Three to Die For: Hutton, Cha and Haines Sunday, Jun 16 2013 

Ewart Hutton’s debut Good People features a most unusual detective: DS Glyn Capaldi, half-Welsh but also half-Italian, and it’s those dark good looks that set him as an outsider.

images_030A case with an less-than-happy ending has sent Capaldi on exile from Cardiff to the rolling Welsh countryside where he’s learning the back roads and mores of the locals.

A call for a minibus hijacking looks like a routine call, especially when the missing van is found the next morning, an apparent prank.

But all is not well: six young men and one young woman appear to be missing, and when not all of them are found, Capaldi smells a case with his detective’s instinct.

Despite the villager’s assurances of the men’s goodness, Capaldi investigates and runs into opposition from the townspeople, who staunchly defend the mens pranking. These rural landowners command a high influence in the area; their word is taken as gospel.

It will be left to Capaldi to unravel what really happened that night, with consequence reaching into the past he could never foresee. Betrayals leading to depravity only scratch the surface when the truth is known, and not before a suicide occurs–or is it murder?

Hutton brings the reader into Capaldi’s world of dark woodlands and small towns that survive by their own code of justice. This is a crime thriller with an edge, and readers will hope the cynical voice of Capaldi returns, and soon.

Steph Cha is a fresh new voice in the noir thriller Follow Her Home, one that will smack you over the head with its heroine, Juniper Song, a devotee of Philip Chandler and LA Noir. images_022

Juniper has a cadre of friends and a troubled past that her favorite noir fiction keeps at bay. Known as “Song” by her friends, she responds to her good friend Luke’s request to find out if the new paralegal at his father’s firm is also his newest mistress.

Song as no real idea how to proceed, but armed with her pack of Lucky Strikes, in best Chandler fashion she tails various suspects and the young woman herself–and finds herself up against more than she’d bargained for when she agreed to help Luke.

At one point she is knocked unconscious and wakes up as the body in the trunk of her own car. This is carrying things to far for Song, and she steels her determination to conquer her past and plunges into LA’s underground, determined to find out whose buttons her minor investigation have pushed.

Cha gives readers a fascinating and yet disturbing lesson as she examines young Asian woman as fetish objects, which will come as a surprise to many readers. This adds a depth to this already compelling story while keeping the twists and turns flwoing as the story plays out.

What starts out in an almost playful mood turns serious, yet Cha keeps Song’s voice smart and crisp in an almost heartbreaking worldy manner, in this striking debut with a modern twist on old town noir.

 

images_003Taking a leap across the nation and a huge change in tone, Carolyn Haines returns with the twelfth Sarah Booth Delany Mystery in Smarty Bones.

Enjoying time with her hunky fiance Graf before his next Hollywood shoot, Sarah Booth’s usual friends surround her: her partner in their PI firm, Tinkie; her long-time friend CeCe; and even Jitty, the Civil War ghost who inhabits Dahlia House and drives Sarah Booth to distraction when she appears in various guises.

This time around Jitty is hooked on cartoon characters, but her words of wisdom are destined to revive Sarah Booth’s spirits when she reluctantly agrees to look into the claims of a professor who has arrived in her hometown of Zinnia, Mississippi.

Prof. Olive Twist is indeed the product of Dickens scholar parents, but she resemble Olive Oyl more accurately, with her thin frame and huge feet. But those big feet hide an even bigger brain, and Twist has arrived to prove that the mysterious Lady in Red, found in an anonymous grave and lovingly preserved, was involved in the plot to kill Lincoln–and she plans to implicate the families of Sarah Booth’s best friends.

Then Twist’s  young assistant is murdered at a nearby Bed & Breakfast where they were staying and things take a dramatic turn despite the large amount of humor that fills the pages.

Complicating matters are the family secrets and devious plots of some of these very families, and Sarah Booth soon finds herself and Graf involved on a level that turns deadly and will have far-reaching consequences for several of those Sarah Booth has come to love.

 

Jo Bannister: Deadly Virtues Sunday, Apr 14 2013 

images_049Northern Ireland is the home to Jo Bannister, author of the Brodie Farrell and four other series, but in her newest she takes us to the small British town of Norbold, in the highly satisfying read, Deadly Virtues.

Protagonist Hazel Best the newest recruit in Norbold’s force, a woman who chose to enter the force for her own reasons. She is determined to do a good job and gain the attention of her popular and effective Chief Superintendent,  John Fountain.

Gabriel Ash is a man haunted by an unexplained tragedy in his life. Known as Ash, his rescued dog, Patience, is the only reason he has to get out of bed in the morning most days.

These two unlikely people will join forces after law student Jerome Cardy is killed by a crazed maniac while on remand in police custody.

Sleeping off an assault and concussion with his dog in the safe haven of a Norbold cell, Ash crosses Cardy’s path when the two are temporarily housed together. Before leaving Ash’s cell, Cardy tells him: “I had a dog once. Othello. That was its name. Othello.”

After Cardy’s death, Ash enlists Hazel to uncover the truth behind the young man’s death. At first suspicious and later determined, Hazel knows her young career lies in the balance if she pursues the thread of a case Ash has handed her.

By showing Cardy’s knowledge of his impending death, even before he winds up a cell, Bannister dangles a provocative hook that will have readers turning pages as Hazel and Ash figure out why Cardy had to die.

The growing strength of friendship between Hazel and Ash leads to the novel’s unexpected ending, when it seems no one can be trusted, and their lives hang in the balance.

Bannister’s dry wit is on show here. Nicely nuanced characters and a fair amount of tension and tension will have readers hoping this is not the last appearance of this unlikely duo.

Deborah Crombie: The Sound of Broken Glass Sunday, Feb 24 2013 

One of the delights of Deborah Crombie’s novels are the British neighborhoods and environs she explores for her murder mysteries. images_067

In this 15th outing between her now-married detective pair of Gemma James and Duncan Kincaid, The Sound of Broken Glass remains firmly rooted in foggy London in the Crystal Palace area. Chapter epigraphs, a device Auntie M highly enjoys, all pertain to the history and destruction of the Crystal Palace building that gave the area its name.

Crombie has kept the series fresh and humanizing by moving along the personal relationships in the Kincaid household and allowing for the growth of the marriage between the main characters. With the addition to their family of a three year-old foster daughter, Charlotte, it is Duncan’s turn to be at home to assist the traumatized little girl through her integration into their family and a more normal life. These moments remind us that police men and women have families of their own, whose absences are noted when normal routines must be adjusted around the demands of a murder investigation.

The main case belongs to Gemma this time, aided by DS Melody Talbot. They investigate the murder of a barrister who has been taking sole care of his wife, suffering from increasing dementia. The body of Vincent Arnott is found in a seedy hotel in the Crystal Palace area, naked, trussed and strangled. The contrast between the man’s public and private faces becomes immediately apparent and startling.

Then a second barrister is killed in the same way and additional evidence ties the cases together. The deaths tie in with a band playing in the area, and especially their talented guitarist, perched on the edge of fame. Is a serial killer at work?

Gemma and Melody must unravel connections going back over fifteen years to tie these murders together. At the heart they will find a bullied and lonely thirteen year-old boy and his relationship with a recently widowed teacher and neighbor. Duncan’s fears rise when a personal connection ties him to one of the suspects and provides the thread between the two murder victims.

When the past and the present collide, Gemma and Melody find themselves in the middle of an ice storm, racing through the steep streets of Crystal Palace to prevent more deaths.

Consistent and compelling, fans of the series won’t be disappointed with Crombie’s latest offering.

 

Peter Robinson: Watching the Dark Sunday, Jan 13 2013 

Robinson’s twentieth Chief Inspector Banks novel starts off in an unlikely place: St. Peter’s Police Convalescent Treatment Centre, just north of Eastvale, his stomping grounds. watching-the-dark

Watching the Dark opens with the introduction of DI Lorraine Jensen, recovering from multiple leg fractures, the result of a fall from a second-story tower block chasing drug dealers. Awakened early one morning by the pain her leg, she moves outside to watch the sunrise and wait for her painkillers to kick in.

As she sips her tea she notices a bundle of clothes on the far side of the lake. Using her crutch to get closer, she realizes the bundle is really a very dead man, kneeling forward with his head touching the ground.

When the team arrives and the police surgeon turns the body over, everyone is shocked to see a crossbow bolt sticking out of the man’s chest. A recent widower, DI Bill Quinn was a patient at St. Peter’s for issues with his neck.

When Banks decides to search the victim’s room himself, it appears there is little joy to be found. Quinn’s room sports a series of fishing and gardening magazines and only one book: Practical Homicide Investigation.

The well-practiced team swing into action. Interviews of the twelve resident patients and staff, as well as room searches, are carried out quickly and efficiently. That the Centre pays lip service to security is immediately apparent. The thing left to resolve: was Quinn’s murder revenge from a former convict? Or something more deep and sinister.

Then Banks takes a closer look at the book found in Quinn’s room. Under the endpapers, the detective has secreted a thin envelope containing three photographs of himself and a young woman in compromising positions.

But what do these photos have to do with the man’s murder? And how to they tie in with a dead migrant worker found in an abandoned Yorkshire farmhouse?

Then a cold case appears connected.  19 year-old Rachel Hewitt had disappeared on a hen party in Estonia several years ago and was Quinn’s biggest regret, a case he considered his only failure. Would her case provide the key to unlocking why DI Quinn had to die?

Complicating Banks investigation are two women. DI Annie Cabbot, Banks’ former lover and longtime colleague, due back after six months rehab from a shooting incident, is due to return to work in two days. Will she be up to the task or will her demons prevent her from doing her job?

Then Banks’ ACC throws him a curve ball in the form of a Professional Standards Inspector who is assigned to investigate Quinn’s death alongside Banks. Joanna Passero has her own agenda, and finding out if Quinn was a bent copper is just her surface assignment. She painfully dogs Banks’ steps, hampering his quest.

Robinson moves Banks around to Europe and the change of scenery keeps Banks on his toes and readers turning pages. Not all policemen have the same scruples, he will be quick to learn. But how does that tie in with people trafficking, migrant labor scams, and most importantly, murder?

Fans will be delighted to see Banks in action in this highly readable and compelling new novel from a master at the top of his game.

Nele Neuhaus: Snow White Must Die Sunday, Jan 6 2013 

German author Neuhaus is making news with the first English translation of a police procedural that will surprise readers and introduce them to a new detective duo to follow.

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Actually the second in the series, the international best seller features Detective Oliver von Bodenstein, troubled and distinctive, and his partner, Pia Kirchhoff. In this first US import, the Grimm fairy tale describing Snow White becomes a refrain to the story Neuhaus tells of 30-year old Tobias Sartorius. It opens as he leaves prison after serving ten years following the disappearance of two teenaged girls last seen in his company. Having no recollection of most of the events of the evening, his time in prison has been tortuous as he’s come to accept he must have murdered the two girls, despite having no memory of the night in question.

Of the two missing girls, the dark-haired Stefanie Schneeberger had been cast to play Snow White in the local play. On the night the girls disappeared, she was supposed to have broken off her dating relationship with Tobias.

Returning to his small home town, Tobias is shocked to learn the pretense his parents maintained while he imprisoned. They’ve lost their business and separated, and while his father still lives on in the same house, the town has made the family pay for what they feel is Tobias’ murder of the two missing girls by outcasting his parents and damaging their property, with continued harassment.

When Tobias’ mother is pushed from a pedestrian bridge onto the hood of a car below, the two detectives investigation is met with stony silence from the villagers. Then a young girl disappears, and the past seems to be repeating itself. With the villagers certain Tobias is to blame, his life hangs in jeopardy as the Oliver and Pia race against time to find the truth before the villagers take matters into their own hands.

This is lively nuanced mystery, with increasing suspense, and well-crafted characters. The effects of gossip, the use of local power, and the idea of keeping up appearances for outsiders will all be explored, even as Oliver and Pia have their own domestic issues barging into their hectic days. The novel is surprising at times as the events kick up and the pace surges ahead. Readers will become addicted to turning pages as the story engages them. Neuhaus lets them in early on a secret to that they have more information than the detectives, a device which serves to nicely up the suspense factor.

The well-drafted thriller will allow readers to see why Neuhaus is Germany’s top crime writer. In Europe the sixth in the series is in print, and readers here in the US can only hope the translators are hard at work to bring us the next installments of this complex and widely-read crime writer.

Mark Billingham: Good as Dead Sunday, Aug 12 2012 

A word first on television made from novels:

Mark Billingham’s novels include a stand-alone, In the Dark, and the DI Tom Thorne series, a character Lee Child has compared to Morse and Rebus. Thorne is now a television series in the UK and Auntie M has seen each of the three-parters that illustrate Billingham’s first two in the series, Sleepyhead and Scaredy Cat. Actor David Morrissey, also executive producer, read a Thorne novel and enjoyed it; then was pleasantly surprised to read he was exactly the actor whom the author pictured playing his detective inspector one, who plays close to, and sometimes, over the line.

The teleplays follow the the original story-lines closely, with the exception of a few casting changes, as in making Thorne’s superior, Brigstocke, a woman. His best friend, pathologist Phil Hendricks is described in the books as a tall, bald, heavily pierced and tattooed Mancunian. In the series, he’s aptly played by shorter Irishman, Aidan Gillen, whose head full of bushy dark hair nonetheless conveys the spirit of the original character as drawn by Billingham. But these are small changes.

What’s in full force is the power of the stories Billingham originally told, and Morrissey’s ability to get Tom Thorne’s ambivalent character just right. Here’s Gillen on the left and Morrissey on the right.

More of the novels are planned for future filming by Sky1; check the local satellite listings in your area.

Now on to the newest Thorne novel, Good as Dead (The Demands in the US).

Change is on Tom Thorne’s mind after upheaval in his personal life. He’s sold his beloved but not fixable old BMW for an updated model he’s still getting used to; he’s put his flat on the market; and he’s even considering a job transfer.

Then he finds himself called for by name, requested by a shopkeeper who has barricaded himself and two hostages into his news shop.

Thorne remembers the man’s name from a prior case involving manslaughter and the man’s son, who received an unusually long sentence in prison for what seemed to be manslaughter in self-defense.

The hostages are a cowardly banker and a DI from the Child Protection Unit whom Thorne remembers from a former case.

Helen Weeks’ partner was killed when she was pregnant with her son, now eight months old. Both hostages are in Amin Akhtar’s shop when harassment by local thugs causes him to snap, a classic case of being in the wrong place at just the wrong time.

Yet Amin has a specific point to holding these two by gunpoint. They are the leverage he needs for Thorne to investigate the apparent suicide of the his son in prison.

Convinced the youth wouldn’t have taken his own life, Amin tasks Thorne with unraveling the secrets behind his son’s death.

The threads Thorne pulls will have unexpected and surprising twists, in the way that Billingham does so well, as Thorne puts his career on the line to find the truth. Time is against him as hours and then days pass as he tries to find the truth about what happened at the youth institution housing Amin’s son.

And in the end, not everyone will walk out of that shop alive.

Billingham’s novels are complex and compelling, filled with with the right amount of psychological insight into his very human character’s mental state. The tension is taut and Billingham manages to keep getting better with each novel. The can’t come fast enough.

Mark Billingham: From the Dead Sunday, Apr 8 2012 

DI Tom Thorne’s life is about to become more complicated. On the personal front, he and his partner Louise, also in The Job, are splitting their time between their two flats, their plans to buy a large one together on hold after Louise’s miscarriage months before. The strain of grief is taking its toll on both of them, their relationship strained and worsening. At work, he’s on edge, waiting for the verdict in a case that has become personal and difficult to prove: that high-powered Adam Chambers murdered the missing Andrea Keane, without her body being found. Worse is that Chambers has become a media darling.

Into this tension steps Anna Carpenter, a new private investigator looking for a life different from the bank job she held before.

Recent photos have surfaced that seem to be of Alan Langford, a wealthy career criminal who supposedly died ten years ago, handcuffed to the steering wheel of his car which was set afire in the midst of Epping Forest. Langford’s wife had been subsequently arrested for paying for her abusive husband’s death and has just been released from prison.

Donna Langford is trying to reconnect with her teenaged daughter and start a new life with a female partner she’s met in prison. When these photos are anonymously delivered to her, Donna hires Anna to find the truth. Anna’s research finds Thorne sent Donna Langford to prison and she enlists his aid. When she shows up with the photos from Donna, she becomes attached to Thorne’s investigation by his publicity-seeking DSI, to his chagrin.

Thorne loses the Chambers case, which contributes to his moody, anti-social behavior. The Langford case takes Thorne to Spain, with the tension building as the investigation heats up. His patience with Anna at times wears thin, but her honesty and outlook wear him down, and he finds himself drawn to the young woman’s joy of life. By the end of the novel, Thorne is surprisingly vulnerable, even as the twists and turns of the plot take their toll. This one has a climax you won’t see coming.

By giving us Anna Carpenter’s point of view, Billingham ties readers to the amateur sleuth and how she views Thorne. His knack for describing small details in the life of his characters add texture and complexity that allow the reader to view them in reality, making him one of Auntie M’s favorite reads. This is compelling read, completely engrossing, and will keep you flipping pages to the unexpected ending.

UK’s Sky TV has filmed some of the Thorne series and it’s to Auntie M’s regret that the series isn’t available here yet. But the books are so well written that Thorne leaps off the page satisfyingly and without the need of film.

Billingham’s next in the Thorne series, Good as Dead, make number one in the UK and you can be certain Auntie M will be reading it soon.

Ian Rankin: Impossible Dead Sunday, Feb 26 2012 

Fans of Rankin’s creation Inspector Rebus were more than disappointed when he retired that character. But his newest creation, Matthew Fox, is proving a strong contender for our interest. First introduced in The Complaints, Fox and his team are called that because they work in the oft-despised area of Internal Affairs. “How come you hate cops so much?” is the question they are often asked.

The Impossible Dead brings readers into close contact with Fox and his team in this second installment, and we’re liking him more and more. Different from Rebus, he has his own tough job, with the team never welcomed. What is supposed to be a temporary assignment leaves Fox wondering how he can meld back into the CID department. Now they’ve been asked to investigate off their home area, in Val McDermid’s turf of Kirkcaldy, and their reception is less than warm. Detective Paul Carter has been found guilty of misconduct, a charge led by his own uncle, retired from the same force. Fox’s team are to clear up allegations that Carter’s colleagues had been covering up for him, turning a blind eye to the sexual favors Carter had supposedly exchanged with a variety of women, from drug addicts to casual offenders, to drop their charges.

But when they arrive to start their interviews, the three men they’ve arranged to see are at not at the station, and Tony Kaye, Fox’s colleague, can’t contain a nasty comment, to Fox’s chagrin. “News would now travel through the station: job done. The Complaints had come to town, found no one home, and let their annoyance show. The desk sergeant shifted his weight from one foot to the other, trying not to seem too satisfied at this turn of events.”

And so it goes: the lack of cooperation; the inadequate office space; the interviewees, when they are finally approached, sullen and uncooperative. There are hints of corruption, and a possible conspiracy, and Fox needs to widen his investigation. Then suddenly a murder occurs, and forensics show the weapon used should not even exist.

This sets off a chain of events that will take Fox back to ties within his own family, and with political connections to the social and politically-charged era of 1985. Fox finds himself following the past, which leads him to a visit the state mental hospital, where a patient with history and information Fox needs will correct his definition of power. “It’s something you hold in both hands like a weapon, something you can choose to use to strike at your enemies’ hearts.”

As Fox’s team concentrate on the current problem, Fox will delve into these buried secrets from the past, flushing out dangerous truths that could ruin reputations and threaten lives, even Fox’s own, and leave him questioning his role as a detective.

This is an intricately-plotted thriller, entangled with subplots involving Fox’s ill father and the damaged relationship he has with his sister. People are not whom they seem on the surface, in small and large ways. Rankin knows crime, and he knows human nature. A thoroughly satisfying read that will leave readers anticipating the next outing with Rankin and Matthew Fox.

Kate Flora: Redemption Sunday, Feb 19 2012 

HOMICIDE: OUR DAY BEGINS WHEN YOUR DAY ENDS.

That’s the slogan one of homicide detective Joe Burgess’ colleagues wears on a T-shirt.

Welcome to the very real, very gritty world of Joe Burgess, a cynical Portland, Maine cop with a soft heart and a tenacious nature that propels him to follow threads and solve his cases.

Burgess is a seasoned detective, coping in this volume with the added pressures of a committed relationship. He yearns for the resiliency of his younger years. “Between the unspeakable things people did to each other and the cases he couldn’t fix, the iron that held him upright and hopeful was rusting.”

But with age comes experience, and Burgess will need all of that and more to solve the murder of Vietnam vet and old high school friend, Reggie the Can Man.

Reggie’s alcoholism and mental problems post-war haven’t stopped Burgess from keeping an eye of Reggie and continually trying to rescue him since their shared days as 19-yr olds in the jungles of Southeast Asia. Reggie has spent decades alternating between appearing fine and then dropping into the dark hole of mental illness, propped up by his brother, Clay, and Burgess. On a perfect autumn Columbus Day, when all Burgess wants is the quiet calm of a picnic, Reggie’s body is found in the water off a pier in downtown Portland, and Burgess’ weekend off is lost.

When the drowning is questioned as deliberate, Burgess steels himself to do this last act of kindness for Reggie–find his murderer and bring him to justice. For Reggie had managed to keep secrets to protect the ones he loved, and it will take all of Burgess’ instincts and people skills to tease out the reason Reggie needed to die.

In the course of his investigation, Burgess will run up against a host of likely suspects, ranging from Reggie’s ex-wife and his wayward son, who also happens to be Burgess’ godson, to corrupt businessmen and a woman who claims to be a witch. She tries to prove it to Burgess in a most unusual way.

Flora gets the Portland area just right, from the lovely countryside and fishy scent of the harbor area, to the unused lot Burgess and his team scour for clues: ” … his nostrils were filled with the smells of crushed grass and weeds, mildew, and the sourness of rotting vegetation. Every season had its scent, and fall’s crisp scents of fresh air and burning leaves were underlain by the odor of death and decay. Like his life.” The people and the setting will jump off the page; the details of the police procedural are done just right, with distinct characters helping Burgess, even if he would sometimes use the word “help” sarcastically.

Her character’s are well-drawn, distinct individuals, but it’s Burgess and her story who will keep you reading for the resolution. Flora’s novels include seven in the Thea Kozak mysteries, a true crime novel and a suspense thriller. Finding Amy was nominated in 2007 for an Edgar and has been filmed for TV. Teaching writing for Grub Street in Boston, Flora has a new true crime project underway revolving around a Canadian serial killer, and is working on a screenplay.

Redemption is the third Joe Burgess novel. Auntie M will be reading the first two.

 

Denise Mina: The End of the Wasp Season Sunday, Nov 20 2011 

Ian Rankin calls fellow Scot Denise Mina: “The most exciting crime writer to have emerged in Britain in years.” Readers of Auntie M will know that she follows Mina’s crime novels, from her stand alones to her Paddy Meehan series. With a law degree in her pocket, Mina also writes short stories, has authored a play, and is a regular contributor to TV and radio.

Mina is back with a new protagonist, as original as any of her others. DS Alex Morrow is pregnant with twins when she catches a murder case that will send shock waves through the wealthy suburb of Glasgow where the victim lived. It will also touch Morrow’s personal life and impact her career as she tries to keep her own ghosts at bay.

Sarah Erroll had taken exceptional care of her ailing mother until the woman’s recent death, providing round-the-clock care in the home Joy Erroll loved. When Sarah is found brutally murdered at the bottom of the stairs of that home, it appears to be a vicious but random attack. Then Morrow listens to the recording made when Sarah tried to call 999 and hears her tell one of her murderers: “I know you.” The case is further complicated when stacks of cash are found hidden under the kitchen table, totaling close to $700,ooo Euros. What was the source of Erroll’s money? Who knew about it?

In a seemingly unrelated event in Kent, millionaire banker Lars Anderson hangs himself from the oak tree standing on the sacred lawn of his mansion. Under investigation for fraudulent business practices that have left his clients destitute, his death is seen by many as a penance for his lifetime self-serving attitude, a just decision in a world damaged by ever-widening recession. Although left in financial straits, his deeply damaged family mostly feel  a sense of release at his death. But just how damaged are they?

Stonewalled by DCI Bannerman, a man who’s learned how to turn rudeness into an art form, it will be up to Morrow to sort out the tangled web that connects both deaths. Travel to London follows as Morrow begins to unravel the threads that will lead to a shattering resolution.

This is a complex and multilayered novel, full of plot turns, with Mina illustrating a deft rendering of the complicated emotions of the people in the book’s world. This talent makes her characters eminently human, and her novels are ones easily gobbled up as the pages turn.

 

 

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