NOTE: This review was first published back in April. Auntie M is repeating it today, on its US publication date. If you aren’t already a fan of Elly Griffiths, get on board now! She’ll leave it up for a while so you can look for your copy, and while you’re at it, check out Griffith’s standalone, The Stranger Diaries, too, as well as her Stephens and Mephisto series set in 1950s Brighton.

It’s no secret Elly Griffiths long-running Dr. Ruth Galloway series is one of Auntie M’s favorites. She brings readers the newest, The Lantern Men, as accomplished as any of those preceding, one to read and savor, containing her wit and original and creative voice.

It’s been two years since Ruth left her marsh side cottage and her position at the North Norfolk University and as the police’s resident forensic archaeologist. She’s moved Cambridge to teach, and plan a future with historian Frank, and brought her daughter with DCI Nelson, Kate, and their cat, Flint. But where has she left her heart?

This is the subtext as the current story plays out. Having completed a week’s writing residency to finish what will be third book on forensic archaeology, Ruth is surprised when DCI Nelson appears for a visit.

Ivor March, in prison for life for murder, has offered to give up the site of more murdered bodies than he’s in prison for, but only if Ruth oversees the dig.

Reasonably wary, Ruth can hardly turn down a chance to bring closure to the families of the two missing young women, Nicola Ferris and Jenny McGuire. The Norfolk site where March insists the women are buried borders the fens in an area where local legend has it being haunted by figures holding lights and capturing travelers to bring them to their death. They are known as the Lantern Men.

The cast includes many of those readers will have met before and continues their stories but the case can be read as a stand alone. The setting continues its role as central to the case and to Ruth’s feelings as she becomes immersed in the case. But she’s chosen a new life in Cambridge; so why is she having panic attacks?

When a third body is found at the site, and another young woman is murdered, all bets are off. Nelson isn’t happy to entertain the thought that Ivor March is innocent? But if he isn’t the killer, then who is? While he keeps his feelings for Ruth buried as deeply as one of Ruth’s archaeological digs, he misses her, and that adds to his frustration over her new life with Frank in Cambridge.

It’s a finely wrought plot, with enough suspects to keep the reader at bay, while adding in terrific plot twists that will keep the reader on their toes with a building sense of urgency. Who is really at risk from a killer here?

All the balls Griffiths juggles stay afloat and lead to a stunning climax that finds this one Highly Recommended.