forms a vital part of the story and yet keeps the reader intrigued, without lapsing into a travelogue or primer feel that would take away from the novel. Auntie M knows when she opens a new Brock and Kolla novel that her knowledge of a new area will be enriched as she follows the investigative trajectory.

Dark Mirror takes Brock and Kolla into the world of the Pre-Raphaelites, when a student has a seizure at the London Library and dies shortly after. Marion Sommers was a diabetic, but what seems to be a simple tragedy becomes the object of investigation when it is determined that the graduate student, an Ophelia-lookalike, died from arsenic poisoning. Was this a deliberate ingestion by a depressed young scholar, or the work of a devious murderer?                                                   Kathy Kolla has just been promoted to Detective Inspector of Scotland Yard’s Serious Crime Unit and holds herself up a role model for the younger members of her team. In her first big case she is determined to find the truth behind the death of the pretty student . With the help of DCI Brock and other members of their team, she begins to unravel the complicated story behind the young woman’s ties to a world where it was once common to use arsenic for a variety of household uses.  Kolla is immediately thwarted in her investigation when she experiences difficulties finding the dead woman’s residence and next of kin.

When Kolla eventually finds Marion’s home and her family, both raise more questions than answers for the detective. Kolla tries to understand Marion and her work, exploring the world of Dante Gabriel Rossetti, Lizzie Siddal, Janey Burden Morris, and the lesser-known Pre-Raphaelites who figure in Marion Sommers work. The detective is led to Marion’s faculty tutor, her research assistant, and eventually, to the killer of the young woman whose research threatened someone’s existence to the point of murder.

Just published in the US is Maitland’s newest offering, Chelsea Mansions, named for a residence block near one of the tourist highlights of London, the annual Chelsea Flower Show. Leaving the show, an American tourist is horrifically killed in what at first appears to be a random act of violence. When Brock and Kolla’s team investigate, they realize the killer has skillfully kept his face and his escape from the neighborhood from being captured on CCTV cameras mounted near the accident site. What appears to be a random act begins to feel like the planned, deliberate murder of Boston widow Nancy Haynes.

Before any resolution can occur, a wealthy Russian businessman is murdered in the garden across the street from Nancy’s hotel. Mikhail Moszynski’s lavish home encompasses the rest of the block where Nancy’s hotel is situated. As questions mount and the investigation heats up, Kathy becomes convinced the two killings are connected, just as Brock falls seriously ill and his survival is in question. With her professional life at stake, Kolla travels to Boston to explore Nancy’s background.

Maitland gets Boston just right and his subplots involving other characters showcase the author’s skill at devising a multi-layered story. He manages to coalesce threads concerning biological warfare, MI-5, a scurrilous MP we’ve met in a previous novel, Russian agents, and a Canadian university professor into a highly satisfactory conclusion which answers all the questions that have been raised, and all in a believable manner.

It is to Maitland’s credit that he started writing with the pairing up of a male-female protagonist team before it became fashionable. If you haven’t had the pleasure of reading Barry Maitland, Auntie M suggests you begin with the delightful series opener, The Marx Sisters, to follow the careers and private lives of the two detectives these eleven novels revolve around. But no matter in which order you read them, Barry Maitland’s novels, in the UK and Aussie idiom, go down a treat.

Peter James: Riveting Two-fer Sunday, Oct 30 2011 

Peter James two latest Roy Grace novels reveal why Lee Child calls him “. . .  one of the best in the world.” James has produced numerous films (The Merchant of Venice with Al Pacino, Jeremy Irons and Joseph Fiennes) and his novels have a cinematic appeal, visual and complex. Indeed, three of the novels have been filmed and the books have sold over five million copies and been translated into thirty-three languages, a track record any author would envy.

James  blames being burgled for the realistic bent he brings to Detective Superintendent Roy Grace and his Brighton team. A detective James met at the time offered to help him with his series research, and later became the model for Grace. James says becoming friendly with the policeman and his cohorts led him to see that they live in an inclusive world of their own compatriots, looking differently at their surroundings from the average citizen: they have a healthy dose of suspicion most of us lack. James credits another detective friend who reads and comments on his novels-in-progress for being an invaluable resource. Auntie M agrees: her own Cumbrian source for The Green Remains (due out early in 2012) helps with details of everything, from the colors of the lights on top of Lake District panda cars, to the distance to the police station from the major crime scene.

Dead Like You opens in Brighton at the Metropole Hotel on New Year’s Eve. A woman is brutally raped; a week later, a second woman is attacked. Both victims have their shoes taken by the offender.

 

 

The cases jog Grace’s memory back to a series of remarkably similar crimes which remain unsolved from 1997. Are these crimes the work of a copycat perpetrator, or has the “Shoe Man” resurfaced?

By shifting between the past and present, James presents us with the fullest picture yet of Grace’s personal life, taking readers into the time before his beloved wife went missing and changed his world irrevocably. He also offers a fascinating story of sexual obsession. As the crimes mount, Grace’s team race to save the latest victim.

The novel is inventive and engrossing, blending aspects of the police procedural with the psychological suspense that has become the hallmark of James’ novels, which Jeffery Deavers say echo ” . . . the heart and voices of such authors as P. D. James and Ian Rankin at their best.”

 

 

James’ newest addition to the series will be on sale here at the end of November. Auntie M scored an Advance Readers’ Edition of Dead Man’s Grip and feels this is the strongest entry yet in the Roy Grace series.

This one sizzles off the page, building from chapter to chapter, as the action ranges through several countries and surges with emotional charges on several levels.                                                                                                                                                  

The action starts in a seemingly innocuous way, with widow Carly Chase hurrying to the office after dropping her son at school. A terrible motor vehicle accident occurs, with the resultant death of a Brighton University student. Too much wine the evening before is still in Carly’s system, but when she’s eventually cleared of any wrongdoing in the accident, she has no idea that the repercussions will extend far beyond the loss of her driving license.

When Grace’s Sussex team become involved, it becomes clear that the dead student had connections to organized crime in America, and several scenes are set in New York on Long Island’s tony Hamptons. Since this is Auntie M’s homeground, she was particularly keen to read these bits, but the routes used to get there from Manhattan are correct and descriptions of the area hold up well.

Then revenge killings of the others involved in the accident begin, accompanied by some of the most horrific torture imaginable. It becomes obvious to Grace that Carly is next on the killer’s list.

Besides James’ terrific plotting, this novel is notable for two other aspects. The first is the hit man involved, and here Grace does a sensational job of getting inside the mind of the kind of freakish sociopath who would be able to carry out these detailed killings. This may be one of the most evil characters to come out of James’ imagination yet.

The second is the weaving in of Grace’s personal life, which takes an surprising and unforeseen turn. Readers of the series will be chomping at the bit for the next book to see how this newest twist plays out. Don’t miss this latest entry from Peter James for a satisfying read and a wild ride.

 

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