Continued Series Winners: Bradley, Johnstone, and Lovesey Sunday, Dec 29 2024 

Auntie M’s 2025 gift to you readers. Happy New Year! And three greats to read:

Alan Bradley’s Flavia de Luce Mysteries, set in the 1950s, are currently in production in the UK, based on the first in this wonderful series, The Sweetness at the Bottom of the Pie. The books are a revelation, and when Bradley created his young genius sleuth, 11 in the first book, he hit on a magnificent creature, at turns smart and wily.

So Auntie M was delighted to find a new adventure for Flavia, now 15, and her prodigious brain growing in leaps and bounds, in What Time the Sextion’s Spade doth Rust. Mentoring her live-in cousin, Undine, described as “odious” and “moonfaced,” Flavia attempts to channel Undine’s potential for trickery to her own uses in her investigations.

This time a former hangman dies after eating poisonous mushrooms, and the de Luce’s own cook is suspected. With her chemistry expertise (something Auntie M admires add wonders how Bradley gets his information), Flavia sets out to clear dear Mrs. Mullet and uncovers some surprising and disturbing truths about her own family along the way. Clever humor balances the darker bits. Terrific.

I recommend Doug Johnstone’s Skelf series all the time and often give one for gifts. This family of three generations of strong Edinburgh women have been through the wringer and keep chugging along, and that is at the forefront of Living is a Problem.

Running a funeral home and private investigation agency from their home, their personal lives become entwined in the stories. Matriarch Dorothy, a skilled drummer, too, tries to help her boyfriend who is suffering from PTSD, when a Ukrainian member of the refugee choir that Dorothy’s band plays with goes missing.

Her daughter, Jenny, is conducting a funeral when it’s attacked by a drone, and Jenny sees gangland interference. She and Archie, their funeral home helper, are becoming closer, despite their differences. And her daughter, Hannah, a scientist, finds her interests changing, while supported by her wife.

This series is consistent, with an uplifting story that doesn’t shrug away from life–and death–yet leaves the reader uplifted and wanting more Skelfs.

Peter Lovesey closes his long-running Peter Diamond series with Against the Grain. The stubborn Diamond has solved more than his share of cases using his wiles and wit, with some surprises along the way.

In Against the Grain, Diamond travels to the country for a holiday with his partner, Paloma, at the invitation of his former colleague Julie Hargreaves. It’s no secret that Diamond is contemplating life after detecting, and he must decide to retire or solider on.

But he’s no sooner in the lovely village of Baskerville when Julie’s ulterior motive is revealed: a horrific accident at a grain silo has resulted in a manslaughter conviction for the dairy farm’s owner, and Julie is convinced that not only was there a miscarriage of justice, but that the real killer is still at large. He soon finds unfamiliar village customs come to the forefront of his days.

Diamond finds himself up to his elbows, literally, in things he couldn’t begin to imagine, that delight readers and perhaps Diamond himself. And uses his experience and his knowledge of human nature to a stunning climax.

It’s always sad to say goodbye to beloved characters, and readers can only hope Lovesey will keep Diamond going in a story or two. A wonderful series amongst Lovesey’s other fiction, Diamond is but one of Lovesey’s creations who linger with readers and deserve to be investigated.

Elly Griffiths: The Man in Black Tuesday, Oct 15 2024 

Elly Griffiths has a treat for fans of her all of her series: a collection of stories that feature some of her favorite characters for readers to gobble up.

And what a collection this is! By turns heartwarming (St. Lucy’s Day), to the wry humor of Ruth’s First Christmas Tree, to a modernized Little Women in Castles in the Air. There are stand alones, too, such as Turning Traitor, What I Saw from the Sky, and others.

And we are treated to seeing Ruth Galloway and her Nelson together again for those readers who miss that series (hint, hint Elly!).

Many have tidbits of the history Griffiths sprinkles into her stories that add to them. And there’s even one from the viewpoint of Ruth’s cat, Flint (Flint’s Fireside Tale; A Christmas Story)

Best of all, the final story, Ruth Galloway and the Ghost of Max Mephisto, brings Ruth across the path of DI Harbinder Kaur, her protagonist from a different series, with the ghost of magician Max Mephisto from yet another of her series. It ties them all together, however briefly, for a delightful moment for readers.

Fiona Barton: Talking to Strangers Thursday, Sep 19 2024 

Fiona Barton introduced DI Elise King in LOCAL GONE MISSING, when the detective is recuperating after a mastectomy and called into a case sooner than expected.

At the time I was struck by how this idea of a woman detective recovering from something so many of us will face (I am a breast cancer survivor myself) hadn’t been tackled before; and of how well Barton gave us a picture of a woman reeling after being left by her long-time partner to face this alone, with all of the concurrent things that medically and emotionally are attached to it.

In TALKING TO STRANGERS, Elise is back at work with her chemo hair growing out but still affected by ‘chemo brain’ she hopes her team don’t notice. Her second-in-command and friend, DS Caro Brennan, is aware of the missing memory synapses and helps cover for her as she heals. It’s not a good feeling to think she’s not operating on all of her cylinders, especially when a new case arrives the day after Valentine’s Day.

A body found in Knapton Woods by walkers is soon identified by Elise herself, recognizing local hairdresser Karen Simmons from the small seaside town of Ebbing where she now lives. As the investigation heats up, links to a dating site emerge and the suspects are too numerous to be easily eliminated.

The death resonates strongly with another character, Annie Curtis, former nurse now a part-time medical receptionist, as her young son was found dead in that same woods fifteen years before. But this new killing brings the horror of that time and all of its agony to the forefront of Annie’s mind, and she finds herself drawn back to the woods and to the mother of the young man accused of her son’s murder.

How Barton brings these two threads together will take your breath away. She has a gift for strong characterizations that allow the reader to feel their emotions, whether it’s Elise’s lack of confidence or Annie’s deep searing pain that bind them to the reader.

And in her usual fashion, Barton also manages to create a whopper of an ending–which she then turns of its head. Brilliant and not to be missed.

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